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In 2007, a commemoration of the fiftieth anniversary of the creation of the Centre
Canadien d'Essai was organized with the collaboration if six Maisons de la Culture in Montréal. In this framework, 2 visioconferences are held with the cooperation of the Canadian Cultural Center in Paris and la
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and artists using various technologies to produce communication works, networks, performances and installations. Artists, theoreticians, philosophers, art critics and institutional officials that have contributed to
Aesthetics of communication include : Philippe Quéau, Jean-Marc Philippe,
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and Anguéliki
Garidis,, Karczmar organized the Centre Averroès-Maïmonides devoted to the Judeo-Muslim dialog and produces visioconferences between Paris and Israeli institutions having inter-community cultural activities.
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In the framework of the
Festival Vidéoformes 2013, Natan Karczmar updated at the Corum Saint-Jean in Clermont-Ferrand the exhibition presented in 1983 at the Installation Contact produced at the
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included the
Interactive Museum, with remote visits to museum exhibitions using amplified telephone, video and slides. The first presentation of the Interactive Museum was in 1989 at the
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From 1992 until 1994, Karczmar directed the Art/Communication/New
Technologies Seminar at Université Européenne de la Recherche, at the Ministère de la Recherche, in Paris.
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http://www.worldcat.org/title/sculpture-canadienne-canadian-sculpture-introduction-by-william-withrow-photographs-by-bruno-massenet-foreword-by-natan-karczmar/oclc/49023918
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Broadacast
Partage du Jour at Radio Canada : Le centre canadien d'essai. Date: 1962-11-28, Guest : Karczmar Natan, director of Centre canadien d'essai :
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572:, collective and simultaneous video event by Natan Karczmar, École nationale supérieure des Beaux-Arts de Paris, texts by Derrick de Kerkhove and Fred Forest.
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In 1960, Karczmar organized the
Mexican Museum of Film on Art (Museo Mexicano de Peliculas sobre Arte), and in 1962, the American Institute of Film on Art.
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In 2009, a retrospective was organized at the occasion of the 25th anniversary of "Videocollectives" at the
International Vidéoformes Festival in
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In July 2015 Karczmar directed ArtComTec videoconferencing seminars in the framework of ArtCamp at the
Ladislav Sutnar Faculty of Design and Art
592:, Actes du colloque sur la Transinteractivité, Centre culturel Canadien, 4–5 novembre, 1988, éd. D. de Kerckhove and Christian Sevette, Paris.
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in Tel Aviv (now Rabin Square). Portraits on the themes of the smile, the wink, and grimaces were taken, projected and put online on the site
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5 décembre 1989, Paris, Europe des créateurs, Utopies 1989, Grand Palais, meeting of René Berger with Natan Karczmar (Art Planète) :
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In, 2004, a commemoration of the fiftieth anniversary of the first festival of film on art held in 1954 was organized at the Tel Aviv and
40:(born January 3, 1933) is a French cultural event promoter, book and magazine publisher, theater producer, photographer and painter.
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in Paris and at the Center Art Gallery in New-York. His artistic demarche included also photography and lithography, in particular
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at Beth Rotschild and at the Acco Theater Festival with many games of communication, including 24 telephones in a closed circuit.
666:/ introduction by William Withrow ; photographs by Bruno Massenet ; Publisher and foreword by Natan Karczmar :
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536:). A retrospective of Video collectives was also presented at the International Traces de Vie festival in Clermont-Ferrand.
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Karczmar organized numerous events in France and Israel to bring together artists and other creative people involved in
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Natan Karczmar. Pavillon Art Planète. L'Europe des Créateurs. Grand Palais. Paris, 1989. Photography: Evgenia Demnievska
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Two festivals of films on art are organized 20 years later at the Gan Hapizga in Old Jaffa, Israel, in 1977–78.
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the first Internet art magazine on Internet to present temporary museum and gallery exhibitions around the world.
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In 1984, Karczmar met Fred Forest who invited him to join the group of Aesthetics of Communication which gathers
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108:, poetry, and music. In 1958, he organized the Salon de la Jeune Peinture, sculpture and graphic arts.
