214:
Introspection (also referred to as internal dialogue, interior monologue, self-talk) is the fiction-writing mode used to convey a character's thoughts. As explained by Renni Browne and Dave King, "One of the great gifts of literature is that it allows for the expression of unexpressed thoughts ..."
103:
of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all
108:"This is not merely a technical distinction but constitutes, rather, one of the cardinal principles of a poetics of the drama as opposed to one of narrative fiction. The distinction is, indeed, implicit in Aristotle's differentiation of representational modes, namely
168:
Summarization (also referred to as summary, narration, or narrative summary) is the fiction-writing mode whereby story events are condensed. The reader is told what happens, rather than having it shown. In the fiction-writing axiom
200:, either action or summarization could be right, either could be wrong. Factors such as rhythm, pace, and tone come into play. The objective is to get the right balance between telling versus showing, action versus summarization.
219:, a character's thoughts can greatly enhance a story: deepening characterization, increasing tension, and widening the scope of a story. As outlined by Jack M. Bickham, thought plays a critical role in both
235:
According to
Frederick Crews, it is traditional and useful to think of essays as falling into four types, corresponding to four basic functions of prose:
2100:
140:
of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions. Agent and author
2414:
1452:
104:
his characters as living and moving before us" (section III). According to this definition, 'narrative' and 'dramatic' are modes of fiction:
1781:
1464:
762:
735:
552:
152:
lists six delivery modes for fiction-writing: action, exposition, description, dialogue, summary, and transition. Author
91:
uses 'mode' in a more specific sense. Kinds of poetry, he writes, may be differentiated in three ways: according to their
793:
2093:
120:(direct imitation). It has, as we shall see, important consequences for both the logic and the language of the drama."
1867:
1447:
716:
659:
641:
616:
595:
576:
532:
515:
2409:
2086:
1776:
1188:
2163:
2045:
1330:
296:
2276:
690:
2384:
1894:
1158:
2404:
2353:
2220:
2067:
1262:
1889:
1857:
1717:
1474:
1352:
786:
544:
40:
2172:
2133:
2109:
1963:
1862:
1852:
1588:
1402:
148:: action, summary, dialogue, feelings/thoughts, and background. Author and writing-instructor
754:
708:
702:
1872:
1697:
1692:
1672:
1573:
1026:
698:
141:
17:
746:
501:
2389:
1948:
1771:
1397:
1110:
994:
922:
568:
562:
251:, or convincing. Susan Anker distinguishes between nine different modes of essay writing:
149:
145:
8:
2358:
2307:
2177:
2035:
1877:
1827:
1795:
1734:
1687:
1459:
1442:
1437:
1430:
1390:
1342:
1250:
1153:
1135:
1006:
170:
77:
2192:
2013:
2008:
1998:
1938:
1884:
1652:
1642:
1416:
1385:
1372:
1183:
1168:
1125:
1085:
1011:
962:
779:
677:
503:
Real
Writing with Readings: Paragraphs and Essays for College, Work, and Everyday Life
110:
2363:
2291:
2266:
2153:
2018:
1904:
1822:
1788:
1712:
1682:
1647:
1617:
1362:
1320:
1245:
1240:
1212:
1178:
1143:
853:
758:
747:
731:
712:
655:
637:
612:
606:
591:
572:
548:
528:
511:
36:
627:
31:
is an unspecific critical term usually designating a broad but identifiable kind of
2399:
2394:
2281:
2271:
2225:
2123:
1958:
1800:
1702:
1677:
1667:
1662:
1637:
1541:
1357:
1347:
1305:
1095:
1060:
979:
947:
863:
838:
810:
197:
196:
The main advantage of summary is that it takes up less space. According to author
137:
1049:
2208:
2138:
2003:
1953:
1943:
1810:
1766:
1749:
1657:
1000:
927:
912:
858:
220:
32:
1991:
1970:
1756:
1744:
1612:
1583:
1335:
1173:
1090:
1075:
833:
82:
44:
2378:
2261:
2052:
1917:
1805:
1761:
1707:
1627:
1597:
1536:
1494:
1277:
1255:
1202:
1042:
1021:
1016:
868:
848:
828:
749:
By
Cunning & Craft: Sound Advice and Practical Wisdom for fiction writers
507:
209:
2057:
1922:
1295:
1031:
972:
917:
890:
633:
153:
2337:
2128:
2062:
2028:
2023:
1632:
1622:
1568:
1546:
1380:
1267:
1080:
1065:
1036:
989:
932:
907:
895:
216:
160:, including action, dialogue, thoughts, summary, scene, and description.
