254:, in which the artist actually used the image of Frida Kahlo in his paintings. According to the website glbtq archive, they state that "In a number of ways, Zenil has looked to the art of Frida Kahlo, with its strong dose of self-examination and criticism, as a beacon of inspiration. The portrait of Kahlo is sometimes incorporated into Zenil's works and he creates a lively dialogue between his own portrait and that of Kahlo, whose art has often been seen as representing the triumph of will over adversity." Zenil saw Frida art as a form of salvation, which he used to escape from his everyday life. Zenil's art allowed him to purge himself of the pressures he felt growing up gay, in a small town as a child. The pressures continued to follow him into his life in Mexico city, and as a teacher until he quit, to pursue his art full-time. Many of his works look at a variety of themes and relationships among race, religion, Mexican history, cultural designation, colonialism, male subjectivity and homosexuality.
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on contemporary
Mexican society. His works illustrate a duality between himself as an "other" and his relationship with the Catholic Church. Within Zenil's mixed media pieces he uses mainly himself as the subject. He pictures himself in his images with many religious figures such as the Virgin of Guadalupe. Within his images are many re-worked traditional Mexican forms like the retablo and ex-voto styles. Zenil was inspired by the works of artists such as Frida Kahlo and Jose Guadalupe Posada.
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until 1982. Shortly before Zenil began his full-time career as an artist, he had a solo exhibition in 1980 at the Casa de Arte CREA, in Mexico City. In 1984, he was selected to be a part of a group exhibition of
Mexican art in Gothemburg, Stockholm and London. His work to this day can still be viewed throughout Mexico, Europe, and America. Zenil also continues to work with and support artists who explore their sexualities throughout their own art.
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living room, one bedroom, and one bathroom. Zenil's father lived separately, and he worked as a teacher. This disconnection between his family would greatly inspire much of Zenil's later artworks. In Zenil's younger years, he attended La
Esmeralda school. However, in 1959, Zenil enrolled at the Escuela Nacional de Maestros in Mexico City,where he study art, including; drawing, watercolor, collage, and montage.
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Much of Zenil's works use mixed media on paper or oil on canvas. He preferred to paint on canvas until the materials compromised his health. He quickly returned to collaging on paper. He often uses his image to relieve pressures he felt as a child growing up homosexual in a small town and to comment
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Nahum B. Zenil was born in 1947 in
Veracruz Mexico. Zenil had a rural upbringing and a lower middle-class lifestyle. Zenil lived with his mother and grandmother in the house that often appears in many of his paintings. The house, when displayed in Zenil's work, is very modest, showing only a small
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After graduating in 1964, Zenil stayed in Mexico City, where he taught classes on many subjects from drawing to sports. Zen taught in schools in Mexico City for 20 years until he quit to become a full-time artist. In 1974, Zenil had his first solo exhibition in Mexico City. He continued to teach
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Encyclopedia
Copyright © 2015, Glbtq, Inc., Entry Copyright © 2002, Glbtq, Inc., and Reprinted Fr.
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1990 "Mexico: Out of the
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Project: Los Angeles, San Antonio, Mary-Anne Martin Fine Art/New York
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1991 Nahum B. Zenil...Presents, Museo de Arte
Contemporaneo de Monterrey, Mexico
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Sullivan, Edward J. (2004). "Zenil, Nahum B.". In Summers, Claude J. (ed.).
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1983 Galeria de la Secretaria de Hacienda Y Credito Publico, Mexico City
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1993 "Cien pintores mexicanos" Museo de Arte Contemporaneo de Monterrey
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1986 "Memento Mori" Centro Cultural/Arte Contemporaneo, Mexico City
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Please help to demonstrate the notability of the topic by citing
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Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda"
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1992 "Artistas jovenes" Caracas, Museo de Arte Contemporaneo
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1991 "Through the Paths of Echoes" traveling exhibition: US
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may be in need of reorganization to comply with Knowledge's
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1995 "Cartographies" traveling exhibition: Canada and US
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Zenil, Nahum B., Edward J. Sullivan, and Clayton Kirking.
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Zenil, Nahum B., Edward J. Sullivan, and Clayton Kirking.
363:"Nahum B. Zenil - Artworks, Bio & Shows on Artsy."
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1997 Grey Art Gallery, New York University, New York
449:"Nahum B. Zenil - Artworks, Bio & Shows on Artsy"
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Nahum B. Zenil: Witness to the Self = Testigo Del Ser
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Nahum B. Zenil: Witness to the Self = Testigo Del Ser
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Nahum B. Zenil - Artworks, Bio & Shows on Artsy
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16:Mexican artist (born 1947)
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1958:Magdalena Martínez Franco
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1283:Germán Cueto
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1028:Ángel Bracho
1008:Luis Beltrán
938:Héctor Ayala
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258:Exhibitions
214:Frida Kahlo
206:Mexico City
103:independent
2816:Categories
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1773:Jazzamoart
1623:Irma Grizá
1573:Elva Garma
1368:Olga Dondé
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