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complex composition of the album is what made it "so vividly and so lovingly" from most vaporwave records. He called it a "breath of fresh air" for the vaporwave scene mainly due to its oxymoronic vibe, which was "simultaneously placid and disorienting, warm and chintzy" and "intimate and distant", that made "it a seductively unusual listening experience as warm as the surface of your laptop."
741:", while on "City Links", he sings "Links accelerate/Rendering a time zone/Moving in a mobile home." As Sherburne analyzed, "it seems likely those arenn't double-wides heâs talking about, but rather our own peripatetic second homes, as we scuttle about like hyperconnected hermit crabs living out of our phones."
1176:
review, Chris
Ingalls recommend listeners to hear the LP on a very loud volume for its sound design, where the album is "abrasive yet lush, with a new sonic nugget to be discovered with each listen." He also honored its "unique" atmosphere and "intense creative playfulness." Sherburne wrote that the
767:
magazine's "Singles Club" column where four critics, Daniel
Montesinos-Donaghy, Chris Kelly, Tayyab Amin and Son Raw, reviewed the song upon its initial release. The single received an overall score of a seven out of ten. Three critics, Ingalls, Pryor Stroud and Chad Miller, reviewed the song for a
613:
We live comfortably with this train of thought that gets divided so finely by however you designed your twitter feed. Everything is abbreviated. You can hear it in pop-ups, or the advertisements that precede any YouTube video. It's really common, that's why I like it. It's a shared experience. But
604:
that went through 100 instrument sounds at random, and when a note is played, the plug-in freezes at an instrument it is choosing at that time the note is being pushed; this leads to very different sounds being played at a rapid rate that represent the speed of garnering articles and data most
269:
that scrolled through 100 patches at random; when a note was inputed, the instrument froze at a patch. The record's overall sound palette is a combination of organic and non-organic elements; when using software instruments that replicated real-life instruments, such as clarinets and marimbas,
29:
614:
interruptions are nothing new really, I grew up with a TV pretty close by from a young age and I sort of also see it as extension of that. There's a personal connection there. It's fun to think about how attention span affects listening, and I see this area as a frontier to work out my ideas.
302:"What I like about that software is that it raises the question, 'Where is this coming from?' The origin gets blurred, because on one hand the timbre of the instrument definitely sounds like a person is playing it, but the speed of the patterningâthat's where it gets tricky."
796:
premiered "Anyware", the album's second single, and its music video, which was also by
Culture Sport and involves the character from the artwork jogging in "a dancing bear DNA sequence." Like "Lenses", "Anyware" also garnered a "Singles Going Steady" review from
1158:
honored it as "a surprisingly easy listen for what is, at the heart of it, a difficult album." He also spotlighted the "excellent use of layered sounds" on the album. The reviewer's only criticism was
Williams' vocals, calling them a "little too flat".
801:, but this time it garnered mixed opinions from the critics and received an overall score of a 5.22 of out ten. The third single, "Houzzfunction", was issued on August 24. Its music video by Culture Sport was released on September 1, and is a
733:, they "weave sticky semantic webs that join the natural world with its digital analog." The lyrics are about how someone provides new electric wiring in order to connect together real-life objects and visioning such as leaves, windows and
386:
a happier version of the works he co-produced with producer
Matthew Papich, known by his stage name as Co La, which was also a response to modern internet culture; the album's happy mood is showcased in the Sakamoto-inspired
724:
In regards to vocals, Williams explained, "I'll start a track and it will get to a point where there's a heavy implication that some kind of vocal would complete the track." Journalist Aurora
Mitchell wrote that
691:
sounds similar to error message sound effects. In using hyper-real computer programs that try to reproduce real-life instruments, he noticed "quirks and glitches within them," such as samples that go out of the
581:
works. However, as journalist Colin Joyce wrote, "the movements are fast and flickeringâa shuttering collision of sounds and styles that feels like it was generated from the disembodied guts of a rogue
729:
was unique from most synthpop records in that it had calm singing that actually complimented otherwise very loud sounds. As
Sherburne described the lyrical content Williams sings on
367:
sequence for the song that sounded like a ringtone. The more experimental songs on the album are instrumental, while cuts with vocals from
Williams are more on the pop music side.
