421:. Northern Italian early humanists, such as Lovati and Mussato, were often lawyers, and applied Roman law to contemporary legal situations. The lawyers studying these ancient Roman legal texts also became interested in other aspects of classical heritage: history and moral philosophy. The main interests of early humanists, such as Lovati and Mussato, did not lie in advocating for an emulation of historical Greece or Rome, but in the mythical worlds of Gods and heroes of classical Latin poetry. The early humanists did not have as romanticized a view of the superiority and glory of ancient societies, like later humanists such as Petrarch, as their works predominantly attempted to evoke the emotions and thoughts of ancient society. This is especially seen in Mussato's tragic play,
277:, the political philosopher. During Mussato's time in Padua he and his peers gathered regularly to discuss their ideals and help to spread the word of the humanists across Italy. This helped to solidify humanism as an important moral and political system in Padua and many other regions of Northern Italy during the early 14th century. Upon retiring from his legal career as a lawyer, Mussato began to focus on political life. He held multiple positions in the Paduan government and eventually served in the Consiglio Maggional (great council) of Padua. Mussato was also involved in numerous other diplomatic missions during his time in government as well as a part of multiple delegations for the city of Padua including the coronation of Henry VIII in Milan in 1312.
286:
Mussato, along with a number of other political writers expressed a great deal of doubt in signorial monarchies during their regular council meetings. More than half a century after
Ezzelino da Romano's reign ended, Mussato and other peers associated with pre-humanism still feared the threat of another potential tyrant in Cangrande della Scala and attempted to save the communal government of Padua. Mussato repeatedly equated the attempts of his fellow citizens to uphold their "res publica"(republic) in defense of liberty of their community against the challenge the della Scala family presented.
121:(Whether His Birthday Ought to Be Celebrated or Not). He is the oldest of his siblings, having two younger brothers and one younger sister. His father was Giovanni Cavalieri, a court messenger, but there were rumours that Mussato is the illegitimate son of an adulterous union between Viviano Muso and Cavalieri's wife. These rumours arose because Mussato adopted the last name Muso in his early years, probably, though, as tribute to Viviano Muso, who provided protection to the Cavalieri family and stood as godfather to Mussato.
185:, Renaldo, died resulting in a disputed election for the ecclesiastical position. Mussato used his time as ambassador to Boniface to influence his decision over the election by promoting his brother, Gualpertino, for the role. Vitaliano Lemici, simultaneously, spent a fortune in promoting Gualpertino for the position. The issue was finally resolved on February 17, 1300, when Boniface announced in a letter that Gualpertino was the new abbot of Santa Giustina. In April 1301 Mussato was sent to
221:, which had been under Paduan dominion for some time, took this opportunity to ally with della Scala and break free from Paduan supremacy on April 15. Fearing for their independence and possible retribution by the Emperor the Paduans decided that the conditions presented to them were favourable and again sent Mussato and colleagues to meet with the Emperor resulting in compensation for those who suffered private losses in the Vicentini revolt and Padua officially attaching itself to the
273:. Lovati was influential in creating Mussato's political ideals that were based upon Lovati's personal experiences he built while living in Padua throughout Ezzelino da Romano's tyrannical reign as the leader of Padua. These experiences greatly affected Lovati's perspective, which in turn influenced Mussato to express his personal opinion on signorial monarchies. Through the teachings of Lovati, Mussato played a major role in influencing his friend
526:. He was the first, besides Lovati, to use classicizing style in poetic letters, and in his use of classical Latin, displays a founding characteristic of later humanists in his rejection of the contemporary style of Latin in favour of classical Latin. As well as letters, emulation of classical authors and style also influenced Mussato in historical writing, as he acted as chronicler in works such as
857:. Aspects of Mussato's history included documents in the text and vivid characterizations of the people he wrote about – all features that can be traced back to writers like Sallust and Suetonius. Mussato's history is also characterized by scholars for its clarity in the description of the chronological flow of events with clear causes and effects outlined by Mussato.
470:, or nicknames for each other, which was also part of classical tradition. Lovati's was "Wolf", and Mussato's, "Little ass". Lovati believed Mussato showed great promise, as on his death bed, he told Mussato to put his poetic interests above his family, saying "since you are deemed gifted by the muses, by these you will be muse inspired. Ivy will circle your temples".
205:. On the first mission Mussato travelled as part of the Paduan representatives to the coronation of Henry VII in Milan in early January 1311. On his second journey to the Henry VII Mussato was assigned as chief ambassador and tasked with negotiating the independence of Padua. Certain conditions were placed before Padua as part of the negotiations: Padua was to have an
655:(Writers on Italian Affairs). This was an eighteenth-century collection of "chronicles, diaries, and legal documents" from the years 500 – 1500. Some of Mussato's works are included in the tenth volume of this collection. Mussato's writings have been reprinted multiple times since then and some of his original manuscripts are held in the library at the
614:. However, Ronald Witt remarks that their writings were not completely classicized. He writes about how earlier humanists such as Mussato and Lovati (among others) relied on classic Roman works and drew on them for inspiration but they "showed little interest in investigating the nature of the society that produced them."
988:
Witt notes that
Mussato is "the first person whom we know of since antiquity to celebrate his birthday." In the last half of his poem, Mussato's writing focuses on his regrets and a wish to have no more birthdays because of the risk of "adding evil deeds to his already heavy tally." This poem follows
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space of a few days. The Chorus also appears at the end of Act 2 to lament the turn of events. In Act 3, expatriates retake Padua with the help from "troops of Venice, Ferrare, and the Pope." Act 4 brings about
Ezzelino's death and by the end of Act 5, his family are killed. The Chorus ends the play.
