619:, Slap dee, Chef 187 are the very popular artists. A unique hybrid form of Zambian music is found in the so-called "banjo" tradition. The Zambian "banjo" (pronounced 'bahn-jo') is essentially a homemade guitar. A wide variety of such instruments can be found in different sizes and with varying numbers of strings. Most are played using a two or three finger picking style and the tuning of each instrument is unique to that instrument. The body is made in various shapes from wood or sometimes tin cans, and the strings or 'wires' often come from discarded radial tires. Zambian banjos are used in
24:
334:
290:
103:
356:
Traditional
Zambian music is rooted in the beliefs and practices of Zambia's various ethnic groups and has suffered some decline in the last three decades. Traditional Zambian music once had clear ritual purposes or was an expression of the social fabric of the culture. Songs were used to teach, to
547:
is considered one of the best kalindula bands of the past twenty years. Another top artist is Brian
Chilala who, together with his band Ngoma Zasu, continues in the electric kalindula tradition. An annual concert of traditional bands (not just kalindula) was recently begun by the Chikuni Radio
486:
have also contributed to our knowledge of traditional
Zambian music. Father Corbeil collected and documented the instrumental tradition of the Bemba in Northeastern Zambia. Frank Wafer, a Jesuit priest located at Chikuni, has collected and preserved Batonga music. A community radio station
487:
dedicated to promoting
Batonga music and culture is also part of the Chikuni Mission Station. They organize an annual festival of Batonga music which attracts as many as 10,000 visitors according to the organizers. Recent ethnomusicological work has been done by native Zambians such as
647:
The influence of Euro-American hymnody is also evident in the music of many
Zambian congregations. Hymns from British and American hymnals continue to be part of the musical fabric of many churches, and many harmonic practices are derived from Western hymn influences. Invented by
491:, Joseph Ng'andu, John Anderson Mwesa and others. Recent field recordings made by native Zambian Michael Baird in Southern Province have been released on his SWP label, as well as producing two excellent compilations of Zambian hits from the 60s, 70s and 80s.
643:
and guitars has also made its way into the church. The flow of influence between church music and the popular realm can also be heard in recordings by groups such as
Lumbani Madoda, Zambian Acapella, Lota House and Hosanna Band which has been disbanded.
526:
ordered that 95% of the music on the radio had to be
Zambian. He hoped to encourage the formation of a Zambian national identity. Rather than using their folk roots, however, Zambians attempted to become pop stars. By the mid-1980s, the result was
736:
Tracey, Hugh. "Kalimba & Kalumbu Songs, Northern
Rhodesia Zambia, 1952 & 1957: Lala, Tonga, Lozi, Mbunda, Bemba, Lunda." Historical recordings / by Hugh Tracey. Utrecht, The Netherlands: SWP Records, 1998. Produced and remastered by Michael
503:
and affiliated bands like Lusaka Radio Band who soon changed their name to The Big Gold Six. Record companies soon formed, with most recordings made at Peter
Msungilo's DB Studios in Lusaka, and records pressed in Ndola by the Teal Record Company.
453:
is one such thumb piano, the Mbunda "kathandi", the Lozi "kangombio", the Lunda "chisanzhi", the Nsenga "kalimba", etc. Although the use of traditional instruments has declined in recent years, they can still be heard in rural areas of Zambia.
809:
Mapoma, Mwesa Isaiah. "A Glimpse at the Use of Music in
Traditional Medicine among the Bantu: A Case of Healing among the Bemba Speaking People of Zambia." Muntu: Revue scientifique et culturelle de CICIBA.8 (1988):
602:
and not forgetting the Pylot African Sun. Sound clips of each of these groups can be heard at their website (see below). The Zambian entertainment industry recognizes popular musicians such as these at its annual
791:
African Guitar: Solo Fingerstyle Guitar Music, Composers and Performers of Congo/Zaire, Uganda, Central African Republic, Malawi, Namibia, and Zambia: Audio-Visual Field Recordings, 1966-1993, by Gerhard
469:
of African music. Tracey recorded all over Zambia in the 1950s, but also specifically recorded in the Zambezi Valley in 1958 at the request of anthropologist Elizabeth Colson before the creation of the
826:
Tsukada, Kenichi. "Kalindula in Mukanda: The Incorporation of Westernized Music into the Boys' Initiation Rites of the Luvale of Zambia." In: Tradition and Its Future in Music Osaka, Japan: Mita 1991.