270:
Williams wanted to take advantage of the âquirks and glitches within them" that lead to the instruments making sounds that they could not possibly make if performed acoustically.
783:
s column "Silent Shout", which covers non-accessible singles that "might" be pop music. Also on July 13, the music video for "Lenses" was released, and is an animated version of
1202:
wrote, "While nothing of his self-titled album quite gives way to sticky enough songs, how Motion
Graphics carefully handles his materials is still something to praise."
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as one of the seven "best albums you probably missed" for the month of August 2016, highlighting its "innovative, mind-bending array of digital sounds." An
696:
an actual instrument can handle, and
Williams took advantage of those quirks in order to make the instrument sounds more unique to listen to. In "Airdrop",
458:
Reviewer Chris Ingalls compared the album's combination of organic and non-human elements into the overall sound structure to the works of Icelandic artist
1715:
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2333:
1154:
called the record a "mesmerising debut", honoring its mixture of human and alien sound elements and Williams' vocal performance. A reviewer for
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284:: "Lenses", "Anyware", and "Houzzfunction". Culture Sport, a digital visual artist, was responsible for creating the album artwork and videos.
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has a sound that is very clear and high-quality. Driven by wild drum rhythms, all of the songs have lead melodies that are performed by
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elements serve as a symbol for the album's notion of going through limitless internet places. Sherburne compared âAnywareâ to the album
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One way of inputting MIDI data into the Max for Live plug-in was through actual recorded audio. For example, the closing track of
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573:. The rhythmic structures of each song borrow from popular music genres; "Anyware" consists of rhythms influenced by
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titled "Singles Going Steady", the song receiving an overall score of a 7.66 out of ten. It was also featured in
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for properly balancing odd sound elements with "delicately layered instrumentation and semi-opaque lyricism."
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release due to its commercial topic, but Williams disagreed with this description and felt it was more of an
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1973:"Silent Shout: Void Pop, Clique Bait & Crystal Castles To Get You Through The End Times"
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622:, "SoftBank Arcade (Swiftcode Version)", plays MIDI notes that are inputted by hits from a
348:" as Angus Finlayson described. It wasn't until Williams made "Anyware" while riding on an
266:
8:
2095:. Domino Recording Company Official Website. September 1, 2016. Retrieved March 11, 2017.
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record without any nostalgia" influenced by the works of Japanese technopop acts such as
312:
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Mixed and engineered by Brown with additional engineering from Williams and Kabir Hermon
761:"Lense" / "Mezzotint Gliss" (Instrumental) was issued. "Lenses" was reviewed as part of
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Cover art by Culture Sport and design by Rob Carmichael at SEEN in Brooklyn, New York
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1689:"Motion Graphics Explores the Ecstasy and Agony of Our Relationship to Technology"
470:. Journalist Paul Simpson called it a more pop-influenced version of the works of
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of tracks like "Lense", "Houzzfunction" and "Mezzotint Gliss" as well as the calm
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1779:"Motion Graphicsâ Debut Points to a Bright Future for American Electronic Music"
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1895:"Motion Graphics (White Williams) Announces New Album, Shares New Video: Watch"
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344:, in that it is a response to modern commercial technology by "turning it into
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1189:'s list of the best albums of 2016 and number 86 on another year-end list by
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was realized rather than first planned out. His initial plan was "to make a
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Described by Max Pearl as "both eerily familiar and totally otherworldly,"
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1927:"Singles Club: Justice do disco fromage and M.I.A. is a #problematicfave"
787:' cover art illustrated by Culture Sport and designed by Rob Carmichael.
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have. As Williams explained the random aspect of the record's structure:
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1858:"Motion Graphics' debut album channels the information overload of 2016"
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of the best electronic albums of the year. It also ranked number 13 on
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album about the feeling of being able to go to limitless places due to
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is similar to Yellow Magic Orchestra's music, as well as the works of
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on August 26, 2016. Three singles and music videos were released from
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Recorded and produced by Drew Brown and Williams at 101 Recording in
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2156:. Development Hell Ltd. September 9, 2016. Retrieved March 10, 2017.