737:
In Act 1, Ezzelino's mother informs him and his brother that their father is, in fact, a demon. Ezzelino and his brother are happy and
Ezzelino prays to his father. The act ends with the Chorus lamenting the future. By the second act, Ezzelino is described as having taken over Verona and Padua in the
733:
The play consists of "five acts, a small cast, chorus of
Paduans, and a boastful cruel protagonist". The ruler is explicitly named Ezzelino and is described as being the son of the devil. The chorus is made of the Paduan citizens who play a large role in the plot and literary scholars have noted that
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on June 16, 1311. Mussato's last ambassadorial mission to Henry was to resolve the issue of property disputes between the
Paduans and the Vicentini but he soon left the camp of the Emperor with only a rescript regarding the matter due to the Emperor's campaign to Rome stalled and continued to drag on
3029:
G. M. Gianola, "Il prologo del “De gestis
Henrici VII Cesaris” di Albertino Mussato: proposte per una nuova edizione e un nuovo commento", in "Il ritorno dei classici nell’Umanesimo. Studi in onore di Gianvito Resta", a cura di G. ALBANESE, C. CIOCIOLA, M. CORTESI, C. VILLA, Firenze, SISMEL Edizioni
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18,83–85)." In doing so he refers to poetry as a work of divinity and thus, fuses poetry with philosophy and theology into what Curtis calls "theological poetics". Mussato's merging of poetry and religion defies the medieval understanding of poetry – which places poetry within the fields of grammar,
572:
Petrarch owed much to the early
Northern Italian humanists, in their emulation, recovery and use of ancient works. Later, Petrarch would praise the works of Mussato's teacher, Lovato Lovati. As well as praise for Lovati, the humanist Colossi Salutati told Bartolomeo Oliari that his coronation of the
724:
The play was so popular and influential that it contributed to
Mussato's success in the revival of classicized writings and his receiving the poet laureate honor from the bishop and municipality of Padua. Furthermore, the play's importance was underscored when a law was passed stating that the play
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and was based on the tyrannical career of
Ezellino III de Romano. The play's objective was to warn Paduans of the danger of tyranny. Unlike later humanists, who cited classical works as examples of a glorious and far superior past, Mussato and early humanists were more concerned with the effects of
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that dealt with the education of his son. The last works of Mussato exemplified his efforts to share his personal knowledge and beliefs with subtle political hints wherever applicable to as many individuals as possible. In 1329 Mussato died while in exile but not without affecting the lives of many
128:
Later on he transitioned to working in the Paduan law courts with his first notarial document being done for Amerina Muso – Viviano Muso's widow. However, he lacked a formal education and was unable to become a judge and was confined to remain a notary. Around this time, it is possible that Mussato
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honour as a result of the literary and political qualities of his play. He was one of the first to receive this designation after the classical age. Mussato's other works are a corpus of letters, poetry, and historical works, including a chronicle of Henry VII's actions in Italy. In addition to his
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and cities that promoted Henry VII's expedition did so in hopes of returning the control of the papacy back to Rome. The city submitted to his rule and Mussato's writing about him suggests that he also supported Henry VII even though the "Italian prince" made multiple mistakes in his dealings with
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and argued that poets were the first theologians. He also argued that poetry was not a vehicle for expressing God's word, but contained allegorical representations pertaining to divinity and God's creatures. Mussato blurred the line between poetry and theology, stressing continuity between ancient
521:
focused on the metrical and rhetorical features of writing, and this allowed early humanists, like Mussato, to recognize and emulate the verbal patterns of ancient poets. Mussato classicized Latin prose in his letters and plays, suggesting he rejected traditional medieval prose metric in favour of
509:
displays an early humanist use of the classics, as he took aspects from classical works, without advocating for the absolute supremacy of the classics. Mussato's use of both classical metre, and the ancient genre of Senecan tragedy, as well the attempted invocation of moral lessons from the tragic
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was due to Mussato's influence, when he wrote that "the first cultivator of eloquence was your compatriot Mussato of Padua". Theologians, monks and clergy criticized later humanists because the church believed that the study of classical poetry distracted men from religion. These later humanists,
268:
As he grew older Mussato's political stature grew substantially, not only with his fellow Paduans, but also with many individuals across Italy, and more specifically his peers. Often viewed as a patriot, Mussato was a prominent pre-humanist, who, fearing tyranny preferred a republic and became an
3036:
R.Modonutti, “Senescens rerum ordo”. Albertino Mussato e la storia tra decadenza morale e determinismo cosmico, in Le sens du temps - The Sense of Time. Actes du VIIe congrès de l'International Medieval Latin Committee (Lyon, 10-13 septembre 2014), éd. par P. BOURGAIN et J.-Y. TILLIETTE, Genève,
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created a political legacy for Mussato that greatly benefited the longevity and importance of his works but also led to the undoing of his personal life. In 1318 Mussato was once again incarcerated for complaining about the loss of Padua's communal government and his political antics against the
347:
to express the desperation he faced in preserving communal rule in Padua. The play used many real life experiences to point to the dangerous effects of seigniorial rule on a city and foreshadowed the collapse of civic liberty in Padua. This was an attempt to inspire Paduans to stand up for their
285:
Mussato, drew upon fellow scholars from across Italy to dissect multiple opinions and carve out his own political perspective. As Mussato developed his political agenda his writings became more politically driven, which increased his ability to persuade his fellow scholars to follow his beliefs.
787:
Witt describes the play as being "unquestionably a Christian drama" because of the appeals made to Christ but that this is not an indication of Mussato being devoutly Christian. Witt attributes the religious aspect of the work to the specifications of the genre wherein "divine interventions are
542:
in his characterization of individuals. In terms of Christianity, Mussato was not overly religious, but believed in the connection between historical cycles and astrological theory. Mussato's belief in the connection between historical cycles and astrological theory can be seen in the following
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is a work that contains a political message against Cangrande I who was trying to invade Padua during this period. Mussato's invocation of Ezzelino in his adaptation of historical events serves as a warning for Paduans of the new tyrant threatening their city. The following lines from the play
617:
The works of Mussato and his contemporaries serve as a springboard for the later humanist movement where writers took a further step and tried to recreate the past of ancient Rome through fervent imitation. The early stages of humanism are evident in works such as Mussato's poem dedicated to
582:
defended the use of classical poetry the same way Mussato did several decades before by arguing that the allegorical truths classical works portrayed had contemporary relevance. Petrarch consciously echoed Mussato in both the defense, and ceremony of ancient poetry, and Mussato's tragedy
553:"Paduan posterity might observe the fortune of their city, as it were, imposed by nature herself and the fatal sentence of its own history, whether on account of the location of the land or by a fluctuation of some kind of elements or by some sort of disposition concealed from mortals".
425:, based on the Senecan tragedy. Overall, Lovati and Mussato contribute to features of later humanism, such as: the rejection of contemporary Latin, the appetite for classical texts, and the desire to both ascertain their meaning and imitate them. Later humanists, such as Petrarch and
482:, was written in 1314. Modeled after the Senecan tragedy, as well as the first play to be composed in a classical metre since antiquity, it was the first tragic drama to emerge after Lovati unearthed Seneca's plays. The play was based specifically on the Senecan tragedies of
342:
left little doubt of its political approach through the vilification of Ezzelino as a typical tyrant. Mussato's efforts came to fruition in that "the myth of Ezzelino" was created from his work and was used as a way to denounce Padua's seigniorial past. Mussato also used
250:
attacked Gualpertino. Gualpertino fled first to the Lemici palazzo and then to the castle of Treville with his brother, Mussato, where a better chance for security was offered. Mussato was banished permanently in 1325 by the Carrara family and died four years later in
209:, replacing the city's PodestĂ and to be nominated by the Emperor himself; Padua was also required to make occasional monetary tributes to the Emperor and his imperial court. However the Paduans were upset with these conditions and fearful of the favour given to
804:(Concerning the Deeds of the Italians after Emperor Henry VII). The former is an account of Emperor Henry VII's expedition to Italy from 1310 to 1313 and the latter is an account of Italian politics "from August 1313 to at least July 1321".
