Ceramics of Indigenous peoples of the Americas

1994: 1667:. Luxury goods, including elaborate ceramics, were mass-produced in vast quantities for the middle class as well as nobles. Identical ceramics created in molds took sway over individualized works. The Lambayeque culture of north coastal Peru created press-molded reliefs on blackware ceramics. Chimú ceramics, also predominantly blackware, often featured zoomorphic appliqués, such as monkeys or sea birds. They excelled at the doubled-chambered whistling vessels. Chancay ceramics, from the central coast, featured black-on-white designs on unique shapes, such as female effigies or elongated, oval jars. Their sand-tempered ceramics were hastily painted and left unpolished. Ica culture ceramics, from the southern coasts, were the finest quality of their time. They were still handcrafted and had a wide range of 1305: 1577: 33: 86: 2110: 713:, among other archaeologists, to offer the hypothesis that the two areas had connections, and that the technology of fiber-tempered ceramics in the southeastern United States had been imported from Colombia. Other archaeologists have noted that there are no known archaeological sites between Colombia and Florida that are of a type or age consistent with such connections, and that the cultural traditions of the Southeastern United States show no significant changes associated with the appearance of ceramics, indicating that there was no migration or people, and no transfer of technology or other elements of culture, other than the appearance of ceramics. 1979: 1573:, another south coastal Peruvian culture, returned to the less fragile practice slip-painted their ceramics prior to firing. They created thirteen distinct colors, the larger palette found in Pre-Columbian ceramics in the Americas, which included rare pale purple, maroon, and bluish-grey. Nasca artists created ceremonial and utilitarian bowls and beakers, effigy jars, panpipes, and vessels of new designs, including the stepped-fret. These combined sculptural elements with surface painting, often with curvilinear designs emphasized by bold, black outlining. Painters used revolving turntables to paint all sides of a ceramic piece. 894: 1337: 1320: 1293: 769: 909: 2129:, Brazil date back to 5130 BCE and include sand-tempered bowls and cooking vessels resembling gourds. Other ancient Amazonian ceramic traditions, Mina and Uruá-Tucumã featured shell- and sand-tempered pottery, that was occasionally painted red. Around 1000 CE, dramatic new ceramic styles emerged throughout Amazonia. Amazonian ceramics are geometric and linear in decoration. Polychrome pottery typically features red and black on white slips. Additionally ceramics were decorated by sculpting, incision, excision, and grooving. In the upper and central Amazon, the bark of the 48: 799: 832: 814: 1354: 2024: 1374: 1705: 1944: 1961: 784: 925: 4691: 3657: 1604:

ceramics have survived today. The stirrup-spout vessel continued to be the most common form of clay vessel, but Moche artists also created bowls, dippers, jars with long necks, spout-and-handle vessels, and double-chambered vessels that whistled when liquid was poured. Vessels were often effigies portraying elaborate scenes. A fineline painting tradition emerged, which resembles Greek

1553:, both incised and highly burnished. These thin-walled effigy pots were fashioned to resemble stylized humans, plants, and animals. Two substyles of Chavín stirrup spout pots include the thicker-walls, glossy-on-matte blackware Cupisnique style and red and black Santa Ana style, both featuring fanged heads. Subsequent Andean cultures revived these ancient ceramics styles and imagery. 1172: 327:. The type of temper (or mix of tempers) used helps to distinguish the ceramics produced by different cultures during particular time periods. For example, the Hohokam used schist containing silver mica as a temper in their plainware; the shiny particles of the mica gave the pottery a mystical shimmer. Grog, sand, and sandstone were all used by 1431:. Cedrosan Saladoid vessels have a distinctive bell shape with "zone-incised cross-hatching". Many also have complex designs of white on red paint. Later examples were decorated with purple, black, yellow and orange paint. These ceramics are described as "technologically fine, delicate, and graceful." 152:

perfected 13 distinct colors of slips. They also used a hand-rotated turntable that allowed all sides of a ceramic piece to be painted with ease. These were first used in 500 BCE and continue to be used today. Slips can be applied overall in washes, creating large color fields, often with cloth, or

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were so realistic that individuals portrayed at different stages of their life are identifiable. Their paintings on ceramics were narrative and action-packed. Ceramics produced by two-press molds were identical in shape but individualized through unique surface painting. Tens of thousands of Moche

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in the western Great Basin developed plain, utilitarian ceramics separately, which was not burnished but occasionally featured red painted designs. The Owens Valley Brown Ware is an example of Paiute/Washoe ceramics, which was used for cooking, food storage, and water jugs. The jugs often featured

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in Peru was the epicenter of Wari ceramic production, featuring pit kilns and firing rooms. The stone floors of the firing rooms had rounded depressions for accommodating larger pots. Some Wari palaces had their own attached kilns. Broken potsherds were used as forms for building new pots and for

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Thoms Creek ceramics closely resembled Stallings ceramics, but used more sand and less fiber as temper than Stalling or Orange ware. Thoms Creek ceramics were largely contemporary with Stalling and Orange ceramics, although no Thoms Creek ceramics have been found that are as early as the earliest

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is the most common means of shaping ceramics in the Americas. In coiling, the clay is rolled into a long, thin strands that are coiled upon each other to build up the shape of the pottery. While the potter builds the coils up, she also blends them together until there was no trace of the ropes of

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Geological studies show that certain areas of the southeastern portion of North America are rich in kaolins and ball clays (Hosterman, USGS), the types of plastic clays best suited for pottery. Clay beds which still produce ceramic clays are from primary and secondary deposits formed in the Late

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and other Pueblo pottery traditionally pound dry clay into a powder and then remove impurities by hand, then running the dry powder through a screen, mixing it with a dry temper, and then mixing water to create a plastic paste. In preparing the clay, potters spend hours wedging it to remove air

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is a necessary component of pottery. Clay must be mined and purified in an often laborious process, and certain tribes have ceremonial protocols to gathering clay. Different tribes have different processes for processing clay, which can include drying in the sun, soaking in water for days, and

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of polychrome ceramics last from around 400 to 1300 CE. In the central Amazon, the Mancapuru Phase, or Incised Rim Tradition, emerged in the 5th century CE. Marajoara ceramics, typically tempered with grog, were complex effigies of humans and animals, such as reptiles and birds. The dead were

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The choice of temper used in ceramics was constrained by what was available, but changes in the choice of temper can provide clues to influence and trade relations between groups. Shell-tempered ware was produced sporadically in various places across the eastern United States, but in the late

199:. In pit-firing, the pot is placed in a shallow pit dug into the earth along with other unfired pottery, covered with wood and brush, or dung, then set on fire whereupon it can harden at temperatures of 1400 degrees or more. Finally, the ceramics surface is often polished with smooth stones. 1682:

spanned 3500 miles and controlled the world's largest empire by 1500 CE. Artistically, they unified regional styles. Incan ceramics were geometric and understated, while color schemes remained regionally diverse. Mass-produced pottery, conformed to standardized measurements, such as the

2046:, pots, pans, and storage containers. These were both utilitarian and ceremonial. The precontact ceramic tradition of the Gran Chaco was dramatically transformed under European colonization, which created a demand for pitchers, cups, and other introduced pottery forms. Author 1503: 594:, Canada, when the mine that employed much of the community closed down, the national government created the Rankin Inlet Ceramics Project, whose wares were successfully exhibited in Toronto in 1967. The project foundered but a local gallery revived interest in 172:

While still green, pottery can be incised with designs. Cords, textiles, baskets, and corncobs have been rolled over wet clay, both as a decoration and to improve heat dispersion in cooking pots. Carved wood or ceramic stamping paddles are used throughout the

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leaves. In Louisiana, fiber as tempering was replaced first by grog and later by shell. In peninsular Florida and coastal Georgia sand replaced fiber as tempering. Still later, freshwater sponge spicules became an important temper in the "chalky ware" of the

169:, Mayan potters in Mesoamerica, and others, which involves covering the ceramic piece in beeswax or another resist, incising a design in the resist, then soaking the piece with a slip. In the firing process the resists melts away, leaving the colored design. 681:

in northeast Florida has been dated to 2000 BC or a bit earlier. Fiber-tempered pottery of very similar form spread along coasts and river valleys of the Southeastern United States from the Atlantic coast into Alabama, reaching northwestern Florida

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The earliest ceramics in the Andean area have been radiocarbon dated to about 1800 BC, although according to John H. Rowe the date may go back even to 2100 BC. Early ceramics have been found on the central coast at the large settlement of

1463:. The fiber-tempered pottery at Puerto Hormiga was "crude", formed from a single lump of clay. The fiber-tempered pottery at San Jacinto is described as "well-made". Sand-tempered coiled ceramics have also been found at Puerto Horrible. 2176:

are a unique Amazonian cultural item; they are triangular, concave ceramic pubic coverings held in place by strings, once worn by women of several Amazonian tribes. Today, they are still worn by girls during their puberty rites among

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Other ceramics styles are also known from the Antilles during this time period. Barrancoid trade wares, of a style that had developed in the Orinoco River valley around 1000 BC, have been found in the southernmost Antilles; Trinidad,

654:. According to all geological surveys the entire southeastern portion of the continent has abundant clay deposits, with the exception of all of south Florida and a portion of western central Florida (Calver) (Matson). 137:

technique, in which the interior clay wall of a pot was supported by an anvil, while the exterior was beaten with a paddle, smoothing the surface. In precontact South America, ceramics were mass-produced using molds.

