335:"), was based on a cousin of Wuolijoki's former husband called Roope Juntula. Juntula had become engaged with three village women and had also driven his Buick recklessly in the middle of the night to procure alcohol—both episodes that would be dramatised in Brecht's story. Wuolijoki suggested a collaboration with Brecht on an entry for a competition run by the Finnish Dramatists' League for a "people's play," whose deadline was to fall in October. The title page of Brecht's play describes it as "a people's play" that is "after stories and a draft play by Hella Wuolijoki." Brecht began work on his
1344:
339:
version of the story on 2 September and finished a first draft three weeks later. Along with the structural transformation from dramatic to epic, Brecht described his main tasks in re-working
Wuolijoki's original as: "to bring out the underlying
146:, Matti, as well as his daughter, Eva, whom he wants to marry off to an Attaché. Eva herself loves Matti and so Puntila has to decide whether to marry his daughter to his driver or to an Attaché, while he also deals with a drinking problem.
163:. The central relationship between Mr Puntila and Matti—in which Puntila is warm, friendly and loving when drunk, but cold, cynical and penny-pinching when sober—echoes the relationship between the Tramp and the Millionaire in
612:
intoxication to enlightened sobriety: "All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his
344:, dismantle the psychological discussions so as to make place for tales from Finnish popular life or statements of opinion, find a theatrical form for the master/man contradiction, and give the theme back its
376:. Wuolijoki translated Brecht's play into Finnish for the competition but it did not win a prize. The two authors agreed that Wuolijoki could develop the Finnish version for production throughout
581:
Quoted by
Willett and Manheim (1994, xvii). Willett and Manheim outline the changes of Wuolijoki's play that Brecht effected in his re-working in their editorial notes (1994, 399-426).
380:(for which she renamed the protagonist "Johannes Iso-Heikkilä"), while Brecht could negotiate performances anywhere else, where the royalties would be split equally between them.
173:(1931). The duality of Mr. Puntila is an example of Brecht's use of the literary device, the split character. The play is also an inspiration for some of the main characters in
311:
352:
aspects." Brecht gave his story a downbeat ending, in which Matti resigns himself to the impossibility of authentic human relationships across the divide of
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388:
A theatrical production of the play became a priority for Brecht on his return from exile in 1947; he helped to direct its premiere at the
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designed the sets. Brecht introduced the linking "Puntila Song" and decided to discourage the audience's
428:; Puntila was played initially by Leonard Steckel (as with the Zurich production), then by the comedian
1305:
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508:
An
Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics
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acting is not enough in this case" and recommends an approach to staging that draws on the
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604:(1848), describe the disenchantment that the progress of the subsumption of society under
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327:, which, Brecht concluded, hampered her achievement as a writer. Its
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wrote a musical setting for the songs for this production, while
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from a national problem for the
Finnish, as it was dramatised in
302:
143:
88:
416:, the world-renowned theatre company that he founded in 1949 in
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55:
1272:
743:. Bertolt Brecht: Plays, Poetry, Prose Ser. London: Methuen.
369:
341:
298:
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Brecht's play is based on another by his host during his
412:
for the opening production of the first season of the
315:, a German translation of which Wuolijoki dictated to
463:
Brecht's play was adapted for the 1960 Austrian film
455:characters. This production was seen by Wuolijoki.
608:social relations effects in terms of a move from
1360:
531:Bharadwaj's interview in The Big Indian Picture
469:, and again for the 1979 Finnish-Swedish film
770:
319:during August 1940. Wuolijoki's work had the
735:Willett, John and Ralph Manheim, eds. 1994.