940:(Whether His Birthday Ought to Be Celebrated or Not)was Mussato's autobiographical work "written in 1317, when Mussato was 56 years old". Mussato provides readers with his age at the beginning of the poem and he details his age by using an
909:
18). Giovanni's claims on the danger of poetry to Christianity were rebuffed by Mussato who asserted that, like the Bible, poetry was inspired by God. The format of Mussato's letters reflects how he followed in the tradition of
437:
Mussato was influenced by his teacher and contemporary, Lovato Lovati, a figure also associated with Northern Italian humanism. Lovati was one of the first to demonstrate "proto-humanism" and is known for the discovery of
364:
Carrara family after Giacoma da Carrara was named the delegate of the people in July 1318. Albertino Mussato was later exiled in 1325 where he continued to write pieces with subtle political messages. These works included
3033:“Moribus antiquis sibi me fecere poetam”. Albertino Mussato nel VII Centenario dell’incoronazione poetica (Padova 1315-2015), a cura di R. MODONUTTI ed E. ZUCCHI, Firenze, SISMEL Edizioni del Galluzzo, 2017 (MediEvi, 17).
645:
Mussato's works were written during the early 14th century in Italy. Mussato would probably have written his own manuscripts since he had experience as a copyist and as a notary. His manuscripts were printed as a part of
904:
Mussato's poetry and letters are interconnected because not only did Mussato write some of his letters in verse(for example, Letters 4, 7, and 18), but he also defended poetry against Friar Giovanni of Mantua's attack
84:
is not only significant for its historical information, but is modeled after the Senecan tragedy and is an indication of the early revival of classical works and their form – a characteristic of the humanist movement.
117:, at around the time of year when the grapes are harvested — which is typically between September and November. Much of the information on Mussato's life is chronicled in his autobiographical poem written in 1317:
454:. Later, Lovati's knowledge of classical works and figures would be highly praised by Petrarch, the "father of humanism". Connecting Lovati's influence to Mussato, lies in Mussato's most well known work, his play
124:
By 1276–7 Viviano Muso had died leaving Mussato and his family in a state of poverty. The responsibility of providing for the family came to rest upon Mussato and he became employed in book copying for students.
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the ancient tragic genre in evoking powerful emotions and moral lessons. Mussato stated that "the voice of the tragic poet makes minds strong when confronted by adversities, so that cowardly fear evaporates".
294:
Mussato produced many works over his career including multiple pieces on influential people in his life (Lovati, Marsilius). He wrote various historiographical works with subtle political influence (e.g.
1030:
This poem was dedicated to Henry VII and is notable for its classicized meter and language. However, it relies on a sonnet-like form which can be attributed to vernacular influences in Musatto's period.
136:
Throughout the 1280s and 1290s Mussato continued his notary work, eventually receiving recognition and prestige for performing all his notarial duties with great ability. However, he himself remarks in
564:
poetry and the Bible. However, Mussato's later works were more traditionally Christian in nature, perhaps owing to Mussato's old age and a desire to reconcile with the medieval Christian hierarchy.
299:), and incorporated political tragedies from the past (Seneca) to further cement his political arsenal. All of the works created by Mussato were minor in their political efforts in comparison to
181:, most likely to try and influence the Pope to control the Inquisition that was happening in Padua at the time. During Mussato's mission to Pope Boniface VIII the previous abbot of
626:). This poem is written in sonnet-form – a vernacular aesthetic of Northern Italy in the early 14th century – but its text is written in a classicizing style. Mussato received the
505:"renaissances" did not do much to revive Roman dramatists, and Petrarchan humanists were overly concerned with advocating for classical works while not undermining Christianity.
682:. Many scholars cite the play as being "the earliest post-Ancient tragedy." It is unknown when Mussato first began composing the play but he completed it after his release from
3016:
R. Modonutti, Il “De gestis Italicorum post Henricum septimum Cesarem” di Albertino Mussato e il codice Vat. lat. 2962, in «Filologia Mediolatina», 21 (2014), pp. 325–371.
156:). He eventually moved to the area where the Lemici Palazzo was located and he became the legal guardian of Guglielmo II when Vitaliano, son of Guglielmo Lemici, died in 1310.
315:
was viewed as a clever means to undermine Cangrande and was actually quite successful at reaching its goal. Mussato's use of politically biased information is exemplified in
2612:
Lupati de Lupatis, Bovetini de Bovetinis, Albertini Mussati necnon Jamboni Andreae de Favafuschis carmina quaedam ex codice Veneto nunc primum edita: Nozze Giusti-Giustiani
2789:
2999:
Albertini Muxati, "De obsidione domini Canis Grandis de Verona ante civitatem Paduanam", edidit G. M. GIANOLA, Padova, Editrice Antenore, 1999 (Thesaurus mundi, 27).
217:
during these meetings, whom they saw as being the next Ezzelino III da Romano. The Paduans rejected these conditions and rallied the city into a state of defence.
307:. The most famous of Mussato's works contained writings of immense political magnitude that targeted Cangrande and angered the della Scala family. The remarks in
352:
was also used as a warning to Cangrande to inform him that all tyrannical reigns end in death and ruin which will cause mass suffering for a variety of reasons.
3026:
Albertino Mussato, "Traditio civitatis Padue ad Canem Grandem - Ludovicus Bavarus", a cura di G. M. Gianola e Rino Modonutti, SISMEL Edizioni del Galluzzo 2015.
247:
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the chorus is the moral voice of the play. The events of the five acts take place over a period of approximately 24 years and the setting frequently changes.
1244:
338:
This statement clearly uses his death to vilify Ezzelino and warn citizens of Padua to avoid letting tyranny return with Cangrande. The whole structure of
807:
Henry VII's expedition to gain control over Italy was met with little resistance in Padua and other cities in Northern Italy. The papacy at this time
2878:
Dante and Giovanni del Virgilio: Including a Critical Ed. of the Text of Dante's "Eclogae Latinae" and of the Poetic Remains of Giovanni Del Virgilio
3125:
979:
If my parents truly told me the right time, one thousand three hundred and seventeen new vintages have been closed in jars since the birth of God.
