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Nattier's graceful and charming portraits of court ladies in this mode were very fashionable, partly because he could beautify a sitter while also retaining her likeness. The most notable examples of his straightforward portraiture are the
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all but ruined
Nattier, who found himself forced to devote his whole energy to portraiture, which was more lucrative. He became the painter of the artificial ladies of
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224:'s court. He subsequently revived the genre of the allegorical portrait, in which a living person is depicted as a Greco-Roman goddess or other mythological figure.
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341:(now at Marseilles). A portrait of the Comtesse de Neubourg and her Daughter formed part of the Vaile Collection, and realized 4500
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Masters in Art: A Series of
Illustrated Monographs: Issued Monthly; June, 1902, Part 30, Vol. 3, (Bates & Guild Co., Boston)
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165:. The publication (1710) of engravings based on these drawings made Nattier famous, but he declined to proceed to the
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242:, dated 1730. Another excellent example of Nattier's work and sense of composition is his 1738 portrait of
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Nattier aspired to be a history painter. Between 1715 and 1720 he devoted himself to compositions like the
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169:, though he had taken the first prize at the Paris Academy at the age of fifteen. In 1715 he went to
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129:. He was born in Paris, the second son of Marc Nattier (1642–1705), a portrait painter, and of
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at the sale of this collection in 1903. Nattier's works have been engraved by
Alphonse Leroy,
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He received his first instruction from his father, and from his uncle, the history painter
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in Paris and remains one of the most popular works in the
Jacquemart-André Collection.
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Many of his notable paintings are on permanent exhibit at major museums. Thus at the
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133:(1655–1703), a miniaturist. He is noted for his portraits of the ladies of
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795:. Vol. 19 (11th ed.). Cambridge University Press. p. 273.
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This article incorporates text from a publication now in the
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was then staying, and painted portraits of the tsar and the
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The financial collapse of 1720 caused by the schemes of
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Portrait of Madame Marie-Henriette
Berthelot de Pléneuf
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in 1703 and applied himself to copying pictures in the
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Versailles, Musée national du Château et des
Trianons
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Versailles, Musée national du Château et des
Trianons
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Versailles, Musée national du Château et des
Trianons
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At the
Wallace collection Nattier is represented by
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735:"Portrait of Mathilde de Canisy, marquise d'Antin"
353:(1667–1756), Dupin and many other noted craftsmen.
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264:Portrait of Mathilde de Canisy, marquise d'Antin
190:, which he painted for Peter the Great, and the
246:. The portrait is permanently exhibited at the
125:(17 March 1685 – 7 November 1766) was a French
244:Mathilde de Carbonnel-Canisy, marquise d'Antin
648:Pierre Victor, Baron de Besenval de Brunstatt
387:Duchesse de Chartres as Hebe Nationalmuseum
381:, 1742. The Metropolitan Museum of Art has
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753:"Acquisitions of the month: November 2018"
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181:, but declined an offer to go to Russia.
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149:(1644–1717). He enrolled in the
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157:, making a series of drawings of the
261:; in the Musee Jacquemart-Andre his
379:Madame Bonier de la Mosson as Diana
240:The Artist Surrounded by His Family
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540:Queen of France, Reading the Bible
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741:from the original on Apr 5, 2023.
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383:Madame de Maison-Rouge as Diana
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624:Marquise du Hallay-Coëtquen
441:Justice punishing Injustice
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680:Nattier: Jean-Marc Nattier
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312:Portrait of a Lady in Blue
27:French painter (1685–1766)
631:Private collection, Paris
592:Madame Adélaïde de France
564:The Comtesse de Tillières
457:Private collection, Paris
452:Madame Adélaïde de France
449:Justice is represented by
308:The comtesse de Tillières
238:, and the group portrait
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893:French portrait painters
800:See "J. M. Nattier", by
389:is in the collection of
323:The marquise de Belestat
317:Mademoiselle de Clermont
95:Paris, Kingdom of France
888:French history painters
792:Encyclopædia Britannica
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46:Portrait of Nattier by
806:Gazette des beaux-arts
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335:duchess of Châteauroux
248:musée Jacquemart-André
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167:French Academy in Rome
701:at Wikimedia Commons
510:as Diana the Huntress
377:The Getty Museum has
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327:duchess of Flavacourt
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196:and of his Companions
883:French male painters
827:(1904, revised 1910)
279:Head of a Young Girl
863:Painters from Paris
814:, by his daughter,
506:Madame de Pompadour
310:(formerly known as
294:Le Duc de Boufflers
787:Nattier, Jean Marc
759:. 7 December 2018.
657:Saint Petersburg,
574:Wallace Collection
422:Saint Petersburg,
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163:Peter Paul Rubens
155:Luxembourg Palace
123:Jean-Marc Nattier
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60:Jean-Marc Nattier
34:Jean-Marc Nattier
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837:(London, 1899).
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90:(1766-11-07)
50:(late 1740s)
48:Louis Tocqué
858:1766 deaths
853:1685 births
622:(1740-1761)
596:Tying Knots
351:Jean Audran
847:Categories
835:Lady Dilke
802:Paul Mantz
688:References
474:Adam Tarło
333:, and the
331:Le Silence
319:en sultane
270:La Camargo
66:1685-03-17
804:, in the
366:The 1753
289:Perpignan
202:Portraits
171:Amsterdam
739:Archived
572:London,
259:Magdalen
222:Louis XV
173:, where
111:Movement
105:Painting
821:Nattier
780::
673:Sources
347:Tardieu
343:guineas
257:is his
234:at the
194:Phineus
127:painter
18:Nattier
808:(1894)
774:
653:(1766)
627:(1751)
600:(1756)
568:(1750)
544:(1748)
514:(1746)
484:Warsaw
479:(1740)
445:(1737)
418:(1717)
321:, and
255:Louvre
115:Rococo
833:, by
287:, at
74:Paris
273:and
141:Life
85:Died
56:Born
823:by
789:".
337:as
329:as
314:),
218:Law
161:by
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708:^
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