496:. He was then working in Gemini's casting department, and Ramnoth, who had faith in Ganesan's acting prowess, cast him in the minor role of an assistant director employed by Seetharaman's character. In his only scene in the film, the assistant director tells the director, "Sir, Collection – Record Break", referring to the tickets having been sold out, to which the director replies that while the collection is "record break", in some time the theatre too would be "break" (broken) due to Malini having gone missing. Ganesan was credited onscreen as "R.G.", standing for "Ramaswamy Ganesan". This was the film where he met his future wife Pushpavalli.
2436:
2426:
38:
582:. These include the protagonist having humble beginnings before being lifted into a "totally new and unexpected situation," which brings fame and prosperity, the rise being invariably associated with an external player, who is a plausible person, of considerable force and no integrity. At the instigation of this character, the protagonist rises even higher, then engages in immoral actions causing their fall, and eventual return to their original position, but with a new philosophical perspective.
424:
413:
825:
636:
the "class, perfection and brilliance" of
Pattammal. As a result, he chose "a regular singer" to sing the song. "Paadum Radio" outlines the comfort of life in Madras with its electricity, radio and so on, but there is "counter in the same song which what city life is devoid of." The songs attained popularity, particularly "Mylapore Vakkeelathu", and "Kaalaiyiley".
980:
intellectuals would not bring money"; Guy considered this a "lesson" he learnt from making the film. Guy also stated that Vasan would later often tell his friends that the film proved that Indian audiences "did not appreciate movies that tickled their intellect". Novelist and historian
Venkatesh Ramakrishnan supported Guy's claim, saying the film "
979:
was not successful at the box-office, and it took a few years to recover its cost. He attributed the film's failure to its lack of commercial elements that would have helped it reach out to average filmgoers, the fact that it was ahead of its time, and wrote that Vasan lamented that "making films for
635:
to sing the song, picturised on Malini. However, Pattammal's recording was excluded from the final cut in favour of a version recorded by
Rathnam. Vasan later told Randor Guy that Malini is an impoverished woman with no training in music when the song takes place, and cannot be expected to sing with
227:
made their acting debuts in the film appearing in minor supporting roles. The film focuses on Malini (Pushpavalli), an impoverished woman who joins her actress friend
Sundari's (M. S. Sundari Bai) theatre company Kala Mandhiram and becomes a success. Things take a turn for the worse when she
457:, then the controller of productions at Gemini, produced the film under the studio's banner. M. Natarajan worked as the cinematographer, N. K. Gopal was the main editor, and the art director was A. K. Sekhar. Besides directing the film and writing the screenplay,
320:
Malini is an indigent woman whose father is in poor health. She is persuaded by her friend
Sundari, an actress, to join her theatre company, Kala Mandhiram. Malini soon becomes very successful and popular. She is later befriended by Sampath, a
1047:
in Tamil cinema, and the character of
Sampath became iconic. Sundari Bai's "nippy delivery" of her lines also attained popularity. Subbu became popularly known by his character's nickname "Bit Notice" after the film's release; children around
616:" ("I shall be a Mylapore lawyer's daughter-in-law"). It also reflects the trend that popular and wealthy people of that period lived in Mylapore, and highlights the association between Mylapore and lawyers. "Kaalaiyiley" ridicules India's
467:(1945), also produced by Gemini Studios. Narayan's brother, R. K. Ramachandran, who did some editing on the film (marking his cinematic debut), believed that the character of Sampath was inspired by Sathashivayya, a man in
545:
period when there was a shortage of commodities and high prices. It included depictions of social mores, a love story, and the moral dilemmas its characters face pursuing business and personal interests. Film historian
329:. Deaf to all advice, Malini allows herself to be led astray in professional, financial and moral terms. She is put out of Kala Mandhiram and sets up a theatre company of her own where Sampath appoints himself as
3353:
1508:
1725:
1095:
won him acclaim, and he soon received more acting offers. Guy noted that he went on to "blossom as one of the top stars of South Indian cinema". The film was later rewritten by
Narayan as the 1949 novel
2241:
1810:
333:. Malini severs ties with those who previously helped her, including Sundari. At first, the new company prospers, but its resources are soon squandered by Sampath and it falls under a weight of
492:, made his acting debut in a minor role with this film, portraying the director of Kala Mandhiram. The film also marked the cinematic debut of Ramaswamy Ganesan, who later became known as
558:, the name "Bit Notice" was resonant of Subbu's own interests in the fields of theatre and cinema. Guy felt that the dialogue "Be wise and advertise!" reflected Vasan's personal beliefs.
