New York Dolls (album)

886: 875: 642:. Scoppa, who paid afternoon visits to the studio, overheard Rundgren say, "Yeah, that's all you needed. Okay, let's try it again!", and ultimately found the exchange funny and indicative of Rundgren's opinion of the band: "Todd was such a 'musician' while they were just getting by on attitude and energy. But as disdainful as he appeared to be at some points he got the job done really well." Rundgren felt Johansen's wild singing often sounded screamed or drunken but also eloquent in the sense that Johansen demonstrated a "propensity to incorporate certain cultural references into the music", particularly on " 1035: 753: 559:, at the time, with most producers. They were afraid of us, I don't know why, but Todd wasn't. We all liked him from Max's ... Todd was cool and he was a producer." Sylvain, on the other hand, felt the decision to enlist him was based on availability, time, and money: "It wasn't a long list. Todd was in New York and seemed like he could handle the pace." Upon being hired, Rundgren declared that "the only person who can produce a New York record is someone who lives in New York". 510: 1140: 673: 988:

always jumping from voice to voice, so you're hearing a character addressing another character, or the narrator addressing the character, or the character or the narrator addressing us, all jammed up together so you're hearing bits of conversation and bits of subjective description in no kind of chronological order. But as someone says in 'Vietnamese Baby': 'Everything connects.'" On "Trash", Johansen undercuts his vaguely

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amused by how the record became considered a precursor to the punk movement: "The irony is that I wound up producing the seminal punk album, but I was never really thought of as a punk producer, and I never got called by punk acts. They probably thought I was too expensive for what they were going for. But the Dolls didn't really consider themselves punk." It was English singer

1015:. The photo was used for shock value, and on the back of the album, the band is photographed in their usual stage wear. To announce the album's release, Mercury published an advertisement slogan that read "Introducing The New York Dolls: A Band You're Gonna Like, Whether You Like It Or Not", while other ads called them "The Band You Love to Hate". Two 968:

or in a study of a specific subject, such as the "schizy imagemonger" on "Personality Crisis". He argues that beneath the band's decadent and campy surface are lyrics about "the modern world ... one nuclear bomb could blow it all away. Pills and personality crises weren't evils – easy, necessary, or whatever. They were strategies and

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band had hurried and questioned him while mixing the record: "It's too easy for it to become a free-for-all, with every musician only hearing their own part and not the whole. They all had other places to be, so rather than split, they rushed the thing and if that wasn't enough they took it to the crappy

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For the New York Dolls' debut album, Mercury wanted to find a record producer who could make the most out of the group's sound and the hype they had received from critics and fans in New York. At the band's first board meeting in Chicago, Johansen fell asleep in Mercury's conference room while record

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According to Sylvain, the album's influence on punk can be attributed to how Rundgren recorded Sylvain's guitar through the left speaker and Thunders' guitar on the right side, an orientation younger bands such as the Ramones and the Sex Pistols subsequently adopted. Rundgren, on the other hand, was

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observes a streetwise realism in the album's songs. In Christgau's opinion, Johansen's colloquial and morally superior lyrics are imbued with humor and a sense of human limits in songs whose fundamental theme is authenticity. This theme is explored in stories about lost youths, as on "Subway Train",

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Frankenstein wasn't just a creature to have sex with, he represented the whole funky New Yorkiness of New York, the ostentation and the terror, the dreams and the fear ... David was asking if you – if I – could make it with the monster of life, whether I could embrace life in all its pain and dreams

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before the band could record their own: "Our song 'Frankenstein' was a big hit in our live show ... Now, his thing didn't sound at all like ours, but I'm sure he stole our title." Johansen, the band's main lyricist, says "Frankenstein (Orig.)" is about "how kids come to Manhattan from all over,

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and hardly spoke to them while they recorded the album. According to Scoppa, the group's carefree lifestyle probably conflicted with Rundgren's professional work ethic and schedule: "He doesn't put up with bullshit. I mean, rarely started their live sets before midnight, so who knows? Todd was very

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as a lyrical mode. In Kogan's opinion, Johansen sings in an occasionally unintelligible manner and writes in a perplexing, fictional style that is lazy yet ingenious, as it provides his lyrics an abundance of "emotional meaning" and interpretation: "David never provides an objective framework, he's

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sounds by the time he was enlisted to produce the New York Dolls' debut album. Consequently, his initial impression of the group was that of a humorous live act who were technically competent only by the standards of other unsophisticated New York bands. "The Dolls weren't out to expand any musical

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found the band's impressive live sound to be mostly preserved on the album. However, he was slightly critical of production flourishes and overdubs, feeling that they make some lyrics sound incomprehensible and some choruses too sonorous. Although he was surprised at how well Rundgren's production

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in less than half a day. Rundgren felt the band seemed distracted and disinterested at that point, so he tried unsuccessfully to ban them from the mixing session. For the final mix, he minimized the sound of Nolan's drumming. In retrospect, Rundgren said the quality of the mix was poor because the

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In the studio, the New York Dolls dressed in their usual flashy clothes. Rundgren, who did not approve of their raucous sound, at one point yelled at them during the sessions to "get the glitter out of your asses and play". Sylvain recalled Rundgren inviting Buell and their Chihuahua to the studio

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in New York City for recording sessions in April 1973. Rundgren was originally concerned that they had taken "the worst sounding studio in the city at that time" because it was the only one available to them with the short time given to record and release the album. He later said that expectations

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was recorded there in eight days on a budget of $ 17,000 (equivalent to $ 117,000 in 2023). With a short amount of studio time and no concept in mind for the album, the band chose which songs to record based on how well they had been received at their live shows. In Johansen's own words, "we went

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in 1972. The band was meant to be a temporary project for the members, who were club-going youths that had gone to New York City with different career pursuits. As Sylvain recalled, "We just said 'Hey, maybe this will get us some chicks.' That seemed like a good enough reason." He and Murcia

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was met with widespread critical acclaim but sold poorly and polarized listeners. The band proved difficult to market outside their native New York and developed a reputation for rock-star excesses while touring the United States in support of the album. Despite its commercial failure,

497:: "I split after the first set. Paul stuck around for the second set, though, and after the show he called me and said, 'You should have stayed. I think they're really special.' Then, after that, I fell in love with them anyway." In March 1973, the group signed a two-album deal with a 737:, adding to stories that the two had clashed during the album's recording. Both Johansen and Scoppa later said they did not see any conflict between the two and that Thunders' typically foolish behavior was misinterpreted. Johansen later praised Rundgren for how he enhanced and 585:, while Johansen acknowledged that his recollections of the sessions have since been distorted by what he has read about them: "It was like the 1920s, with palm tree décor and stuff. Well, that's how I remember it, anyway." He also said Rundgren directed the band from the 599:

I think was actually quite taken that we obviously derived our talent from the streets. We may not have been professionally trained, but we could still write three minutes worth of magic. He probably played with other well-seasoned players who may have graduated from

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for the band and the festive atmosphere of the recording sessions proved to be more of a problem: "The Dolls were critics' darlings and the press had kind of adopted them. Plus, there were lots of extra people around, socializing, which made it hard to concentrate."

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prior to the album, Mark Plummer had dismissed their playing as the poorest he had ever seen, while the magazine's reporter Michael Watts viewed them as an encouraging albeit momentary presence in what he felt was a lifeless rock and roll scene at the time. In

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plea for stability, was co-written by Kane, who rarely contributed as a songwriter and felt overwhelmed as a young adult in the music business. Sylvain jokingly says "Frankenstein (Orig.)" was titled with the parenthetical qualifier because rock musician

1199:, Christgau hailed the New York Dolls as "the best hard rock band in the country and maybe the world right now", writing that their "special genius" is combining the shrewd songwriting savvy of early-1960s pop with the anarchic sound of late-1960s 826:: "Their songs, as punky as they were, usually had a lot to do with the same old boy-girl thing but in a much more inebriated way." Johansen quotes the lyric "when I say I'm in love, you'd best believe I'm in love L-U-V" from the Shangri-Las' " 1296:(2009), says that the New York Dolls's pioneering punk aesthetic of amateurish musicianship on the album undermined the musical sophistication that developed in the preceding years of popular music and was perfected months earlier with 1061:

in 2003, it ended up selling fewer than 500,000 copies. Music journalist Phil Strongman said its commercial failure could be attributed to the New York Dolls' divisive effect on listeners, including writers from the same magazine. In a

1119:, became "the most walked-out-on band in the history of show business". Strongman wrote that the band and the album were difficult to market because of their kitschy style and how Murcia's death had exacerbated their association with 809:

song "Pills". Johansen describes the album as "a little jewel of urban folk art". Rundgren, on the other hand, says the band's sensibilities were different from "the urban New York thing" because they had been raised outside

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horizons", said Rundgren, although he enjoyed Thunders' "attitude" and Johansen's charismatic antics onstage. Johansen had thought of Rundgren as "an expert on second rate rock 'n' roll", but also said the band was "kind of

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had permeated the music scene. That album was where a new decade began, where a contemporary version of the essence of rock 'n' roll emerged to kick out the tired old men and clear the way for the New Order.

771: 1193:, said it is by far 1973's most compelling hard rock album and that at least half of its songs are immediate classics, particularly "Personality Crisis" and "Trash", which she called "transcendent". In 830:" (1964) when opening "Looking for a Kiss", which tells a story of adolescent romantic desire hampered by peers who use drugs. On "Subway Train", he uses lyrics from the American folk standard " 950:, Frank Kogan writes that it serves as a personification for New York and its ethos, while Johansen asking listeners if they "could make it with Frankenstein" involves more than sexual slang: 412:

not to talk about New York Dolls uptown if she wanted to work in the music biz. They were petrified of the Dolls. They thought they were homosexual. It wasn't just homophobia; it was still

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works with the group's raunchy sound on most of the songs, Glover ultimately asked whether or not "the record alone will impress as much as seeing them live (they're a highly

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they're kind of like whipped dogs, they're very repressed. Their bodies and brains are disoriented from each other ... it's a love song." In interpreting the song's

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each instrument, giving listeners the impression that " in a room and there's a band playing", while Sylvain said his mix accurately captured how the band sounded live.