466:
unearthed by Lovati, showing that Lovati and Mussato were close contemporaries as well as sharing a student teacher relationship. They even made
914:, a method of letter writing that was a part of school curricula during Mussato's lifetime. In Mussato's defence of poetry, he says that it is "
3080:
397:
are argued by many scholars to have preceded Petrarchan humanism in their use of classical works. Humanism, or "pre-humanism", began in
2614:, (Padua, 1887), 26–27, in Guido Billanovich, “Lovato Lovati, L’epistola a Bellino: Gli echi di Catullo.” (IMU 32 (1989): 101–53, from
3140:
3130:
2645:
Ascoli, Albert Russell (2009). "Blinding the Cyclops: Petrarch after Dante". In Zygmunt G. Barański; Theodore J. Cachey, Jr. (eds.).
760:". The themes of the play are reflected within the following lines where Mussato warns against the danger of a power-hungry tyrant:
141:
that he felt he did not deserve such praises. Nevertheless, due to his recognition, Mussato was knighted and became a member of the
3085:
827:(Of Cangrande's Besieging the Walls of the City of Padua and of Its Fight) (c. 1325). The next major historian of Padua after him,
534:
shows classical influence in Mussato's use of classical Latin stylistically, but also conceptually, as he drew on ancients such as
417:. The interest in classical works by the Northern Italians, is argued by Nicholas Mann to originate in the study of Roman Law, the
269:
influential political writer in his later adulthood. Born in Padua, Mussato was greatly influenced by his mentor and fellow Paduan
1213:
3100:
3095:
3120:
2658:
823:). Mussato also wrote historical accounts in verse form. Some examples of his historical poems are Poem 33 and a poem titled
246:
wrote to a nearby commune that the conflict was between him and Mussato. Mussato was later exiled in the spring of 1318 when
319:
when the messenger returns with the news of Ezzelino's gruesome death. This garners the following response from the Chorus:
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prison. Just as Seneca's tragedies describe the descent and ruin of monarchs, Mussato focused his play around the fall of
510:
genre foreshadow aspects of Petrarchan humanism, and are an example of the beginning of the Petrarchan humanist movement.
1687:, trans. R.W Carruba et al (University Park: Penn. State University Press, 1972 (Studia Classica, 1) ll. 521-22, 535–36.
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In April 1314 there was a violent uprising against the rulers of Padua and Mussato was forced to flee to the village of
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3145:
2894:
2846:
2823:
2777:
2712:
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is written in Latin verse and follows a Senecan model in its rhyme scheme. For example, the dialogues are written in
93:
prolific writings, he was also a champion of poetry which he defended in a 1317 polemical exchange of letters with a
819:) and his last work, which he finished writing in the first months of 1329, concerning Padua's fall to Cangrande (
3135:
1291:
1241:
238:, but he was soon reconciled and allowed to return. Mussato wrote at the time that the conflict was between the
177:. But his first notable role in politics was around the year 1300 and his first mission was as an ambassador to
2650:
650:
152:
In 1294, he married Mabilia Lemici, daughter of Guglielmo Dente Lemici (or illegitimate daughter according to
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619:
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Italians. He left behind a vast multifaceted literary and historical library with a strong political intent.
202:
3090:
492:. Ecerinis did not feature mythological characters, like Seneca's did, but dramatized historical events in
429:
are argued to be indebted to the works of the early Northern Italian humanists such as Lovati and Mussato.
369:
3105:
3075:
2989:, trans. R.W Carruba et al. University Park: Penn. State University Press, 1972. (Studia Classica, 1) ll.
2838:
2731:
2424:, Laurentii Pignorii vir. clar. spiceligo necnon Foelici Osii et Nicolae Villani etc. (Venice, 1636) in
2815:
2757:
2696:
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in the confessional genre and the lament at the close indicates Mussato's wish for a better afterlife.
2946:
Lee, Alexander, "Albertino Mussato and the Defence of Empire", in N. S. Baker and B. J. Maxson, eds.,
3047:
2982:, Laurentii Pignorii vir. clar. spiceligo necnon Foelici Osii et Nicolae Villani etc. (Venice, 1636).
647:
2691:
Herde, Peter (2008). "From Adolf of Nassau to Lewis of Bavaria, 1292–1347". In Michael Jones (ed.).
606:. They both imitated the classics and emulated the writings from Roman writers of antiquity such as
76:
written since Roman times. Thus, it is considered to be the first Italian tragedy identifiable as a
2673:
502:
1014:
Let Death, the messenger of a better life, approach, but I will then be a shade within his domain.
796:
Much of the information on 14th century northern Italy comes from Mussato's histories such as the
683:
498:
210:
17:
303:. After gaining inspiration from his incarceration, experiences and previous writings, he wrote
56:
A native of Padua and a member of its council, Mussato acted as an ambassador between Padua and
3070:
687:
69:
2922:, vol. X, pars 2 (1727), cols. 785–800. Milan: ex typographia Societatis Palatinae, 1723–1751.
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Marsilius of Padua at the Intersection of Ancient and Medieval Traditions of Political Thought
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De Obsidione Domini Canis Grandis de Verona circa Moenia Paduanae Civitatis et Conflictu Ejus
518:
2749:
3115:
3110:
2042:
ed. Alastair Minnis and Ian Johnson (Cambridge, UK: Cambridge University Press, 2005), 627.
418:
390:
243:
57:
42:
2154:, ed. Glyn P. Norton, 229–247. Vol. 3. (Cambridge: Cambridge University Press, 1999), 232.
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ed. Alastair Minnis and Ian Johnson (Cambridge, UK: Cambridge University Press, 2005), 82.
8:
3052:
2996:, edited by Glyn P. Norton, 229–247. Vol. 3. Cambridge: Cambridge University Press, 1999.
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De Traditione Patavii ad Canem Grandem Anno 1328 Mense Septembris et Causis Precedentibus
656:
3002:
Robey, David. "Humanist Views on the Study of Poetry in the Early Italian Renaissance",
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Opera Albertini Mussati: Historia augusta Henrici VII Caesaris et alia quae extant opera
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Opera Albertini Mussati: Historia augusta Henrici VII Caesaris et alia quae extant opera
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1210:
691:
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274:
178:
2038:
David Robey "Humanist Views on the Study of Poetry in the Early Italian Renaissance",
34:
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2708:
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828:
222:
2939:
Lee, Alexander, "Neither One Thing Nor the Other: Albertino Mussato on Luxembourg",
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Young men, together let us pay thanks befitting the giver of such great blessings….
153:
3023:
ed. Allastair Minnis and Ian Johnson. Cambridge: Cambridge University Press, 2005.
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927:
rhetoric, and scholasticism – and " him with the Christian apologetic tradition."
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ed. Alastair Minnis and Ian Johnson. Cambridge: Cambridge University Press, 2005.
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1217:
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523:
463:
414:
97:
94:
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Schildgen, Brenda Deen (2009). "Poetry and theology in the fourteenth century".
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Some of his other prose historical works include a work about Louis of Bavaria (
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911:
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493:
331:
May God, born of a Virgin, show his approval to the vows have addressed to him.