85:
2332:
2286:
2245:
2213:
2143:
2078:
1912:
1817:
1509:
1425:
1420:
1100:
1070:
818:
24:
1839:
1602:
1524:
1325:
1225:
1148:
1105:
1055:
967:
902:
843:
823:
802:
133:
88:
2182:
984:
2240:
2230:
2040:
1847:
1531:
1499:
1411:
1406:
1285:
1230:
1163:
1120:
885:
874:
2235:
1975:
1739:
1607:
1563:
1558:
1488:
1310:
1300:
1115:
937:
588:
Self-Editing for
Fiction Writers: How to Edit Yourself into Print
129:
116:
96:
728:
Between the Lines: Master the Subtle
Elements of Fiction Writing
299:, Northrop Frye's theory of fictional and thematic types by mode
2327:
2148:
1979:
1729:
1514:
1290:
1197:
956:
224:
2322:
2312:
2187:
1986:
1553:
1504:
1482:
1235:
1220:
771:
527:. Ed. Bernard F. Dukore. Florence, KY: Heinle & Heinle.
189:
To convey an emotional state over an extended period of time
2317:
1724:
1519:
880:
39:, or manner that is not tied exclusively to a particular
730:. Cincinnati, OH: Writer's Digest Books. p. 127.
279:, or writing that shows similarities and differences;
523:
Aristotle. 1974. "Poetics". Trans. S.H. Butcher. In
173:" the "tell" is often in the form of summarization.
283:, or writing that explains reasons or results; and
707:. Cincinnati, OH: Writer's Digest Books. pp.
525:Dramatic Theory and Criticism: Greeks to Grotowski
753:. Cincinnati, OH: Writer's Digest Books. p.
2376:
541:The Concise Oxford Dictionary of Literary Terms
183:To report events whose details aren't important
275:, or writing that tells what something means;
267:, or writing that explains how things happen;
2094:
787:
263:, or writing that creates pictures in words;
192:To vary the rhythm and texture of the writing
271:, or writing that sorts things into groups;
2101:
2087:
794:
780:
585:
435:
399:
611:. Cincinnati, OH: Writer's Digest Books.
180:To connect one part of a story to another
2108:
697:
387:
375:
339:
725:
560:
538:
459:
351:
316:
2377:
1465:Types of fiction with multiple endings
744:
411:
363:
2082:
775:
667:
625:
499:
483:
471:
447:
2415:Concepts in ancient Greek aesthetics
649:
604:
423:
327:
704:The Marshall Plan for Novel Writing
13:
652:The Semiotics of Theatre and Drama
586:Browne, Renni; King, Dave (2004).
567:. Writer's Digest Books. pp.
259:, or writing that gives examples;
176:Summarization has important uses:
124:
14:
2426:
1868:Third-person omniscient narrative
255:, or writing that tells stories;
654:, London and New York: Methuen,
230:
203:
163:
477:
465:
453:
441:
429:
417:
114:(narrative description) versus
1256:Conflict between good and evil
726:Morrell, Jessica Page (2006).
405:
393:
381:
369:
357:
345:
333:
321:
310:
1:
801:
590:. New York: Harper Resource.
493:
287:, or writing that persuades.
668:Kress, Nancy (August 2003).
27:and other artistic media, a
7:
2354:Articulation (sociological)
290:
10:
2431:
632:(2nd ed.), New York:
605:Card, Orson Scott (1988).
207:
70:
15:
2346:
2300:
2254:
2201:
2162:
2116:
1931:
1903:
1895:Stream of unconsciousness
1838:
1582:
1473:
1426:Falling action/Catastasis
1371:
1276:
1211:
1134:
946:
809:
629:The Random House Handbook
626:Crews, Frederick (1977),
608:Character & Viewpoint
561:Bickham, Jack M. (1993).
1263:Self-fulfilling prophecy
506:(3rd ed.), Boston:
462:, pp. 12–22, 50–58)
303:
1890:Stream of consciousness
1353:Suspension of disbelief
545:Oxford University Press
539:Baldick, Chris (2004),
436:Browne & King (2004
400:Browne & King (2004
277:comparison and contrast
1431:Denouement/Catastrophe
1412:Rising action/Epitasis
745:Selgin, Peter (2007).