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Mastered by David Ives at 101 Mastering in Beverly Hills, California
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wrote that it has hi-hat sounds similar to modern hip hop music, a "
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1713:"Motion Graphics's "Anyware" Video Is Probably From The Future"
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and water, and Williams' downplayed vocals are also present. A
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regards the free feeling of accessing unlimited places due to
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was to be released on August 26, 2016 by British indie label
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record without any nostalgia," and this plan turned into an
2110:"Reviews and Tracks for Motion Graphics by Motion Graphics"
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597:. In the application, Williams programmed a plug-in in the
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The following information adapted from the liner notes of
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screens. On "Minecraft Mosaic", he sings "Heaven sent the
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as "often an avatar for something else." Examples include
1889:
1887:
1875:"Motion Graphics: Avoiding Sentimentality and Nostalgia"
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as "a highly intriguing album of warped bitstream pop."
2293:(Vinyl notes). Motion Graphics. Domino. 2016. WIGLP232.
482:
recordings. He also compared the album to the works of
2062:"Motion Graphics â "Anyware" (Singles Going Steady)""
1884:
420:
LP since he didn't use samples of corporate music or
1132:
upon its release. John Lynch reviewed the album for
708:sounds are played together and sped-up to create a
501:that signify modern hip-hop music andclarinets and
2211:"The 7 best albums you probably missed this month"
2148:"September: 18 albums you need to hear this month"
1956:"Motion Graphics â "Lense" (Singles Going Steady)"
2194:"Album Review: Motion Graphics â Motion Graphics"
2015:Channel. July 13, 2016. Retrieved March 10, 2017.
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320:According to Joe Williams, the final concept of
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534:, while he compared âForecastâ to the works of
424:on the album. In labeling the overall style of
2246:. December 12, 2016. Retrieved March 10, 2017.
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577:, and "City Links" features elements of 1980s
2262:. December 5, 2016. Retrieved March 10, 2017.
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2101:
2078:"Motion Graphics New Releases: Houzzfunction"
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805:taking place in an "unfinished" landscape of
378:, which is symbolized by the record's use of
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2068:. August 24, 2016. Retrieved March 11, 2017.
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486:, dubstep producer Slava and R&B artist
451:vocals, as well as elements of the works of
255:. In achieving this feel, Williams used the
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1962:. August 1, 2016. Retrieved March 10, 2017.
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1650:"Motion Graphics â Exploring The Hyperreal"
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356:that he figured out the overall concept of
239:of American musician Joe Williams' project
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2093:"New 360 degree Video for âHouzzfunctionâ"
2018:
1998:"Motion Graphics â Lense (Official Video)"
1946:. July 18, 2016. Retrieved March 10, 2017.
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1196:. In a more mixed review, Ryo Miyauchi of
288:garnered generally favorable reviews from
27:
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462:and the use of the sounds to that of the
243:. Williams initially planned it to be "a
2179:
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1711:D. Mcdermott, Patrick (August 5, 2016).
16:2016 studio album by Motion Graphics
2050:"Motion Graphics New Releases: Anyware"
1988:. Hive Media. Retrieved March 10, 2017.
1901:. Conde Nast. Retrieved March 10, 2017.
1846:
1837:"The 20 Best Electronic Albums of 2016"
1835:Sherburne, Phillip (December 8, 2016).
1707:
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408:reviewer Phillip Sherburne categorized
2334:Electronica albums by American artists
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1843:. Conde Nast. Retrieved March 7, 2017.
1754:Sherburne, Phillip (August 29, 2016).
1648:Mitchell, Aurora (September 1, 2016).
1635:
1399:
1388:
1340:
493:Sherburne characterized the sounds on
2080:. Beatport. Retrieved March 10, 2017.
2052:. Beatport. Retrieved March 10, 2017.