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movement as the group's crude musicianship and youthful attitude on the album challenged the prevailing trend of musical sophistication in popular music, particularly

710:" and played synthesizers on "Vietnamese Baby" and "Frankenstein (Orig.)", which Sylvain recalled: "I remember him getting those weird sounds from this beautiful old 4267: 3972: 1424: 4450: 5387: 1724:, which polled a number of leading music journalists and record collectors. Christgau, one of the critics polled, ranked it as the 15th best album of the 1970s in 320:

sensibilities – explores themes of urban youth, teen alienation, adolescent romance, and authenticity, as rendered in Johansen's colloquial and ambiguous lyrics.

1089:. Reviews complimented their songwriting, Thunders and Sylvain's guitar interplay, and noted their campy fashion and the resemblance of Johansen and Thunders to 5270: 2360: 3795: 1055:

while in the UK it failed to chart altogether. The record sold over 100,000 copies at the time and fell well short of expectations in the press. According to

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was released on July 27, 1973, in the United States and on October 19 in the United Kingdom. Its controversial cover featured the band dressed in exaggerated

4657: 4423: 4056: 1705:(2004), Joe Gross calls it an "absolutely essential" record and "epic sleaze, the sound of five young men shaping the big city in their own scuzzy image". 1258:

is often cited as one of the greatest debut albums in rock music, one of the genre's most popular cult records, and a foundational work for the late 1970s

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25,000 advance from Mercury. According to Sylvain, some of the members' parents had to sign for them because they were not old enough to sign themselves.

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before Rundgren added his own piano flourishes to both that song and "Private World". Rundgren also contributed to the background vocals heard on "

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into a room and just recorded. It wasn't like these people who conceptualize things. It was just a document of what was going on at the time."

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Some songs were embellished with additional instruments, including Buddy Bowser's brassy saxophone on "Lonely Planet Boy". Johansen sang into

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in Wembley. However, on the New York Dolls' first tour of England that year, Murcia died after consuming a lethal combination of alcohol and

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polled a panel of prominent recording artists and songwriters for the magazine's "100 Records That Changed the World" publication, in which

416:. People don't remember that it was the law. To say the Dolls, guys who wore makeup, were your friends was like saying you knew a criminal. 1787: 1223:

group)." Years later, Christgau would also voice that the album is "in fact a little botched aurally", but still regarded it as a classic.

1203:. He claimed that the record's frenzied approach, various emotions, and wild noise convey Manhattan's harsh, deviant thrill better than 4198: 1266:

considers it one of the records crucial to rock's evolution. The album was a pivotal influence on many of the rock and roll, punk, and

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s readers poll, the album earned the band awards in the categories of "Best New Group of the Year" and "Worst New Group of the Year".

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because of how the band "captured both the glory and sorrow of glam, the high jinx and wasted youth, with electric photorealism". In

646:". While recording the song, Johansen walked back into the control room and asked Rundgren if his vocals sounded "ludicrous enough". 5051: 4998:"July 27, 1973: The 40th Anniversary of the Release of the Debut Album by The New York Dolls... Their Fan Club President Remembers" 4980: 4772: 4004: 3923: 3741: 339:. Among the most acclaimed albums in history, it has since been named in various publications as one of the best debut records in 702:

for "Vietnamese Baby" and harmonica on "Pills". For "Personality Crisis", Sylvain originally played on The Record Plant's Yamaha

1237: 928:, because many of Manhattan's white youths at the time were wealthy and somewhat artsy, only ill-behaved young people from the 831: 539:". Rundgren had socialized at venues such as Max's Kansas City and first saw the Dolls when his girlfriend at the time, model 5284: 4757: 4684: 4675: 4636: 4583: 4399: 4234: 3950: 3784: 1292: 1097:. However, some critics panned them as an unserious group of amateurs who could not play or sing. During their appearance on 932:

like the band could "capture the oppressive excitement Manhattan holds for a half-formed human being". "Private World", an

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later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of carefree

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tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer

4997: 4647: 3899: 3876: 895: 1123:, which "wasn't altogether true in the early days". They remained the most popular band in New York City, where their 850:

and the Rolling Stones, resulting in music that sounds edgy and threatening in spite of the New York Dolls' wittingly

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famous before we could actually become famous. We acted like we were already rock stars. Arthur even called his bass '

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ignited punk rock and could still inspire more movements because of the music's abundant attitude and passion, while

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lab that Mercury had put them in." Thunders famously complained to a journalist that Rundgren "fucked up the mix" on

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album than any of the Stooges' releases because of how it "plunders history while celebrating it, creating a sleazy

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deems it "a major landmark in rock history, oozing attitude, vitality and controversy from every note". Writing for

3815: 1736:(1974), although years later he would say the first album should be ranked ahead and was his favorite rock album. 5392: 762: 277:

and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as

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later ranked the album at number 215 on a revised list in 2012 and then at 301 in another revised list in 2020.

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said the band's raunchy style of rock and roll had been vividly recorded by Rundgren on an album that, besides

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and positive pleasures". According to journalist Steve Taylor, "Vietnamese Baby" deals with the impact of the

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Although Sylvain said Rundgren was not an interfering producer, he occasionally involved himself to improve a

4792: 4471: 4364: 1750: 1657: 1633: 1436: 1173:(1973), serves as the only one "so far to fully define just exactly where 1970s rock should be coming from". 5044: 4310: 5302: 4882: 4522: 4503: 4413: 1939: 942: 778: 707: 466: 215: 3714: 654: 269:. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in 5377: 4165: 1786:

was voted the 39th most influential and inspirational record ever. In 2013, it placed at number 355 on

381: 1328:, the record "struck such a chord with that he was not only moved to form his own influential group, 649:

Because the Dolls had little money, Sylvain and Thunders played the austerely designed and affordable

638:. During another session, he stopped a take and walked out of the control room to plug in Kane's bass 5330: 5309: 5277: 5213: 4226: 4115: 3697: 3672: 2376: 2343: 1831: 1732: 1302: 1099: 947: 827: 691: 643: 608:, but could they write a damn good fucking tune? Todd knew we were writing tunes for our generation. 219: 180: 1111:" in his on-air comments. They also developed a reputation for rock-star excesses, including drugs, 874: 594:

much in charge in the studio, however, and I got the impression that everybody was looking to him."

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appears frequently on professional listings of the greatest albums. In 1978, it was voted 199th in

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In October 1972, the group garnered the interest of critics when they opened for English rock band

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guitars on the record. They jokingly referred to them as "automatic guitars" due to their limited

5037: 4476: 4291: 4161: 1754:(1995) named it the 70th best alternative album. In 2002, it was included on a list published by 835: 525:, a musician and producer who by 1972 had achieved unexpected rock stardom with his double album 413: 5323: 5140: 4867: 4697:(1996). "The 100 Most Influential Alternative Releases of All Time". In Schinder, Scott (ed.). 1204: 680: 650: 4571: 4466: 3967: 3745: 2371: 1662: 1325: 1085:

After the album's release, the Dolls toured the US as a supporting act for English rock band

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tastes and technologically savvy productions, Rundgren had become increasingly interested in

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executive for the label. Scoppa initially viewed them as an amusing but inferior version of

481:. It was crazy." Their performance at the Mercer Arts Center was attended by journalist and 4749: 4445: 4087: 4061: 3868: 2114: 899: 738: 527: 486: 458: 4051: 3886:

Cagle, Van M. (2013). "Trudging Through the Glitter Trenches". In Waldrep, Shelton (ed.).

8: 5135: 5002: 4369: 3977: 3771: 2366: 1647: 3913: 5252: 4955: 4915: 4595: 4496: 4338: 4262: 4109: 4092: 1104: 1012: 687: 666: 494: 462: 451: 313: 4900: 4219: 3940: 976:

at the time on everyday activities for people, whose fun is undermined by thoughts of

5347: 4942: 4932: 4830: 4826: 4801: 4776: 4753: 4730: 4704: 4698: 4680: 4632: 4606: 4579: 4552: 4507: 4480: 4418: 4395: 4373: 4348: 4344: 4295: 4230: 4173: 4147: 4137: 4119: 4065: 4036: 4013: 3981: 3945: 3895: 3872: 3846: 3780: 1726: 1474: 1391: 1283: 1200: 921: 556: 384:, which gave them the idea for their name. The group soon began playing regularly in 1766:

named it both the 13th greatest punk album and the 49th greatest album of all time.

396:. Nonetheless, record companies were hesitant to sign them because of their onstage 5165: 4896: 4718: 4628: 4602: 4362:

Gross, Joe (2004). "New York Dolls". In Brackett, Nathan; Hoard, Christian (eds.).

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After returning to New York, the Dolls played to capacity crowds at venues such as

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Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever

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The Accidental Evolution of Rock'n'roll: A Misguided Tour Through Popular Music

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After signing a contract with Mercury, the Dolls recorded their first album at

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received widespread acclaim from contemporary reviewers. In a rave review for

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as an innovative record, brilliantly chaotic, and well produced by Rundgren.