206:
182:
38:
3009:
Witt, Ronald. "Francesco Petrarca and the Parameters of Historical Research."
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In the Footsteps of the Ancients: the Origins of Humanism from Lovato to Bruni
1292:
http://www.treccani.it/enciclopedia/albertino-mussato_(Dizionario-Biografico)/
3064:
850:
627:
603:
394:
270:
130:
114:
89:
46:
2063:
Ronald Witt "Francesco Petrarca and the Parameters of Historical Research."
1100:
and is pleasing to me; at least, because it will give me as a friend to you,
725:
was to be read every Christmas as a means of reinforcing Paduan patriotism.
409:, followed by his pupil, Mussato, classicizing prose and modeling his play,
889:
Luxembourg is a town separating the borders of the French from the Germans,
574:
1242:
Patricia Zupan, "Dante's Ulysses: Toward Recovering A Primordial Language"
2915:
941:
588:
235:
77:
2802:
559:
In defense of the un-Christian nature of ancient poets, Mussato invoked
2950:. Toronto: Centre for Reformation and Renaissance Studies, 2015, 71-90.
2748:
Mann, Nicholas (2011). "The origins of humanism". In Jill Kraye (ed.).
634:
and his work on the chronicle of Henry VII's Italian expedition titled
467:
451:
45:. He was influenced by his teacher, the Paduan poet and proto-humanist
2992:
Reiss, Timothy J. "Renaissance Theatre and the Theory of Tragedy." In
2150:
Timothy J. Reiss, "Renaissance Theatre and the Theory of Tragedy." In
170:
37:. He is credited with providing an impetus to the revival of literary
2859:
An Historical and Critical Essay on the Revival of the Drama in Italy
1288:
Treccani L'Enciclopedia Italiana. Istituto Dell'Enciclopedia Italiana
868:
because they "emphasized the geographical setting of the narrative."
854:
560:
539:
239:
174:
2955:
Humanism and Empire: The Imperial Ideal in Fourteenth-Century Italy
678:(c. 1314) was Mussato's Latin verse tragedy modeled after Seneca's
579:
484:
447:
443:
386:
252:
186:
50:
846:
757:
602:
Albertino Mussato followed closely in the example of his teacher
535:
218:
73:
33:(1261–1329) was a statesman, poet, historian and playwright from
2948:
After Civic Humanism: Learning and Politics in Renaissance Italy
169:
Mussato first known role in politics was in 1297 when he became
753:
530:
which described events such as Henry IV's invasion of Brescia.
406:
214:
113:
Albertino Mussato was born in Padua in 1261 in the district of
1080:
Do you mistrust the city dominating the waves of the Adriatic?
841:
The influence behind Mussato's writing style and forms in his
587:
has been cited as the work to popularize tragedy, and inspire
442:
plays as well as familiarity with ancient lyric poets such as
393:, however, figures such as Albertino Mussato, and his teacher
355:
2963:
426:
398:
60:. He is a member of a group of Latin Paduan poets called the
2934:
Ideas and Forms of Tragedy from Aristotle to the Middle Ages
864:
and Witt notes that they are reminiscent of Julius Caesar's
716:
dwelling-place of enemies and road to wars, seat of tyranny.
193:(Executor of Judicial Ordinances) for a period of 6 months.
767:
At what risks do you seek the heights of treacherous power?
630:
on December 5, 1315 as a result of his influential tragedy
611:
402:
201:
Mussato was later sent on four ambassadorial missions to
690:. Mussato's main source for information on Ezzelino was
2975:. Edited by Luigi Padrin. Bologna: N. Zanichelli, 1900.
2647:
Petrarch and Dante: AntiDantism, Metaphysics, Tradition
944:
designation with his reference to the birth of Christ.
845:
can be traced back to ancient historians such as Livy,
1098:
yet it is read as the faithful messenger of true sound
1092:
And since a prince refuses to give immunity to poets,
831:, took a decidedly friendlier view of the Carraresi.
711:
O, Verona, always the ancient scourge of this march,
348:
republic and regain the civic liberty they had lost.
2560:
De celebratione suae diei nativitatis fienda vel non
2539:
De celebratione suae diei nativitatis fienda vel non
1166:
1164:
1090:
Galen considers these waters dangerous to the health
938:
De Celebratione Suae Diei Nativitatis Fienda Vel Non
880:
Distinguens, a telluris sterilitate nomen accipiens.
119:
De Celebratione Suae Diei Nativitatis Fienda Vel Non
3048:
Albertino Mussato Biography Encyclopædia Britannica
2869:
The Dawn of Humanism in Italy: an Inaugural Lecture
2390:
1232:. (Lewisburg: Bucknell University Press, 1981), 79.
1084:
If someone has purchased Agave, he has died on land
27:
Italian statesman, writer and historian (1261-1329)
2723:
1078:the ancient Roman fathers have gone to their rest.
695:Cronica in factis et circa facta Marchie Trivixane
311:eventually brought about Mussato's exile in 1325.
2876:Wicksteed, Philip H.; Gardner, Edmund G. (1970).
1161:
513:
401:in the 1260s with Lovati modeling poems based on
289:
3062:
2875:
2590:
2588:
2456:
2454:
2356:
2354:
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2227:
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2075:
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1974:
1972:
1959:
1957:
1955:
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1497:
1485:
1473:
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1422:
1394:
1392:
1342:
1323:
1321:
1319:
1317:
1259:
1082:There are no prizes here for the Apollonian god.
891:taking its name from the sterility of the soil.
878:Lucembore oppidum est Francorum fines a Germanis
2912:Albertini Mussati Tragoedia Eccerinis appellata
2752:The Cambridge Companion to Renaissance Humanism
1839:
1837:
1102:it has already laid open the way to be plowed.
1094:the wave of the red Tagus draws me from Athens.
1088:Terrified, I flee the swap of the winged horse.
1076:My anxious muse looks toward Caesarian heights;
1065:Et michi grata tamen; saltem quia reddet amicum
802:De Gestis Italicorum Post Henricum VII Caesarem
538:in the inclusion of documents in the text, and
473:
3037:Droz, 2017 (Rayon Histoire), pp. 667–680.
2936:, pp. 135–44. Cambridge University Press.
2814:. Visions of Politics. Vol. 2. New York:
1723:
1721:
1708:
1706:
1457:
1455:
1338:
1336:
1309:http://www.banfiwines.com/region/italy/veneto/
1096:The brow of my song, O Henry, is rather rough;
748:and the chorus is written using "a pattern of
164:
68:, which was based on the tyrannical career of
2929:. Lewisburg: Bucknell University Press, 1981.