1911:"Motion Graphics New Releases: Lense"
1410:
1370: â Digital download bonus tracks
1351:
1344:"SoftBank Arcade" (Swiftcode Version)
1329:
1318:
1307:
1296:
1285:
1274:
1263:
1252:
1241:
1128:garnered very favorable reviews from
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636:hybrid of human and computer music,"
439:attitude to sound-sources" common in
2329:Synth-pop albums by American artists
2275:"Motion Graphics by Motion Graphics"
2256:"The Best Albums of 2016: #100 â 81"
2192:Benfield, Haydon (August 25, 2016).
2168:Addenbrooke, Nic (August 19, 2016).
1702:
1668:
1582:Finlayson, Angus (August 30, 2016).
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2170:"Motion Graphics â Motion Graphics"
1624:"Breaking Through: Motion Graphics"
1584:"Motion Graphics â Motion Graphics"
1551:"Motion Graphics â Motion Graphics"
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970:
870:
749:On July 13, 2016, it was announced
60:101 Recording and 101 Mastering in
13:
2324:Ambient albums by American artists
2128:Miyauchi, Ryo (October 23, 2017).
1873:Durston, Tom (September 5, 2016).
1808:"Motion Graphics: Motion Graphics"
1806:Ingalls, Chris (August 22, 2016).
1756:"Motion Graphics: Motion Graphics"
1471:
1020:
813:objects that surround the viewer.
509:riffs that remind the listener of
14:
2350:
1622:Pearl, Max (September 13, 2016).
932:
2240:"RA Poll: Top 20 albums of 2016"
1777:Muggs, Joe (September 8, 2016).
1687:Joyce, Colin (August 24, 2016).
1428:Adapted from the liner notes of
1392:"Mezzotint Gliss" (Instrumental)
1205:
1181:landed on his year-end list for
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2209:Lynch, John (August 30, 2016).
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1991:
1971:Willott, Carl (July 21, 2016).
1965:
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1893:Minsker, Evan (July 13, 2016).
687:was also used to create guitar
549:
2138:. Retrieved December 24, 2017.
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1:
2036:(CD notes). Motion Graphics.
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645:computer program replications
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629:Categorized by Pearl as an "
562:were used to create sped-up
7:
2281:. Retrieved March 10, 2017.
2230:. Retrieved March 11, 2017.
2200:. Retrieved March 10, 2017.
2176:. Retrieved March 10, 2017.
1917:. Retrieved March 10, 2017.
1881:. Retrieved March 11, 2017.
1823:. Retrieved March 10, 2017.
1728:. Retrieved March 11, 2017.
1590:. Retrieved March 10, 2017.
1566:. Retrieved March 10, 2017.
647:of acoustic sounds such as
599:visual programming language
257:visual programming language
10:
2355:
2116:. Retrieved March 8, 2017.
1864:. Retrieved March 8, 2017.
1788:. Retrieved March 8, 2017.
1768:. Retrieved March 6, 2017.
1699:. Retrieved March 7, 2017.
1665:. Retrieved March 8, 2017.
1632:. Retrieved March 6, 2017.
295:
2130:"Listening: October 2017"
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235:is the self-titled debut
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216:Released: August 24, 2016
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2009:Domino Recording Company
1223: â Standard version
755:Domino Recording Company
745:Singles and music videos
554:Similar to the works of
278:Domino Recording Company
207:Released: August 5, 2016
1435:Written by Joe Williams
584:central processing unit
198:Released: July 13, 2016
1454:and The Magic Shop in
1446:, Lindbergh Palace in
616:
590:was produced with the
527:Music for 18 Musicians
443:, the tension of most
354:Grand Central Terminal
330:Yellow Magic Orchestra
304:
68:; Lindbergh Palace in
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513:. Its combination of
476:Oneohtrix Point Never
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822:Professional ratings
712:'d sound similar to
569:as "random data" on
276:was released by the
76:; The Magic Shop in
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823:
757:, and the record's
382:. Finlayson called
380:virtual instruments
307:â Joes Williams on
2216:2017-03-12 at the
2198:Renowned for Sound
2003:2017-05-03 at the
1978:2017-01-01 at the
1932:2017-06-06 at the
1813:2016-12-22 at the
1718:2016-11-13 at the
1655:2017-01-07 at the
1556:2016-11-08 at the
1365:
1289:"Minecraft Mosaic"
1218:
1156:Renowned for Sound
1076:Renowned for Sound
821:
817:Critical reception
790:On August 5, 2016
768:similar column by
675:sounds similar to
546:are also present.