693:"HERR PUNTILA UND SEIN KNECHT MATTI (1956)"
356:, excepting the intoxicated illusions that
777:
763:
424:. Brecht co-directed this production with
360:provides. He transformed the treatment of
331:, Puntila (who is described as a "Finnish
142:land-owner Puntila's relationship to his
153:" (written in 1940), Brecht warns that "
1131:The Trial of Joan of Arc at Rouen, 1431
715:"Herra Puntila ja hänen renkinsä Matti"
621:
619:
505:
392:, where it opened on 5 June 1948, with
1361:
1321:The Modern Theatre Is the Epic Theatre
908:Rise and Fall of the City of Mahagonny
651:
649:
559:
557:
555:
553:
533:March 2013. Retrieved 10 November 2022
859:Downfall of the Egotist Johann Fatzer
758:
664:Willett and Manheim (1994, xix, 394).
634:Willett and Manheim (1994, xix, 389).
543:
541:
539:
383:
673:Willett and Manheim (1994, xx, 394).
616:
189:
682:Willett and Manheim (1994, xix-xx).
646:
550:
13:
984:Fear and Misery of the Third Reich
784:
625:Willett and Manheim (1994, xviii).
590:Willett and Manheim (1994, xvii).
536:
510:. Amsterdam: Rodopi. p. 107.
466:Herr Puntila and His Servant Matti
109:Herr Puntila und sein Knecht Matti
14:
1405:
894:The Baden-Baden Lesson on Consent
563:Willett and Manheim (1994, xvii).
305:—the Finnish-Estonian playwright
1343:
1342:
1047:The Resistible Rise of Arturo Ui
977:The Horatians and the Curiatians
655:Willett and Manheim (1994, xix).
643:Willett and Manheim (1994, 389).
572:Willett and Manheim (1994, 215).
547:Willett and Manheim (1994, xvi).
496:Willett and Manheim (1994, 392).
476:It is also the source of a 1966
368:, to its epic presentation as a
1327:A Short Organum for the Theatre
1075:Schweyk in the Second World War
1019:Mother Courage and Her Children
707:
685:
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667:
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628:
584:
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292:
1:
1110:Die Verurteilung des Lukullus
1061:The Visions of Simone Machard
970:Round Heads and Pointed Heads
483:
184:
16:German play by Bertolt Brecht
1389:Works based on Finnish works
1033:Mr Puntila and His Man Matti
935:Saint Joan of the Stockyards
444:towards Puntila by means of
99:Mr Puntila and His Man Matti
22:Mr Puntila and His Man Matti
7:
1379:Compositions by Paul Dessau
1040:The Good Person of Szechwan
887:The Flight Across the Ocean
598:, in a famous passage from
408:played Matti. Brecht chose
149:In his essay "Notes on the
10:
1410:
1306:Separation of the elements
1082:The Caucasian Chalk Circle
942:The Exception and the Rule
729:
179:Matru Ki Bijlee Ka Mandola
1340:
1228:
1191:What Keeps Mankind Alive?
1161:
831:Mysteries of a Barbershop
792:
719:The Swedish Film Database
506:Squiers, Anthony (2014).
84:
71:
61:
51:
36:
26:
21:
1170:Reminiscence of Marie A.
138:The story describes the
1374:Plays by Bertolt Brecht
1096:The Days of the Commune
838:In the Jungle of Cities
601:The Communist Manifesto
228:The Chemist's Assistant
131:and first performed in
1250:Non-Aristotelian drama
1005:How Much Is Your Iron?
991:Señora Carrar's Rifles
107:
1314:Messingkauf Dialogues
1117:Report from Herrnburg
1026:The Trial of Lucullus
963:The Seven Deadly Sins
390:Schauspielhaus ZĂĽrich
40:5 June 1948
1394:Works about servants
1068:The Duchess of Malfi
880:The Threepenny Opera
737:Collected Plays: Six
451:for him and all the
366:The Sawdust Princess
312:The Sawdust Princess
127:. It was written in
824:Driving Out a Devil
404:played Puntila and
1152:Trumpets and Drums
810:Drums in the Night
384:Production history
321:dramatic structure
247:The Red-haired Man
160:Commedia dell'Arte
1356:
1355:
1262:Defamiliarization
1205:Einheitsfrontlied
1054:Hangmen Also Die!