1777:Utopian and dystopian
564:Scene & Structure
500:Anker, Susan (2004),
247:, or explaining; and
146:fiction-writing modes
99:, according to their
2410:Fiction-writing mode
2110:Literary composition
1331:Narrative techniques
1111:Story within a story
923:Supporting character
150:Jessica Page Morrell
16:For other uses, see
2359:Composition studies
2308:Creative nonfiction
2173:Linguistic contrast
2166: / devices
2036:Political narrative
1878:Unreliable narrator
1735:Speculative fiction
1443:Nonlinear narrative
1391:Three-act structure
1251:Deal with the Devil
650:Elam, Keir (1980),
426:, pp. 140–142)
378:, pp. 144–146)
342:, pp. 143–165)
47:. Examples are the
2014:Narrative paradigm
2009:Narrative identity
1939:Dominant narrative
1885:Multiple narrators
1169:Fictional location
1012:Dramatic structure
486:, pp. 97–246)
136:, one of the four
2385:Literary concepts
2372:
2371:
2364:Technical writing
2178:Literary contrast
2076:
2075:
2019:Narrative therapy
1453:television series
1398:Freytag's Pyramid
1241:Moral development
1144:Alternate history
854:False protagonist
764:978-1-58297-491-0
737:978-1-58297-393-7
685:Missing or empty
554:978-0-19-860883-7
186:To telescope time
2422:
2282:Rhetorical modes
2272:Grammatical mood
2226:Cut-up technique
2124:Characterization
2103:
2096:
2089:
2080:
2079:
1999:Literary science
1542:Narrative poetry
1438:Linear narrative
1348:Stylistic device
1343:Show, don't tell
1306:Figure of speech
1096:Shaggy dog story
839:Characterization
796:
789:
782:
773:
772:
768:
752:
741:
722:
694:
688:
683:
681:
673:
664:
646:
622:
601:
582:
557:
535:. p. 31-55.
520:
487:
481:
475:
469:
463:
457:
451:
445:
439:
433:
427:
421:
415:
409:
403:
397:
391:
385:
379:
373:
367:
361:
355:
349:
343:
337:
331:
325:
319:
314:
281:cause and effect
265:process analysis
239:, or picturing;
198:Orson Scott Card
171:Show, don't tell
144:identifies five
138:rhetorical modes
2430:
2429:
2425:
2424:
2423:
2421:
2420:
2419:
2405:Style (fiction)
2375:
2374:
2373:
2368:
2347:Beyond the arts
2342:
2296:
2250:
2209:Writing process
2197:
2158:
2139:Fiction writing
2112:
2107:
2077:
2072:
2004:Literary theory
1944:Fiction writing
1927:
1899:
1834:
1586:
1578:
1469:
1367:
1272:
1207:
1130:
1001:Deus ex machina
942:
928:Title character
913:Stock character
859:Focal character
805:
800:
765:
738:
719:
686:
684:
675:
674:
670:Writer's Digest
662:
644:
619:
598:
579:
555:
518:
496:
491:
490:
482:
478:
470:
466:
458:
454:
446:
442:
434:
430:
422:
418:
410:
406:
398:
394:
386:
382:
374:
370:
362:
358:
350:
346:
338:
334:
326:
322:
315:
311:
306:
293:
233:
212:
206:
166:
127:
125:Fiction-writing
73:
33:literary method
21:
12:
11:
5:
2428:
2418:
2417:
2412:
2407:
2402:
2397:
2392:
2387:
2370:
2369:
2367:
2366:
2361:
2356:
2350:
2348:
2344:
2343:
2341:
2340:
2335:
2330:
2325:
2320:
2315:
2310:
2304:
2302:
2298:
2297:
2295:
2294:
2289:
2284:
2279:
2274:
2269:
2267:Writer's voice
2264:
2258:
2256:
2252:
2251:
2249:
2248:
2243:
2238:
2233:
2228:
2223:
2218:
2217:
2216:
2205:
2203:
2199:
2198:
2196:
2195:
2190:
2185:
2180:
2175:
2169:
2167:
2160:
2159:
2157:
2156:
2154:Writer's block
2151:
2146:
2141:
2136:
2131:
2126:
2120:
2118:
2117:General topics
2114:
2113:
2106:
2105:
2098:
2091:
2083:
2074:
2073:
2071:
2070:
2068:Verisimilitude
2065:
2060:
2055:
2050:
2049:
2048:
2038:
2033:
2032:
2031:
2021:
2016:
2011:
2006:
2001:
1996:
1995:
1994:
1984:
1983:
1982:
1973:
1971:Parallel novel
1968:
1967:
1966:
1961:
1956:
1941:
1935:
1933:
1929:
1928:
1926:
1925:
1920:
1915:
1909:
1907:
1901:
1900:
1898:
1897:
1892:
1887:
1882:
1881:
1880:
1875:
1870:
1860:
1855:
1850:
1844:
1842:
1836:
1835:
1833:
1832:
1831:
1830:
1825:
1815:
1814:
1813:
1808:
1803:
1798:
1793:
1792:
1791:
1786:
1785:
1784:
1779:
1774:
1764:
1759:
1754:
1753:
1752:
1742:
1732:
1727:
1722:
1721:
1720:
1715:
1705:
1700:
1695:
1690:
1685:
1680:
1675:
1670:
1665:
1660:
1655:
1650:
1645:
1640:
1635:
1630:
1625:
1620:
1615:
1613:Action fiction
1605:
1600:
1594:
1592:
1580:
1579:
1577:
1576:
1571:
1566:
1561:
1556:
1551:
1550:
1549:
1539:
1534:
1529:
1528:
1527:
1522:
1517:
1512:
1507:
1497:
1492:
1485:
1479:
1477:
1471:
1470:
1468:
1467:
1462:
1457:
1456:
1455:
1450:
1440:
1435:
1434:
1433:
1428:
1423:
1414:
1409:
1395:
1394:
1393:
1388:
1377:
1375:
1369:
1368:
1366:
1365:
1360:
1355:
1350:
1345:
1340:
1339:
1338:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1293:
1288:
1282:
1280:
1274:
1273:
1271:
1270:
1265:
1260:
1259:
1258:
1253:
1243:
1238:
1233:
1228:
1223:
1217:
1215:
1209:
1208:
1206:
1205:
1200:
1195:
1194:
1193:
1192:
1191:
1181:
1176:
1166:
1161:
1156:
1151:
1146:
1140:
1138:
1132:
1131:
1129:
1128:
1123:
1118:
1113:
1108:
1103:
1098:
1093:
1091:Self-insertion
1088:
1083:
1078:
1076:Poetic justice
1073:
1068:
1063:
1058:
1053:
1046:
1039:
1034:
1029:
1024:
1019:
1014:
1009:
1004:
997:
992:
987:
982:
977:
976:
975:
965:
960:
952:
950:
944:
943:
941:
940:
935:
930:
925:
920:
915:
910:
905:
900:
899:
898:
893:
888:
878:
871:
866:
861:
856:
851:
846:
841:
836:
834:Character flaw
831:
826:
821:
815:
813:
807:
806:
799:
798:
791:
784:
776:
770:
769:
763:
742:
736:
723:
717:
699:Marshall, Evan
695:
665:
660:
647:
642:
623:
617:
602:
596:
583:
577:
558:
553:
536:
521:
516:
495:
492:
489:
488:
476:
464:
452:
440:
438:, p. 117)
428:
416:
404:
392:
390:, p. 145)
388:Marshall (1998
380:
376:Marshall (1998
368:
356:
354:, p. 127)
344:
340:Marshall (1998
332:
330:, p. 111)
320:
317:Baldick (2004)
308:
307:
305:
302:
301:
300:
297:Literary modes
292:
289:
269:classification
243:, or telling;
232:
229:
208:Main article:
205:
202:
194:
193:
190:
187:
184:
181:
165:
162:
126:
123:
122:
121:
72:
69:
9:
6:
4:
3:
2:
2427:
2416:
2413:
2411:
2408:
2406:
2403:
2401:
2398:
2396:
2393:
2391:
2388:
2386:
2383:
2382:
2380:
2365:
2362:
2360:
2357:
2355:
2352:
2351:
2349:
2345:
2339:
2336:
2334:
2331:
2329:
2326:
2324:
2321:
2319:
2316:
2314:
2311:
2309:
2306:
2305:
2303:
2299:
2293:
2290:
2288:
2285:
2283:
2280:
2278:
2275:
2273:
2270:
2268:
2265:
2263:
2262:Writing style
2260:
2259:
2257:
2253:
2247:
2244:
2242:
2239:
2237:
2234:
2232:
2229:
2227:
2224:
2222:
2219:
2215:
2212:
2211:
2210:
2207:
2206:
2204:
2200:
2194:
2191:
2189:
2186:
2184:
2181:
2179:
2176:
2174:
2171:
2170:
2168:
2165:
2161:
2155:
2152:
2150:
2147:
2145:
2142:
2140:
2137:
2135:
2132:
2130:
2127:
2125:
2122:
2121:
2119:
2115:
2111:
2104:
2099:
2097:
2092:
2090:
2085:
2084:
2081:
2069:
2066:
2064:
2061:
2059:
2056:
2054:
2053:Screenwriting
2051:
2047:
2044:
2043:
2042:
2039:
2037:
2034:
2030:
2027:
2026:
2025:
2022:
2020:
2017:
2015:
2012:
2010:
2007:
2005:
2002:
2000:
1997:
1993:
1990:
1989:
1988:
1985:
1981:
1977:
1974:
1972:
1969:
1965:
1962:
1960:
1957:
1955:
1952:
1951:
1950:
1947:
1946:
1945:
1942:
1940:
1937:
1936:
1934:
1930:
1924:
1921:
1919:
1916:
1914:
1911:
1910:
1908:
1906:
1902:
1896:
1893:
1891:
1888:
1886:
1883:
1879:
1876:
1874:
1871:
1869:
1866:
1865:
1864:
1861:
1859:
1858:Second-person
1856:
1854:
1851:
1849:
1846:
1845:
1843:
1841:
1837:
1829:
1826:
1824:
1821:
1820:
1819:
1816:
1812:
1809:
1807:
1804:
1802:
1799:
1797:
1794:
1790:
1787:
1783:
1780:
1778:
1775:
1773:
1770:
1769:
1768:
1765:
1763:
1762:Magic realism
1760:
1758:
1755:
1751:
1748:
1747:
1746:
1743:
1741:
1738:
1737:
1736:
1733:
1731:
1728:
1726:
1723:
1719:
1716:
1714:
1711:
1710:
1709:
1706:
1704:
1701:
1699:
1696:
1694:
1693:Psychological
1691:
1689:
1686:
1684:
1681:
1679:
1676:
1674:
1673:Philosophical
1671:
1669:
1666:
1664:
1661:
1659:
1656:
1654:
1651:
1649:
1646:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1621:
1619:
1616:
1614:
1611:
1610:
1609:
1606:
1604:
1601:
1599:
1598:Autobiography
1596:
1595:
1593:
1590:
1585:
1581:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1548:
1545:
1544:
1543:
1540:
1538:
1537:Narrative art
1535:
1533:
1530:
1526:
1523:
1521:
1518:
1516:
1513:
1511:
1508:
1506:
1503:
1502:
1501:
1498:
1496:
1495:Flash fiction
1493:
1491:
1490:
1486:
1484:
1481:
1480:
1478:
1476:
1472:
1466:
1463:
1461:
1458:
1454:
1451:
1449:
1446:
1445:
1444:
1441:
1439:
1436:
1432:
1429:
1427:
1424:
1422:
1418:
1415:
1413:
1410:
1408:
1404:
1401:
1400:
1399:
1396:
1392:
1389:
1387:
1386:Act structure
1384:
1383:
1382:
1379:
1378:
1376:
1374:
1370:
1364:
1361:
1359:
1356:
1354:
1351:
1349:
1346:
1344:
1341:
1337:
1334:
1333:
1332:
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1283:
1281:
1279:
1275:
1269:
1266:
1264:
1261:
1257:
1254:
1252:
1249:
1248:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1224:
1222:
1219:
1218:
1216:
1214:
1210:
1204:
1203:Worldbuilding
1201:
1199:
1196:
1190:
1187:
1186:
1185:
1182:
1180:
1177:
1175:
1172:
1171:
1170:
1167:
1165:
1162:
1160:
1157:
1155:
1152:
1150:
1147:
1145:
1142:
1141:
1139:
1137:
1133:
1127:
1124:
1122:
1119:
1117:
1114:
1112:
1109:
1107:
1104:
1102:
1099:
1097:
1094:
1092:
1089:
1087:
1084:
1082:
1079:
1077:
1074:
1072:
1069:
1067:
1064:
1062:
1059:
1057:
1054:
1052:
1051:
1050:KishĹŤtenketsu
1047:
1045:
1044:
1043:In medias res
1040:
1038:
1035:
1033:
1030:
1028:
1025:
1023:
1022:Foreshadowing
1020:
1018:
1017:Eucatastrophe
1015:
1013:
1010:
1008:
1005:
1003:
1002:
998:
996:
993:
991:
988:
986:
983:
981:
980:Chekhov's gun
978:
974:
971:
970:
969:
966:
964:
961:
959:
958:
954:
953:
951:
949:
945:
939:
936:
934:
931:
929:
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
901:
897:
894:
892:
889:
887:
884:
883:
882:
879:
877:
876:
872:
870:
869:Gothic double
867:
865:
862:
860:
857:
855:
852:
850:
849:Deuteragonist
847:
845:
842:
840:
837:
835:
832:
830:
829:Character arc
827:
825:
822:
820:
817:
816:
814:
812:
808:
804:
797:
792:
790:
785:
783:
778:
777:
774:
766:
760:
756:
751:
750:
743:
739:
733:
729:
724:
720:
718:1-58297-062-9
714:
710:
706:
705:
700:
696:
692:
679:
672:. p. 38.
671:
666:
663:
661:0-416-72060-9
657:
653:
648:
645:
643:0-394-31211-2
639:
635:
631:
630:
624:
620:
618:0-89879-307-6
614:
610:
609:
603:
599:
597:0-06-054569-0
593:
589:
584:
580:
578:0-89879-551-6
574:
570:
566:
565:
559:
556:
550:
546:
542:
537:
534:
533:0-03-091152-4
530:
526:
522:
519:
517:0-312-40521-9
513:
509:
508:Bedford Books
505:
504:
498:
497:
485:
480:
474:, p. 13)
473:
468:
461:
460:Bickham (1993
456:
450:, p. 38)
449:
444:
437:
432:
425:
420:
414:, p. 31)
413:
408:
402:, p. 12)
401:
396:
389:
384:
377:
372:
366:, p. 38)
365:
360:
353:
352:Morrell (2006
348:
341:
336:
329:
324:
318:
313:
309:
298:
295:
294:
288:
286:
282:
278:
274:
270:
266:
262:
258:
254:
250:
246:
242:
238:
231:Essay-writing
228:
226:
222:
218:
215:According to
211:
210:Introspection
204:Introspection
201:
199:
191:
188:
185:
182:
179:
178:
177:
174:
172:
164:Summarization
161:
159:
155:
151:
147:
143:
142:Evan Marshall
139:
135:
132:is a form of
131:
119:
118:
113:
112:
107:
106:
105:
102:
98:
94:
90:
87:
84:
83:ancient Greek
80:
79:
68:
66:
62:
58:
54:
50:
46:
42:
38:
34:
30:
26:
19:
2058:Storytelling
1873:Subjectivity
1863:Third-person
1853:First-person
1487:
1315:
1296:Comic relief
1048:
1041:
1032:Flashforward
999:
973:Origin story
955:
918:Straight man
873:
748:
727:
703:
687:|title=
669:
651:
634:Random House
628:
607:
587:
569:12–22, 50–58
563:
540:
524:
502:
479:
467:
455:
443:
431:
419:
412:Selgin (2007
407:
395:
383:
371:
364:Selgin (2007
359:
347:
335:
323:
312:
284:
280:
276:
272:
268:
264:
260:
257:illustration
256:
252:
248:
244:
240:
236:
234:
213:
195:
175:
167:
157:
154:Peter Selgin
128:
115:
109:
100:
92:
76:
74:
64:
60:
56:
52:
48:
28:
22:
2390:Narratology
2338:Short story
2129:Description
2063:Tellability
2029:Metafiction
2024:Narratology
1796:Theological
1688:Pop culture
1569:Short story
1547:Epic poetry
1268:Time travel
1081:Red herring
1066:Plot device
1037:Frame story
990:Cliffhanger
933:Tritagonist
908:Protagonist
484:Anker (2004
472:Crews (1977
448:Kress (2003
261:description
237:description
217:Nancy Kress
86:philosopher
2379:Categories
2333:Screenplay
2287:Stylistics
2246:Plagiarism
2221:Assemblage
2214:Prewriting