2585:
2566:, fasc. 4, p.81, lines 3–6., trans. Witt, in
2498:European Literature and the Latin Middle Ages
2451:
2351:
2336:
2309:
2222:
2070:
1969:
1952:
1893:
1891:
1861:
1389:
1314:
1061:Frons, Henrice, mee satis est incomta Camene,
1049:Occidit in terris, si quis fuit emtor Agavae,
1045:Suspicis Adriacis dominantem fluctibus urbem?
1039:
951:Sexta dies haec est, sunt quinquagesima nobis
876:
280:
2146:
2144:
2094:
2092:
2090:
2088:
1834:
49:. Mussato influenced many humanists such as
3021:The Cambridge History of Literary Criticism
3019:Witt, Ronald. "The Art of Letter Writing".
2994:The Cambridge History of Literary Criticism
2152:The Cambridge History of Literary Criticism
1947:The Cambridge History of Literary Criticism
1718:
1703:
1571:
1569:
1544:
1542:
1452:
1367:
1365:
1363:
1333:
356:Political consequences and political legacy
2927:Humanist and Scholastic Poetics, 1250–1500
2203:, ed. Luigi Padrin (Bologna, 1900), 34 in
1945:Ronald Witt, "The Art of Letter Writing",
1888:
1230:Humanist and Scholastic Poetics, 1250–1500
1127:
1125:
1123:
1121:
1119:
1057:Cumque vetet princeps immunes esse poetas,
961:Musta reconduntur vasis septemque decemque
263:
196:
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2513:
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2141:
2085:
1776:
1774:
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1276:
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1268:
1183:
1067:Me tibi, sulcandum iam bene stravit iter.
966:Nune nova post ortum mille trecenta Deum.
779:Always watchful, he fears and is feared.
594:to be modeled after the Senecan tragedy.
108:
64:. Mussato is renowned for his Latin play
2957:. Oxford: Oxford University Press, 2018.
1566:
1539:
1360:
1177:
1053:Territus effugio pennati stagna caballi:
996:Mors licet accedat melioris nuntia vitae
191:Esecutore degli Ordinamenti di Giustizia
3126:Italian male dramatists and playwrights
3004:Cambridge History of Literary Criticism
2809:
2040:Cambridge History of Literary Criticism
1671:
1647:
1611:
1599:
1116:
1041:Anxia Cesareas sese convertit ad arces:
1001:nostra tamen iuris tunc erit umbra sui.
432:
381:
145:of Padua and was nominated to become a
14:
3063:
2855:
2644:
2269:
2257:
2245:
2216:
2123:
2002:
1828:
1769:
1265:
956:(Tempora narrabat si mihi vera Parens)
159:
3030:del Galluzzo, 2015, pp. 325–353.
2871:. New York: Haskell House Publishers.
2866:
2832:
2690:
2667:
2444:, I. 1, cols. 27–28, trans. Witt, in
2384:
2372:
2175:
2098:
1909:
1897:
1882:
1763:
1739:
1727:
1712:
1659:
1635:
1623:
1587:
1575:
1560:
1548:
1533:
1286:Marino Zabbia, "Mussato, Albertino,"
1155:
1131:
899:
860:Below are the first few lines of the
798:Historia Augusta Henrici VII Caesaris
2884:
2747:
2738:
2721:
2628:
2615:
2598:
2579:
2567:
2546:
2525:
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2135:
2079:
2051:
2026:
2014:
1990:
1978:
1963:
1933:
1921:
1870:
1855:
1843:
1816:
1804:
1792:
1780:
1751:
1521:
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1446:
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1410:
1398:
1383:
1371:
1354:
1327:
1143:
1059:A Tritone rubri me trahit unda Tagi.
1047:Praemia castalio sunt ibi nulla deo.
1033:
870:
1055:Judicat unfirmas has Gaelinus aquas
1051:Et Maecenatem non habet ulla domus.
1043:Romulidum veteres occubuere patres.
834:
41:, and is characterized as an early
24:
3081:Italian dramatists and playwrights
2905:
2741:Padua Under the Carrara, 1318–1405
2693:The New Cambridge Medieval History
1063:Lecta tamen veri nuntia fida soni.
930:
662:
389:is popularly defined as the first
229:
25:
3162:
3041:
2743:. Johns Hopkins University Press.
640:De gestis Henrici septimi Cesaris
376:
149:in 1296, at the young age of 35.
3141:14th-century Italian politicians
3131:Italian male non-fiction writers
2621:
2604:
2573:
2552:
2531:
2519:
2507:
2490:
2478:
478:Mussato's most well known play,
297:Augusta de Gestis de Henrici VII
255:on the 31 May at the age of 68.
3086:14th-century Italian historians
2925:Greenfield, Concetta Carestia.
2545:, fasc. 4, p.81, lines 3–6. in
2466:
2431:
2414:
2402:
2378:
2366:
2324:
2292:
2275:
2263:
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2193:
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2117:
2104:
2057:
2045:
2032:
2020:
2008:
1996:
1984:
1939:
1927:
1915:
1903:
1876:
1849:
1822:
1810:
1798:
1786:
1757:
1745:
1733:
1690:
1677:
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1641:
1629:
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1605:
1593:
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1491:
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1467:
1440:
1428:
1416:
1404:
1377:
1348:
1297:
1253:
916:divina ars, altera philosophia,
800:(History of Henry VII) and the
3101:14th-century Neo-Latin writers
2965:Encyclopædia Britannica Online
2856:Walker, Joseph Cooper (1805).
2651:University of Notre Dame Press
2112:Encyclopædia Britannica Online
1498:Wicksteed & Gardner (1970)
1486:Wicksteed & Gardner (1970)
1474:Wicksteed & Gardner (1970)
1462:Wicksteed & Gardner (1970)
1423:Wicksteed & Gardner (1970)
1343:Wicksteed & Gardner (1970)
1260:Wicksteed & Gardner (1970)
1235:
1228:Concetta Carestia Greenfield,
1222:
1204:
1188:
1172:Encyclopædia Britannica Online
1149:
1137:
514:Philosophy and characteristics
290:Political effects of his works
13:
1:
3096:14th-century writers in Latin
2862:. Edinburgh: Mundell and Son.
2705:10.1017/CHOL9780521362900.024
2637:
670:
366:Ludovicus Bavarius, ad Filium
3121:14th-century Italian writers
2932:Kelly, Henry Ansgar (1993).
1086:and no house has a Maecenas.
817:Ludovicus Bavarus, ad filium
791:
474:Classical influence in works
103:
7:
2961:"Lodovico Antonio Muratori"
2920:Rerum italicarum scriptores
2839:University of Toronto Press
2732:Manchester University Press
2722:Hyde, John Kenneth (1966).