3004: 1993: 1631:, and a staff-bearing deity figured largely in their artwork. Tiwanaku artists continued the tradition of naturalistic, ceramic portrait vessels. The ubiquitous Wari ceramics carried over imagery from their 4642: 4134:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains a great deal of material on ceramics of indigenous peoples of the Americas 529:

to around 2460 BCE (4300 BP) (all older than any other dated ceramics from north of Colombia). Ceramics appeared later elsewhere in North America. Ceramics reached southern Florida (

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Glade and Belle Glade culture pottery fiber or sand-tempered crude pottery, south Florida to central Florida, 500 BCE until 1700 A.D., reference four periods I, II, III and IV

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Hosterman, John W. (1984). "Ball Clays and Bentonite Deposits of the Coastal and Western Gulf of Mexico Coastal Plain, United States". Washington, D.C.: USGS Bulletin 1558-C.

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that does not require tempering. Some clays naturally contain enough temper that they do not required additional tempers. This includes mica or sand in clays used in some

724:, a style of pottery used primarily in ceremonial contexts and high status burials, produced and traded along the Gulf of Mexico coast from southwestern Florida to the 4628: 4140:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on ceramics of indigenous peoples of the Americas 1473:, Colombia, is a major ceramics center, where both indigenous techniques and those introduced by Europeans are employed to create primarily utilitarian pots based on 1427:

variety of Saladoid ceramics appeared in Trinidad early on, although ceramics in the Antilles continued to closely resemble forms on the Venezuela coast into the

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Fiber-tempered ceramics associated with shell middens left by hunter-fisher-gatherers of the Early Northwest South American Literature appeared at sites such as

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Tempers are non-plastic materials added to clay to prevent shrinkage and cracking during drying and firing of vessels made from the clay. Tempers may include:

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Stallings. Thoms Creek ceramics overlapped Stallings ceramics in northern Georgia and southern South Carolina, but were the dominant tradition north of the

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in Brazil represents the oldest known ceramics in the Americas. Dating back to 5630 BCE, this same tradition continued for 2500 years. Ceramics from the

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resin binder, were commonly warm yellow, olive green, red-orange, white, and black in color. Paracas artists built upon Chavín styles and introduced the

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Roosevelt, Anna C. (1996). "The Maritime, Highland, Forest Dynamic and the Origins of Complex Culture". In Frank Salomon; Stuart B. Schwartz (eds.).

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period. Yet the ceramics appear only during the Initial Period around 1800 BCE. Their main purpose may have been for boiling agricultural produce.

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found at Rabbit Mount near the lower Savannah River in South Carolina have been dated to 4465 ± 95 and 4450 ± 150 radiocarbon years before present.

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with the following periods: La Mula (c. 150 BCE – 300 CE), Tonosi (c. 300–550 CE), Cubita (c. 550–700 CE), and Gran Cocle (c. 1200–1500 CE).

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is a liquid clay suspension of mineral pigments applied to the ceramics before firing. Slips are typically red, buff, white, and black; however,

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Stilborg, Ole (1 December 2001). "Temper for the Sake of Coherence: Analyses of Bone- and Chaff-Tempered Ceramics from Iron Age Scandinavia".

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of San Ildefonso Pueblo. In the early 1900s, Maria Martinez and her husband Julian rediscovered how to make the traditional Black-on Black

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culture excelled at the art of ceramics, which was characterized by symbolic, religious imagery. Moche artists produced some of the more

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and other Southwestern cultures. Crushed bone was used as temper in at least some ceramics at a number of sites in Texas. In the

17: 4025: 768: 4131: 1684: 1559:, from Peru's desert south coast, created highly detailed ceramics, that were often painted after firing. Paints, made with an 2172:

Women have traditionally been the ceramic artists in the Amazon. Female figures are common in anthropomorphic effigy vessels.

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cremated and buried in elaborate ceramic urns. Ceramic artists are active in Marajó, using precontact styles for inspiration.

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slips, including black, maroon, orange, purple, red, white, and a glittery deep purple. Designs were abstract and geometric.

1292: 850: 3892: 4842: 709:, and the presence of winds and ocean currents favoring journeys from South America to the Southeastern United States, led 423:

Ceramics appeared next across northern South America and then down the western side of South America and northward through

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and distinctive masks portraying a supernatural "Oculate Being," that combines human, owl, and double-headed snake forms.

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leaves, chewed slightly to loosen fibers, make excellent brushes that are still in use today in the American Southwest.

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Swift Creek and Santa Rosa culture pottery post Deptford, northwest Florida, ceremonial decorative pottery, 1000 A.D.

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observed that women are typically potters, and animals associated with men are not represented in Guaraní pottery.

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pockets and humidity that could easily cause it to explode during firing. The clay then needs to "cure" over time.

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Marcondes Lima da Costa; Dirse Clara Kern; Alice Helena Eleotério Pinto; Jorge Raimundo da Trindade Souza (2004).

1608:. A 29,000-square-foot Moche ceramics workshop with numerous kilns was discovered in at the mountain Mayal in the 4816: 4801: 2097:, "Museum of Clay," in Asunción features pottery from the Gran Chaco, from Pre-Columbian Guaraní to contemporary 1932: 1919: 381: 3893:"The Fig Island Ring Complex (38CH42): Coastal Adaptation and the Question of Ring Function in the Late Archaic" 2533:"The ceramic artifacts in archaeological black earth (terra preta) from lower Amazon region, Brazil: Mineralogy" 1481:, and animal figurines are popular, especially ceramic horses, which have been the symbol of Colombian pottery. 1443:. A variant of Saladoid ceramics called Huecan has been found from the north coast of Venezuela to Puerto Rico. 4562: 2634: 2190: 1564: 902: 662: 494:

have been dated to around 1805 BCE, and from the Chajil tradition of northcentral Mexico, to around 1600 BCE.

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distinctively Mississippi culture in Florida panhandle, developed out of the Weedon Island culture 1000 A.D.

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clay entwined to form the pot, no deviation in the thickness of the walls, and therefore no weaknesses.

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to create repeating designs. Clay can also be added to the main ceramic structure to build up designs.

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Clark, John E, Michelle Knoll (2005). "The American Formative Revisited". In Nancy Marie White (ed.).

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shared dominance of the Andes, roughly from 500 to 1000 BCE. The Tiwanaku civilizations originated in

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In the Andes, great civilizations had been created and flourished for thousands of years during the

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of Florida, Georgia and South Carolina starting in 2500 BC. The earliest attested pottery is in the

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are seldom used by indigenous American ceramic artists. Grease can be rubbed onto the pot as well.

70:, musical instruments, ceremonial items, masks, toys, sculptures, and a myriad of other art forms. 4717: 4712: 4257: 1596: 1584: 1027: 997: 328: 4146:, a 2003 exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF) 4119: 2651:

Whittlesey, Stephanie M. (2008). "Hohokam Ceramics, Hohokam Beliefs". In Fish, Suzanne K (ed.).

40: 4602: 4463: 2746: 2454: 2393: 1440: 666: 633: 615: 324: 174: 74: 4125: 3845:"The Ceramics, Art, and Material Culture of the Early Ceramic Period in the Caribbean Islands" 3292: 85: 4547: 4172: 4006: 3998: 3852: 3844: 3709: 3701: 3083: 2381: 2109: 1600: 1507: 945: 941: 721: 629: 373: 316:, and Hopi pottery, and sponge spicules in the clay used to produce the "chalky ware" of the 162: 36: 4068: 4060: 3119: 2632:"Pelotes Island Nature Preserve - Woodland Period - St. Johns Cultures - 500 BC to 1500 AD." 4453: 4413: 4330: 4325: 2853: 2840:

Roosevelt, A. C.; Housley, R. A.; Imazio Da Silveira, M.; Maranca, S.; Johnson, R. (1991).