800:, et al. Woman Know Your Place: The Patriarchal Message in Zambian Popular Song: A Research Report from the Women in Music Project. Lusaka, Zambia: Zambia Association for Research and Development, 1990.
582:
The most successful record label currently operating in Zambia is Romaside entertainment, Sling beats, Blaza, G-sounds, Alpha Entertainment and X.Y.Z Entertainment. Their stable of artists includes
449:
is struck by a stick. Like many other central African countries, Zambia once had a vibrant tradition of so-called "thumb pianos," each with a different name depending on tribal origins: the Tonga
656:
was imported into Africa by the British in the nineteenth century. The Heritage Singers Choir, the Heritage Brothers Quartet, and church helped popularise this form of harmonious music worldwide.
393:
is the generic central Bantu term for drum but Zambian drums come in a variety of sizes, shapes, and purposes and have specific names depending on their tribal origins and functional roles. The
813:
Ng'andu, Joseph, and Anri Herbst. "Lukwesa Ne Ciwa - the Story of Lukwesa and Iciwa: Musical Storytelling of the Bemba of Zambia." British Journal of Music Education 21.1 (2004): 41.
507:
The northern, copper-producing area of Zambia was known for singers like John Lushi, William Mapulanga and Stephen Tsotsi Kasumali. Their guitar-based music grew gradually into
896:
557:
1307:
563:
In the 1990s, economic problems caused the collapse of the Zambian music industry. Unfettered by rules promoting Zambian music, the airwaves were covered with imported
766:
Graham, Ronnie and Simon Kandela Tunkanya. "Evolution and Expression". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.),
816:
Thomas, Dwight W. "Inyimbo Zyabakristo: The Chitonga Hymnal of the Zambian Brethren in Christ Church." Brethren in Christ History and Life 28.3 (2005): 502-66.
511:, which used mostly English lyrics in rock songs. Bands included the Machine-Gunners and Musi-o-tunya. The most popular band in Zambian history soon emerged,
540:
806:
Mapoma, Mwesa Isaiah. "Survey of Zambian musical instruments: musical instruments of the Lala people of Serenje." Lusaka: Institute for African Studies, 1982
549:
536:
1272:
803:
Mapoma, Mwesa Isaiah. "The Effects of Non-Musical Factors on the Performance of Some Vocal Music of the Bemba of Zambia." Kassel. Bärenreiter, 1981.
1268:
591:
512:
445:
was traditionally played by young men to signal their desire to marry. Called a 'musical bow' by ethnomusicologists because of its bow shape, the
479:
435:
are played using an interlocking technique with individual musicians each playing a single horn and interlocking with other musicians who have
830:
Van Dijk, Marcel. "The correlation between instrument and style." Journal of the International Library of African Music (vol. 8, nr. 4), 2010.
1238:
1008:
773:
IJzermans, Jan J. "Music and theory of the possession cult leaders in Chibale, Serenje District, Zambia." Ethnomusicology 39(1995)2: 245-274.
532:
483:
403:
drums have a goblet shape and come in sizes ranging from large to small. One of the most interesting of drums is the so-called "lion drum" (
320:
587:
930:
599:
425:
are less common in traditional Zambian music but exist nonetheless. The Valley Tonga play instruments made from animal horns called
500:
427:
395:
893:
244:
141:
1153:
993:
136:
763:
Brown, Ernest Douglas. "Drums of Life: Royal Music and Social Life in Western Zambia." PhD diss. U. of Washington, 1984.
1013:
67:
45:
38:
864:
313:
923:
636:
1264:
586:., Slap Dee, Macky 2, Chef 187, joe chibangu, Jay Brown (Son of the most High), hamoba, Ty2, Bobby East,
1028:
361:, its influences can still be heard in many of today's Zambian musical forms. The ubiquitous African "
306:
776:
IJzermans, Jan J. "Amalimba. Music and related dance, text and ritual in one region in Zambia." 2023.
1311:
665:
632:
475:
411:
which is not struck at all but which has a stick inserted through the drum head that is rubbed. The
348:
has a rich heritage which falls roughly into categories of traditional, popular and Christian music.