2164:Techniques
2144:Literature
2134:Exposition
1949:Continuity
1818:Nonfiction
1782:Underwater
1678:Picaresque
1653:Historical
1638:Epistolary
1510:Fairy tale
1421:Peripeteia
1403:Exposition
1159:Dreamworld
1101:Stereotype
1071:Plot twist
819:Antagonist
543:, Oxford:
494:References
424:Card (1988
328:Elam (1980
273:definition
245:exposition
156:refers to
63:, and the
51:mode, the
25:literature
1840:Narration
1789:Superhero
1713:Chivalric
1698:Religious
1683:Political
1618:Adventure
1603:Biography
1525:Tall tale
1373:Structure
1358:Symbolism
1326:Narration
1226:Leitmotif
1154:Crossover
1149:Backstory
1106:Story arc
1056:MacGuffin
1027:Flashback
968:Backstory
844:Confidant
824:Archenemy
811:Character
803:Narrative
678:cite news
253:narration
241:narration
134:narrative
97:imitation
89:Aristotle
2277:Register
2255:Features
2241:Pastiche
2231:Diegesis
2046:Glossary
2041:Rhetoric
1848:Diegesis
1828:Creative
1801:Thriller
1750:Southern
1668:Paranoid
1663:Nautical
1574:Vignette
1532:Gamebook
1500:Folklore
1407:Protasis
1286:Allegory
1231:Metaphor
1189:parallel
1184:universe
1164:Dystopia
1121:Suspense
1007:Dialogue
995:Conflict
903:Narrator
875:Hamartia
701:(1998).
291:See also
285:argument
249:argument
111:diegesis
65:didactic
61:pastoral
2400:Fiction
2395:Poetics
2236:Mimesis
2202:Methods
1976:Prequel
1932:Related
1918:Present
1811:Western
1767:Science
1740:Fantasy
1708:Romance
1658:Mystery
1643:Ergodic
1608:Fiction
1564:Parable
1559:Novella
1489:Fabliau
1460:Premise
1311:Imagery
1301:Diction
1179:country
1136:Setting
1116:Subplot
938:Villain
891:Byronic
709:143–165
158:methods
130:Fiction
117:mimesis
101:objects
78:Poetics
75:In his
71:History
49:satiric
2328:Poetry
2183:Cliché
2149:Writer
1980:Sequel
1964:Retcon
1959:Reboot
1923:Future
1757:Horror
1745:Gothic
1730:Satire
1648:Erotic
1515:Legend
1417:Climax
1291:Bathos
1198:Utopia
1086:Reveal
985:Cliché
963:Action
957:Ab ovo
896:Tragic
761:
734:
715:
658:
640:
615:
594:
575:
551:
531:
514:
225:sequel
93:medium
81:, the
59:, the
55:, the
53:ironic
2323:Novel
2313:Essay
2301:Forms
2193:Trope
2188:Idiom
1987:Genre
1954:Canon
1905:Tense
1823:Novel
1806:Urban
1718:Prose
1703:Rogue
1628:Crime
1623:Comic
1584:Genre
1554:Novel
1505:Fable
1483:Drama
1448:films
1278:Style
1246:Motif
1236:Moral
1221:Irony
1213:Theme
1126:Trope
304:Notes
221:scene
57:comic
45:genre
2318:Joke
2292:Tone
1992:List
1913:Past
1772:Hard
1725:Saga
1633:Docu
1589:List
1520:Myth
1475:Form
1363:Tone
1336:Hook
1321:Mood
1316:Mode
1174:city
1061:Pace
948:Plot
886:Anti
881:Hero
864:Foil
759:ISBN
732:ISBN
713:ISBN
691:help
656:ISBN
638:ISBN
613:ISBN
592:ISBN
573:ISBN
549:ISBN
529:ISBN
512:ISBN
223:and
41:form
37:mood
29:mode
18:Mode
1381:Act
95:of
43:or
23:In
2381::
1978:/
757:.
755:38
711:.
682::
680:}}
676:{{
636:,
571:.
547:,
510:,
227:.
67:.
35:,
2102:e
2095:t
2088:v
1591:)
1587:(
1419:/
1405:/
795:e
788:t
781:v
767:.
740:.
721:.
693:)
689:(
621:.
600:.
581:.
169:"
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.