2200: 2060:, Paraguay, is renowned for its ceramics, including tiles and female effigy jars, known as 2003: 1644: 1605: 1550: 1512: 1343: 1214: 989: 506: 181: 4770: 1470: 1226: 586:(Qaernerimiut) created utilitarian pottery in historic times, primarily to store food. In 8: 4806: 3172: 2666: 2273: 2126: 2008: 1915: 1037: 949: 929: 637: 405: 118: 2857: 1459:

by 3100 BCE. Fiber-tempered ceramics at Monsú have been dated to 5940 radiocarbon years

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were not used prior to European contact and are only used today by a limited number of

4026:"The Spread of Shell-Tempered Ceramics along the Northern Coast of the Gulf of Mexico" 4796: 4675: 4438: 4406: 4401: 4365: 4360: 4072: 4040: 4010: 3976: 3955: 3925: 3877: 3856: 3829: 3807: 3787: 3767: 3739: 3713: 3298: 3271: 3199: 3125: 3091: 2936: 2869: 2811:"Prehistoric Brazilian Cave Forces New Theories Of Early Human Life In The New World" 2750: 2496: 2397: 2253: 2147: 2113:

Cylindrical vessel. Marajo island, Brazil, Joanes style, Marajoara phase, 400–1000 CE

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were Incan drinking vessels, made from wood or precious metals, as well as ceramics.

1520: 1485: 1248: 1175: 1159: 1126: 1122: 937: 725: 579: 345: 317: 166: 158: 114: 109: 4352: 2881: 2549: 2532: 2035: 1798: 1546: 1260: 4857: 4775: 4748: 4552: 4300: 4290: 4165: 2861: 2842:"Eighth Millennium Pottery from a Prehistoric Shell Midden in the Brazilian Amazon" 2841: 2544: 2488: 2243: 2178: 2135: 2069: 1488:

is known for its blackware. The women potters here also create brown and red ware.

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Native paths: American Indian art from the collection of Charles and Valerie Diker

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Early Pottery: Technology, Function, Style, and Interaction in the Lower Southeast

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Later significant developments in ceramics in the Southeastern Woodlands included

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Prehistoric Indians of the Southeast: Archaeology of Alabama and the Middle South

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The responsive eye : Ralph T. Coe and the collecting of American Indian art

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of Chiapas to around 1900 BCE. Ceramics of the Purrón tradition in southcentral

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Alachua culture pottery northeast, north central Florida, protohistoric period

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Prior to contact, pottery was usually open-air fired or pit fired; precontact

4831: 4572: 4483: 4473: 4423: 3876:. Cambridge, England New York: Cambridge University Press. pp. 264–349. 2500: 2118: 1819: 1624: 1570: 1232: 1165: 1142: 1077: 1057: 893: 870: 775: 710: 687: 583: 542: 420:. These first ceramics-making cultures were fishers and shellfish-gatherers. 281: 255: 185: 145: 2072:, is popular, with blackware being less common. A local ceramic artist, Don 908: 416:

at Taperinho were shell-tempered, which allowed the sherds themselves to be

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Ancient Peruvian ceramics: the Nathan Cummings collection by Alan R. Sawyer

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Calver, James L. (1949). "Florida Kaolins and Clays". Florida D.E.P., FLGS.

3259: 2974: 2885: 2873: 2783:"Museum of Native American Artifacts-MISSISSIPPIAN PERIOD 900 AD - 1450 AD" 2161: 2047: 1968: 1856: 1756: 1729: 1679: 1620: 1178: 1047: 993: 913: 695: 658: 587: 397: 396:

The earliest ceramics known from the Americas have been found in the lower

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shell tempering, as opposed to the quartz sand-tempered ware imported from

336: 251: 102: 63: 1599:, i.e. faithfully representational, artwork of the precolumbian Americas. 4753: 4650: 4534: 4508: 4295: 4217: 2839: 2205: 2143: 2086:(b. 1941) is a famous ceramic artist from Itá and has been recognized by 1902: 1675: 1536: 1428: 1420: 1310: 1208: 981: 753: 424: 309: 305: 301: 269: 4418: 3736:

The Emergence of Pottery: technology and innovation in ancient societies

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Pottery in the collection of the National Museum of the American Indian

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is the ceramic tradition of the various local cultures involved in the

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used kilns extensively. Today many Native American ceramic artists use

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or polished to a fine sheen with a smooth instrument, usually a stone.

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Due to their resilience, ceramics have been key to learning more about

2699:. Louisiana State University Museum of Natural Science. Archived from 2130: 2082:

is another ceramic center, known for its whimsical, ceramic chickens.

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Four Andean civilizations flourished in Late Intermediate Period: the

1502: 1466: 4758: 4690: 4587: 4375: 4370: 4337: 4320: 4252: 4237: 4061:"Introduction to the Study of the Indigenous People of the Caribbean" 1412: 1238: 595: 487: 479: 413: 244: 237: 230: 122: 3090:. Tuscaloosa, Alabama: University of Alabama Press. pp. 10–25. 2631: 2150:, an abundance of potsherds were used to develop the soil and build 2053: 1704: 1171: 4478: 4448: 4305: 4242: 4227: 4212: 4120:

Bandelier National Monument Virtual Museum Exhibit and Lesson Plans

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effigy of a feline attacking a warrior, Musée du Quai Branly, Paris

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Tile, Hopi Pueblo (Native American), late 19th-early 20th century,

3539: 2971:"Historic Inuit Pottery in the Eastern Canadian Arctic: Abstract." 2935:. Gainesville, Florida: University Press of Florida. p. 286. 4592: 4468: 4282: 4188: 3638: 3636: 3039: 2933:

Gulf Coast Archaeology: The Southeastern United States and Mexico

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scrapers. Evidence shows ceramics were often ritually destroyed.

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The similarities of the Stallings series ceramics to the earlier

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Paleocene and Early Miocene Epochs in formations that formed the

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periods it became the predominant temper used across much of the

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Not all Indigenous American pottery requires added tempers; some

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Signs of Power: The Rise of Cultural Complexity in the Southeast

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The spread of ceramics in Mesoamerica came later. Ceramics from

451:, also in Colombia, to about 3794 BCE. Ceramics appeared in the 4443: 3738:. Washington: Smithsonian Institution Press. pp. 209–219. 3455: 2897: 2895: 2087: 1692: 1640: 1560: 1549:

potters (900–200 BC) on the Peruvian coast created distinctive

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and other small clay objects could be formed directly by hand.

67: 4067:. Gainesville, Florida: University Press of Florida. pp. 3851:. Gainesville, Florida: University Press of Florida. pp. 3708:. Gainesville, Florida: University Press of Florida. pp. 3663: 3633: 3621: 3063: 2608: 2572: 924: 3467: 3395: 3383: 2907: 2763: 2557: 2507: 2315: 2224:

List of Native American ceramics artists in the United States

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have been dated to 6,000 to 4,500 years ago. Ceramics of the

357: 215: 154: 3407: 3359: 3270:. Vol. 5: Middle America. Springer. pp. 149, 151. 3150: 3148: 2892: 2422: 865:(700–1300 CE) developed pottery after adopting agriculture. 4609: 4428: 4232: 4222: 4126:

Chaco Culture National Historic Park Virtual Museum Exhibit

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The Cambridge History of the Native Peoples of the Americas

3551: 3527: 3515: 3503: 3491: 3479: 3443: 3431: 3419: 2195: 2076:(b. 1927) became famous for his ceramic figures of saints. 1889: 1697: 1540: 985: 862: 748:, a historic tribe known also to be one of the last of the 464: 263: 196: 149: 3371: 3335: 2718: 1158:(1150–15th century CE) of Arizona and New Mexico produced 348:

in northeastern Florida. Locally produced ceramics of the

4113: 3594: 3582: 3323: 3311: 3145: 3124:. Tuscaloosa: University of Alabama Press. pp. 7–8. 501:

does not fit the above pattern. Ceramics from the middle

335:, the earliest ceramics were tempered with fiber such as 4110:, Foundation for the Advancement of Mesoamerican Studies 3658:"Marajó: Ancient Ceramics from the Mouth of the Amazon." 3236: 3224: 2584: 2343:"Through the Eyes of a Pot: How is Pueblo Pottery Made?" 1000:. Noted individuals involved in Pueblo pottery include 877: 3297:. San Diego, California: Academic Press. p. 285. 3264:"Encyclopedia of Prehistory: Volume 5: Middle America" 3051: 2596: 705:

ceramics of Colombia, which were both associated with

4652:

Visual arts of the Indigenous peoples of the Americas

4525:

Conservation and restoration of ancient Greek pottery

4005:. Gainesville: University Press of Florida. pp. 3999:"Maritime Trade in the Prehistoric Eastern Caribbean" 2655:. School for Advanced Research Press. pp. 65–73. 2453:. University of Wisconsin – La Crosse. Archived from 27:

Pottery produced by Indigenous people of the Americas

3975:. Tuscaloosa, Alabama: University of Alabama Press. 3294:

The origins of agriculture in the lowland neotropics

3193: 2451:

Mississippi Valley Archaeology Center – Technologies

2410: 840:

stamping paddles, used to imprint designs in pottery

62:

is an art form with at least a 7500-year history in

3212: 2376: 2374: 2372: 2370: 2368: 2219:

List of indigenous ceramics artists in the Americas

3947: 3799: 3766:. Philadelphia: University of Pennsylvania Press. 3291:Piperno, Dolores R.; Pearsall, Deborah M. (1998). 2738: 2385: 2229:Visual arts by indigenous peoples of the Americas 1591:Dominating Peru's north coast from 1–600 CE, the 1419:around 500 BC or a little later, and had reached 153:they can be painted in fine detail with brushes. 4829: 4024:Weinstein, Richard A.; Dumas, Ashley A. (2008). 3734:. In William K. Barnett; John W. Hoopes (eds.). 3118:Saunders, Rebecca; Hays, Christopher T. (2004). 3111: 2365: 1612:. The workshop specialized in female figurines. 874:clay handles that accommodated carrying straps. 3917: 3669: 3642: 3627: 3290: 2979:(1986), 23: pp. 319-322. (Retrieved 4 Nov 2011) 2614: 2578: 2513: 2324: 4039:(2). Maney Publishing: 202–221. Archived from 4023: 3254: 3075: 2769: 2566: 101:repeatedly running through a screen or sieve. 60:Ceramics of Indigenous peoples of the Americas 4636: 4173: 2380: 1583:effigy jar, c. 100 BCE–300 CE, collection of 408:, have been dated to between 7,500 and 5,000 3945: 3918:Silverman, Helaine; Isbell, William (2008). 3828:. Gainesville: University Press of Florida. 3613:"The Museo del Barro In Ansuncion Paraguay." 3557: 3545: 3533: 3521: 3509: 3497: 3485: 3473: 3461: 3449: 3437: 3425: 3413: 3401: 3389: 3377: 3365: 3341: 3117: 2955:: CS1 maint: multiple names: authors list ( 2428: 2259:Painting in the Americas before Colonization 1407:culture (named for the Saladero site in the 971:, including Mimbres culture, which produced 884:Art_of_the_American_Southwest § Pottery 3726: 3086:. In Jon L. Gibson; Philip J. Carr (eds.). 2918: 1455:, Monsú, Puerto Chacho, and San Jacinto in 1346:ceramic urn, 200 BCE-800 CE, British Museum 80: 4643: 4629: 4180: 4166: 3797: 3600: 3588: 3329: 3317: 2730: 2650: 2627: 2625: 2623: 2474: 2472: 486:to around 1890 BCE, and from Barra in the 4085: 3869: 3729:"Reinventing Mesoamerica's First Pottery" 3653: 3651: 2901: 2548: 2038:ceramics fall into two major categories: 1446: 644: 614:(ca. 200 BCE to 400 CE) and are found as 478:have been dated to around 2140 BCE, from 384:, and a major defining characteristic of 4187: 3968: 3890: 3820: 3154: 3069: 3057: 3045: 3033: 2724: 2690:"Examining Pottery with Scope-On-A-Rope" 2602: 2478: 2337: 2335: 2333: 2108: 2022: 1703: 1575: 1535:, as well as at some other sites in the 1501: 1170: 923: 907: 897:Black-on-white jar, ca. 1100-1300, from 892: 665:hunter-fisher-gatherers appeared in the 657:Fiber-tempered ceramics associated with 84: 46: 31: 3996: 3898:. National Park Service. Archived from 3842: 3727:Clark, John E.; Gosser, Dennis (1995). 3699: 3563: 3242: 3230: 3166: 2687: 2620: 2590: 2526: 2524: 2522: 2469: 2347:Lowell D. Holmes Museum of Anthropology 1326:A large figurine of a young chieftain, 1184: 55:), with her award-winning pottery, 2006 14: 4830: 4090: 4065:The Indigenous People of the Caribbean 4058: 4003:The Indigenous People of the Caribbean 3921:Handbook of South American archaeology 3849:The Indigenous People of the Caribbean 3759: 3706:The Indigenous People of the Caribbean 3648: 3218: 3196:Southwestern Pottery – Anasazi to Zuni 2736: 2441: 2439: 2437: 2416: 2164:was a major ceramic center, where the 640:in the American Midwest and Southeast. 622:in the American Midwest and Southeast. 161:is a technique employed by precontact 4624: 4161: 4153:at the American Museum of Ceramic Art 3950:Art of the Andes: from Chavín to Inca 3702:"The Lesser Antilles before Columbus" 3171:. Harvey Mudd College. Archived from 3081: 2930: 2330: 851:Indigenous peoples of the Great Basin 720:in the Mississippi River valley, and 129:potters and their descendants in the 2992:Nunavut Arts and Crafts Association. 2519: 878:Southwestern cultures (Oasisamerica) 601: 391: 323:Ceramics are often used to identify 4838:Indigenous ceramics of the Americas 3826:Archaeology of Precolumbian Florida 2434: 2392:. Oxford University Press. p. 1987:female effigy bottle, ca. 1100–1400 1389: 1283:Western Mexico shaft tomb tradition 1112: 551: 284:, freshwater and marine (sometimes 24: 4689: 3806:. San Francisco: Chronicle Books. 3802:Arts & crafts of South America 2269:Indigenous peoples of the Americas 1708:Moche warrior pot, c. 100–700 CE, 888: 497:The appearance of ceramics in the 25: 4869: 4096: 2264:Pottery of the American Southwest 2184: 1137:Southern Athabaskans include the 804:A human head effigy pot from the 75:pre-Columbian Indigenous cultures 43:, ca. 100—700 CE, 16 x 29 x 22 cm 2688:Lopez, Adrienne; Fullen, Steve. 2669:. Houston Archaeological Society 2487:(3). Maney Publishing: 398–404. 1992: 1977: 1959: 1942: 1491: 1372: 1352: 1335: 1318: 1303: 1291: 830: 812: 797: 782: 767: 677:. Fiber-tempered pottery of the 628:is the ceramic tradition of the 556: 4817:Southeastern Ceremonial Complex 3954:. London: Thames & Hudson. 3798:Davies, Lucy; Fini, Mo (1995). 3783:The Indian Heritage of America. 3693: 3675: 3606: 3347: 3284: 3248: 3194:Allan Hayes; John Blom (1996). 3187: 3169:"Great Basin Material Cultures" 3160: 3027: 2997: 2982: 2963: 2924: 2833: 2803: 2775: 2681: 2659: 2644: 2550:10.1590/S0044-59672004000200004 2481:European Journal of Archaeology 2384:; Phillips, Ruth Bliss (1998). 2292: 2139:, provided tempering material. 2064:A reddish-brown slip, known as 1933:Indigenous peoples of the Andes 1920:Indigenous peoples of the Andes 1515:with shell inlay, c. 100–800 CE 1399:Ceramics first appeared in the 180:Before firing, ceramics can be 4848:Indigenous art of the Americas 3946:Stone-Miller, Rebecca (2002). 2745:. San Salvador Press. p. 2191:Double spout and bridge vessel 2160:, located at the mouth of the 2006:representing a fisherman on a 1565:double spout-and-bridge vessel 1415:. Saladoid people appeared in 903:California Academy of Sciences 845: 443:have been dated to about 4530 356:were characterized by crushed 13: 1: 4108:Mesoamerican Pottery Database 4063:. In Samuel M. Wilson (ed.). 