274:
365:" can be heard in almost every Zambian song no matter what the style. Traditional drum rhythms and
1354:
916:
548:
station in Chikuni in the Southern Province. Two of the most popular bands from that festival are
128:
32:
750:
Baird, Michael. "The Kankobela of the Batonga Vol. 2." Utrecht, The Netherlands: SWP Records 2011.
747:
Baird, Michael. "The Kankobela of the Batonga Vol. 1." Utrecht, The Netherlands: SWP Records 2008.
700:"Zambush Vol. 2 - Zambian hits from the 60s and 70s." Utrecht, The Netherlands: SWP Records, 2004.
369:
are evident in many different kinds of Zambian music. Contemporary popular forms such as Zambian
1320:
159:
1068:
794:. videorecording. Vestapol Productions; Distributed by Rounder Records, Cambridge, Mass., 1995.
269:
49:
1303:
1178:
1168:
973:
797:
631:
Popular influences can also be heard in the newer repertory, some of which is borrowed from
1183:
1073:
1003:
697:"Zambush Vol. 1. - Zambian hits from the 80s." Utrecht, The Netherlands: SWP Records, 2004.
516:
210:
8:
1243:
1163:
1128:
1113:
1098:
1053:
988:
553:
488:
462:
375:
also exhibit traces of traditional music in the finger-picking style used by guitarists.
236:
166:
1294:
387:, both stick-struck and hand-struck. Drums are essential for most traditional dances.
1118:
639:" from the United States, and some from Zambian popular idioms. The use of electronic
466:
399:
drums of the Valley Tonga, for example, are used specifically for funeral ceremonies.
180:
1218:
1193:
1043:
1038:
1018:
983:
968:
362:
358:
146:
123:
113:
93:
1290:
1281:
1203:
1173:
1158:
1143:
1133:
1123:
1088:
1083:
1033:
978:
953:
583:
215:
782:
Jones, Arthur Morris. "African Music in Northern Rhodesia and Some Other Places."
457:
Recordings of traditional Zambian music were made in the mid-twentieth century by
1208:
1148:
1103:
1063:
958:
939:
900:
226:
205:
197:
173:
84:
333:
1188:
1138:
1093:
1078:
1058:
1048:
1023:
963:
753:
Baird, Michael "Zambia Roadside 2." Utrecht, The Netherlands: SWP Records 2013.
523:
499:
After independence in 1964, the most important source of popular music was the
264:
1348:
1198:
1108:
998:
572:
408:
384:
294:
357:
heal, to appeal to spirits, and for mere enjoyment. Despite the decline of
653:
640:
612:
604:
598:, Tommy Dee, South African based chilu lemba and the Algerian based rapper
852:. University of Zambia Library: Lusaka : Zambia Information Services.
680:
Lusaka, Zambia: University of Zambia Institute for African Studies, 1976.
649:
608:
458:
418:
389:
872:
784:
The Occasional Papers of the Rhodes-Livingstone Museum; New Ser., No. 4
471:
620:
528:
422:
371:
366:
1339:
544:
908:
786:; Livingstone, Northern Rhodesia: Rhodes-Livingstone Museum, 1958.
607:. The Ngoma Awards amount to a Zambian version of the all-Africa
616:
590:
and Jay Roxer, J.o.b, Stevo, Muzo aka Alfonso, Petersen, Izreal,
508:
441:
412:
102:
576:
568:
344:
678:
Songs of the Spirits: The Royal Music of the Nkoya of Zambia.
595:
564:
560:
based their compositions on "Imfukutu" - Bemba folk music.
777:
821:
Ngoma: An Introduction to Music for Southern Africans.
768:
World Music, Vol. 1: Africa, Europe and the Middle East
383:
Traditional Zambian instruments include a variety of
770:, pp. 702–705. Rough Guides Ltd, Penguin Books.
415:
is a large 17-note xylophone from Western Province.
862:
407:in Tonga) used at traditional funerals. This is a
865:"Classifying Musical Instruments: Membranophones"
1346:
894:"Drum Roll of Honour: The Ngoma Awards Ceremony"
711:Guitar Songs from Tanzania, Zambia & Zaire.
692:Zambia Roadside - Music from Southern Province.
439:of different pitches. A chordophone called a
924:
314:
694:Utrecht, The Netherlands: SWP Records, 2003.