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originally planned to work in the clothing business and opened a boutique on

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Punk Diary: The Ultimate Trainspotter's Guide To Underground Rock, 1970–1982

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Images of American Society in Popular Music: A Guide to Reflective Teaching

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Grown Up All Wrong: 75 Great Rock and Pop Artists from Vaudeville to Techno

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New York Rock: From the Rise of The Velvet Underground to the Fall of CBGB

1332: ... but would eventually convince the surviving Dolls to reunite ". 1051:

was commercially unsuccessful and only reached number 116 on the American

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All Hopped Up and Ready to Go: Music from the Streets of New York 1927–77

2074: 2068: 2004: 1686: 1279: 1275: 1215: 1164: 1090: 973: 847: 715: 703: 695: 635: 478: 443: 405: 364: 360: 85: 4194: 5155: 5130: 5018: 4960: 4821: 4816: 4334: 4133: 3643: 2139: 1987: 1756: 1696: 1674: 1557: 1507: 1329: 1316:

for serving as "an efficacious antidote to the excesses of prog rock".

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with Nolan when he struggled keeping a beat and drummed out beats on a

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executives discussed potential producers. He awoke when they mentioned

447: 393: 340: 278: 258: 97: 3742:"BMI Songwriters Dominate Mojo's '100 Records That Changed The World'" 1139: 902:

car, 1973. The album features associations with the city and its wild

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in 1973 drew hundreds of young fans and local television coverage.

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sensibilities. "Personality Crisis" features raunchy dual guitars,

450:, Steve Leber, and David Krebs still struggled to find the band a 5316: 5029: 5023: 4905: 3918: 2018: 1271: 1195: 1112: 1024: 969: 631: 232: 1040: 851: 490: 4971:"The New York punk albums you need in your record collection" 1730:

the following year – 11 spots behind the Dolls' second album

1146:(pictured in 2010) was one of the album's earliest supporters 1075: 498: 38: 3414: 2522: 1023:

were released – "Trash" / "Personality Crisis" in July and "

781:" is a punky pop rock song with ambiguous lyrics about love. 2920: 2918: 2842: 2840: 2797: 2795: 2793: 2623: 2062: 983:

On songs such as "Subway Train" and "Trash", Johansen uses

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deems to be "colorful, if exaggerated, expressions of teen

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Anon. (August 1995). "The 100 Greatest Albums Ever Made".

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considers it to be a more definitive glam rock album than

1027:" / "Vietnamese Baby" in November 1973 – neither of which 4258:"Why Aren't the New York Dolls in the Rock Hall of Fame?" 3590: 1312:

publication "1000 albums to hear before you die" credits

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that was across the street from a toy repair shop called

3227: 2942: 2915: 2837: 2790: 2670: 2668: 2666: 996:" if he takes a "lover's leap" with the song's subject. 862:

piano, and a histrionic pause, while "Trash" is a punky

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Lipstick Killers – The Mercer Street Sessions 1972

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Contemporary Musicians: Profiles of the People in Music

3392: 3390: 3150: 3074: 3062: 3038: 2852: 2651: 2595: 2411: 2300: 1669:, Erlewine – the website's senior editor – claims that 714:

he brought in. He said it was a model that only he and

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standalone amplifier through the speaker cabinets of a

626:. Sylvain recalled moments when Rundgren went into the 3973:

Christgau's Record Guide: Rock Albums of the Seventies

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in New York; the group later appeared in exaggerated

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Mendelsohn, Jason; Klinger, Eric (August 23, 2013).

4847:(November 19, 1973). "Frankenstein at the Waldorf". 3888:

The Seventies: The Age of Glitter in Popular Culture

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Retromania: Pop Culture's Addiction to Its Own Past

