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Natan Karczmar

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30: 22: 485: ». He distinguishes it thus from Aesthetics of Communication which privileges the medium, the container, rather than the content of communicational actions and events while Relationnism grants an equal importance to the container and the content. The attention is given as much to the technological medium than to the content in the creation of communicational works and in art of communication. 512:
In 2007, a commemoration of the fiftieth anniversary of the creation of the Centre Canadien d'Essai was organized with the collaboration if six Maisons de la Culture in Montréal. In this framework, 2 visioconferences are held with the cooperation of the Canadian Cultural Center in Paris and la
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and artists using various technologies to produce communication works, networks, performances and installations. Artists, theoreticians, philosophers, art critics and institutional officials that have contributed to Aesthetics of communication include : Philippe Quéau, Jean-Marc Philippe,
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and Anguéliki Garidis,, Karczmar organized the Centre Averroès-Maïmonides devoted to the Judeo-Muslim dialog and produces visioconferences between Paris and Israeli institutions having inter-community cultural activities.
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In the framework of the Festival Vidéoformes 2013, Natan Karczmar updated at the Corum Saint-Jean in Clermont-Ferrand the exhibition presented in 1983 at the Installation Contact produced at the
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included the Interactive Museum, with remote visits to museum exhibitions using amplified telephone, video and slides. The first presentation of the Interactive Museum was in 1989 at the
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From 1992 until 1994, Karczmar directed the Art/Communication/New Technologies Seminar at Université Européenne de la Recherche, at the Ministère de la Recherche, in Paris.
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http://www.worldcat.org/title/sculpture-canadienne-canadian-sculpture-introduction-by-william-withrow-photographs-by-bruno-massenet-foreword-by-natan-karczmar/oclc/49023918
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Broadacast Partage du Jour at Radio Canada : Le centre canadien d'essai. Date: 1962-11-28, Guest : Karczmar Natan, director of Centre canadien d'essai :
698: 635: 572:, collective and simultaneous video event by Natan Karczmar, École nationale supérieure des Beaux-Arts de Paris, texts by Derrick de Kerkhove and Fred Forest. 116:
In 1960, Karczmar organized the Mexican Museum of Film on Art (Museo Mexicano de Peliculas sobre Arte), and in 1962, the American Institute of Film on Art.
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In 2009, a retrospective was organized at the occasion of the 25th anniversary of "Videocollectives" at the International Vidéoformes Festival in
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In July 2015 Karczmar directed ArtComTec videoconferencing seminars in the framework of ArtCamp at the Ladislav Sutnar Faculty of Design and Art
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in Tel Aviv (now Rabin Square). Portraits on the themes of the smile, the wink, and grimaces were taken, projected and put online on the site
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5 décembre 1989, Paris, Europe des créateurs, Utopies 1989, Grand Palais, meeting of René Berger with Natan Karczmar (Art Planète) :
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In, 2004, a commemoration of the fiftieth anniversary of the first festival of film on art held in 1954 was organized at the Tel Aviv and
40:(born January 3, 1933) is a French cultural event promoter, book and magazine publisher, theater producer, photographer and painter. 332:
in Paris and at the Center Art Gallery in New-York. His artistic demarche included also photography and lithography, in particular
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at Beth Rotschild and at the Acco Theater Festival with many games of communication, including 24 telephones in a closed circuit.
666:/ introduction by William Withrow ; photographs by Bruno Massenet ; Publisher and foreword by Natan Karczmar : 101: 536:). A retrospective of Video collectives was also presented at the International Traces de Vie festival in Clermont-Ferrand. 775: 58:
Karczmar organized numerous events in France and Israel to bring together artists and other creative people involved in
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Natan Karczmar. Pavillon Art Planète. L'Europe des Créateurs. Grand Palais. Paris, 1989. Photography: Evgenia Demnievska
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Two festivals of films on art are organized 20 years later at the Gan Hapizga in Old Jaffa, Israel, in 1977–78.
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the first Internet art magazine on Internet to present temporary museum and gallery exhibitions around the world.