4001:. In Samuel M. Wilson (ed.). 3847:. In Samuel M. Wilson (ed.). 3786:Boston: Mariner Books, 2001. 3763:Ten Thousand Years of Pottery 3704:. In Samuel M. Wilson (ed.). 3571:"Cerámica Popular Paraguaya." 2866:10.1126/science.254.5038.1621 2667:"Southeast Texas Archaeology" 2309: 2018: 1383:style orange-ware clay vessel 1132: 718:Mississippian culture pottery 626:Mississippian culture pottery 386:Mississippian culture pottery 4489:Northern Black Polished Ware 3009:Wisconsin Historical Society 459:around 3200 BCE, and in the 193:Indigenous peoples of Mexico 7: 4843:Archaeology in the Americas 3843:Righter, Elizabeth (1997). 3670:Silverman & Isbell 2008 3643:Silverman & Isbell 2008 3628:Silverman & Isbell 2008 3082:White, Nancy Marie (2004). 2615:Silverman & Isbell 2008 2579:Silverman & Isbell 2008 2514:Silverman & Isbell 2008 2325:Silverman & Isbell 2008 2211: 2146:, or "black earth", of the 2104: 1394: 759:Fort Walton culture pottery 545:(in Louisiana) by 3400 BP. 10: 4874: 4059:Wilson, Samuel M. (1997). 3997:Watters, David R. (1997). 3969:Walthall, John A. (1980). 3891:Saunders, Rebecca (2002). 3268:Encyclopedia of Prehistory 2770:Weinstein & Dumas 2008 2567:Weinstein & Dumas 2008 2493:10.1177/146195710100400316 2031:with her blackware pottery 1716: 1495: 1477:designs. Ceramic mobiles, 1211:(c. 300 BCE – 600 CE) 1017: 935: 881: 752:chiefdoms in southwestern 742:Plaquemine culture pottery 499:Southeastern United States 333:Southeastern United States 202: 4789: 4741: 4700: 4687: 4658: 4533: 4517: 4394: 4351: 4281: 4206:Base minerals, and glazes 4205: 4199:Glossary of pottery terms 4196: 3760:Cooper, Emmanuel (2000). 3048:, pp. 78, 80, 82–83. 2697:Adventures in Archaeology 2641:Retrieved 5 November 2011 2388:Native North American Art 2117:The pottery tradition at 1809:Early Intermediate Period 1279:(c. 1500 BCE to 1000 BCE) 1006:Maria and Julian Martinez 561: 4395:Processes and decoration 4033:Southeastern Archaeology 3687:. (retrieved 9 Nov 2011) 3198:. Northland Publishing. 3005:"Hopewell (archaeology)" 2741:A History of the Bahamas 2737:Craton, Michael (1986). 2637:12 November 2011 at the 2285: 1867:Late Intermediate Period 1753:Norte Chico civilization 1718:Andean cultural horizons 1328:Classic Veracruz culture 1271:Classic Veracruz Culture 1148: 673:area, around the middle 402:Caverna da Pedra Pintada 81:Materials and techniques 4128:, National Park Service 4122:, National Park Service 3780:Josephy, Alvin M., Jr. 3700:Allaire, Louis (1997). 3618:(retrieved 21 Nov 2011) 3579:(retrieved 10 Nov 2011) 2919:Clark & Gosser 1995 1635:and metalwork, such as 1585:Museum zu Allerheiligen 1298:Aztec household pottery 1028:Late Basketmaker II Era 853:based their pottery on 632:(800–1600 CE) found as 329:Ancestral Pueblo people 325:archaeological cultures 119:Native American artists 18:Native American pottery 4694: 4114:The Amerind Foundation 3924:. New York: Springer. 3660:(retrieved 9 Nov 2011) 3616:Paraguay Travel Guide. 3601:Davies & Fini 1995 3589:Davies & Fini 1995 3548:, pp. 184, 214–5. 3330:Davies & Fini 1995 3318:Davies & Fini 1995 3072:, pp. 80, 83, 87. 2994:(Retrieved 4 Nov 2011) 2653:The Hohokam Millennium 2382:Berlo, Janet Catherine 2114: 2032: 1712: 1588: 1516: 1447:Colombia and Venezuela 1285:(c. 300 BCE to 550 CE) 1181: 933: 928:Deer effigy, pottery. 921: 905: 667:Atlantic coastal plain 645:Southeastern Woodlands 175:Southeastern Woodlands 93: 56: 44: 4693: 4558:Pre-conquest Americas 4151:Ceramica de la Tierra 3256:Peregrine, Peter Neal 3167:Beckman, Tad (1996). 2797:registration required 2112: 2026: 1707: 1601:Moche portrait vessel 1579: 1551:stirrup spout vessels 1508:Moche Crawling Feline 1505: 1496:Further information: 1423:by about 250 BC. The 1174: 946:Rio Grande White Ware 942:Rio Grande Glaze Ware 936:Further information: 927: 911: 896: 806:Mississippian culture 722:Weedon Island pottery 698:into North Carolina. 630:Mississippian culture 525:cultures in northern 513:(known as Stallings, 88: 50: 37:Moche portrait vessel 35: 4728:Precolonial painting 4666:Art history timeline 2457:on 27 September 2011 2201:Stirrup spout vessel 2004:stirrup spout vessel 1606:black-figure pottery 1513:stirrup spout vessel 1185:Mesoamerican pottery 990:San Ildefonso Pueblo 901:, on display at the 638:archaeological sites 570:groups, such as the 400:. Ceramics from the 41:Musée du quai Branly 4853:History of ceramics 4283:Main types, by body 3822:Milanich, Jerald T. 3464:, pp. 149–152. 3354:The Initial Period. 2904:, pp. 318–319. 2858:1991Sci...254.1621R 2852:(5038): 1621–1624. 2274:Black-on-black ware 2181:-speaking peoples. 2009:caballito de totora 1916:Viceroyalty of Peru 1038:Basketmaker III Era 950:Black-on-black ware 620:archeological sites 437:San Jacinto culture 148:ceramic artists in 4695: 4671:Individual artists 4535:History of pottery 4459:Black and red ware 4353:Forming techniques 3015:on 9 November 2011 2969:Savelle, James M. 2921:, pp. 210–11. 2727:, pp. 86, 94. 2353:on 9 February 2012 2239:Mata Ortiz pottery 2115: 2033: 1971:polychrome pottery 1745:Cotton Pre-Ceramic 1713: 1589: 1517: 1182: 978:Santa Clara Pueblo 934: 922: 912:Ceramic bowl from 906: 750:Plaquemine culture 744:, ceramics of the 652:Gulf Coastal Plain 612:Hopewell tradition 541:) by 3700 BP, and 427:. Ceramics of the 378:Mississippi Valley 131:American Southwest 94: 57: 45: 4825: 4824: 4681:Women in the arts 4618: 4617: 4494:Painted Grey Ware 4407:biscuit porcelain 3982:978-0-8173-0552-9 3961:978-0-500-20363-7 3931:978-0-387-75228-0 3883:978-0-521-63075-7 3792:978-0-395-57320-4 3773:978-0-8122-3554-8 3745:978-1-56098-516-7 3558:Stone-Miller 2002 3546:Stone-Miller 2002 3534:Stone-Miller 2002 3522:Stone-Miller 2002 3510:Stone-Miller 2002 3498:Stone-Miller 2002 3486:Stone-Miller 2002 3476:, pp. 153–4. 3474:Stone-Miller 2002 3462:Stone-Miller 2002 3450:Stone-Miller 2002 3438:Stone-Miller 2002 3426:Stone-Miller 2002 3414:Stone-Miller 2002 3404:, pp. 64–73. 3402:Stone-Miller 2002 3392:, pp. 48–51. 3390:Stone-Miller 2002 3378:Stone-Miller 2002 3366:Stone-Miller 2002 3342:Stone-Miller 2002 3245:, pp. 72–74. 