3271: 3174: 2982: 2822: 2745: 2722: 2703: 2680: 2578: 2438: 4594: 4576:A Wizard, A True Star: Todd Rundgren in the Studio 4495: 4441:"The Top 500 Albums of All Time, According to NME" 4218: 3554: 3311: 3215: 3050: 2485: 2450: 2426: 2361:Lipstick Killers – The Mercer Street Sessions 1972 2049:Credits are adapted from the album's liner notes. 1774:in 2003 and "Personality Crisis" at number 271 on 4648:"Morrissey Reveals His Favourite LPs Of All Time" 3578: 3363: 392:within a few months with their reckless style of 5369: 3566: 1134: 5388:Albums recorded at Record Plant (New York City) 5221:One Day It Will Please Us to Remember Even This 657:features. To amplify their guitars, they ran a 4057:Christgau's Consumer Guide: Albums of the '90s 3723:. 1000 albums to hear before you die. London. 465:in what Sylvain called a determined effort to 5045: 4789: 3496: 3420: 1794:s list of the 500 greatest albums of all time 898:skyline at night, 1971. Bottom: A vandalised 4192: 4160: 3261: 3028: 2801: 2540: 2512: 2475: 2420: 1601: 1563: 1525: 1480: 1442: 1397: 1359: 698:them into the song. He also played an Asian 343:and one of the greatest albums of all time. 4790:Weisbard, Eric; Marks, Craig, eds. (1995). 4548:"Reissue of Dolls' debut is stiletto-sharp" 4255: 2657: 2641: 562: 5052: 5038: 4956:"Counterbalance No. 138: 'New York Dolls'" 4822:MusicHound Rock: The Essential Album Guide 4498:Real Punks Don't Wear Black: Music Writing 4340:MusicHound Rock: The Essential Album Guide 3652:Anon. (March 2003). "Top 50 Punk Albums". 3641:Anon. (May 2002). "100 Best Punk Albums". 992:beliefs with the possibility of going to " 504: 355:formed the New York Dolls with guitarists 331:was an influential precursor to the 1970s 257:is the debut studio album by the American 29: 4815:Wicks, Todd (1996). "New York Dolls". In 4743: 4520: 4085: 4049: 4026: 4001: 3965: 3938: 3908: 3480: 3476: 3472: 3233: 3209: 3144: 3080: 3068: 3032: 2948: 2924: 2909: 2870: 2846: 2817: 2813: 1744:'s 1996 list of the 100 most influential 1226: 581:and putting the latter atop an expensive 4619: 4213: 3289: 3257: 3156: 3044: 2768: 2601: 2340: 1722:Rock Critics' Choice: The Top 200 Albums 1708: 1138: 1033: 671: 508: 4693: 4592: 4545: 4408: 4180:from the original on September 10, 2013 3939:Christgau, Robert (December 17, 1979). 3833: 3596: 3492: 3345: 3168: 3132: 3128: 3116: 3104: 2972: 2858: 2831: 2784: 2772: 2629: 2479: 18:1973 studio album by New York Dolls 5370: 4996:Phillips, Binky (September 25, 2013). 4926: 4843: 4766: 4717: 4465: 4386: 4308: 4282: 4243: 4107: 3764: 3739: 3727:from the original on November 25, 2013 3712: 3660: 3651: 3560: 3528: 3512: 3460: 3436: 3432: 3396: 3357: 3317: 3265: 3221: 3197: 3056: 3016: 2988: 2976: 2936: 2874: 2756: 2674: 2617: 2568: 2516: 1179:founder and editor Ira Robbins viewed 999: 543:, brought him there to see them play. 296:, who was known for his sophisticated 5033: 4883:"New York Dolls 'Personality Crisis'" 4814: 4676:101 Albums That Changed Popular Music 4672: 4570: 4521:Matsumoto, Jon (September 29, 1994). 4493: 4361: 4333: 4193:Erlewine, Stephen Thomas (b) (n.d.). 4088:"New York Dolls: 'Too Much Too Soon'" 3885: 3859: 3839:Too Much Too Soon: The New York Dolls 3816:"The 500 Greatest Albums of All Time" 3813: 3793: 3752:from the original on January 24, 2016 3687: 3640: 3629: 3612: 3584: 3548: 3544: 3532: 3516: 3508: 3448: 3408: 3381: 3369: 3333: 3305: 3293: 3245: 3185: 3092: 3004: 3000: 2960: 2897: 2885: 2739: 2716: 2697: 2645: 2613: 2589: 2572: 2556: 2544: 2528: 2500: 2463: 2444: 2432: 2160:Too Much Too Soon: The New York Dolls 2031: 2013: 1996: 1980: 1966: 1952: 1934: 1892: 1878: 1864: 1850: 1826: 1340: 1293:101 Albums That Changed Popular Music 273:after forming in 1971. However, most 4969:Olliver, Alex (September 20, 2017). 4645: 4453:from the original on August 15, 2015 4438: 4256:Gerstenzang, Peter (July 24, 2013). 4247:(April 27, 2000). "New York Dolls". 4132: 3572: 3329: 3277: 1760:of the 100 best punk records, while 1324:'s favorite album, and according to 1270:groups that followed, including the 801:features ten original songs and one 285:on the album cover for shock value. 4914:Christgau, Robert (February 1973). 4746:Pretty Vacant: A History of UK Punk 4321:from the original on April 14, 2014 4309:Glover, Tony (September 13, 1973). 4270:from the original on April 17, 2016 4201:from the original on March 26, 2014 3953:from the original on March 25, 2014 3765:Anon. (2007). "New York Dolls". In 1770:placed the record at number 213 on 832:Someone's in the Kitchen with Dinah 744: 485:publicity director Bud Scoppa, and 446:as his replacement, while managers 13: 5059: 4859: 4660:from the original on July 14, 2012 4533:from the original on March 4, 2014 4426:from the original on March 4, 2014 4086:Christgau, Robert (October 2005). 4005:Christgau's Record Guide: The '80s 3926:from the original on July 14, 2014 2975:, "Chapter 6: Little L.A. Women"; 2149: 2111:Steve Leber – executive production 2108:David Krebs – executive production 751: 467:"fake it until they could make it" 14: 5409: 5011: 4916:"In Love With the New York Dolls" 4881:Buskin, Richard (December 2009). 4866:Alexander, Phil (July 31, 2013). 4546:McLeese, Don (November 4, 1987). 4365:The New Rolling Stone Album Guide 4195:"New York Dolls – New York Dolls" 4166:"New York Dolls : Biography" 3796:"500 Greatest Albums of All Time" 1702:The New Rolling Stone Album Guide 1603: 1565: 1527: 1520:The New Rolling Stone Album Guide 1482: 1444: 1399: 1361: 1038:The New York Dolls performing on 5383:Albums produced by Todd Rundgren 4081:– via robertchristgau.com. 3997:– via robertchristgau.com. 1799: 1622: 1617: 1612: 1607: 1602: 1584: 1579: 1574: 1569: 1564: 1546: 1541: 1536: 1531: 1526: 1496: 1491: 1486: 1481: 1463: 1458: 1453: 1448: 1443: 1413: 1408: 1403: 1398: 1380: 1375: 1370: 1365: 1360: 884: 873: 789:Problems playing this file? See 767: 265:, released on July 27, 1973, by 4929:A Brief History of Album Covers 4868:"New York Dolls: Jet Boy At 40" 4769:The A to X of Alternative Music 4700:Rolling Stone's Alt Rock-a-rama 4197:. AllMusic. All Media Network. 3605: 3538: 3522: 3502: 3486: 3466: 3426: 3323: 3283: 3251: 3122: 3022: 2994: 2966: 2864: 2807: 2762: 2635: 2607: 2562: 2389: 1210:In an overall positive review, 292:in New York City with producer 5235:Dancing Backward in High Heels 2534: 2506: 2469: 2083:– piano, rhythm guitar, vocals 1919: 1811: 1: 4793:Spin Alternative Record Guide 4472:Encyclopedia of Popular Music 4052:"How to Use These Appendices" 2405: 1778:the following year. In 2007, 1751:Spin Alternative Record Guide 1658:Encyclopedia of Popular Music 1634:Spin Alternative Record Guide 1437:Encyclopedia of Popular Music 1135:Critical reception and legacy 346: 4901:"Classy Dolls at the Mercer" 4162:Erlewine, Stephen Thomas (a) 3941:"Decade Personal Best: '70s" 3814:Anon. (September 22, 2020). 2154:Information is adapted from 2044: 1772:its 500 greatest albums list 1159:, published in August 1973, 834:". In the opinion of critic 567:Mercury booked the Dolls at 469:: "We had to make ourselves 7: 4679:. Oxford University Press. 4504:University of Georgia Press 3914:"New York Dolls Manuscript" 3713:Anon. (November 21, 2007). 2353: 1776:its 500 greatest songs list 1238:a hangover from the sixties 1103:in the UK, the show's host 959:Although the Dolls exhibit 10: 5414: 4723:The Great Rock Discography 4227:W. W. Norton & Company 4050:Christgau, Robert (2000). 4027:Christgau, Robert (1998). 4002:Christgau, Robert (1990). 3966:Christgau, Robert (1981). 3715:"Artists beginning with N" 3696:. New York. Archived from 3688:Anon. (December 9, 2004). 3671:. New York. Archived from 3661:Anon. (November 1, 2003). 