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other towns. However, the priest approved of
Shamaldas and announced the engagement. Narsinh invited Krishna to the wedding, much to the ridicule of the other Brahmin's who mocked Narsinh's poverty and hopes that Krishna would help him. The wedding party of Shamaldas, full of people with meager means, departed Junagadh and arrived with much pomp and grandeur beyond everyone's expectations. It is believed that Krishna miraculously provided Narsinh's family with everything needed to celebrate the wedding of Shamaldas.
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319:. He was so engrossed in watching Krishna that he did not realize the torch was burning his hand. Krishna was pleased with Narsinh's devotion and granted him a wish. Narsinh asked to have never-ending devotion of Krishna and the ability to sing about his glory. Krishna granted him this, along with the constant vision of
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After this transformative experience, Narsinh returned to his village, touched his sister-in-law's feet as reverence, and thanked her for insulting him for had she not made him upset, the above episode would not have occurred. Thereafter
Narsinh moved out of his brother's home and to a small house in
217:
Much of what is known about
Narsinh Mehta is derived from his own compositions and poetic works, due to the lack of formal historical documentation during this period. Additional insights into Narsinh Mehta's biography are found in works from other poets of subsequent eras, as their poems describe in
474:
and
Sundarar. Like many others of the era, Narsinh faced strong opposition from society but remained steadfast in his devotion. His acceptance and association with all people, regardless of caste, creed, and social status was unique to the Nagar Brahmins at the time and remained an important part of
413:
One noteworthy autobiographical composition is based on
Narsinh's daughter, Kunwarbai, and the ceremony that occurred in honor of her pregnancy. The tradition at the time dictated that the parents of the mother-to-be would give gifts to their daughter's in-laws during the seventh month of pregnancy,
390:
The merchant named in the note was
Shamalsha Sheth. Upon arriving in Dwarka, the pilgrims found no one had heard of an individual with this name, and assumed they had been scammed out of ₹700 by Narsinh. To their surprise, an individual named Shamalsha appeared looking for the pilgrims and paid the
438:
The Nagar
Brahmin's continued to oppose Narsinh, and instigated the King of Junagadh, Ra Mandallika to test Narsinh. The King falsely accused Narsinh, and demanded that Narsinh ask Krishna to send him the garland from the murti in the temple of Damodar. This alone would provide Narsinh's innocence
347:
singer, as he sang and danced the praises of
Krishna in the company of all, regardless of gender, class, and caste. The Nagar Brahmin community, which Narsinh belonged to, found it offensive that Narsinh associated with those deemed a lower caste. The Nagar Brahmins were considered "high ranking",
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Many in the community questioned the poverty of
Narsinh and assumed he was deceiving everyone. The local Nagar Brahmin's once convinced a group of pilgrims to get a promissory note from Narsinh for ₹700, telling them that Narsinh was actually a rich man despite appearances. When approached by the
418:
Given
Narsinh's extreme poverty and his total immersion in devotion to Krishna, he arrived to his daughter's in-laws home empty handed. When he asked them for a list of customary gifts to provide, Kunwarbai's in-laws provided a list of expensive items that would be unattainable for Narsinh. Upon
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The family priest of an influential individual named Madan Mehta, came to Junagadh in search of an appropriate partner for Madan Mehta's daughter. A local Nagar Brahmin suggested the priest meet Narsinh's son Shamaldas, hoping the priest would experience Narsinh's poverty and spread this news to
271:
Based on the language, style, and emotion of Narsinh's poetic works, it is believed he studied in his Nagar family tradition and had knowledge of literary tradition and creativity. However, his poetry focuses exclusively on religious devotion and is attributed to becoming a devotee of
553:
One of the most important features of Mehta's works is that they are not available in the language in which Narsinh had composed them. They have been largely preserved orally. The oldest available manuscript of his work is dated around 1612, and was found by the noted scholar
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and spare his life. Narsinh prayed all night and pleaded with Krishna to make the King's demand come true, so that others would not fear pursuing a path of devotion. The next morning, Krishna placed the garland on Narsinh's neck and Narsinh received an apology from the King.
224:
and lived until the age of 79. While there is no specific date mentioned in Narsinh's autobiographical compositions or in works from later poets, the incidents depicted establish Narsinh's presence in the 15th century, notably during the reign of
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and known for their elegant manners, musical skills, and court appointments. Many Nagar Brahmins at the time worshipped Shiva, and some sources state this contributed to their opposition and torment of Narsinh, who was an ardent Krishna devotee.
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An ill-tempered woman, she taunted and insulted Narsinh repeatedly. One day, when Narsinh had enough of her taunts and insults, he left the house and went to a nearby forest in search of some peace, where he fasted and meditated by a secluded
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Narsinh's bhajans are frequently performed in the popular Gujarati genres of Garbi, Dhol and Prabhatiya. Garbi and Dhol are celebratory genres, whereas the Prabhatiya genre is sung in the morning to evoke peacefulness and contentment.