2154:
913:
with its technical perfection, good photography and high level acting splashed by good music, and untainted by vulgarity will provide good entertainment." The following day, a review of
597:
Parur S. Anantharaman composed the film's soundtrack. Subbu was the lyricist for all of the songs except "Kaalaiyiley
Ezhunthiruntha Kattayodey Azhuganam", which was written by Surabhi.
2317:
1662:
3360:
2000:, Subbu played the role of the film's central character, Sampath, dubbing him 'Bit Notice', a name resonant of his own interests in the worlds of the popular drama and cinema".
1315:
506:
merchant who
Sampath tells in English, "In this age of publicity, be wise and advertise!" and when the impressed merchant asks in Tamil who said it, Sampath simply replies "
337:
and disgrace. Sampath abandons Malini, who falls back to her previous poor condition. However, with
Sundari's help, she returns to Kala Mandhiram and begins her life anew.
2193:
1411:
1578:
1707:
967:
an "attempt at a new kind of filmmaking with new technique. Eschewing cheap love-scenes and lewd expressions and gestures, the film yet keeps our interest intact."
2284:
246:
period, and was the only story written by Narayan for the screen that came to fruition. It was released on 26 September 1947, and was accompanied in theatres by
2693:
2403:
2014:
1616:
2231:
1796:
445:
for the screen, not based on any of his past works. It was also his only one that came to fruition. Soon after the story developed, Narayan's friend,
2971:
1199:
4133:
4103:
3381:
2143:
1366:
272:
marked Narayan's earliest use of story elements that would recur in some of his later novels. It was later rewritten by him as the 1949 novel
2307:
1882:
1052:
would scream "Bit Notice" when he passed by that area. Subbu's dialogue "Be wise and advertise!" also attained popularity. Music historian
2768:
1652:
2497:
1461:
951:
praised the cast performances, the film's music, "enchanting pageantry" and Subbu's direction. A reviewer from another Tamil newspaper,
1833:
1532:
1301:
945:
said on 28 September, "Evidence of skillful expression of art is profusely manifest in this picture." On 3 October, the critic from
3576:
3258:
1098:
274:
3374:
3367:
3206:
2179:
1943:
2117:
1397:
2276:
1747:
1568:
3346:
3132:
3104:
3027:
3002:
2951:
2912:
2893:
461:
starred in a leading role as Sampath the charlatan, also known as "Bit Notice". It was his second directorial venture, after
890:
was well received by intellectuals; critics praised Subbu's performance as Sampath. On 26 September 1947, the reviewer from
4138:
995:
not only created box office records, but was also a trendsetter in Tamil cinema. V. Balakrishnan, writing for the magazine
2833:
4078:
2615:
4113:
900:"Gemini's most outstanding achievement", concluding that the film was "of immense significance for the Indian screen."
3743:
3735:
3727:
3062:
3045:
2342:
412:
957:, believed the film to be "a pointer to social pictures in future" in their review dated 5 October. The critic from
843:
was released on 26 September 1947. An animated film of roughly 10 minutes, developed by cartoonist N. Thanu, titled
4123:
4093:
4083:
923:
noted that it presented "a sort of skit on modern life" and termed it as "fine entertainment." The Tamil newspaper
564:
stated that the film marked Narayan's earliest use of story elements that would recur in his later novels such as
4118:
1247:
423:
2965:
2706:
3466:
1168:(1953), but Narayan's brother R. K. Ramachandran did not know "how much of his work Vasan used" for the latter.
932:
review described it as a "sample of the high production values Gemini is capable of introducing in a picture".
2389:
2024:
1626:
4108:
3663:
3244:
2865:
4098:
3711:
3569:
624:" ("I have to stand in the queue for sugar, and after a lot of fighting, buy ten measures of gutter mud").