360:, where he made a
313:virtual instrument
267:virtual instrument
2309:2016 debut albums
2040:. 2016. WIGCD232.
1944:The Vinyl Factory
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1403:"Softbank Arcade"
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1333:"Mezzotint Gliss"
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720:Vocals and lyrics
445:movie soundtracks
290:music journalists
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1558:Wayback Machine
1549:Simpson, Paul.
1548:
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1472:Release history
1430:Motion Graphics
1426:
1421:
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1369:
1367:Motion Graphics
1362:
1352:
1267:"Houzzfunction"
1222:
1220:Motion Graphics
1212:Motion Graphics
1208:
1179:Motion Graphics
1165:Motion Graphics
1146:Motion Graphics
1144:review labeled
1126:Motion Graphics
1103:
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785:Motion Graphics
780:
751:Motion Graphics
747:
731:Motion Graphics
727:Motion Graphics
722:
677:alert messaging
638:Motion Graphics
620:Motion Graphics
588:Motion Graphics
571:Motion Graphics
552:
536:Astor Piazzolla
518:classical music
511:classical music
495:Motion Graphics
428:, Joe Muggs of
426:Motion Graphics
410:Motion Graphics
401:
384:Motion Graphics
372:Motion Graphics
358:Motion Graphics
334:Motion Graphics
322:Motion Graphics
318:
309:Motion Graphics
306:
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286:Motion Graphics
282:Motion Graphics
274:Motion Graphics
241:Motion Graphics
232:Motion Graphics
220:
215:
213:"Houzzfunction"
212:
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52:August 26, 2016
44:
42:Motion Graphics
22:Motion Graphics
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12:
11:
5:
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2339:Art pop albums
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2260:Bandcamp Daily
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1879:Inverted Audio
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538:. Elements of
503:Claude Debussy
437:smash-and-grab
400:
397:
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1440:Beverly Hills
1437:
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1412:Total length:
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1206:Track listing
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861:
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850:Review scores
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682:
681:birds singing
678:
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488:Autre Ne Veut
485:
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473:
472:James Ferraro
469:
468:Peter Gabriel
465:
464:Fairlight CMI
461:
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107:
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83:
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78:New York City
75:
71:
67:
63:
62:Beverly Hills
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
2290:
2286:
2279:iTunes Store
2259:
2251:
2243:
2235:
2221:
2205:
2197:
2173:
2151:
2143:
2133:
2073:
2065:
2057:
2045:
2033:
1993:
1983:
1967:
1959:
1951:
1937:
1922:
1906:
1898:
1878:
1869:
1861:
1840:
1818:
1782:
1773:
1759:
1723:
1692:
1660:
1627:
1587:
1561:
1429:
1427:
1366:
1311:"City Links"
1300:"Vistabrick"
1219:
1211:
1209:
1197:
1190:
1186:
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762:
750:
748:
730:
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723:
685:sound module