1107:dismissed their music as " 866:song with brassy singing. 694:for additional vocals and 665:, and occasionally used a 382:the New York Doll Hospital 5340: 5294: 5262: 5244: 5198: 5067: 4116:Taylor Trade Publications 3497:Weisbard & Marks 1995 3421:Weisbard & Marks 1995 2377:Todd Rundgren discography 2324: 2313: 2293: 2274: 2263: 2229: 2187: 2181: 2167: 1929: 1926: 1923: 1918: 1821: 1818: 1815: 1810: 1673:is a more quintessential 1348: 1345: 1303:The Dark Side of the Moon 1100:The Old Grey Whistle Test 828:Give Him a Great Big Kiss 546:Known for having refined 371:; Rivets was replaced by 246: 208: 197: 193: 163: 155: 143: 131: 115: 84: 73: 65: 50: 37: 28: 23: 4744:Strongman, Phil (2008). 4593:Pilchak, Angela (2005). 4033:Harvard University Press 3968:"Consumer Guide '70s: N" 3769:; McLear, Colin (eds.). 2531:, pp. 73, 79, 84–6. 2382: 2136:Alex Spyropoulos – piano 2099:Buddy Bowser – saxophone 1425:Christgau's Record Guide 563:Recording and production 414:illegal to be homosexual 4566:(subscription required) 4477:Oxford University Press 4292:Hal Leonard Corporation 4108:Cooper, B. Lee (1982). 836:Stephen Thomas Erlewine 822:pop influences such as 505:Hiring of Todd Rundgren 400:and blatant vulgarity. 238:Released: November 1973 54:July 27, 1973 5393:Mercury Records albums 5324:Stranded in the Jungle 4927:Draper, Jason (2008). 4767:Taylor, Steve (2006). 4727:The National Academies 4719:Strong, Martin Charles 3794:Anon. (May 31, 2012). 3740:Anon. (July 3, 2007). 2142:– executive production 2117:– executive production 1896:"Frankenstein (Orig.)" 1695:(1972) or anything by 1243: 1227:Impact and reappraisal 1205:the Velvet Underground 1147: 1045: 957: 756: 683: 681:Gibson Les Paul Junior 651:Gibson Les Paul Junior 610: 517: 418: 5398:New York Dolls albums 4899:(December 21, 1972). 4673:Smith, Chris (2009). 4494:Kogan, Frank (2006). 4412:(November 17, 1987). 3746:Broadcast Music, Inc. 3663:"213) New York Dolls" 2372:Timeline of punk rock 2120:Dave O'Grady – makeup 2089:– lead guitar, vocals 1709:Professional rankings 1336:Retrospective reviews 1231: 1142: 1127:night concert at the 1037: 952: 943:song of the same name 814:and drew on carefree 755: 675: 597: 531:and its hit singles " 512: 403: 235:" / "Vietnamese Baby" 5101:Arthur "Killer" Kane 4750:Chicago Review Press 4523:"The New York Dolls" 4446:Consequence of Sound 4370:Simon & Schuster 3978:Ticknor & Fields 3690:"Personality Crisis" 3675:on September 2, 2006 2632:, pp. 123, 134. 2133:Ed Sprigg – engineer 2126:– additional piano, 2094:Additional personnel 2069:Arthur "Killer" Kane 1854:"Looking for a Kiss" 1165:Iggy and the Stooges 838:, the album's rowdy 634:for him to use as a 5003:The Huffington Post 4983:on October 27, 2021 4646:Robb, John (2010). 3772:The Mojo Collection 2367:List of rock albums 2145:Toshi – photography 2065:, harmonica, vocals 1915: 1882:"Lonely Planet Boy" 1807: 1648:The Mojo Collection 1337: 1306:(1973). Similarly, 1000:Marketing and sales 663:Fender Dual Showman 604:or worked with the 528:Something/Anything? 225:Released: July 1973 5310:Personality Crisis 5253:Red Patent Leather 5026:(list of releases) 4439:Kaye, Ben (2013). 3599:, pp. 214–17. 2341:(*) packaged with 2024:Johansen, Thunders 1973:Johansen, Thunders 1959:Johansen, Thunders 1913: 1832:Personality Crisis 1805: 1335: 1290:. Chris Smith, in 1148: 1046: 896:World Trade Center 842:songs also revamp 757: 684: 667:Fender Twin Reverb 644:Personality Crisis 518: 495:the Rolling Stones 463:Mercer Arts Center 351:In 1971, vocalist 314:Brill Building pop 312:, influences from 220:Personality Crisis 5378:1973 debut albums 5363: 5362: 5348:The Heartbreakers 5278:Seven Day Weekend 5214:Too Much Too Soon 4897:Christgau, Robert 4827:Visible Ink Press 4759:978-1-55652-752-4 4686:978-0-19-537371-4 4638:978-0-86547-994-4 4629:Faber & Faber 4585:978-1-906002-33-6 4578:. Jawbone Press. 4553:Chicago Sun-Times 4527:Los Angeles Times 4419:Los Angeles Times 4401:978-0-374-53354-0 4345:Visible Ink Press 4236:978-0-393-33483-8 4174:All Media Network 3946:The Village Voice 3910:Christgau, Robert 3786:978-1-84767-643-6 3308:, pp. 104–5. 3262:Erlewine (a) n.d. 3147:, pp. 44–45. 3029:Erlewine (a) n.d. 2912:, pp. 197–8. 2541:Erlewine (a) n.d. 2513:Erlewine (a) n.d. 2476:Erlewine (a) n.d. 2351: 2350: 2344:Too Much Too Soon 2041: 2040: 1945:Johansen, Sylvain 1909: 1908: 1868:"Vietnamese Baby" 1748:records, and the 1733:Too Much Too Soon 1727:The Village Voice 1643: 1642: 1475:Los Angeles Times 1392:Chicago Sun-Times 941:had released his 916:function as what 912:Several songs on 772: 557:persona non grata 459:Max's Kansas City 250: 249: 189: 188: 181:Too Much Too Soon 5405: 5341:Related articles 5166:Aaron Lee Tasjan 5054: 5047: 5040: 5031: 5030: 5007: 4992: 4990: 4988: 4979:. Archived from 4965: 4950: 4923: 4910: 4892: 4877: 4854: 4840: 4811: 4786: 4763: 4740: 4714: 4690: 4669: 4667: 4665: 4642: 4616: 4601:. Vol. 51. 4600: 4589: 4567: 4564: 4562: 4560: 4542: 4540: 4538: 4517: 4501: 4490: 4475:(4th ed.). 4462: 4460: 4458: 4435: 4433: 4431: 4405: 4383: 4368:(4th ed.). 4358: 4330: 4328: 4326: 4311:"New York Dolls" 4305: 4279: 4277: 4275: 4252: 4240: 4224: 4210: 4208: 4206: 4189: 4187: 4185: 4157: 4129: 4104: 4102: 4100: 4082: 4080: 4078: 4046: 4023: 3998: 3996: 3994: 3962: 3960: 3958: 3935: 3933: 3931: 3905: 3882: 3856: 3841:(3rd ed.). 3830: 3828: 3826: 3810: 3808: 3806: 3790: 3775:(4th ed.). 3761: 3759: 3757: 3736: 3734: 3732: 3709: 3707: 3705: 3684: 3682: 3680: 3657: 3648: 3637: 3626: 3600: 3594: 3588: 3582: 3576: 3570: 3564: 3558: 3552: 3542: 3536: 3526: 3520: 3519:, pp. 50–89 3506: 3500: 3495:, pp. 3–8; 3490: 3484: 3470: 3464: 3458: 3452: 3446: 3440: 3430: 3424: 3418: 3412: 3406: 3400: 3394: 3385: 3379: 3373: 3367: 3361: 3355: 3349: 3343: 3337: 3327: 3321: 3315: 3309: 3303: 3297: 3287: 3281: 3275: 3269: 3255: 3249: 3243: 3237: 3231: 3225: 3219: 3213: 3207: 3201: 3195: 3189: 3183: 3172: 3166: 3160: 3154: 3148: 3142: 3136: 3135:, pp. 105–6 3126: 3120: 3114: 3108: 3102: 3096: 3090: 3084: 3078: 3072: 3066: 3060: 3054: 3048: 3042: 3036: 3026: 3020: 3014: 3008: 2998: 2992: 2986: 2980: 2970: 2964: 2958: 2952: 2946: 2940: 2934: 2928: 2922: 2913: 2907: 2901: 2895: 2889: 2883: 2877: 2868: 2862: 2861:, pp. 81–2. 2856: 2850: 2844: 2835: 2829: 2820: 2811: 2805: 2802:Erlewine (b) n.d 2799: 2788: 2782: 2776: 2766: 2760: 2754: 2743: 2737: 2720: 2714: 2701: 2695: 2678: 2672: 2661: 2658:Gerstenzang 2013 2655: 2649: 2642:Gerstenzang 2013 2639: 2633: 2627: 2621: 2611: 2605: 2599: 2593: 2587: 2576: 2566: 2560: 2559:, pp. 84–5. 2554: 2548: 2538: 2532: 2526: 2520: 2510: 2504: 2498: 2483: 2473: 2467: 2461: 2448: 2442: 2436: 2430: 2424: 2421:Erlewine (a) n.d 2418: 2399: 2393: 2165: 2164: 2128:Moog synthesizer 2034: 1921: 1916: 1912: 1813: 1808: 1804: 1793: 1740:was included in 1681:along the way". 1627: 1626: 1625: 1621: 1620: 1616: 1615: 1611: 1610: 1606: 1605: 1589: 1588: 1587: 1583: 1582: 1578: 1577: 1573: 1572: 1568: 1567: 1551: 1550: 1549: 1545: 1544: 1540: 1539: 1535: 1534: 1530: 1529: 1501: 1500: 1499: 1495: 1494: 1490: 1489: 1485: 1484: 1468: 1467: 1466: 1462: 1461: 1457: 1456: 1452: 1451: 1447: 1446: 1418: 1417: 1416: 1412: 1411: 1407: 1406: 1402: 1401: 1385: 1384: 1383: 1379: 1378: 1374: 1373: 1369: 1368: 1364: 1363: 1338: 1334: 1251: 1144:Robert Christgau 1081: 1066:on the band for 978:collective guilt 926:Robert Christgau 924:". According to 900:Manhattan subway 888: 877: 774: 773: 754: 745:Music and lyrics 712:Moog synthesizer 618: 569:The Record Plant 552:progressive rock 442:. They enlisted 426: 378:Lexington Avenue 337:progressive rock 290:The Record Plant 239: 236: 226: 223: 165: 164: 127: 126: 122: 78:The Record Plant 61: 59: 33: 21: 20: 5413: 5412: 5408: 5407: 5406: 5404: 5403: 5402: 5368: 5367: 5364: 5359: 5336: 5290: 5258: 5240: 5194: 5121:Blackie Lawless 5087:Johnny Thunders 5080:Sylvain Sylvain 5063: 5058: 5014: 4995: 4986: 4984: 4968: 4953: 4939: 4913: 4895: 4880: 4865: 4862: 4860:Further reading 4857: 4837: 4808: 4783: 4760: 4737: 4711: 4687: 4663: 4661: 4639: 4621:Reynolds, Simon 4613: 4586: 4565: 4558: 4556: 4536: 4534: 4514: 4487: 4456: 4454: 4429: 4427: 4414:"Compact Discs" 4410:Hilburn, Robert 4402: 4380: 4355: 4324: 4322: 4302: 4273: 4271: 4237: 4204: 4202: 4183: 4181: 4154: 4126: 4098: 4096: 4076: 4074: 4072: 4043: 4020: 3992: 3990: 3988: 3956: 3954: 3929: 3927: 3902: 3879: 3853: 3824: 3822: 3804: 3802: 3787: 3777:Canongate Books 3755: 3753: 3730: 3728: 3703: 3701: 3700:on July 2, 2006 3678: 3676: 3623:Mercury Records 3617:(liner notes). 