50:
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as a close similar in North Indian languages. Both styles anchor in the traditional meters and popular tunes and rhythms. He is known for ragas common during the morning time, spring, and rainy season.
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community, Narsinh's father held an administrative position in a royal court. Narsinh was mute until the age of eight. He began to speak only after meeting a holy man who had him utter the phrase "
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shaped it as a global song of compassion, moral integrity, and duty to humankind. Gandhi elevated Narsinh's life and work beyond the religious context and into greater ethical and moral themes.
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Narsinh's son died at young age leaving behind his young widow and out of grief his wife also died soon. Despite this incident, his devotion did not change. In his later life, Narsinh went to
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In Junagadh, Narsinh lived in poverty with his wife and two children, a son named Shamaldas, and a daughter for whom he had special affection, Kunwarbai. His popularity grew as a
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268:. His older brother, Bansidhar, was 17 years his senior. Narsinh's parents died when he was five years old; he was left dependent on his older brother and his sister-in-law.
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have been sung in Gujarat and Rajasthan for over 5 years centuries The compositions are philosophical or ethical, and often descriptive of the love of Radha and Krishna
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about Krishna in the appropriate ragas. Narsinh composed items for his own singing, and it is impossible to confirm or reconstruct the melodies in which he sang them.
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Narsinh's autobiographical works as well as later compositions from other poets provide a glimpse of certain key incidents from his life, depicting Narsinh's
398:", is famous not only in Gujarati but in other parts of India as well, and was written as a prayer to Krishna after he accepted this bond from the pilgrims (
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Mahatma Gandhi referenced Narsinh's work considerably in his speeches, writings, and public prayers. Gandhi's repeated reference to the
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receiving the list, Narsinh prayed to Krishna and soon a merchant, assumed to be the form of Krishna, appeared with gifts in abundance.
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Divine Sounds from the Heart—Singing Unfettered in their Own Voices: The Bhakti Movement and its Women Saints (12th to 17th Century)
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Narsinh and his wife Manekbai lived in his older brother Bansidhar's home, but were treated very poorly by Bansidhar's wife
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pilgrims, Narsinh understood he was being tricked, but he accepted the money and wrote a promissory note to a merchant in
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principal with substantial interest. It is believed the Krishna appeared as Shamalsha to fulfill the promissory note.
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for seven days. Pleased by his devotion, the god Shiva is said to have manifested before Narsinh and took him to
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The legend of Krishna coming to Narsinh's aid is also preserved through compositions by later poets and films.
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Joshi, Umashankar, Narsinh Mehta, Bhakti Aandolanna Pratinidhi Udgaata' in Umashankar Joshi et al. (eds.).
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of the Gujarati language. Narsinh Mehta is member of Nagar Brahman community. Narsinh became a devotee of
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562:. Because of the immense popularity of his works, their language has undergone modifications over time.
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451:(written in the 18th century) attempt to establish the clan, ancestry and pedigree of Narsinh Mehta.
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Though there is no consensus among scholars on exact dates, it is believed Narsinh was born in 1414
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906:. Junagadh: Bahuddin College Grahak Sahkari Bhandar Ltd., and Bahauddin College Sahitya Sabha, 1983
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is a composition that depicts this incident and portrays Krishna coming to the aid of his devotee.
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have remained popular in Gujarat and Rajasthan for over 5 centuries. Most notably, his composition
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Narsinh's works are typically organized into 4 broad categories that contain substantial overlap
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in lead role. This 27-episode successful series was produced by Nandubhai Shah and directed by
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Many parallels are drawn between Narsinh's life events and those of other saint-poets such as
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Narsinhnan Padoman Sidha-ras. A Lecture in Gujarati on Siddha-ras in poems of Narsinh Mehta
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723:, an Indian Gujarati-language film directed by Vijay B. Chauhan which released in 1984.
678:(1932) directed by Nanubhai Vakil was based on Narsinh Mehta's life. The bilingual film
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and the promise to always be at Narsinh's side. He resolved to compose around 22,000
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Tripathi, Govardhanram. Poets of Gujarat and their Influence on Society and Morals
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detail the personality of Narsinh Mehta and certain key events from his life.
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was established in his name to recognize excellence in Gujarati literature.
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There, Narsinh is described to hold the torch which lit the grounds for the
1073:(in Gujarati). Vallabh Vidyanagar: Sardar Patel University. pp. 8–20.
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This episode has been captured in Narsinh's autobiographical composition -
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Narasinha Mehta of Gujarat : A Legacy of Bhakti in Songs and Stories
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in Gujarati (1940) directed by Vijay Bhatt and had paralleled Mehta with
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1152:"Chinu Modi gets Narsinh Mehta award | Ahmedabad News - Times of India"
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Vaishna Jan Narsinh Mehta (Hindi translation of Narsinh Mehta's poems)
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Narasinha Mehta of Gujarat: A Legacy of Bhakti in Songs and Stories
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198:'s favorite and became popular with freedom fighters across India.