866:The Elephant Calf
703:on June 12, 2018.
414:Berliner Ensemble
317:Margarete Steffin
289:
288:
277:The Parson's Wife
256:His Four Children
95:
94:
62:Original language
1401:
1346:
1345:
1198:Solidaritätslied
873:Little Mahagonny
779:
772:
765:
756:
755:
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711:
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699:. Archived from
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497:
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471:of the same name
337:non-Aristotelian
190:
47:
45:
19:
18:
1409:
1408:
1404:
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1402:
1400:
1399:
1398:
1359:
1358:
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1286:Historicization
1230:
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1157:
998:Life of Galileo
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478:opera by Dessau
461:
446:defamiliarising
432:. The composer
420:with his wife,
402:Leonard Steckel
386:
307:Hella Wuolijoki
295:
290:
267:the parlourmaid
234:The Telephonist
187:
175:Vishal Bhardwaj
165:Charlie Chaplin
52:Place premiered
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786:Bertolt Brecht
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325:well-made play
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250:The Weedy Man
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225:Sly-Grog Emma
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209:his chauffeur
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32:
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25:
20:
1347:
1332:Street scene
1319:
1312:
1278:
1271:
1242:
1238:Epic theatre
1229:Theories and
1184:Pirate Jenny
1177:Alabama Song
1162:Poems, songs
1150:
1143:
1136:
1129:
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928:The Decision
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475:
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438:Casper Neher
418:East Germany
409:
406:Gustav Knuth
387:
365:
354:social class
310:
296:
283:
266:
260:
253:Red Surkkala
231:The Milkmaid
208:
203:his daughter
202:
196:
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158:
155:naturalistic
148:
140:aristocratic
137:
108:
98:
97:
96:
1212:Kinderhymne
956:Kuhle Wampe
915:Der Jasager
610:ideological
459:Adaptations
434:Paul Dessau
426:Erich Engel
378:Scandinavia
329:protagonist
293:Composition
280:Woodcutters
219:The Attaché
197:a landowner
170:City Lights
123:playwright
1369:1948 plays
1363:Categories
1244:LehrstĂĽcke
1231:techniques
1219:Die Lösung
1124:Coriolanus
949:The Mother
606:capitalist
484:References
362:alcoholism
274:The Parson
271:The Lawyer
244:A Labourer
213:The Waiter
185:Characters
44:1948-06-05
27:Written by
1296:Not / But
1103:The Tutor
901:Happy End
845:Edward II
817:A Wedding
453:bourgeois
430:Curt Bois
374:class war
237:A Fat Man
216:The Judge
195:Puntila,
151:Folk Play
121:modernist
1349:Category
1145:Don Juan
1138:Turandot
1089:Antigone
793:Dramatic
398:Teo Otto
370:farcical
309:—called
261:the cook
112:) is an
730:Sources
442:empathy
410:Puntila
358:alcohol
333:Bacchus
303:Finland
259:Laina,
222:The Vet
207:Matti,
144:servant
91:, 1920s
89:Finland
85:Setting
42: (
1280:Gestus
1012:Dansen
747:
613:kind."
596:Engels
514:
346:poetic
284:
265:Fina,
117:comedy
104:German
79:comedy
66:German
56:Zurich
1273:Fabel
795:works
739:. By
449:masks
350:comic
342:farce
323:of a
299:exile
201:Eva,
72:Genre
803:Baal
745:ISBN
594:and
592:Marx
512:ISBN
348:and
133:1948
129:1940
114:epic
76:Epic
697:BFI
473:.
396:by
301:in
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648:^
618:^
552:^
538:^
480:.
400:.
181:.
135:.
106::
1221:"
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1214:"
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1203:"
1200:"
1196:"
1193:"
1189:"
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1182:"
1179:"
1175:"
1172:"
1168:"
778:e
771:t
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751:.
721:.
520:.
102:(
46:)
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