2110:Lodovico Antonio Muratori"
652:Rerum Italicarum Scriptores
648:Lodovico Antonio Muratori's
258:
242:and the Altichini, however
165:Ambassador to Boniface VIII
72:. It was the first secular
10:
3167:
2880:. New York: Haskell House.
2816:Cambridge University Press
2770:10.1017/CCOL0521430380.001
2758:Cambridge University Press
2739:Kohl, Benjamin G. (1998).
2697:Cambridge University Press
2695:. Vol. 6. Cambridge:
2597:, p. 83, lines 99–100, in
1290:, 2012. 28 February 2015.
1023:
281:Mussato and contemporaries
129:began his tutorship under
3151:14th-century antiquarians
3146:13th-century antiquarians
2968:, Accessed 25 March 2015.
2833:Syros, Vasileios (2012).
2810:Skinner, Quentin (2002).
2790:Religion & Literature
2726:Padua in the Age of Dante
684:Cangrande I della Scala's
567:
3013:3, no. 3: 699–709, 2012.
2885:Witt, Ronald G. (2000).
2674:Harvard University Press
2302:, ed. Padrin, 31–32, in
1110:
597:
100:, Giovannino of Mantua.
2987:The Tragedy of Ecerinis
2867:Weiss, Roberto (1947).
2668:Grund, Gary R. (2011).
1698:The Tragedy of Ecerinis
1685:The Tragedy of Ecerinis
728:
264:Ideological development
197:Ambassador to Henry VII
3136:Politicians from Padua
1074:
1040:
1037:
887:
877:
874:
688:Ezzelino III da Romano
462:was modeled after the
226:with no end in sight.
109:Youth and early career
70:Ezzelino III da Romano
2918:. In L. A. Muratori,
2285:, ed. Padrin, 30, in
704:support this theory.
578:such as Petrarch and
519:Medieval universities
368:, a letter addressed
211:Cangrande della Scala
88:Mussato received the
2985:Mussato, Albertino.
2978:Mussato, Albertino.
2971:Mussato, Albertino.
2699:. pp. 515–550.
2653:. pp. 114–173.
1170:"Albertino Mussato"
788:standard elements."
692:Rolandino of Padua's
433:Lovati and influence
419:Corpus Juris Civilis
382:Pre-humanism defined
3091:Italian chroniclers
3056:, ed. Luigi Padrin.
3054:Ecerinide: Tragedia
2973:Ecerinide: Tragedia
2812:Renaissance Virtues
2420:Albertino Mussato.
2300:Ecerinide: Tragedia
2283:Ecerinide: Tragedia
2201:Ecerinide: Tragedia
2199:Albertino Mussato,
1885:, pp. xx, xxii
1700:,ll. 521-22, 535–36
1683:Albertino Mussato.
657:University of Padua
160:Padua and diplomacy
3106:Writers from Padua
3076:Italian male poets
2943:64/2 (2012): 5-19.
2670:Humanist Tragedies
2631:, pp. 121–122
2516:, pp. 138–139
2487:, pp. 135–137
2333:, pp. 156–157
2054:, pp. 12, 254
1449:, pp. 105–106
1437:, pp. 271–272
1247:2010-06-28 at the
1216:2011-09-26 at the
1211:Neoclassic Critics
900:Poetry and letters
809:resided in Avignon
275:Marsilius of Padua
248:Niccolò da Carrara
244:Giacomo da Carrara
179:Pope Boniface VIII
143:Consiglio Maggiore
2889:. Leiden: Brill.
2672:. Cambridge, MA:
2660:978-0-268-02211-2
1307:, 21 March 2015.
1108:
1107:
897:
896:
829:Guglielmo Cortusi
543:excerpt from his
223:Holy Roman Empire
147:miles pro commune
62:cenacolo padovano
58:Emperor Henry VII
31:Albertino Mussato
16:(Redirected from
3158:
2953:Lee, Alexander,
2900:
2881:
2872:
2863:
2852:
2829:
2806:
2783:
2755:
2744:
2735:
2729:
2718:
2687:
2664:
2632:
2627:Trans. Witt, in
2625:
2619:
2608:
2602:
2592:
2583:
2577:
2571:
2556:
2550:
2535:
2529:
2523:
2517:
2514:Schildgen (2009)
2511:
2505:
2502:Schildgen (2009)
2494:
2488:
2482:
2476:
2470:
2464:
2461:Schildgen (2009)
2458:
2449:
2438:Historia Augusta
2435:
2429:
2418:
2412:
2406:
2400:
2394:
2388:
2382:
2376:
2370:
2364:
2358:
2349:
2343:
2334:
2328:
2322:
2316:
2307:
2296:
2290:
2279:
2273:
2272:, pp. 24–25
2267:
2261:
2255:
2249:
2243:
2237:
2231:
2220:
2214:
2208:
2197:
2191:
2185:
2179:
2173:
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2148:
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2133:
2127:
2121:
2115:
2108:
2102:
2096:
2083:
2077:
2068:
2061:
2055:
2049:
2043:
2036:
2030:
2024:
2018:
2012:
2006:
2000:
1994:
1988:
1982:
1976:
1967:
1961:
1950:
1943:
1937:
1931:
1925:
1919:
1913:
1907:
1901:
1895:
1886:
1880:
1874:
1868:
1859:
1853:
1847:
1841:
1832:
1826:
1820:
1814:
1808:
1802:
1796:
1790:
1784:
1778:
1767:
1761:
1755:
1749:
1743:
1742:, pp. 11–12
1737:
1731:
1730:, pp. 34–35
1725:
1716:
1715:, pp. 33–34
1710:
1701:
1694:
1688:
1681:
1675:
1674:, pp. 28–29
1669:
1663:
1657:
1651:
1650:, pp. 27–28
1645:
1639:
1633:
1627:
1621:
1615:
1614:, pp. 25–26
1609:
1603:
1602:, pp. 23–24
1597:
1591:
1590:, pp. 23–24
1585:
1579:
1573:
1564:
1558:
1552:
1546:
1537:
1536:, pp. 19–20
1531:
1525:
1519:
1513:
1507:
1501:
1500:, pp. 12–13
1495:
1489:
1488:, pp. 11–12
1483:
1477:
1471:
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1331:
1325:
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1263:
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1226:
1220:
1208:
1202:
1192:
1186:
1184:Schildgen (2009)
1181:
1175:
1168:
1159:
1153:
1147:
1141:
1135:
1129:
1069:
1034:
920:theologia mundi.