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In 1984, Karczmar met Fred Forest who invited him to join the group of Aesthetics of Communication which gathers
780: 716: 560:, Opera universitaria di Salerno, rassegna internationale di estetic del video e della comunicazione, 1985 97:, he created the Canadian Museum of Film on Art and distributed its programs to forty Canadian cities. 651: 296: 108:, poetry, and music. In 1958, he organized the Salon de la Jeune Peinture, sculpture and graphic arts. 357: 479:, he publishes a text describing his actions and those of other artists, presenting them as «  445: 434: 175: 171: 679: 506: 494: 480: 208: 44: 734:
Le Monde, 14 mai 1970 – La Galerie des Arts, 15 mai 1970 – L'amateur d'ART, jeudi 14 mai 1970.
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In 2007 Karczmar staged ArtComTec Seminars were held at the Chapelle des Recollets in Paris.
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and André Montpetit. In 1967, Karczmar published the first book on Canadian sculpture at the
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50th anniversary of Centre Canadien d'Essai, visioconferences between Montréal and Paris:
8: 371: 232: 159: 104:. He presented one hundred productions until 1964, combining theater, and one act plays, 201:(Noa's adventures). From 1982 to 1984, he also worked as an art critic for the weekly 105: 167: 521: 307: 79:. Between 1952 and 1954, he also worked as a musical critic for the French daily 75:
Between 1953 and 1954, Karczmar worked as a journalist for the French division of
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http://www.crlq.umontreal.ca/CAGM/rechsimple?emission=PARTAGE%20DU%20JOUR&s=0
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Artcom Paris 86, Rencontres et performances sur l'esthétique de la communication
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Pavillon with the collaboration of the French FR3 broadcasting station, at the
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In 1983, Karczmar started the Tel Aviv-Jaffa Street Theater showing his play
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In 1957, Karczmar started the theater of the Canadian Workshop Center at the
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Karczmar created many art installations, museum exhibitions and new types of
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radio stations. He participates to a video installation Paris-Cologne at "
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http://www.jean-pierre-faye.net/category/biographie-de-jean-pierre-faye/
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1986, in Salerno ARTMEDIA II with the installation and video action "
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http://www.canada-culture.org/archivesphoto/1882/invitation_CCAM.pdf
356:, Italy, he organized a video event within "Artmedia" directed by 249:, which was distributed to 100 modern and contemporary art museums. 47:. He also published books and magazines that showcased the work of 426: 396: 325: 186:
In 1983, Karczmar organized "Installation Contact" (Mivne Maga) on
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Sculpture Canadienne à l'Expo 67 – Canadian Sculpture at Expo 67
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event. Interactive Museum events were also held in 1992 at the
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and sculptors. Karczmar also produced more than 100 plays in
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http://college-de-vevey.vd.ch/auteur/dates-technoculture.htm
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which published albums by sculptors and printmakers from
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1992 Paris, participates in the International Symposium "