687:Utrecht, The Netherlands: SWP Records, 1997.
659:
931:
917:
727:. Lusaka, Zambia: Mondo Music Corp., 2001.
321:
307:
474:and Jones did his at Mapanza in Zambia's
68:Learn how and when to remove this message
733:Lusaka, Zambia: Mondo Music Corp., 2001.
720:Lusaka, Zambia: Mondo Music Corp., 2004.
707:Lusaka, Zambia: Mondo Music Corp., 1999.
332:
31:This article includes a list of general
1347:
847:
594:, Danny, Shatel, Black Muntu, pilato,
912:
744:Corsicana, Tex.: Paradox Music, 1993.
501:Zambia National Broadcasting Service
351:
137:Federation of Rhodesia and Nyasaland
17:
938:
713:Tivloi, N.Y.: Original Music, 1982.
13:
757:
626:
37:it lacks sufficient corresponding
14:
1366:
1333:
1239:Sahrawi Arab Democratic Republic
1009:Democratic Republic of the Congo
494:
288:
101:
22:
556:. In addition, artists such as
887:
856:
841:
378:
337:A musician performs in Zambia.
1:
834:
670:
522:In the late 1970s, President
637:contemporary Christian music
142:Monuments and historic sites
7:
848:Mensah, Atta Anna. (1971).
731:Shoprite Zambia Hit Parade.
531:music. Bands included the
10:
1371:
685:Batonga Across the Waters.
663:
558:Alfred Chisala Kalusha Jr.
478:. Catholic missionaries,
1252:
1227:
946:
863:Catherine Schmidt-Jones.
850:Music and dance in Zambia
666:List of Zambian musicians
660:List of Zambian Musicians
633:urban contemporary gospel
623:bands throughout Zambia.
994:Central African Republic
579:from the United States.
823:London: Longmans, 1948.
635:, some from so-called "
52:more precise citations.
1340:Zambian Music Industry
716:Hosanna Gospel Band.
338:
1154:SĂŁo TomĂ© and PrĂncipe
1014:Republic of the Congo
778:https://amalimba.org/
336:
541:Junior Mulemena Boys
245:World Heritage Sites
1229:States with limited
554:Mashombe Blue Jeans
489:Mwesa Isaiah Mapoma
463:Arthur Morris Jones
899:2007-09-29 at the
740:Zambian Acapella.
467:ethnomusicologists
465:, both well-known
339:
1330:
1329:
1256:other territories
1029:Equatorial Guinea
742:Zambian Acapella.
571:from Jamaica and
537:Serenje Kalindula
476:Southern Province
363:call-and-response
359:traditional music
352:Traditional Music
331:
330:
295:Zambia portal
147:Northern Rhodesia
124:History of Zambia
94:Culture of Zambia
78:
77:
70:
1362:
1317:
1316:(United Kingdom)
1312:Tristan da Cunha
1308:Ascension Island
1300:
1287:
1278:
1254:Dependencies and
947:Sovereign states
940:Music of Africa
933:
926:
919:
910:
909:
903:
891:
885:
884:
882:
880:
871:. Archived from
860:
854:
853:
845:
789:Kubik, Gerhard.
690:Baird, Michael.
683:Baird, Michael.
611:. At the moment
323:
316:
309:
293:
292:
291:
132:
105:
96:
80:
79:
73:
66:
62:
59:
53:
48:this article by
39:inline citations
26:
25:
18:
1370:
1369:
1365:
1364:
1363:
1361:
1360:
1359:
1355:Music of Zambia
1345:
1344:
1336:
1331:
1326:
1325:
1315:
1298:
1285:
1276:
1257:
1255:
1248:
1232:
1230:
1223:
942:
937:
907:
906:
901:Wayback Machine
892:
888:
878:
876:
861:
857:
846:
842:
837:
798:Longwe, Sara H.
760:
758:Further reading
676:Brown, Ernest.