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Le Monde, 14 mai 1970 – La Galerie des Arts, 15 mai 1970 – L'amateur d'ART, jeudi 14 mai 1970.
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In 2007 Karczmar staged ArtComTec Seminars were held at the Chapelle des Recollets in Paris.
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and André Montpetit. In 1967, Karczmar published the first book on Canadian sculpture at the
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50th anniversary of Centre Canadien d'Essai, visioconferences between Montréal and Paris:
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201:(Noa's adventures). From 1982 to 1984, he also worked as an art critic for the weekly
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Between 1953 and 1954, Karczmar worked as a journalist for the French division of
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http://www.crlq.umontreal.ca/CAGM/rechsimple?emission=PARTAGE%20DU%20JOUR&s=0
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Artcom Paris 86, Rencontres et performances sur l'esthétique de la communication
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Pavillon with the collaboration of the French FR3 broadcasting station, at the
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In 1983, Karczmar started the Tel Aviv-Jaffa Street Theater showing his play
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In 1957, Karczmar started the theater of the Canadian Workshop Center at the
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Karczmar created many art installations, museum exhibitions and new types of
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radio stations. He participates to a video installation Paris-Cologne at "
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http://www.jean-pierre-faye.net/category/biographie-de-jean-pierre-faye/
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1986, in Salerno ARTMEDIA II with the installation and video action "
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http://www.canada-culture.org/archivesphoto/1882/invitation_CCAM.pdf
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In 1983, Karczmar organized "Installation Contact" (Mivne Maga) on
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Sculpture Canadienne à l'Expo 67 – Canadian Sculpture at Expo 67
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event. Interactive Museum events were also held in 1992 at the
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and sculptors. Karczmar also produced more than 100 plays in
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http://college-de-vevey.vd.ch/auteur/dates-technoculture.htm
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which published albums by sculptors and printmakers from
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1992 Paris, participates in the International Symposium "
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International Council of Museums congress in Quebec.
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L'immaginario tecnologico, Benevento, Museo del Sannio
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In 1954, Karczmar organized an art film festival in
548:, author-publisher: Natan Karczmar, Éditions graph.
235:and Tzavta Center in Tel Aviv with Fred Forest and
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603:Art et Internet, Imaginaire : Mode d'emploi
554:, texts Fred Forest, Mario Costa, Natan Karczmar
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345:November 1984, in Israel, organized the first
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324:From 1969, Karczmar devotes himself to
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212:Jacques Jaffelin, Michel Bret,
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425:with the collaboration of
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402:In 1988, participated in
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638:18 November 2015 at the
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121:Canadian Workshop Center
507:Jerusalem Cinematheques
395:, Asch-sur-Alzette and
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495:Kings of Israel Square
477:L'Europe des Créateurs
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360:at Salerno University.
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45:cultural communication
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722:29 April 2013 at the
408:Transintercaricatures
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781:French video artists
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384:with Wolfgang Ziemer
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515:Notre-Dame-de-Grâce
261:, in Paris, during
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133:J'ai choisi la mort
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552:Artcom Israël 1984
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365:Investig'Action"
308:Jean-Pierre Faye
237:Antonio Muntadas
129:Editions d'Essai
127:and created the
95:Montreal, Quebec
81:L'Echo d'Israël.
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391:, Cologne,
376:Fred Forest
358:Mario Costa
214:Pierre Lévy
164:Anne Kahane
770:Categories
610:References
473:Art Planet
255:Art Planet
251:Art Planet
244:Art Planet
137:Guy Lafond
77:Kol Israel
530:Rosh-Pina
444:In 1990
427:Antenne 2
352:1985, in
720:Archived
683:Archived
636:Archived
570:Vidéo 6e
558:Artmedia
397:Grenoble
326:painting
87:Tel Aviv
53:Montreal
579:, 1997.
489:Funface
452:at the
412:Toronto
382:Cologne
354:Salerno
282:Artmag,
534:Sderot
315:Artist
267:UNESCO
156:Quebec
66:Career
393:Liège
389:Lille
301:Plzen
288:2000s
192:Haifa
91:Haifa
433:and
225:1984
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