3608: 3603: 3595: 3591: 3583: 3579: 3571: 3567: 3559: 3555: 3543: 3539: 3527: 3523: 3511:, p. 139; 3507: 3503: 3491: 3487: 3471: 3467: 3459: 3455: 3447: 3443: 3435:, p. 316; 3431: 3427: 3419: 3415: 3407: 3403: 3395: 3388: 3380: 3376: 3368: 3364: 3356: 3352: 3344: 3340: 3328: 3324: 3316: 3312: 3304: 3300: 3292:, p. 319; 3288: 3284: 3276: 3272: 3260:, p. 319; 3256: 3252: 3244: 3240: 3232: 3228: 3220: 3216: 3208: 3204: 3196: 3192: 3184: 3175: 3167: 3163: 3155: 3151: 3143: 3139: 3131:, p. 106; 3127: 3123: 3115: 3111: 3103: 3099: 3091: 3087: 3079: 3075: 3067: 3063: 3055: 3051: 3043: 3039: 3027: 3023: 3015: 3011: 2999: 2995: 2987: 2983: 2971: 2967: 2959: 2955: 2947: 2943: 2935: 2931: 2923: 2916: 2908: 2904: 2896: 2892: 2884: 2880: 2873:, p. 194; 2869: 2865: 2857: 2853: 2845: 2838: 2830: 2823: 2816:, p. 195; 2812: 2808: 2800: 2791: 2783: 2779: 2771:, p. 245; 2767: 2763: 2755: 2746: 2738: 2723: 2715: 2704: 2696: 2681: 2673: 2664: 2656: 2652: 2640: 2636: 2628: 2624: 2612: 2608: 2600: 2596: 2588: 2579: 2567: 2563: 2555: 2551: 2547:, pp. 84–5 2539: 2535: 2527: 2523: 2511: 2507: 2499: 2486: 2474: 2470: 2462: 2451: 2443: 2439: 2431: 2427: 2419: 2412: 2408: 2403: 2402: 2394: 2390: 2385: 2356: 2264:United Kingdom 2222:United Kingdom 2152: 2150:Release history 2087:Johnny Thunders 2081:Sylvain Sylvain 2047: 2042: 2032: 2000:"Private World" 1910: 1901:Sylvain Sylvain 1842:Johnny Thunders 1802: 1791: 1718:Paul Gambaccini 1711: 1679:urban mythology 1623: 1618: 1613: 1608: 1585: 1580: 1575: 1570: 1547: 1542: 1537: 1532: 1508:MusicHound Rock 1497: 1492: 1487: 1464: 1459: 1454: 1449: 1414: 1409: 1404: 1381: 1376: 1371: 1366: 1253: 1245: 1229: 1137: 1129:Waldorf Astoria 1087:Mott the Hoople 1079: 1002: 961:tongue-in-cheek 948:titular monster 910: 909: 908: 907: 891: 890: 889: 880: 879: 878: 824:the Shangri-Las 796: 795: 787: 785: 784: 783: 782: 775: 768: 765: 758: 752: 747: 679:in 1979 with a 677:Johnny Thunders 628:isolation booth 620: 615:Sylvain Sylvain 612: 565: 533:I Saw the Light 507: 483:Mercury Records 428: 420: 386:lower Manhattan 373:Sylvain Sylvain 357:Johnny Thunders 349: 306:Sylvain Sylvain 275:music producers 271:lower Manhattan 267:Mercury Records 242: 237: 230: 229: 224: 213: 212: 203:New York Dolls 184: 175: 124: 120: 119: 57: 55: 46: 19: 12: 11: 5: 5411: 5401: 5400: 5395: 5390: 5385: 5380: 5361: 5360: 5358: 5357: 5350: 5344: 5342: 5338: 5337: 5335: 5334: 5331:Great Big Kiss 5327: 5320: 5313: 5306: 5298: 5296: 5292: 5291: 5289: 5288: 5281: 5274: 5266: 5264: 5263:Other releases 5260: 5259: 5257: 5256: 5248: 5246: 5242: 5241: 5239: 5238: 5231: 5228:Cause I Sez So 5224: 5217: 5210: 5207:New York Dolls 5202: 5200: 5196: 5195: 5193: 5192: 5191:Claton Pitcher 5189: 5186: 5183: 5180: 5177: 5174: 5171: 5168: 5163: 5161:Kenny Aaronson 5158: 5153: 5148: 5143: 5138: 5133: 5128: 5123: 5118: 5112: 5111: 5104: 5097: 5090: 5083: 5076: 5073:David Johansen 5068: 5065: 5064: 5061:New York Dolls 5057: 5056: 5049: 5042: 5034: 5028: 5027: 5019:New York Dolls 5013: 5012:External links 5010: 5009: 5008: 4993: 4966: 4951: 4937: 4924: 4911: 4893: 4888:Sound on Sound 4878: 4861: 4858: 4856: 4855: 4850:The New Yorker 4841: 4835: 4812: 4806: 4787: 4781: 4764: 4758: 4741: 4735: 4715: 4709: 4691: 4685: 4670: 4643: 4637: 4617: 4611: 4590: 4584: 4568: 4543: 4518: 4512: 4491: 4485: 4463: 4436: 4406: 4400: 4384: 4378: 4359: 4353: 4331: 4306: 4300: 4284:Gimarc, George 4280: 4253: 4241: 4235: 4215:Fletcher, Tony 4211: 4190: 4158: 4152: 4130: 4124: 4105: 4083: 4070: 4047: 4041: 4024: 4018: 4010:Pantheon Books 3999: 3986: 3963: 3936: 3906: 3901:978-1136690617 3900: 3883: 3878:978-1250083616 3877: 3857: 3851: 3831: 3811: 3791: 3785: 3762: 3737: 3710: 3685: 3658: 3649: 3638: 3627: 3619:New York Dolls 3615:New York Dolls 3613:Anon. (1973). 3609: 3607: 3604: 3602: 3601: 3589: 3577: 3565: 3553: 3537: 3521: 3515:, p. 76; 3501: 3485: 3481:Christgau 2000 3477:Christgau 2005 3473:Christgau 1979 3465: 3463:, p. 148. 3453: 3451:, p. 584. 3441: 3439:, p. 176. 3425: 3423:, p. 269. 3413: 3411:, p. 583. 3401: 3386: 3384:, p. 139. 3374: 3362: 3360:, p. 176. 3350: 3338: 3322: 3310: 3298: 3282: 3280:, p. 330. 3270: 3268:, p. 316. 3250: 3248:, p. 136. 3238: 3236:, p. 106. 3234:Christgau 1990 3226: 3214: 3210:Christgau 1973 3202: 3200:, p. 234. 3190: 3173: 3161: 3159:, p. 823. 3149: 3145:Strongman 2008 3137: 3121: 3119:, p. 106. 3109: 3107:, p. 105. 3097: 3095:, p. 106. 3085: 3081:Strongman 2008 3073: 3069:Strongman 2008 3061: 3049: 3047:, p. 319. 3037: 3033:Strongman 2008 3021: 3019:, p. 126. 3009: 3003:, p. 90; 2993: 2981: 2965: 2963:, p. 116. 2953: 2951:, p. 197. 2949:Christgau 1998 2941: 2939:, p. 163. 2929: 2927:, p. 198. 2925:Christgau 1998 2914: 2910:Christgau 1998 2902: 2900:, p. 811. 2890: 2888:, p. 114. 2878: 2871:Christgau 1998 2863: 2851: 2849:, p. 279. 2847:Christgau 1981 2836: 2821: 2818:Matsumoto 1994 2814:Christgau 1998 2806: 2789: 2777: 2761: 2744: 2721: 2702: 2679: 2677:, p. 316. 2662: 2650: 2634: 2622: 2616:, p. 86; 2606: 2604:, p. 318. 2594: 2577: 2561: 2549: 2533: 2521: 2505: 2484: 2468: 2449: 2447:, p. 102. 2437: 2425: 2409: 2407: 2404: 2401: 2400: 2387: 2386: 2384: 2381: 2380: 2379: 2374: 2369: 2364: 2355: 2352: 2349: 2348: 2338: 2337: 2334: 2330: 2329: 2326: 2323: 2319: 2318: 2315: 2312: 2311:United States 2308: 2307: 2304: 2298: 2295: 2291: 2290: 2287: 2283: 2282: 2279: 2276: 2272: 2271: 2268: 2265: 2262: 2258: 2257: 2254: 2250: 2249: 2246: 2240: 2239: 2236: 2231: 2230:United States 2227: 2226: 2223: 2219: 2218: 2215: 2211: 2210: 2207: 2203: 2202: 2199: 2195: 2194: 2191: 2186: 2183: 2179: 2178: 2175: 2172: 2169: 2151: 2148: 2147: 2146: 2143: 2137: 2134: 2131: 2121: 2118: 2112: 2109: 2106: 2100: 2091: 2090: 2084: 2078: 2072: 2066: 2059:David Johansen 2053:New York Dolls 2046: 2043: 2039: 2038: 2035: 2029: 2028: 2025: 2022: 2015: 2011: 2010: 2007: 2001: 1998: 1994: 1993: 1990: 1985: 1982: 1978: 1977: 1974: 1971: 1970:"Subway Train" 1968: 1964: 1963: 1960: 1957: 1954: 1950: 1949: 1946: 1943: 1936: 1932: 1931: 1928: 1925: 1922: 1911: 1907: 1906: 1903: 1897: 1894: 1890: 1889: 1886: 1883: 1880: 1876: 1875: 1872: 1869: 1866: 1862: 1861: 1858: 1855: 1852: 1848: 1847: 1844: 1838:David Johansen 1835: 1828: 1824: 1823: 1820: 1817: 1814: 1803: 1801: 1798: 1784:New York Dolls 1738:New York Dolls 1714:New York Dolls 1710: 1707: 1692:Ziggy Stardust 1671:New York Dolls 1653:New York Dolls 1641: 1640: 1637: 1629: 1628: 1599: 1591: 1590: 1561: 1553: 1552: 1523: 1515: 1514: 1511: 1503: 1502: 1478: 1470: 1469: 1440: 1432: 1431: 1428: 1420: 1419: 1395: 1387: 1386: 1357: 1351: 1350: 1347: 1343: 1342: 1314:New York Dolls 1256:New York Dolls 1235:New York Dolls 1230: 1228: 1225: 1190:The New Yorker 1187:, writing for 1181:New York Dolls 1151:New York Dolls 1136: 1133: 1095:Keith Richards 1049:New York Dolls 1021:7-inch singles 1017:double A-sided 1005:New York Dolls 1001: 998: 955:and disaster. 