3233:, pp. 22–24. 3175:on 7 October 2011 3157:, pp. 82–83. 3131:978-0-8173-5127-4 3097:978-0-8173-5085-7 2756:978-0-9692568-0-9 2593:, pp. 92–94. 2431:, pp. 69–70. 2429:Stone-Miller 2002 2403:978-0-19-284218-3 2254:Pit fired pottery 2148:Amazon rainforest 2042:, or dishes, and 1938: 1937: 1521:Andean preceramic 1486:Tolima Department 1484:La Chamba in the 1471:Boyacá Department 1257:(c. 1168–1519 CE) 1251:(c. 1200–1500 CE) 1205:(c. 1500–400 BCE) 1160:Salado Polychrome 1110: 1109: 1004:of the Hopi, and 938:Cibola White Ware 726:Florida panhandle 671:Stallings culture 602:Eastern Woodlands 580:Utkuhiksalingmiut 467:around 2460 BCE. 461:Pandanche culture 418:radiocarbon dated 392:Origin and spread 346:St. Johns culture 318:St. Johns culture 304:potters use pure 167:Eastern Woodlands 159:Negative painting 16:(Redirected from 4865: 4645: 4638: 4631: 4622: 4621: 4301:Egyptian faience 4291:Asbestos-ceramic 4182: 4175: 4168: 4159: 4158: 4092: 4087: 4082: 4055: 4053: 4051: 4046:on 25 April 2012 4045: 4030: 4020: 3993: 3991: 3989: 3965: 3953: 3942: 3940: 3938: 3914: 3912: 3910: 3904: 3897: 3887: 3866: 3839: 3817: 3805: 3777: 3756: 3754: 3752: 3733: 3723: 3688: 3679: 3673: 3667: 3661: 3655: 3646: 3640: 3631: 3625: 3619: 3610: 3604: 3598: 3592: 3586: 3580: 3575: 3569:Escobar, Ticio. 3567: 3561: 3555: 3549: 3543: 3537: 3531: 3525: 3519: 3513: 3507: 3501: 3495: 3489: 3483: 3477: 3471: 3465: 3459: 3453: 3447: 3441: 3435: 3429: 3423: 3417: 3416:, pp. 82–6. 3411: 3405: 3399: 3393: 3387: 3381: 3375: 3369: 3368:, pp. 45–6. 3363: 3357: 3351: 3345: 3339: 3333: 3327: 3321: 3315: 3309: 3308: 3288: 3282: 3281: 3252: 3246: 3240: 3234: 3228: 3222: 3216: 3210: 3209: 3191: 3185: 3184: 3182: 3180: 3164: 3158: 3152: 3143: 3142: 3140: 3138: 3115: 3109: 3108: 3106: 3104: 3079: 3073: 3067: 3061: 3055: 3049: 3043: 3037: 3031: 3025: 3024: 3022: 3020: 3011:. Archived from 3001: 2995: 2986: 2980: 2967: 2961: 2960: 2954: 2946: 2928: 2922: 2916: 2905: 2899: 2890: 2889: 2837: 2831: 2830: 2828: 2826: 2821:on 18 April 2014 2817:. Archived from 2807: 2801: 2800: 2793: 2791: 2789: 2779: 2773: 2767: 2761: 2760: 2744: 2734: 2728: 2722: 2716: 2715: 2713: 2711: 2706:on 15 April 2012 2705: 2694: 2685: 2679: 2678: 2676: 2674: 2663: 2657: 2656: 2648: 2642: 2629: 2618: 2612: 2606: 2600: 2594: 2588: 2582: 2576: 2570: 2564: 2555: 2554: 2552: 2528: 2517: 2511: 2505: 2504: 2476: 2467: 2466: 2464: 2462: 2443: 2432: 2426: 2420: 2414: 2408: 2407: 2391: 2378: 2363: 2362: 2360: 2358: 2349:. Archived from 2339: 2328: 2322: 2303: 2296: 2244:Mexican ceramics 2136:Licania octandra 1996: 1981: 1967:Anthropomorphic 1963: 1946: 1734:10,000–3,000 BCE 1715: 1714: 1469:, a town in the 1390:Circum-Caribbean 1376: 1356: 1339: 1322: 1307: 1295: 1273:(c. 100–1000 CE) 1235:(c. 317–1200 CE) 1229:(c. 800–1300 CE) 1113:O'odham cultures 1042:450 CE – 700 CE 1032:50 BCE – 450 CE 1016: 1015: 969:Mogollon culture 964:Ancestral Pueblo 954:Storyteller doll 899:Kayenta, Arizona 834: 816: 801: 786: 771: 608:Hopewell pottery 552:Cultural regions 515:Stallings Island 453:Valdivia culture 406:Santarém, Brazil 135:paddle-and-anvil 21: 4873: 4872: 4868: 4867: 4866: 4864: 4863: 4862: 4828: 4827: 4826: 4821: 4807:Northwest Coast 4802:Native American 4785: 4737: 4696: 4685: 4654: 4649: 4619: 4614: 4603:list of potters 4529: 4513: 4390: 4347: 4277: 4201: 4192: 4186: 4099: 4079: 4049: 4047: 4043: 4028: 4017: 3987: 3985: 3983: 3962: 3936: 3934: 3932: 3908: 3906: 3905:on 14 July 2010 3902: 3895: 3884: 3863: 3836: 3814: 3774: 3750: 3748: 3746: 3731: 3720: 3696: 3691: 3680: 3676: 3668: 3664: 3656: 3649: 3641: 3634: 3626: 3622: 3611: 3607: 3599: 3595: 3587: 3583: 3577:Portal Guarani. 3573: 3568: 3564: 3560:, pp. 7–8. 3556: 3552: 3544: 3540: 3532: 3528: 3520: 3516: 3508: 3504: 3496: 3492: 3484: 3480: 3472: 3468: 3460: 3456: 3448: 3444: 3436: 3432: 3424: 3420: 3412: 3408: 3400: 3396: 3388: 3384: 3376: 3372: 3364: 3360: 3352: 3348: 3340: 3336: 3328: 3324: 3316: 3312: 3305: 3289: 3285: 3278: 3262:, eds. (2001). 3253: 3249: 3241: 3237: 3229: 3225: 3217: 3213: 3206: 3192: 3188: 3178: 3176: 3165: 3161: 3153: 3146: 3136: 3134: 3132: 3116: 3112: 3102: 3100: 3098: 3080: 3076: 3068: 3064: 3056: 3052: 3044: 3040: 3032: 3028: 3018: 3016: 3003: 3002: 2998: 2987: 2983: 2968: 2964: 2948: 2947: 2943: 2929: 2925: 2917: 2908: 2900: 2893: 2838: 2834: 2824: 2822: 2809: 2808: 2804: 2794: 2787: 2785: 2781: 2780: 2776: 2768: 2764: 2757: 2735: 2731: 2723: 2719: 2709: 2707: 2703: 2692: 2686: 2682: 2672: 2670: 2665: 2664: 2660: 2649: 2645: 2639:Wayback Machine 2630: 2621: 2613: 2609: 2601: 2597: 2589: 2585: 2577: 2573: 2565: 2558: 2529: 2520: 2512: 2508: 2477: 2470: 2460: 2458: 2445: 2444: 2435: 2427: 2423: 2415: 2411: 2404: 2379: 2366: 2356: 2354: 2341: 2340: 2331: 2323: 2316: 2312: 2307: 2306: 2298:Fiber-tempered 2297: 2293: 2288: 2283: 2249:Mimbres pottery 2234:Huaco (pottery) 2214: 2187: 2166:Marajoara Phase 2107: 2095:Museo del Barro 2021: 2014: 2013: 1997: 1988: 1982: 1973: 1972: 1964: 1955: 1954: 1947: 1738:Guitarrero Cave 1724:Cultures/sites 1557:Paracas culture 1539:region, and in 1500: 1498:Huaco (pottery) 1494: 1479:nativity scenes 1449: 1403:as part of the 1397: 1392: 1385: 1384: 1377: 1368: 1357: 1348: 1347: 1340: 1331: 1330: 1323: 1314: 1308: 1299: 1296: 1217:(c. 200–800 CE) 1187: 1151: 1135: 1115: 973:Mimbres pottery 960: 916:in New Mexico, 891: 889:Pueblo cultures 886: 880: 859:Fremont culture 848: 841: 835: 826: 824:Fatherland site 817: 808: 802: 793: 791:Kolomoki Mounds 787: 778: 774:Figurines from 772: 684:Norwood culture 647: 604: 564: 559: 554: 548: 531:Mount Elizabeth 394: 298: 293:Sponge spicules 205: 165:potters in the 115:Potter's wheels 91:Brooklyn Museum 83: 53:Cherokee Nation 28: 23: 22: 15: 12: 11: 5: 4871: 4861: 4860: 4855: 4850: 4845: 4840: 4823: 4822: 4820: 4819: 4814: 4809: 4804: 4799: 4793: 4791: 4787: 4786: 4784: 4783: 4778: 4773: 4768: 4767: 4766: 4756: 4751: 4745: 4743: 4739: 4738: 4736: 4735: 4730: 4725: 4720: 4715: 4710: 4704: 4702: 4698: 4697: 4688: 4686: 4684: 4683: 4678: 4673: 4668: 4662: 4660: 4656: 4655: 4648: 4647: 4640: 4633: 4625: 4616: 4615: 4613: 4612: 4607: 4606: 4605: 4598:Studio pottery 