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International Council of Museums congress in Quebec.
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L'immaginario tecnologico, Benevento, Museo del Sannio
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In 1954, Karczmar organized an art film festival in
548:, author-publisher: Natan Karczmar, Éditions graph. 235:and Tzavta Center in Tel Aviv with Fred Forest and 767: 603:Art et Internet, Imaginaire : Mode d'emploi 554:, texts Fred Forest, Mario Costa, Natan Karczmar 349:t between a radio station and the videomakers. 25:Natan Karczmar. Photography: Michael Wögerbauer 345:November 1984, in Israel, organized the first 70: 584:From Aesthetics of Communication to Net Art 475:in 1989 at the Grand Palais in Paris during 441:" at Fermate at Alter Wartesaal in Cologne. 319: 131:. The published pieces included the poems 664:Sculpture canadienne / Canadian sculpture 372:École nationale supérieure des Beaux-Arts 328:and shows non-objective works in 1970 at 242:In 1989, Karczmar created the bimonthly 28: 20: 417:1988 organized videocollective event " 324:From 1969, Karczmar devotes himself to 768: 347:Collective and Simultaneous Video Even 166:, Marcel Braitstein, Roland Giguère, 471:At the occasion of the launching of 461:L'Europe de la Deuxième Renaissance" 219:In 1984, Karczmar took part in the " 596:Vers une culture de l'interactivité 340:Video collectives and Installations 13: 454:Center for Advanced Visual Studies 111: 14: 792: 741: 715:Centre Averroès-Maimonide : 272: 181: 582:Special Edition "Artmedia VIII, 500: 280:In April 1996, Karczmar founded 539: 466: 212:Jacques Jaffelin, Michel Bret, 728: 709: 691: 672: 656: 644: 625: 616: 1: 609: 605:, Éditions Cercle d'Art 2008. 528:(Tel Aviv, Jerusalem, Haifa, 387:1987, video twinning between 374:de Paris. Co-organized with 123:, Karczmar published several 524:as well as in five Israeli 93:,. In 1956, after moving to 7: 776:French contemporary artists 748:Biography of Natan Karczmar 102:Fine Art School of Montreal 10: 797: 586:, Artpress, December 2002. 577:L'Art à l'âge électronique 488: 425:with the collaboration of 421:for the Centennial of the 410: » between Paris and 297:University of West Bohemia 150:Karczmar also started the 141:Ballades du temps précieux 71:1950's - Israel and Canada 402:In 1988, participated in 314: 216:, and countless others. 65: 638:18 November 2015 at the 513:Maison de la Culture of 446:Cambridge, Massachusetts 406:with the presentation " 320:Painter and photographer 287: 121:Canadian Workshop Center 507:Jerusalem Cinematheques 395:, Asch-sur-Alzette and 753:Online Artmag magazine 495:Kings of Israel Square 477:L'Europe des Créateurs 429:Broadcasting station, 360:at Salerno University. 263:L'Europe des Créateurs 45:cultural communication 34: 26: 722:29 April 2013 at the 408:Transintercaricatures 370:1986 Artcom Paris at 190:in Tel Aviv, then in 176:Montreal World's Fair 32: 24: 781:French video artists 590:Les Transinteractifs 384:with Wolfgang Ziemer 239:as guest lecturers. 515:Notre-Dame-de-Grâce 261:, in Paris, during 160:Armand Vaillancourt 133:J'ai choisi la mort 705:on 1 October 2015. 685:2 May 2013 at the 552:Artcom Israël 1984 448:, participates in 330:Galerie Entremonde 162:, Albert Roussil, 106:contemporary dance 35: 27: 439:Worauf Warten Sie 231:, Jerusalem, the 227:Symposium at the 203:Réalités d'Israël 158:. They included 89:, Jerusalem, and 788: 758:Videocollectives 735: 732: 726: 713: 707: 706: 701:. Archived from 699:"ArtComTec 2015" 695: 689: 676: 670: 660: 654: 648: 642: 629: 623: 620: 522:Clermont-Ferrand 456:(CAVS) at M.I.T. 404:Transinteractifs 365:Investig'Action" 308:Jean-Pierre Faye 237:Antonio Muntadas 129:Editions d'Essai 127:and created the 95:Montreal, Quebec 81:L'Echo d'Israël. 