673:
668:
662:
629:
627:Christian Music
497:
381:
354:
327:
289:
287:
280:
279:
275:National anthem
260:
259:
250:
249:
240:
239:
221:
220:
201:
200:
154:
153:
152:
151:
130:
117:
116:
92:
74:
63:
57:
54:
44:Please help to
43:
27:
23:
12:
11:
5:
1368:
1358:
1357:
1343:
1342:
1335:
1334:External links
1332:
1328:
1327:
1324:
1323:
1321:Western Sahara
1318:
1301:
1288:
1279:
1265:Canary Islands
1261:
1260:
1258:
1253:
1250:
1249:
1247:
1246:
1241:
1235:
1233:
1228:
1225:
1224:
1222:
1221:
1216:
1211:
1206:
1201:
1196:
1191:
1186:
1181:
1176:
1171:
1166:
1161:
1156:
1151:
1146:
1141:
1136:
1131:
1126:
1121:
1116:
1111:
1106:
1101:
1096:
1091:
1086:
1081:
1076:
1071:
1066:
1061:
1056:
1051:
1046:
1041:
1036:
1031:
1026:
1021:
1016:
1011:
1006:
1001:
996:
991:
986:
981:
976:
971:
966:
961:
956:
950:
948:
944:
943:
936:
935:
928:
921:
913:
905:
904:
886:
855:
839:
838:
836:
833:
832:
831:
828:
824:
819:Tracey, Hugh.
817:
814:
811:
807:
804:
801:
795:
787:
780:
774:
771:
764:
759:
756:
755:
754:
751:
748:
745:
738:
734:
728:
721:
714:
708:
703:Daddy, Zemus.
701:
698:
695:
688:
681:
672:
669:
664:Main article:
661:
658:
628:
625:
592:Corta Nac City
524:Kenneth Kaunda
513:Jaggari Chanda
496:
493:
385:membranophones
380:
377:
353:
350:
329:
328:
326:
325:
318:
311:
303:
300:
299:
298:
297:
282:
281:
278:
277:
272:
267:
261:
257:
256:
255:
252:
251:
248:
247:
241:
235:
234:
233:
230:
229:
223:
222:
219:
218:
213:
208:
202:
196:
195:
194:
191:
190:
184:
183:
177:
176:
170:
169:
163:
162:
156:
155:
150:
149:
144:
139:
134:
126:
120:
119:
118:
112:
111:
110:
107:
106:
98:
97:
89:
88:
76:
75:
30:
28:
21:
9:
6:
4:
3:
2:
1367:
1356:
1353:
1352:
1350:
1341:
1338:
1337:
1322:
1319:
1313:
1309:
1305:
1302:
1296:
1292:
1289:
1283:
1280:
1274:
1270:
1266:
1263:
1262:
1259:
1251:
1245:
1242:
1240:
1237:
1236:
1234:
1226:
1220:
1217:
1215:
1212:
1210:
1207:
1205:
1202:
1200:
1197:
1195:
1192:
1190:
1187:
1185:
1182:
1180:
1177:
1175:
1172:
1170:
1167:
1165:
1162:
1160:
1157:
1155:
1152:
1150:
1147:
1145:
1142:
1140:
1137:
1135:
1132:
1130:
1127:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1069:Guinea-Bissau
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1005:
1002:
1000:
997:
995:
992:
990:
987:
985:
982:
980:
977:
975:
972:
970:
967:
965:
962:
960:
957:
955:
952:
951:
949:
945:
941:
934:
929:
927:
922:
920:
915:
914:
911:
902:
898:
895:
890:
875:on 2011-07-23
874:
870:
866:
859:
851:
844:
840:
829:
825:
822:
818:
815:
812:
808:
805:
802:
799:
796:
793:
788:
785:
781:
779:
775:
772:
769:
765:
762:
761:
752:
749:
746:
743:
739:
735:
732:
729:
726:
722:
719:
715:
712:
709:
706:
702:
699:
696:
693:
689:
686:
682:
679:
675:
674:
667:
657:
655:
652:, the system
651:
645:
642:
638:
634:
624:
622:
618:
614:
610:
606:
601:
597:
593:
589:
585:
580:
578:
574:
570:
566:
561:
559:
555:
551:
546:
542:
538:
534:
530:
525:
520:
518:
514:
510:
505:
502:
495:Popular Music
492:
490:
485:
481:
480:J. J. Corbeil
477:
473:
468:
464:
460:
455:
452:
448:
444:
443:
438:
434:
430:
429:
424:
420:
416:
414:
410:
409:friction drum
406:
402:
398:
397:
392:
391:
386:
376:
374:
373:
368:
364:
360:
349:
347:
346:
335:
324:
319:
317:
312:
310:
305:
304:
302:
301:
296:
286:
285:
284:
283:
276:
273:
271:
268:
266:
263:
262:
254:
253:
246:
243:
242:
238:
232:
231:
228:
225:
224:
217:
214:
212:
209:
207:
204:
203:
199:
193:
192:
189:
186:
185:
182:
179:
178:
175:
172:
171:
168:
165:
164:
161:
158:
157:
148:
145:
143:
140:
138:
135:
133:
129:Company rule
127:
125:
122:
121:
115:
109:
108:
104:
100:
99:
95:
91:
90:
86:
82:
81:
72:
69:
61:
51:
47:
41:
40:
34:
29:
20:
19:
16:
1304:Saint Helena
1275:
1213:
1179:South Africa
1169:Sierra Leone
974:Burkina Faso
889:
877:. Retrieved
873:the original
868:
858:
849:
843:
820:
790:
783:
767:
741:
730:
724:
718:Lesa Tupepa.