882:
871:
862:Historia Augusta
843:Historia Augusta
836:Historia Augusta
636:Historia Augusta
532:Historia Augusta
528:Historia Augusta
370:Louis of Bavaria
154:Giovanni da Nono
21:
3166:
3165:
3161:
3160:
3159:
3157:
3156:
3155:
3061:
3060:
3044:
2908:
2906:Further reading
2903:
2897:
2849:
2826:
2780:
2715:
2684:
2661:
2640:
2635:
2626:
2622:
2609:
2605:
2595:De celebratione
2593:
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2508:
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2130:
2122:
2118:
2114:, 25 March 2015
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2037:
2033:
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2013:
2009:
2001:
1997:
1989:
1985:
1977:
1970:
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1953:
1944:
1940:
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2270:Walker (1805)
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2206:
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2137:
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2120:
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2101:, p. xxi
2100:
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2082:, p. 121
2081:
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2028:
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2017:, p. 160
2016:
2011:
2005:, p. 120
2004:
2003:Ascoli (2009)
1999:
1993:, p. 148
1992:
1987:
1981:, p. 144
1980:
1975:
1973:
1966:, p. 143
1965:
1960:
1958:
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1948:
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1936:, p. 139
1935:
1930:
1924:, p. 134
1923:
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1906:
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1879:
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1872:
1867:
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1858:, p. 101
1857:
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1830:
1829:Ascoli (2009)
1825:
1818:
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1807:, p. 168
1806:
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1795:, p. 171
1794:
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2368:
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2253:
2248:, p. 22
2241:
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2212:
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2178:, p. xv
2176:Grund (2011)
2171:
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2119:
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2099:Grund (2011)
2064:
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2022:
2010:
1998:
1986:
1946:
1941:
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1910:Grund (2011)
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1883:Grund (2011)
1878:
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1846:, p. 87
1824:
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1764:Grund (2011)
1759:
1754:, p. 81
1747:
1740:Weiss (1947)
1735:
1728:Syros (2012)
1713:Syros (2012)
1697:
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1655:
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1595:
1588:Syros (2012)
1583:
1578:, p. 12
1576:Weiss (1947)
1563:, p. 11
1561:Weiss (1947)
1556:
1551:, p. 10
1549:Weiss (1947)
1534:Syros (2012)
1529:
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1151:
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1134:, p. xx
1132:Grund (2011)
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87:
81:
65:
61:
55:
30:
29:
3116:1329 deaths
3111:1261 births
2916:Felice Osio
2837:. Toronto:
2760:. pp.
2629:Witt (2000)
2616:Witt (2000)
2599:Witt (2000)
2580:Witt (2000)
2568:Witt (2000)
2547:Witt (2000)
2526:Witt (2000)
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2473:Witt (2000)
2446:Witt (2000)
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2346:Witt (2000)
2331:Witt (2000)
2319:Witt (2000)
2304:Witt (2000)
2287:Witt (2000)
2234:Witt (2000)
2205:Witt (2000)
2188:Witt (2000)
2164:Witt (2000)
2136:Witt (2000)
2080:Witt (2000)
2052:Mann (2011)
2027:Mann (2011)
2015:Witt (2000)
1991:Witt (2000)
1979:Witt (2000)
1964:Witt (2000)
1934:Witt (2000)
1922:Witt (2000)
1871:Witt (2000)
1856:Witt (2000)
1844:Witt (2000)
1819:, p. 7
1817:Mann (2011)
1805:Witt (2000)
1793:Witt (2000)
1783:, p. 6
1781:Mann (2011)
1752:Witt (2000)
1522:Witt (2000)
1510:Hyde (1966)
1464:, p. 9
1447:Hyde (1966)
1435:Hyde (1966)
1425:, p. 7
1411:Hyde (1966)
1399:Witt (2000)
1384:Hyde (1966)
1372:Hyde (1966)
1355:Hyde (1966)
1345:, p. 6
1328:Witt (2000)
1305:Banfi Wines
1262:, p. 5
1144:Witt (2000)
942:anno domini
866:commentaria
697:(c. 1262).
628:poet laurel
499:Carolingian
236:Vigodarzere
78:Renaissance
3065:Categories
2638:References
2500:, 216, in
2067:(3:3), 700
671:Background
468:sobriquets
452:Propertius
3011:Religions
2558:Mussato,
2537:Mussato,
2397:Kohl 1998
2298:Mussato,
2281:Mussato,
2065:Religions
1696:Mussato.
1303:"Veneto"
1200:Eccerinis
1196:Eccerinus
855:Suetonius
792:Histories
769:(118–119)
718:(174–176)
620:Henry VII
561:Aristotle
540:Seutonius
240:Carraresi
203:Henry VII
175:Lendinara
104:Biography
95:Dominican
2803:25676897
1245:Archived
1214:Archived
924:Epistola
907:Epistola
742:Ecerinis
701:Ecerinis
680:Thyestes
676:Ecerinis
665:Ecerinis
632:Ecerinis
585:Ecerinis
580:Boccacio
507:Ecerinis
485:Thyestes
480:Ecerinis
460:Ecerinis
456:Ecerinis
448:Tibullus
444:Catullus
440:Seneca's
423:Ecerinis
411:Ecerinis
391:humanist
387:Petrarch
361:Ecerinis
350:Ecerinis
345:Ecerinis
340:Ecerinis
317:Ecerinis
313:Ecerinis
309:Ecerenis
305:Ecerinis
301:Ecerinis
259:Politics
253:Chioggia
187:Florence
82:Ecerinis
66:Ecerinis
51:Petrarch
43:humanist
2941:HĂ©mecht
1025:Poem 33
847:Sallust
758:anapest
750:Sapphic
663:Drama:
624:Poem 33
536:Sallust
490:Octavia
219:Vicenza
171:PodestĂ
74:tragedy
18:Mussato
2893:
2845:
2822:
2801:
2776:
2711:
2680:
2657:
853:, and
851:Caesar
756:, and
754:Adonic
608:Seneca
604:Lovati
568:Legacy
450:, and
407:Horace
215:Verona
80:work.
2799:JSTOR
2764:–19.
2564:Opera
2562:, in
2543:Opera
2541:, in
2442:Opera
1111:Notes
781:(257)
598:Works
427:Dante
399:Padua
115:Gazzo
98:friar
39:Latin
35:Padua
2891:ISBN
2843:ISBN
2820:ISBN
2774:ISBN
2709:ISBN
2678:ISBN
2655:ISBN
918:and
729:Text
638:(or
612:Livy
610:and
501:and
488:and
405:and
403:Ovid
2766:doi
2701:doi
1198:or
642:).
213:of
189:as
173:of
3067::
2841:.
2818:.
2795:41
2793:.
2772:.
2707:.
2676:.
2649:.
2587:^
2453:^
2353:^
2338:^
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2224:^
2143:^
2087:^
2072:^
1971:^
1954:^
1890:^
1863:^
1836:^
1771:^
1720:^
1705:^
1568:^
1541:^
1454:^
1391:^
1362:^
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1267:^
1163:^
1118:^
849:,
752:,
659:.
547::
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446:,
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53:.
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