4595: 4590: 4585: 4580: 4575: 4570: 4565: 4560: 4555: 4550: 4545: 4543:Ancient Greece 4539: 4537: 4531: 4530: 4528: 4527: 4521: 4519: 4515: 4514: 4512: 4511: 4506: 4501: 4496: 4491: 4486: 4481: 4476: 4471: 4466: 4464:Blue and white 4461: 4456: 4451: 4446: 4441: 4436: 4431: 4426: 4421: 4416: 4411: 4410: 4409: 4402:Biscuit firing 4398: 4396: 4392: 4391: 4389: 4388: 4386:Wheel throwing 4383: 4378: 4373: 4368: 4363: 4357: 4355: 4349: 4348: 4346: 4345: 4340: 4335: 4334: 4333: 4328: 4318: 4313: 4308: 4303: 4298: 4293: 4287: 4285: 4279: 4278: 4276: 4275: 4270: 4265: 4260: 4255: 4250: 4245: 4240: 4235: 4230: 4225: 4220: 4215: 4209: 4207: 4203: 4202: 4197: 4194: 4193: 4185: 4184: 4177: 4170: 4162: 4156: 4155: 4147: 4141: 4135: 4129: 4123: 4117: 4111: 4105: 4098: 4097:External links 4095: 4094: 4093: 4088: 4083: 4077: 4056: 4021: 4015: 3994: 3981: 3966: 3960: 3943: 3930: 3915: 3888: 3882: 3867: 3861: 3840: 3834: 3818: 3812: 3795: 3778: 3772: 3757: 3744: 3724: 3718: 3695: 3692: 3690: 3689: 3682:"Archaeology." 3674: 3672:, p. 366. 3662: 3647: 3645:, p. 368. 3632: 3630:, p. 207. 3620: 3605: 3603:, p. 143. 3593: 3591:, p. 127. 3581: 3562: 3550: 3538: 3536:, p. 180. 3526: 3524:, p. 179. 3514: 3512:, p. 175. 3502: 3500:, p. 174. 3490: 3488:, p. 161. 3478: 3466: 3454: 3452:, p. 136. 3442: 3440:, p. 118. 3430: 3428:, p. 106. 3418: 3406: 3394: 3382: 3370: 3358: 3356:britannica.com 3346: 3334: 3332:, p. 123. 3322: 3320:, p. 122. 3310: 3303: 3283: 3276: 3247: 3235: 3223: 3211: 3204: 3186: 3159: 3144: 3130: 3110: 3096: 3074: 3062: 3050: 3038: 3026: 2996: 2981: 2962: 2941: 2923: 2906: 2902:Roosevelt 1996 2891: 2832: 2802: 2774: 2772:, p. 202. 2762: 2755: 2729: 2717: 2680: 2658: 2643: 2619: 2617:, p. 369. 2607: 2595: 2583: 2581:, p. 307. 2571: 2569:, p. 203. 2556: 2537:Acta Amazonica 2518: 2516:, p. 439. 2506: 2468: 2433: 2421: 2419:, p. 186. 2409: 2402: 2364: 2329: 2327:, p. 365. 2313: 2311: 2308: 2305: 2304: 2290: 2289: 2287: 2284: 2282: 2281: 2279:Pueblo pottery 2276: 2271: 2266: 2261: 2256: 2251: 2246: 2241: 2236: 2231: 2226: 2221: 2215: 2213: 2210: 2209: 2208: 2203: 2198: 2193: 2186: 2185:Ceramics forms 2183: 2142:In regions of 2106: 2103: 2056:, a city near 2020: 2017: 2016: 2015: 2012:, 1100–1400 CE 1999: 1998: 1991: 1989: 1983: 1976: 1974: 1966: 1965: 1958: 1956: 1949: 1948: 1941: 1936: 1935: 1930: 1927: 1923: 1922: 1913: 1910: 1906: 1905: 1900: 1897: 1893: 1892: 1871: 1868: 1864: 1863: 1842: 1839: 1838:Middle Horizon 1835: 1834: 1813: 1812:200 BCE–500 CE 1810: 1806: 1805: 1788: 1785: 1781: 1780: 1771: 1768: 1767:Initial Period 1764: 1763: 1750: 1747: 1741: 1740: 1735: 1732: 1726: 1725: 1722: 1719: 1710:British Museum 1695:, maize beer. 1610:Chicama Valley 1493: 1490: 1461:before present 1453:Puerto Hormiga 1448: 1445: 1396: 1393: 1391: 1388: 1387: 1386: 1379: 1378: 1371: 1369: 1358: 1351: 1349: 1342: 1341: 1334: 1332: 1325: 1324: 1317: 1315: 1313:incense burner 1309: 1302: 1300: 1297: 1290: 1287: 1286: 1280: 1274: 1268: 1258: 1252: 1242: 1236: 1230: 1224: 1218: 1212: 1206: 1200: 1194: 1186: 1183: 1169: 1168: 1163: 1156:Salado culture 1150: 1147: 1134: 1131: 1130: 1129: 1127:Akimel O'odham 1123:Tohono O'odham 1114: 1111: 1108: 1107: 1104: 1100: 1099: 1096: 1092: 1091: 1088: 1084: 1083: 1080: 1074: 1073: 1070: 1068:Pueblo III Era 1064: 1063: 1060: 1054: 1053: 1050: 1044: 1043: 1040: 1034: 1033: 1030: 1024: 1023: 1020: 1014: 1013: 975: 966: 958:Pueblo pottery 890: 887: 882:Main article: 879: 876: 847: 844: 843: 842: 836: 829: 827: 822:pots from the 818: 811: 809: 803: 796: 794: 788: 781: 779: 773: 766: 763: 762: 756: 746:Natchez people 739: 736: 733: 703:Puerto Hormiga 679:Orange culture 675:Savannah River 646: 643: 642: 641: 623: 603: 600: 598:in the 1990s. 596:Inuit ceramics 563: 560: 558: 555: 553: 550: 533:) by 4000 BP, 511:South Carolina 503:Savannah River 449:Puerto Hormiga 393: 390: 350:Lucayan people 314:Picuris Pueblo 297: 296: 289: 282:Mollusc shells 279: 273: 267: 248: 241: 236:Sand, crushed 234: 228: 222: 219: 213: 209: 204: 201: 82: 79: 26: 9: 6: 4: 3: 2: 4870: 4859: 4856: 4854: 4851: 4849: 4846: 4844: 4841: 4839: 4836: 4835: 4833: 4818: 4815: 4813: 4810: 4808: 4805: 4803: 4800: 4798: 4795: 4794: 4792: 4788: 4782: 4779: 4777: 4774: 4772: 4771:Kwakwakaʼwakw 4769: 4765: 4762: 4761: 4760: 4757: 4755: 4752: 4750: 4747: 4746: 4744: 4740: 4734: 4731: 4729: 4726: 4724: 4721: 4719: 4716: 4714: 4711: 4709: 4706: 4705: 4703: 4699: 4692: 4682: 4679: 4677: 4676:Pre-Columbian 4674: 4672: 4669: 4667: 4664: 4663: 4661: 4657: 4653: 4646: 4641: 4639: 4634: 4632: 4627: 4626: 4623: 4611: 4608: 4604: 4601: 4600: 4599: 4596: 4594: 4591: 4589: 4586: 4584: 4581: 4579: 4576: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4556: 4554: 4551: 4549: 4546: 4544: 4541: 4540: 4538: 4536: 4532: 4526: 4523: 4522: 4520: 4516: 4510: 4507: 4505: 4502: 4500: 4497: 4495: 4492: 4490: 4487: 4485: 4482: 4480: 4477: 4475: 4472: 4470: 4467: 4465: 4462: 4460: 4457: 4455: 4452: 4450: 4447: 4445: 4442: 4440: 4437: 4435: 4432: 4430: 4427: 4425: 4422: 4420: 4417: 4415: 4412: 4408: 4405: 4404: 4403: 4400: 4399: 4397: 4393: 4387: 4384: 4382: 4379: 4377: 4374: 4372: 4369: 4367: 4364: 4362: 4359: 4358: 4356: 4354: 4350: 4344: 4341: 4339: 4336: 4332: 4329: 4327: 4324: 4323: 4322: 4319: 4317: 4314: 4312: 4309: 4307: 4304: 4302: 4299: 4297: 4294: 4292: 4289: 4288: 4286: 4284: 4280: 4274: 4271: 4269: 4266: 4264: 4261: 4259: 4256: 4254: 4251: 4249: 4246: 4244: 4241: 4239: 4236: 4234: 4231: 4229: 4226: 4224: 4221: 4219: 4216: 4214: 4211: 4210: 4208: 4204: 4200: 4195: 4190: 4183: 4178: 4176: 4171: 4169: 4164: 4163: 4160: 4154: 4152: 4148: 4145: 4142: 4139: 4136: 4133: 4130: 4127: 4124: 4121: 4118: 4115: 4112: 4109: 4106: 4104: 4101: 4100: 4089: 4084: 4080: 4078:0-8130-1531-6 4074: 4070: 4066: 4062: 4057: 4042: 4038: 4034: 4027: 4022: 4018: 4016:0-8130-1531-6 4012: 4008: 4004: 4000: 3995: 3984: 3978: 3974: 3973: 3967: 3963: 3957: 3952: 3951: 3944: 3933: 3927: 3923: 3922: 3916: 3901: 3894: 3889: 3885: 3879: 3875: 3874: 3868: 3864: 3862:0-8130-1531-6 3858: 3854: 3850: 3846: 3841: 3837: 3835:0-8130-1273-2 3831: 3827: 3823: 3819: 3815: 3813:0-8118-0837-8 3809: 3804: 3803: 3796: 3793: 3789: 3785: 3784: 3779: 3775: 3769: 3765: 3764: 3758: 3747: 3741: 3737: 3730: 3725: 3721: 3719:0-8130-1531-6 3715: 3711: 3707: 3703: 3698: 3697: 3686: 3683: 3678: 3671: 3666: 3659: 3654: 3652: 3644: 3639: 3637: 3629: 3624: 3617: 3614: 3609: 3602: 3597: 3590: 3585: 3578: 3572: 3566: 3559: 3554: 3547: 3542: 3535: 3530: 3523: 3518: 3511: 3506: 3499: 3494: 3487: 3482: 3475: 3470: 3463: 3458: 3451: 3446: 3439: 3434: 3427: 3422: 3415: 3410: 3403: 3398: 3391: 3386: 3380:, p. 47. 