796: 795: 791: 790: 789: 787: 786: 785: 766: 765: 763: 744: 739: 738: 733: 729: 724:Wayback Machine 714: 710: 697: 696: 692: 687:Wayback Machine 677: 673: 661: 657: 649: 645: 640:Wayback Machine 630: 626: 621: 617: 612: 542: 503: 491: 469: 342: 322: 317: 290: 275: 184: 168:Léon Bellefleur 152:Editions Graph, 145:Pierre Perrault 125:Cahiers d'Essai 114: 112:1960's - Canada 73: 68: 18: 12: 11: 5: 794: 784: 783: 778: 761: 760: 755: 750: 743: 742:External links 740: 737: 736: 727: 708: 690: 671: 655: 643: 624: 614: 613: 611: 608: 607: 606: 599: 593: 587: 580: 575:Frank Popper, 573: 567: 561: 555: 549: 541: 538: 502: 499: 490: 487: 468: 465: 464: 463: 457: 442: 415: 400: 385: 378: 368: 361: 350: 341: 338: 321: 318: 316: 313: 306:In 2007, with 289: 286: 274: 273:1990s - France 271: 247:video magazine 183: 182:1980s - Israel 180: 113: 110: 72: 69: 67: 64: 62:and the arts. 60:communications 49:Canadian poets 38:Natan Karczmar 9: 6: 4: 3: 2: 793: 782: 779: 777: 774: 773: 771: 764: 759: 756: 754: 751: 749: 746: 745: 731: 725: 721: 718: 712: 704: 700: 694: 688: 684: 681: 675: 669: 665: 659: 653: 647: 641: 637: 634: 628: 619: 615: 604: 601:Fred Forest, 600: 597: 594: 591: 588: 585: 581: 578: 574: 571: 568: 565: 562: 559: 556: 553: 550: 547: 544: 543: 537: 535: 531: 527: 526:cinematheques 523: 518: 517:in Montréal. 516: 510: 508: 501:Retrospective 498: 496: 486: 484: 483: 478: 474: 462: 458: 455: 451: 450:Arttransition 447: 443: 440: 436: 432: 428: 424: 420: 419:Vive la Tour" 416: 413: 409: 405: 401: 398: 394: 390: 386: 383: 379: 377: 373: 369: 366: 362: 359: 355: 351: 348: 344: 343: 337: 335: 334:photomontages 331: 327: 312: 309: 304: 302: 298: 293: 285: 283: 278: 270: 268: 264: 260: 256: 252: 248: 245: 240: 238: 234: 230: 229:Israel Museum 226: 222: 217: 215: 210: 209:theoreticians 205: 204: 200: 199:The Sandclock 195: 193: 189: 179: 177: 173: 172:Stanley Lewis 169: 165: 161: 157: 153: 148: 146: 142: 139:, as well as 138: 134: 130: 126: 122: 119:While at the 117: 109: 107: 103: 98: 96: 92: 88: 83: 82: 78: 63: 61: 56: 54: 50: 46: 41: 39: 31: 23: 19: 16: 762: 730: 711: 703:the original 693: 674: 663: 662:Publication 658: 646: 627: 618: 602: 595: 589: 583: 576: 569: 563: 557: 551: 545: 540:Bibliography 519: 511: 504: 492: 482:Relationnism 481: 476: 472: 470: 467:Relationnism 460: 449: 438: 431:France Inter 418: 407: 403: 380:1986 Artcom 364: 346: 329: 323: 305: 294: 291: 281: 279: 276: 262: 259:Grand Palais 254: 250: 243: 241: 233:Haifa Museum 224: 220: 218: 206: 202: 198: 196: 188:Kings Square 185: 151: 149: 140: 132: 128: 124: 120: 118: 115: 99: 84: 80: 74: 57: 42: 37: 36: 17: 15: 435:France Info 423:Tour Eiffel 391:, Cologne, 376:Fred Forest 358:Mario Costa 214:Pierre Lévy 164:Anne Kahane 770:Categories 610:References 473:Art Planet 255:Art Planet 251:Art Planet 244:Art Planet 137:Guy Lafond 77:Kol Israel 530:Rosh-Pina 444:In 1990 427:Antenne 2 352:1985, in 720:Archived 683:Archived 636:Archived 570:Vidéo 6e 558:Artmedia 397:Grenoble 326:painting 87:Tel Aviv 53:Montreal 579:, 1997. 489:Funface 452:at the 412:Toronto 382:Cologne 354:Salerno 282:Artmag, 534:Sderot 315:Artist 267:UNESCO 156:Quebec 66:Career 393:Liège 389:Lille 301:Plzen 288:2000s 192:Haifa 91:Haifa 433:and 225:1984 303:. 147:. 143:by 135:by 772:: 532:, 509:. 299:, 178:. 170:, 55:. 414:. 367:.

Index



cultural communication
Canadian poets
Montreal
communications
Kol Israel
Tel Aviv
Haifa
Montreal, Quebec
Fine Art School of Montreal
contemporary dance
Guy Lafond
Pierre Perrault
Quebec
Armand Vaillancourt
Anne Kahane
Léon Bellefleur
Stanley Lewis
Montreal World's Fair
Kings Square
Haifa
theoreticians
Pierre Lévy
Israel Museum
Haifa Museum
Antonio Muntadas
video magazine
Grand Palais
UNESCO

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