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Translation of Narsinh Mehta's poems into English by Sachin Ketkar
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into secular contexts such as school events and cultural programs
1025:. New York: Oxford University Press. pp. 105–109, 213, 220.
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Atmagnyani Bhaktakavia Narsinh Mehta (Biography of Narsinh Mehta)
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According to Champaklal Nayak, Narsinh is the first to compose
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released in 1957. The soundtrack from the film, with music by
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Gujarata and Its Literature: A Survey from the Earliest Times
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Adi Kavi Ni Aarsh Wani: Narsinh Mehta ni Tatvadarshi Kavita
304:
1254:"Slumdog makers in a spot over quiz answer – Mumbai – DNA"
335:, where he began a life of devotion dedicated to Krishna.
729:(1991) was a Gujarati television series telecast by the
638:
Songs of devotion, philosophical poems and didatic works
475:
his adherence and commitment to the Vaishnav tradition.
899:. Junagadh: Adyakavi Narsinh Mehta Sahityanidhi, 2000
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where, at the age of 79, he is believed to have died.
400:"Mari Hundi swikaro Maharaj re Shamala Giridhari...",
913:. vol. II. Ahmedabad: Gujarati Sahitya Parishad, 1975
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Narsinh Mehta. Narsinh Mehtani Kavyakrutiyo (ed.).
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1178:"Vastrapur Lake to become Narsinh Mehta Sarovar"
920:. Ahmedabad: Gurjar Granthratna Karyalaya, 1952
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696:, an Indian Hindi-language biographical film by
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782:. Ahmedabad: Gurjar Granthratna Karyalaya, 1997
775:. Ahmedabad: Sahitya Sanshodhan Prakashan, 1989
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956:
778:Kothari, Jayant and Darshana Dholakia (ed.).
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565:Narsinh's work has expanded beyond his Hindu
514:Narsinh's poetic work is typically viewed as
1018:
404:"Oh God, please accept my note of credit..."
610:, and compositions depicting acceptance of
358:
1399:Brahmins who fought against discrimination
506:has been officially renamed in his honor.
49:
1343:Biographical blogpost about Narsinh Mehta
1324:Speech on Narsinh Mehta by Jawahar Bakshi
1240:"Gujarati cinema: A battle for relevance"
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885:. Mumbai, M.P. Shah Women's College, 1983
837:. Bombay: Longman Green and Co. Ltd. 1935
765:
752:
635:. love poems depicting Radha and Krishna
629:, and episodes based on Srimad Bhagwatam
442:
387:, where the pilgrims were traveling to.
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934:. New Delhi: National Book Trust, 1972
849:. Mumbai: Forbes Gujarati Sabha, 1958.
433:
14:
1356:
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957:Ramanuj, Jagruti; Ramanuj, Vi (2012).
844:. Varanasi: Motilal Banarasidas, 1985.
534:Narsinh's bhajans belong to the genre
485:The crematorium at Mangrol is called '
1289:from the original on 13 December 2021
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857:. Vadodara: Oriental Institute, 1958.
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447:Some works by later authors, such as
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961:. Ahmedabad: Navsarjan Publication.
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927:. Ahmedabad: B.J. Vidyabhavan, 1971
864:. Bombay: N.M Tripathi and Co., 1938
538:in Gujarati, which is also known as
871:. New Delhi: Sahitya Akademi, 1978.
855:Gujarati Poetry like akhil bhramand
529:
338:
24:
1212:Pande, Rekha (13 September 2010).
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892:. Rajkot: Dr. Ishwarlal Dave, 1973
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522:As a pioneer poet of Gujarat, his
409:Ceremony for Kunwarbai's pregnancy
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27:15th century Indian poet and saint
25:
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1218:. Cambridge Scholars Publishing.
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883:Narsinh Mehta: Aswad Ane Swadhyay
862:Milestones in Gujarati Literature
182:or devotion towards Krishna. His
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710:misattributed to the poet Surdas
167:, honored as the first poet, or
1272:
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1043:– via Oxford Scholarship.
853:Tripathi, Y.J. Kevaladvaita in
842:Devotional Songs of Narsi Mehta
793:Chandrakant Mehta, ed. (2016).
590:Autobiographical compositions:
518:towards Krishna but also Hindu
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142:Gujarat's Adi Kavi (First Poet)
1414:People from Bhavnagar district
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1019:Shukla-Bhatt, Neelima (2014).
930:Shastri, K.K., Narsinh Mehta.