637:
628:
619:
617:
612:
602:Max for Live
595:Ableton Live
587:
570:
553:
550:Sound design
525:
505:-influenced
494:
492:
457:
429:
425:
409:
403:
402:
383:
371:
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357:
333:
321:
319:
308:
305:
301:
285:
281:
273:
272:
265:to create a
237:studio album
231:
230:
229:
183:
167:Joe Williams
109:experimental
37:Studio album
759:lead single
735:bird vision
710:pitch wheel
673:synthesizer
532:Steve Reich
480:post-modern
332:. In fact,
104:electronica
2303:Categories
2114:Metacritic
2066:Popmatters
1960:Popmatters
1820:PopMatters
1766:Conde Nast
1697:Vice Media
1527:References
1493:Worldwide
1485:Format(s)
1458:, New York
1444:California
1322:"Forecast"
1173:PopMatters
1013:PopMatters
841:Metacritic
811:3D polygon
799:Popmatters
771:Popmatters
657:accordions
575:juke music
560:algorithms
544:jazz music
530:(1978) by
515:minimalist
449:indie rock
376:technology
253:technology
164:Drew Brown
80:, New York
66:California
2174:The Music
2011:Official
1899:Pitchfork
1841:Pitchfork
1761:Pitchfork
1725:The Fader
1662:Juno Plus
1424:Personnel
1278:"Anyware"
1256:"Airdrop"
1183:Pitchfork
1161:The Music
1001:Pitchfork
963:The Music
809:-colored
793:The Fader
702:saxophone
689:strumming
649:clarinets
642:hyperreal
624:free jazz
567:arpeggios
556:John Cage
466:music of
453:Timbaland
414:vaporwave
405:Pitchfork
346:pop music
342:Kraftwerk
326:synth pop
245:synth pop
204:"Anyware"
119:vaporwave
114:synth-pop
2214:Archived
2001:Archived
1985:Idolator
1976:Archived
1930:Archived
1915:Beatport
1811:Archived
1784:Bandcamp
1716:Archived
1653:Archived
1563:AllMusic
1554:Archived
1452:New York
1448:Brooklyn
1192:Bandcamp
1163:praised
1151:The Wire
1141:Allmusic
864:AllMusic
777:Idolator
716:noises.
669:marimbas
661:tympanis
579:synthpop
540:footwork
431:Bandcamp
195:"Lenses"
157:Producer
74:New York
70:Brooklyn
49:Released
39: by
2013:YouTube
1862:Hyponik
1520:Domino
1479:Region
1245:"Lense"
714:dolphin
706:kantele
631:uncanny
522:hip-hop
499:hi-hats
418:ambient
362:marimba
315:concept
296:Concept
260:Max for
249:ambient
180:Singles
99:art pop
94:Ambient
2153:Mixmag
2135:Medium
2038:Domino
1488:Label
1384:Length
1237:Length
1199:Medium
913:Mixmag
901:Medium
858:Rating
855:Source
845:81/100
835:Rating
832:Source
653:choirs
447:, and
399:Styles
350:Amtrak
150:Domino
128:Length
57:Studio
1786:Daily
1693:THUMP
1513:vinyl
1482:Date
1416:35:01
1381:Title
1357:29:02
1234:Title
1194:Daily
1170:In a
1119:4.2/5
781:'
694:range
665:harps
460:Björk
441:grime
433:Daily
422:muzak
412:as a
393:tenor
182:from
145:Label
86:Genre
1939:Fact
1406:2:47
1395:3:12
1347:2:57
1336:3:35
1325:1:31
1314:3:08
1303:3:02
1292:3:13
1281:3:50
1270:3:20
1259:0:39
1248:3:47
1006:8/10
925:Mojo
918:7/10
906:6/10
807:neon
764:Fact
704:and
667:and
564:MIDI
542:and
520:and
507:MIDI
484:CFCF
474:and
365:MIDI
263:Live
1400:12.
1389:11.
1377:No.
1341:10.
1230:No.
739:GUI
698:vox
634:pop
586:."
352:to
340:or
2305::
2277:.
2267:^
2258:.
2242:.
2226:.
2220:.
2196:.
2181:^
2172:.
2161:^
2150:.
2132:.
2121:^
2112:.
2100:^
2085:^
2064:.
2020:^
2007:.
1982:.
1958:.
1942:.
1936:.
1913:.
1897:.
1886:^
1877:.
1860:.
1848:^
1839:.
1828:^
1817:.
1793:^
1781:.
1764:.
1758:.
1733:^
1722:.
1704:^
1695:.
1691:.
1670:^
1659:.
1637:^
1626:.
1595:^
1586:.
1571:^
1560:.
1534:^
1503:CD
1450:,
1442:,
1330:9.
1319:8.
1308:7.
1297:6.
1286:5.
1275:4.
1264:3.
1253:2.
1242:1.
1214::
700:,
663:,
659:,
655:,
651:,
558:,
490:.
455:.
311:'
137:02
133:29
72:,
64:,
135::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