3379: 3374: 3367: 3362: 3355: 3350: 3344:, p. 23. 3343: 3338: 3331: 3326: 3319: 3314: 3306: 3304:0-12-557180-1 3300: 3296: 3295: 3287: 3279: 3277:0-306-46259-1 3273: 3269: 3265: 3261: 3260:Ember, Melvin 3257: 3251: 3244: 3239: 3232: 3227: 3220: 3215: 3207: 3205:0-87358-656-5 3201: 3197: 3190: 3174: 3170: 3163: 3156: 3155:Walthall 1980 3151: 3149: 3133: 3127: 3123: 3122: 3114: 3099: 3093: 3089: 3085: 3078: 3071: 3070:Walthall 1980 3066: 3060:, p. 94. 3059: 3058:Milanich 1994 3054: 3047: 3046:Walthall 1980 3042: 3035: 3034:Saunders 2002 3030: 3014: 3010: 3006: 3000: 2993: 2990: 2985: 2978: 2976: 2972: 2966: 2958: 2952: 2944: 2942:0-8130-2808-6 2938: 2934: 2927: 2920: 2915: 2913: 2911: 2903: 2898: 2896: 2887: 2883: 2879: 2875: 2871: 2867: 2863: 2859: 2855: 2851: 2847: 2843: 2836: 2820: 2816: 2812: 2806: 2798: 2784: 2778: 2771: 2766: 2758: 2752: 2748: 2743: 2742: 2733: 2726: 2725:Milanich 1994 2721: 2702: 2698: 2691: 2684: 2668: 2662: 2654: 2647: 2640: 2636: 2633: 2628: 2626: 2624: 2616: 2611: 2605:, p. 86. 2604: 2603:Milanich 1994 2599: 2592: 2587: 2580: 2575: 2568: 2563: 2561: 2551: 2546: 2542: 2538: 2534: 2527: 2525: 2523: 2515: 2510: 2502: 2498: 2494: 2490: 2486: 2482: 2475: 2473: 2456: 2452: 2448: 2442: 2440: 2438: 2430: 2425: 2418: 2413: 2405: 2399: 2395: 2390: 2389: 2383: 2377: 2375: 2373: 2371: 2369: 2352: 2348: 2344: 2338: 2336: 2334: 2326: 2321: 2319: 2314: 2301: 2295: 2291: 2280: 2277: 2275: 2272: 2270: 2267: 2265: 2262: 2260: 2257: 2255: 2252: 2250: 2247: 2245: 2242: 2240: 2237: 2235: 2232: 2230: 2227: 2225: 2222: 2220: 2217: 2216: 2207: 2204: 2202: 2199: 2197: 2194: 2192: 2189: 2188: 2182: 2180: 2175: 2170: 2167: 2163: 2159: 2158:Marajó Island 2155: 2153: 2149: 2145: 2140: 2138: 2137: 2132: 2128: 2124: 2120: 2119:Pedra Pintada 2111: 2102: 2100: 2096: 2091: 2089: 2085: 2081: 2080:Itá, Paraguay 2077: 2075: 2071: 2067: 2063: 2059: 2055: 2051: 2049: 2045: 2041: 2037: 2030: 2025: 2011: 2010: 2005: 2002: 1995: 1990: 1986: 1980: 1975: 1970: 1962: 1957: 1952: 1945: 1940: 1939: 1934: 1931: 1928: 1925: 1924: 1921: 1917: 1914: 1911: 1908: 1907: 1904: 1901: 1898: 1895: 1894: 1891: 1887: 1883: 1879: 1875: 1872: 1869: 1866: 1865: 1862: 1858: 1854: 1850: 1846: 1843: 1840: 1837: 1836: 1833: 1829: 1825: 1821: 1817: 1814: 1811: 1808: 1807: 1804: 1800: 1796: 1792: 1789: 1786: 1784:Early Horizon 1783: 1782: 1779: 1775: 1772: 1769: 1766: 1765: 1762: 1758: 1754: 1751: 1749:3000–1800 BCE 1748: 1746: 1743: 1742: 1739: 1736: 1733: 1731: 1728: 1727: 1723: 1720: 1717: 1711: 1706: 1702: 1700: 1699: 1694: 1690: 1686: 1681: 1677: 1672: 1670: 1666: 1662: 1658: 1654: 1649: 1646: 1642: 1638: 1634: 1630: 1626: 1625:Lake Titicaca 1622: 1621:Wari cultures 1618: 1613: 1611: 1607: 1602: 1598: 1594: 1587:, Switzerland 1586: 1582: 1578: 1574: 1572: 1571:Nasca culture 1568: 1566: 1562: 1558: 1554: 1552: 1548: 1544: 1542: 1538: 1534: 1530: 1524: 1522: 1514: 1510: 1509: 1504: 1499: 1492:Andean region 1489: 1487: 1482: 1480: 1476: 1472: 1468: 1464: 1462: 1458: 1454: 1444: 1442: 1441:Saint Vincent 1438: 1432: 1430: 1426: 1422: 1418: 1414: 1410: 1406: 1402: 1382: 1375: 1370: 1366: 1362: 1355: 1350: 1345: 1338: 1333: 1329: 1321: 1316: 1312: 1306: 1301: 1294: 1289: 1288: 1284: 1281: 1278: 1275: 1272: 1269: 1266: 1262: 1259: 1256: 1253: 1250: 1246: 1243: 1240: 1237: 1234: 1233:Maya ceramics 1231: 1228: 1225: 1222: 1219: 1216: 1213: 1210: 1207: 1204: 1201: 1199:(c. 1500 BCE) 1198: 1195: 1193:(c. 1900 BCE) 1192: 1189: 1188: 1180: 1177: 1173: 1167: 1166:Casas Grandes 1164: 1161: 1157: 1153: 1152: 1146: 1144: 1140: 1128: 1124: 1120: 1117: 1116: 1106:1950–present 1105: 1102: 1101: 1097: 1094: 1093: 1089: 1086: 1085: 1081: 1079: 1078:Pueblo IV Era 1076: 1075: 1071: 1069: 1066: 1065: 1061: 1059: 1058:Pueblo II Era 1056: 1055: 1051: 1049: 1046: 1045: 1041: 1039: 1036: 1035: 1031: 1029: 1026: 1025: 1021: 1019:Pottery style 1018: 1011: 1007: 1003: 999: 995: 991: 987: 983: 979: 976: 974: 970: 967: 965: 962: 961: 959: 955: 951: 947: 943: 939: 931: 926: 919: 915: 910: 904: 900: 895: 885: 875: 872: 871:Washoe people 868: 864: 860: 856: 852: 839: 833: 828: 825: 821: 815: 810: 807: 800: 795: 792: 785: 780: 777: 776:Poverty Point 770: 765: 764: 760: 757: 755: 751: 747: 743: 740: 737: 734: 731: 730: 729: 727: 723: 719: 714: 712: 711:James A. Ford 708: 704: 699: 697: 691: 689: 688:Poverty Point 685: 680: 676: 672: 668: 664: 661:left by Late 660: 659:shell middens 655: 653: 639: 635: 631: 627: 624: 621: 617: 613: 609: 606: 605: 599: 597: 593: 589: 585: 584:Caribou Inuit 581: 577: 573: 569: 557:North America 549: 546: 544: 543:Poverty Point 540: 536: 532: 528: 524: 520: 516: 512: 508: 504: 500: 495: 493: 489: 485: 481: 477: 473: 468: 466: 462: 458: 454: 450: 446: 442: 438: 434: 430: 429:Alaka culture 426: 421: 419: 415: 411: 407: 403: 399: 389: 387: 383: 379: 375: 374:Mississippian 371: 365: 363: 359: 355: 351: 347: 342: 338: 334: 330: 326: 321: 319: 315: 311: 307: 303: 294: 290: 287: 283: 280: 277: 274: 271: 268: 265: 261: 257: 256:volcanic rock 253: 252:igneous rocks 249: 246: 242: 239: 235: 232: 229: 226: 223: 220: 217: 214: 211: 210: 208: 200: 198: 194: 189: 187: 183: 178: 176: 170: 168: 164: 163:Mississippian 160: 156: 151: 147: 146:Nazca culture 143: 139: 136: 133:employed the 132: 128: 124: 120: 116: 111: 107: 104: 99: 92: 87: 78: 76: 71: 69: 65: 61: 54: 49: 42: 38: 34: 30: 19: 4749:Coast Salish 4707: 4557: 4548:Ancient Rome 4518:Conservation 4454:Black-figure 4381:Slip casting 4376:RAM pressing 4191:and claywork 4150: 4064: 4048:. 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Knowledge

Ceramics of Indigenous peoples of the Americas

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