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further historical investigation, but rather an almost poetic understanding of that worldview. He wrote: "All these schools had individual character, and all have charm; but we have set out to go from Mont Saint Michel to
Chartres in three centuries, the eleventh, the twelfth, and the thirteen, trying to get, on the way, not technical knowledge; not correct views on either history, art, or religion; not anything that can possibly be useful or instructive; but only a sense of what those centuries had to say, and a sympathy with their ways of saying it."
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as a queen whose preferences are expressed in the cathedral, in each chapter extending the analogy further. By chapter XIII, Adams demonstrates how central worship of the Virgin was to the religion of the time: "True it was, although one should not say it jestingly, that the Virgin embarrassed the
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Superficially, the book is framed as a travel journal. Adams uses the metaphor of tour throughout the book, and refers to the readers as "tourists," but the tour is less one of a landscape and more one of a worldview. While Adams clearly knows a great deal of history of the period, his aim is not
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Trinity; and perhaps this was the reason, behind all the other excellent reasons, why men loved and adored her with a passion such as no other deity has ever known ..." The last three chapters take up purely philosophical topics. Chapter XIV focuses on the turbulent career of the gifted scholar
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is far more whimsical, a playful meditative reflection on medieval culture. It was published privately in 1904, originally intended simply for his nieces; in 1913, it was made more widely available when published with the support of the
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is undoubtedly Adams's greatest work; though not apparently related to his earlier writings, this inspired work of poetry is the crowning achievement of his severe and somber historical oeuvre." A few years after Adams published
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Democracy, Esther, Mont Saint Michel and
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has garnered high praise: for example, Maurice le Briton said, "
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