930:outer boroughs 918:Robert Hilburn 914:New York Dolls 893: 892: 883: 882: 881: 872: 871: 870: 869: 868: 820:Brill Building 799:New York Dolls 786: 776: 766: 761: 760: 759: 750: 749: 748: 746: 743: 735:New York Dolls 722:New York Dolls 659:Marshall Plexi 596: 589:with engineer 583:mixing console 574:New York Dolls 564: 561: 506: 503: 402: 398:cross-dressing 390:cult following 367:, and drummer 353:David Johansen 348: 345: 329:New York Dolls 324:New York Dolls 304:and guitarist 302:David Johansen 263:New York Dolls 254:New York Dolls 248: 247: 244: 243: 241: 240: 227: 209: 206: 205: 195: 194: 191: 190: 187: 186: 177: 172:New York Dolls 168: 161: 160: 157:New York Dolls 153: 152: 147: 141: 140: 135: 129: 128: 117: 113: 112: 111: 110: 105: 100: 95: 88: 82: 81: 75: 71: 70: 67: 63: 62: 52: 48: 47: 44:New York Dolls 42: 35: 34: 26: 25: 24:New York Dolls 17: 9: 6: 4: 3: 2: 5410: 5399: 5396: 5394: 5391: 5389: 5386: 5384: 5381: 5379: 5376: 5375: 5373: 5366: 5356: 5355: 5354:New York Doll 5351: 5349: 5346: 5345: 5343: 5339: 5332: 5328: 5325: 5321: 5318: 5314: 5311: 5307: 5304: 5300: 5299: 5297: 5293: 5287: 5286: 5282: 5280: 5279: 5275: 5273: 5272: 5268: 5267: 5265: 5261: 5255: 5254: 5250: 5249: 5247: 5243: 5237: 5236: 5232: 5230: 5229: 5225: 5223: 5222: 5218: 5216: 5215: 5211: 5209: 5208: 5204: 5203: 5201: 5197: 5190: 5187: 5184: 5182:Brian Delaney 5181: 5178: 5175: 5172: 5169: 5167: 5164: 5162: 5159: 5157: 5154: 5152: 5149: 5147: 5144: 5142: 5139: 5137: 5134: 5132: 5129: 5127: 5126:Chris Robison 5124: 5122: 5119: 5117: 5114: 5113: 5110: 5109: 5105: 5103: 5102: 5098: 5096: 5095: 5091: 5089: 5088: 5084: 5082: 5081: 5077: 5075: 5074: 5070: 5069: 5066: 5062: 5055: 5050: 5048: 5043: 5041: 5036: 5035: 5032: 5025: 5021: 5020: 5016: 5015: 5005: 5004: 4999: 4994: 4982: 4978: 4977: 4972: 4967: 4963: 4962: 4957: 4952: 4948: 4944: 4940: 4938:9781847862112 4934: 4930: 4925: 4921: 4917: 4912: 4908: 4907: 4902: 4898: 4894: 4890: 4889: 4884: 4879: 4875: 4874: 4869: 4864: 4863: 4852: 4851: 4846: 4845:Willis, Ellen 4842: 4838: 4832: 4828: 4824: 4823: 4818: 4813: 4809: 4807:0-679-75574-8 4803: 4799: 4798:Vintage Books 4795: 4794: 4788: 4784: 4782:0-8264-8217-1 4778: 4774: 4770: 4765: 4761: 4755: 4751: 4747: 4742: 4738: 4736:1-84195-312-1 4732: 4728: 4724: 4720: 4716: 4712: 4706: 4702: 4701: 4696: 4695:Strauss, Neil 4692: 4688: 4682: 4678: 4677: 4671: 4659: 4655: 4654: 4649: 4644: 4640: 4634: 4630: 4626: 4622: 4618: 4614: 4612:1-4144-0554-5 4608: 4604: 4599: 4598: 4591: 4587: 4581: 4577: 4573: 4569: 4555: 4554: 4549: 4544: 4532: 4528: 4524: 4519: 4515: 4509: 4505: 4500: 4499: 4492: 4488: 4482: 4478: 4474: 4473: 4468: 4467:Larkin, Colin 4464: 4457:September 30, 4452: 4448: 4447: 4442: 4437: 4425: 4421: 4420: 4415: 4411: 4407: 4403: 4397: 4394:. Macmillan. 4393: 4389: 4385: 4381: 4379:0-7432-0169-8 4375: 4371: 4367: 4366: 4360: 4356: 4354:0-7876-1037-2 4350: 4346: 4342: 4341: 4336: 4332: 4320: 4316: 4315:Rolling Stone 4312: 4307: 4303: 4301:0-87930-848-6 4297: 4293: 4289: 4285: 4281: 4269: 4265: 4264: 4259: 4254: 4250: 4249:Rolling Stone 4246: 4245:Fricke, David 4242: 4238: 4232: 4228: 4223: 4222: 4216: 4212: 4200: 4196: 4191: 4179: 4175: 4171: 4167: 4163: 4159: 4155: 4149: 4145: 4144:Da Capo Press 4141: 4140: 4135: 4131: 4127: 4125:0-88229-514-4 4121: 4117: 4113: 4112: 4106: 4095: 4094: 4089: 4084: 4073: 4071:0-312-24560-2 4067: 4063: 4059: 4058: 4053: 4048: 4044: 4042:0-674-44318-7 4038: 4034: 4030: 4025: 4021: 4019:0-679-73015-X 4015: 4011: 4007: 4006: 4000: 3989: 3987:0-89919-025-1 3983: 3979: 3975: 3974: 3969: 3964: 3952: 3948: 3947: 3942: 3937: 3925: 3921: 3920: 3915: 3911: 3907: 3903: 3897: 3893: 3889: 3884: 3880: 3874: 3870: 3866: 3862: 3861:Blush, Steven 3858: 3854: 3852:1-84449-984-7 3848: 3844: 3843:Omnibus Press 3840: 3836: 3835:Antonia, Nina 3832: 3821: 3820:Rolling Stone 3817: 3812: 3805:September 17, 3801: 3800:Rolling Stone 3797: 3792: 3788: 3782: 3778: 3774: 3773: 3768: 3763: 3751: 3747: 3743: 3738: 3726: 3722: 3721: 3716: 3711: 3699: 3695: 3694:Rolling Stone 3691: 3686: 3674: 3670: 3669: 3668:Rolling Stone 3664: 3659: 3655: 3650: 3646: 3645: 3639: 3635: 3634: 3628: 3624: 3620: 3616: 3611: 3610: 3598: 3593: 3586: 3581: 3574: 3569: 3562: 3557: 3550: 3546: 3541: 3534: 3530: 3525: 3518: 3514: 3510: 3505: 3498: 3494: 3489: 3482: 3478: 3474: 3469: 3462: 3457: 3450: 3445: 3438: 3434: 3429: 3422: 3417: 3410: 3405: 3399:, p. 74. 3398: 3393: 3391: 3383: 3378: 3371: 3366: 3359: 3354: 3348:, p. 52. 3347: 3342: 3336:, p. 83. 3335: 3331: 3326: 3319: 3314: 3307: 3302: 3296:, p. 106 3295: 3291: 3290:Fletcher 2009 3286: 3279: 3274: 3267: 3263: 3259: 3258:Fletcher 2009 3254: 3247: 3242: 3235: 3230: 3223: 3218: 3211: 3206: 3199: 3194: 3188:, p. 90. 3187: 3182: 3180: 3178: 3171:, p. 77. 3170: 3165: 3158: 3157:Fletcher 2009 3153: 3146: 3141: 3134: 3130: 3125: 3118: 3113: 3106: 3101: 3094: 3089: 3083:, p. 45. 3082: 3077: 3071:, p. 44. 3070: 3065: 3058: 3053: 3046: 3045:Fletcher 2009 3041: 3034: 3030: 3025: 3018: 3013: 3007:, p. 106 3006: 3002: 2997: 2990: 2985: 2978: 2974: 2969: 2962: 2957: 2950: 2945: 2938: 2933: 2926: 2921: 2919: 2911: 2906: 2899: 2894: 2887: 2882: 2876: 2872: 2867: 2860: 2855: 2848: 2843: 2841: 2833: 2828: 2826: 2819: 2815: 2810: 2803: 2798: 2796: 2794: 2787:, p. 55. 2786: 2781: 2774: 2770: 2769:Reynolds 2011 2765: 2758: 2753: 2751: 2749: 2742:, p. 89. 2741: 2736: 2734: 2732: 2730: 2728: 2726: 2719:, p. 88. 2718: 2713: 2711: 2709: 2707: 2700:, p. 87. 2699: 2694: 2692: 2690: 2688: 2686: 2684: 2676: 2671: 2669: 2667: 2659: 2654: 2648:, p. 85. 2647: 2643: 2638: 2631: 2626: 2620:, p. 316 2619: 2615: 2610: 2603: 2602:Fletcher 2009 2598: 2592:, p. 86. 2591: 2586: 2584: 2582: 2574: 2571:, p. 7; 2570: 2565: 2558: 2553: 2546: 2542: 2537: 2530: 2525: 2518: 2514: 2509: 2503:, p. 85. 2502: 2497: 2495: 2493: 2491: 2489: 2482:, p. 55. 2481: 2477: 2472: 2466:, p. 84. 2465: 2460: 2458: 2456: 2454: 2446: 2441: 2435:, p. 83. 2434: 2429: 2422: 2417: 2415: 2410: 2397: 2396:Rolling Stone 2392: 2388: 2378: 2375: 2373: 2370: 2368: 2365: 2363: 2362: 2358: 2357: 2346: 2345: 2339: 2335: 2332: 2331: 2327: 2321: 2320: 2316: 2310: 2309: 2305: 2302: 2299: 2296: 2292: 2288: 2285: 2284: 2280: 2277: 2273: 2269: 2266: 2260: 2259: 2255: 2252: 2251: 2247: 2245: 2242: 2241: 2237: 2235: 2232: 2228: 2224: 2221: 2220: 2216: 2213: 2212: 2208: 2205: 2204: 2200: 2197: 2196: 2192: 2190: 2184: 2180: 2176: 2173: 2170: 2166: 2163: 2161: 2157: 2144: 2141: 2138: 2135: 2132: 2129: 2125: 2124:Todd Rundgren 2122: 2119: 2116: 2113: 2110: 2107: 2105:– engineering 2104: 2101: 2098: 2097: 2096: 2095: 2088: 2085: 2082: 2079: 2076: 2073: 2071:– bass guitar 2070: 2067: 2064: 2060: 2057: 2056: 2055: 2054: 2050: 2036: 2033:Total length: 2030: 2026: 2023: 2020: 2016: 2012: 2008: 2006: 2002: 1999: 1995: 1991: 1989: 1986: 1983: 1979: 1975: 1972: 1969: 1965: 1961: 1958: 1955: 1951: 1947: 1944: 1941: 1937: 1933: 1917: 1904: 1902: 1898: 1895: 1891: 1887: 1884: 1881: 1877: 1873: 1870: 1867: 1863: 1859: 1856: 1853: 1849: 1845: 1843: 1839: 1836: 1833: 1829: 1825: 1809: 1800:Track listing 1797: 1795: 1790: 1785: 1781: 1777: 1773: 1769: 1768:Rolling Stone 1765: 1764: 1759: 1758: 1753: 1752: 1747: 1743: 1739: 1735: 1734: 1729: 1728: 1723: 1719: 1715: 1706: 1704: 1703: 1698: 1694: 1693: 1688: 1684: 1680: 1676: 1672: 1668: 1664: 1660: 1659: 1654: 1650: 1649: 1645:According to 1638: 1636: 1635: 1631: 1630: 1600: 1598: 1597: 1596:Rolling Stone 1593: 1592: 1562: 1560: 1559: 1555: 1554: 1524: 1522: 1521: 1517: 1516: 1512: 1510: 1509: 1505: 1504: 1479: 1477: 1476: 1472: 1471: 1441: 1439: 1438: 1434: 1433: 1429: 1427: 1426: 1422: 1421: 1396: 1394: 1393: 1389: 1388: 1358: 1356: 1353: 1352: 1344: 