923:Shastri, K.K., Narsinh Mehta,
869:History of Gujarati Literature
592:Putra Vivah/Shamaldas no Vivah
30:For the 1932 Indian film, see
13:
1:
1130:. Pustak Mahal. p. 169.
938:
876:Critical material in Gujarati
840:Swami Mahadevananda (trans.)
813:Neelima Shukla-Bhatt (2015).
789:. Ahmedabad: Adarsh Prakashan
573:Genres of Gujarati folk Music
303:where he saw Krishna and the
280:Becoming a devotee of Krishna
232:
1069:Dholakiya, Darshana (1994).
932:Rastriya Jeevan Charitramala
904:Narsinh Mehta Adhyayn Granth
807:Critical material in English
643:Works used by Mahatma Gandhi
201:
7:
1404:Cultural history of Gujarat
1111:Gujarata and its literature
1109:Munshi, Kanaiyalal (1935).
911:Gujarati Sahitya No Ithihas
902:Dave, R and A. Dave (eds.)
819:. Oxford University Press.
653:, his popular composition.
210:Statue of Narsinh Mehta in
10:
1445:
1124:Prasoon, Shrikant (2009).
881:Chaudhri, Raghuvir (ed.).
797:(in Hindi). Gandhinagara:
617:Miscellaneous Narratives:
596:Mameru/Kunvarbai nu Mameru
582:Categories of Compositions
556:Keshavram Kashiram Shastri
237:Narsinh Mehta was born in
155:, was a 15th-century poet-
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1394:Gujarati-language writers
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1127:Indian Saints & Sages
757:Bust of Narsinh Mehta in
241:village near the town of
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1158:. TNN. 27 September 2008
359:The wedding of Shamaldas
1379:Gujarati-language poets
1258:Daily News and Analysis
918:Narsaiyyo Bhakta Harino
888:Dave, Ishwarlal (ed.).
799:Gujarat Sahitya Akademi
785:Rawal, Anantrai (ed.).
719:. This was followed by
658:bhajan Vaishnav Jana To
449:Narsinh Mehta nu Akhyan
394:Narsinh's composition "
766:Works of Narsinh Mehta
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297:Gopnath mahadev Mandir
258:). As a member of the
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867:Zhaveri, Mansukhlal.
787:Narsinh Mehta na Pado
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443:Later life and legacy
424:"Kunverbai nu Mameru"
209:
55:Stamp of India - 1967
1279:Paramount Gujarati,
721:Bhagat Narsinh Mehta
670:Gujarati talkie film
560:Gujarat Vidhya Sabha
434:Garland from Krishna
247:(now located in the
32:Narsinh Mehta (film)
1429:Devotees of Krishna
1419:Hinduism in Gujarat
1409:Indian Hindu saints
1374:People from Gujarat
1282:Bhagat Narsih Mahta
1242:. 16 December 2012.
715:Slumdog Millionaire
702:Ravi Shankar Sharma
494:Narsinh Mehta Award
487:Narsinh Nu Samshan'
402:which translates to
1424:15th-century poets
1184:. 25 February 2013
1156:The Times of India
763:
706:Gopal Singh Nepali
664:In popular culture
414:a custom known as
372:Shamaldas no Vivah
215:
1334:
1333:
1225:978-1-4438-2525-2
968:978-93-81443-58-3
826:978-0-19-997641-6
773:Shivlal Jesalpura
712:in the 2008 film
355:towards Krishna.
327:or compositions.
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123:Vaishnava Jana To
102:Gujarat Sultanate
90:(aged 78–79)
68:Talaja, Bhavnagar
16:(Redirected from
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1384:Hindu poets
1369:1481 deaths
1364:1414 births
1182:DeshGujarat
925:Ek Adhyayan
735:Doordarshan
680:Narsi Mehta
1358:Categories
1264:5 February
939:References
733:centre of
668:The first
627:Dana Leela
233:Early life
109:Occupation
98:Saurashtra
1350:on GujLit
1041:872139390
737:starring
731:Ahmedabad
504:Ahmedabad
321:ras leela
317:ras leela
311:ras leela
301:Vrindavan
250:Bhavnagar
202:Biography
169:Adi Kavi,
1287:archived
1079:32204298
727:Narsaiyo
619:Chaturis
612:Harijans
604:Har Mala
460:Tulsidas
333:Junagadh
307:dancing
252:district
212:Vadodara
129:Movement
1329:YouTube
1188:5 April
1162:5 April
548:bhajans
536:"deshi"
524:bhajans
520:bhakti.
516:bhajans
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345:bhajan
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178:bhakti
139:Honors
1293:6 May
647:See:
600:Hundi
558:from
540:"pad"
468:Kabir
464:Meera
396:Hundi
305:gopis
165:India
157:saint
1295:2021
1266:2012
1220:ISBN
1190:2022
1164:2022
1132:ISBN
1075:OCLC
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492:The
194:was
112:poet
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