717:
710:
704:
691:
684:
677:
654:Tonic Sol-fa
646:
641:synthesizers
630:
605:Ngoma Awards
581:
562:
521:
506:
498:
456:
450:
446:
440:
436:
432:
426:
419:Chordophones
417:
404:
400:
394:
388:
382:
370:
355:
342:
340:
270:Coat of arms
187:
64:
55:
36:
15:
1231:recognition
1184:South Sudan
1074:Ivory Coast
879:January 23,
650:John Curwen
609:Kora Awards
550:Green Mamba
533:Masasu Band
484:Frank Wafer
459:Hugh Tracey
379:Instruments
50:introducing
1286:(Portugal)
1244:Somaliland
1164:Seychelles
1129:Mozambique
1114:Mauritania
1099:Madagascar
1054:The Gambia
989:Cape Verde
869:Connexions
835:References
671:Recordings
472:Kariba Dam
423:aerophones
367:polymeters
211:Television
131:(Rhodesia)
33:references
1119:Mauritius
621:kalindula
613:K'Millian
529:kalindula
451:kankobela
372:Kalindula
343:music of
237:Monuments
167:Languages
1349:Category
1310: /
1306: /
1299:(France)
1293: /
1271: /
1267: /
1219:Zimbabwe
1194:Tanzania
1044:Ethiopia
1039:Eswatini
1019:Djibouti
984:Cameroon
969:Botswana
897:Archived
705:Chibaba.
588:Zone fam
545:Amayenge
181:Religion
85:a series
83:Part of
58:May 2018
1295:RĂ©union
1291:Mayotte
1282:Madeira
1277:(Spain)
1273:Melilla
1204:Tunisia
1174:Somalia
1159:Senegal
1144:Nigeria
1134:Namibia
1124:Morocco
1089:Liberia
1084:Lesotho
1034:Eritrea
1004:Comoros
979:Burundi
954:Algeria
827:547-51.
810:117-23.
617:Macky 2
600:T.I.D.Y
577:R&B
573:hip hop
509:Zamrock
447:kalumbu
442:kalumbu
413:silimba
405:Namalwa
258:Symbols
174:Cuisine
114:History
46:improve
1314:
1297:
1284:
1214:Zambia
1209:Uganda
1149:Rwanda
1104:Malawi
1064:Guinea
959:Angola
737:Baird.
723:J, K.
569:reggae
437:Nyeele
433:Nyeele
428:Nyeele
401:Budima
396:Budima
345:Zambia
216:Cinema
160:People
87:on the
35:, but
1269:Ceuta
1189:Sudan
1139:Niger
1094:Libya
1079:Kenya
1059:Ghana
1049:Gabon
1024:Egypt
964:Benin
792:Kubik
596:Mampi
565:ragga
517:Witch
390:Ngoma
227:Sport
206:Radio
198:Media
188:Music
1199:Togo
1109:Mali
999:Chad
881:2020
575:and
567:and
552:and
539:and
482:and
461:and
421:and
341:The
265:Flag
584:J.K
543:.
515:'s
431:.
1351::
867:.
725:JK
615:,
535:,
519:.
932:e
925:t
918:v
883:.
322:e
315:t
308:v
71:)
65:(
60:)
56:(
42:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.