1341:Review scores 1339: 1333: 1331: 1327: 1323: 1317: 1315: 1311: 1310: 1305: 1304: 1299: 1295: 1294: 1289: 1288:Guns N' Roses 1285: 1281: 1277: 1273: 1269: 1265: 1261: 1257: 1252: 1249: 1242: 1239: 1236: 1224: 1222: 1217: 1213: 1212:Rolling Stone 1208: 1206: 1202: 1198: 1197: 1192: 1191: 1186: 1182: 1178: 1177: 1176:Trouser Press 1172: 1171: 1166: 1162: 1158: 1157: 1152: 1145: 1141: 1132: 1130: 1126: 1122: 1118: 1114: 1110: 1106: 1102: 1101: 1096: 1092: 1088: 1083: 1078: 1077: 1071: 1070: 1065: 1064:feature story 1060: 1059: 1058:Rolling Stone 1054: 1050: 1043: 1042: 1036: 1032: 1030: 1026: 1022: 1018: 1014: 1010: 1006: 997: 995: 991: 986: 981: 979: 975: 971: 966: 962: 956: 951: 949: 944: 940: 935: 931: 927: 923: 919: 915: 905: 904:youth culture 901: 897: 887: 876: 867: 865: 861: 860:boogie-woogie 857: 853: 849: 845: 841: 837: 833: 829: 825: 821: 817: 816:rock and roll 813: 808: 804: 800: 794: 792: 780: 764: 742: 740: 736: 732: 727: 723: 719: 717: 713: 709: 705: 701: 697: 693: 689: 682: 678: 674: 670: 668: 664: 660: 656: 655:sound shaping 652: 647: 645: 641: 637: 633: 629: 625: 619: 616: 609: 607: 606:orchestra pit 603: 595: 592: 588: 584: 578: 575: 570: 560: 558: 553: 549: 544: 542: 538: 537:Hello It's Me 534: 530: 529: 524: 523:Todd Rundgren 515: 514:Todd Rundgren 511: 502: 500: 496: 492: 488: 484: 480: 476: 472: 468: 464: 460: 455: 453: 449: 445: 441: 437: 433: 427: 424: 417: 415: 411: 410:Lisa Robinson 407: 401: 399: 395: 391: 388:and earned a 387: 383: 379: 374: 370: 366: 362: 358: 354: 344: 342: 338: 334: 330: 325: 321: 319: 315: 311: 310:rock and roll 307: 303: 299: 295: 294:Todd Rundgren 291: 286: 284: 280: 276: 272: 268: 264: 260: 256: 255: 245: 234: 228: 221: 217: 211: 210: 207: 204: 200: 196: 192: 183: 182: 178: 174: 173: 169: 167: 166: 162: 158: 154: 151: 150:Todd Rundgren 148: 146: 142: 139: 136: 134: 130: 118: 114: 109: 106: 104: 101: 99: 96: 94: 91: 90: 89: 87: 83: 79: 76: 72: 68: 64: 53: 49: 45: 40: 36: 32: 27: 22: 16: 5365: 5352: 5283: 5276: 5269: 5251: 5233: 5226: 5219: 5212: 5206: 5205: 5188:Jason Sutter 5185:Brian Koonin 5176:Bobby Blaine 5173:Tony Machine 5170:Peter Jordan 5146:Jason Sutter 5108:Billy Murcia 5106: 5099: 5092: 5085: 5078: 5071: 5017: 5001: 4987:February 22, 4985:. Retrieved 4981:the original 4974: 4959: 4928: 4919: 4904: 4891:. Cambridge. 4886: 4871: 4848: 4820: 4796:. New York: 4791: 4768: 4745: 4722: 4699: 4674: 4662:. Retrieved 4651: 4624: 4596: 4575: 4557:. Retrieved 4551: 4535:. Retrieved 4526: 4497: 4470: 4455:. Retrieved 4444: 4428:. Retrieved 4417: 4391: 4388:Hermes, Will 4363: 4339: 4323:. Retrieved 4317:. New York. 4314: 4287: 4272:. Retrieved 4266:. New York. 4261: 4248: 4220: 4203:. Retrieved 4182:. Retrieved 4138: 4110: 4097:. Retrieved 4091: 4077:February 24, 4075:. Retrieved 4055: 4028: 4003: 3991:. Retrieved 3971: 3955:. Retrieved 3949:. New York. 3944: 3928:. Retrieved 3922:. Melville. 3917: 3887: 3864: 3838: 3823:. Retrieved 3819: 3803:. Retrieved 3799: 3770: 3754:. Retrieved 3729:. Retrieved 3720:The Guardian 3718: 3702:. Retrieved 3698:the original 3693: 3677:. Retrieved 3673:the original 3666: 3653: 3642: 3631: 3625:. SRM-1-675. 3614: 3606:Bibliography 3597:Antonia 2006 3592: 3580: 3568: 3556: 3540: 3524: 3504: 3493:Strauss 1996 3488: 3468: 3456: 3444: 3428: 3416: 3404: 3377: 3365: 3353: 3346:McLeese 1987 3341: 3325: 3313: 3301: 3285: 3273: 3253: 3241: 3229: 3217: 3205: 3193: 3169:Antonia 2006 3164: 3152: 3140: 3133:Pilchak 2005 3129:Pilchak 2005 3124: 3117:Pilchak 2005 3112: 3105:Pilchak 2005 3100: 3088: 3076: 3064: 3052: 3040: 3035:, p. 44 3024: 3012: 2996: 2991:, p. 8. 2984: 2979:, p. 7. 2973:Antonia 2006 2968: 2956: 2944: 2932: 2905: 2893: 2881: 2866: 2859:Antonia 2006 2854: 2832:Hilburn 1987 2809: 2785:Antonia 2006 2780: 2775:, p. 46 2773:Antonia 2006 2764: 2759:, p. 7. 2653: 2637: 2630:Antonia 2006 2625: 2609: 2597: 2575:, p. 86 2564: 2552: 2536: 2524: 2519:, p. 18 2508: 2480:Antonia 2006 2471: 2440: 2428: 2395: 2391: 2359: 2342: 2248:MCR-4-1-675 2234:8-track tape 2206:Netherlands 2159: 2156:Nina Antonia 2153: 2130:, production 2103:Jack Douglas 2093: 2092: 2052: 2051: 2048: 1788: 1783: 1779: 1767: 1761: 1755: 1749: 1742:Neil Strauss 1737: 1731: 1725: 1721: 1713: 1712: 1700: 1690: 1683:David Fricke 1670: 1663:Colin Larkin 1656: 1652: 1646: 1644: 1632: 1594: 1556: 1518: 1506: 1473: 1435: 1423: 1390: 1318: 1313: 1309:The Guardian 1307: 1301: 1291: 1255: 1254: 1248:Tony Parsons 1244: 1234: 1232: 1220: 1211: 1209: 1194: 1188: 1185:Ellen Willis 1180: 1174: 1168: 1154: 1150: 1149: 1116: 1098: 1084: 1074: 1069:Melody Maker 1067: 1056: 1048: 1047: 1039: 1004: 1003: 982: 958: 953: 939:Edgar Winter 913: 911: 798: 797: 788: 734: 721: 720: 685: 648: 621: 611: 598: 591:Jack Douglas 587:control room 579: 573: 566: 545: 526: 519: 470: 456: 440:methaqualone 429: 419: 404: 369:Billy Murcia 350: 328: 323: 322: 287: 253: 252: 251: 202: 179: 171: 170: 39:Studio album 15: 5285:Rock'n Roll 5245:Live albums 5151:Steve Conte 5141:Gary Powell 5116:Rick Rivets 5094:Jerry Nolan 4922:. Melville. 4909:. Melville. 4817:Graff, Gary 4653:The Quietus 4572:Myers, Paul 4335:Graff, Gary 4251:. New York. 4134:Eddy, Chuck 4099:January 21, 3825:January 12, 3561:Anon. 2007b 3529:Anon. 2003a 3513:Anon. 2003b 3499:, appendix. 3461:Cooper 1982 3437:Larkin 2006 3433:Anon. 2007c 3397:Fricke 2000 3358:Larkin 2006 3318:Anon. 2007a 3266:Anon. 2007c 3222:Glover 1973 3198:Willis 1973 3057:Anon. 2003a 3017:Strong 2002 2989:Gimarc 2005 2977:Gimarc 2005 2937:Taylor 2006 2875:Glover 1973 2757:Gimarc 2005 2675:Anon. 2007c 2618:Anon. 2007c 2569:Gimarc 2005 2517:Hermes 2012 2286:double LP* 2267:double LP* 2238:MC-8-1-675 2115:Paul Nelson 2075:Jerry Nolan 2005:Arthur Kane 1746:alternative 1687:David Bowie 1280:Sex Pistols 1216:Tony Glover 1201:heavy metal 1091:Mick Jagger 974:Vietnam War 963:qualities, 848:Chuck Berry 805:– the 1963 716:the Beatles 704:grand piano 636:click track 487:Paul Nelson 479:King Arthur 452:record deal 444:Jerry Nolan 436:Empire Pool 406:Clive Davis 365:Arthur Kane 361:Rick Rivets 5372:Categories 5179:John Conte 5156:Sami Yaffa 5136:Jason Hill 5131:Earl Slick 4961:PopMatters 4836:0787610372 4710:0385313608 4513:0820327549 4486:0195313739 4153:0306807416 3767:Irvin, Jim 3585:Anon. 1973 3549:Anon. 2020 3545:Anon. 2012 3533:Anon. 2004 3517:Anon. 1995 3509:Anon. 2002 3449:Gross 2004 3409:Gross 2004 3382:Anon. 2002 3370:Wicks 1996 3334:Myers 2010 3306:Smith 2009 3294:Smith 2009 3246:Cagle 2013 3186:Myers 2010 3093:Smith 2009 3005:Smith 2009 3001:Myers 2010 2961:Kogan 2006 2898:Graff 1996 2886:Kogan 2006 2740:Myers 2010 2717:Myers 2010 2698:Myers 2010 2646:Myers 2010 2614:Myers 2010 2590:Myers 2010 2573:Myers 2010 2557:Myers 2010 2545:Myers 2010 2529:Myers 2010 2501:Myers 2010 2464:Myers 2010 2445:Blush 2016 2433:Myers 2010 2406:References 2336:PHCR-6043 2317:832 752-2 2278:cassette* 2256:SRM-1-675 2225:6 338 270 2209:6 336 280 2193:6 398 004 2140:Marty Thau 2003:Johansen, 1988:Bo Diddley 1956:"Bad Girl" 1899:Johansen, 1697:Marc Bolan 1675:proto-punk 1330:The Smiths 1326:Paul Myers 1298:Pink Floyd 1284:the Damned 1264:Chuck Eddy 1262:movement. 1233:Until the 1121:hard drugs 1105:Bob Harris 965:Gary Graff 922:alienation 807:Bo Diddley 791:media help 696:overdubbed 541:Bebe Buell 448:Marty Thau 408:once told 394:rock music 363:, bassist 347:Background 341:rock music 279:homophobia 159:chronology 98:proto-punk 80:(New York) 69:April 1973 58:1973-07-27 4947:227198538 4876:. London. 4773:Continuum 4703:. Delta. 4664:March 24, 4062:Macmillan 3892:Routledge 3869:Macmillan 3756:April 23, 3731:April 23, 3704:March 24, 3679:March 24, 3656:. London. 3647:. London. 3636:. 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