258:
was praised by intellectuals; Subbu's performance as Sampath was widely appreciated. The songs composed by
196:
37:
4088:
4068:
3536:
3459:
3199:
551:
3094:
3013:
4128:
4073:
3889:
2778:
502:, in one of his earliest film roles, appeared as Sampath's office boy. L. Narayana Rao was cast as a
499:
379:
1376:
3703:
3655:
3491:
3286:
2988:
1966:
1490:
1065:
572:
3562:
3513:
3452:
3434:
3272:
3118:
3054:
2994:
2478:
2150:
2139:
1839:
1117:
293:
2608:[S. S. Vasan, the clever man who foresaw applause (Pioneers of Tamil cinema: Part 13)].
1872:
3192:
1132:, surviving artifacts include its songs, along with a few stills and newspaper advertisements.
902:
312:, surviving artefacts include its songs, along with a few stills and newspaper advertisements.
3143:
622:
Sarkaraikku queuevil poi saanjukittu nikkanum, sanda pottu patthu balam sakkata mann vaanganum
3945:
3862:
3840:
3328:
1938:
1049:
876:
482:
as her friend Sundari. It was the former's second appearance in a Tamil film, after Gemini's
251:
3993:
3897:
3848:
3778:
3647:
3321:
3300:
3293:
3265:
3237:
1495:
628:
566:
2429:[Gemini Ganesan's birthday: 17 November – How the King of Romance was born].
2109:
1542:
8:
4063:
3921:
3905:
3695:
3679:
3307:
3251:
3037:
2515:
2051:
1475:
1081:
1069:
696:
675:
617:
507:
463:
458:
346:
200:
51:
2180:"தில்லானா மோகனாம்பாளை திரைக்குத் தந்த கொத்தமங்கலம் சுப்பு! பிறந்தநாள் சிறப்புப் பகிர்வு"
1499:. Vol. 13, no. 20. Chennai: S. Rangarajan for Kasturi & Sons. p. 13.
4028:
2859:
2806:
2533:
2502:
1470:
1241:
919:
868:
4036:
4012:
3953:
3794:
3631:
3427:
3406:
3230:
3168:
3128:
3100:
3081:
3058:
3023:
2998:
2975:
2947:
2930:
2908:
2889:
2542:
2431:
1976:
1933:
1500:
1362:
1232:
1158:
959:
947:
720:
489:
479:
367:
358:
220:
216:
95:
2605:
608:"Mylapore Vakkeelathu" explores a young woman's ambition to marry a lawyer from the
471:
who "exploited young women singers and artistes under the guise of promoting them".
3985:
3977:
3832:
3824:
3124:
2701:
2562:
1755:
1149:
1113:
1057:
590:
259:
121:
3929:
3913:
3808:
3498:
3179:
3019:
2961:
2606:"கைதட்டலை கணித்த கெட்டிக்காரர் எஸ்.எஸ்.வாசன் (தமிழ்சினிமா முன்னோடிகள்: தொடர்-13)"
1164:
981:
936:
864:
632:
519:
330:
640:
states that the songs "would be remembered long after the film ceased showing".
3816:
3770:
3762:
3585:
3420:
3173:
2610:
2188:
2086:
1877:
1153:
1077:
997:
860:
594:
493:
446:
395:
373:
224:
192:
138:
20:
1245:
stated that it was "based on a popular story which appeared in serial form in
4057:
3969:
3937:
3671:
3639:
3314:
3215:
3085:
3041:
2529:
1504:
1121:
941:
925:
701:
680:
598:
484:
442:
301:
297:
208:
69:
2979:
2934:
1980:
1032:) said that Ramnoth, not Subbu, was the main reason for the film's success.
4020:
3719:
3484:
3114:
848:
542:
243:
2358:
3961:
3606:
3600:
3399:
1221:
1006:
872:
475:
450:
352:
289:
212:
89:
3162:
2846:(in Tamil). 25 January 2016. Archived from the original on 16 April 2017
3786:
3505:
2922:
2557:
2385:
2227:
2105:
2046:
2010:
1868:
1792:
1703:
1648:
1457:
1393:
1297:
1191:
1108:
547:
454:
284:
204:
79:
1835:
Chapter Four – The Missing Film Reels of Thamizh Cinema 1916–2016
3279:
2842:
2773:
2427:"ஜெமினி கணேசன் பிறந்தநாள்: நவம்பர் 17 – காதல் மன்னன் பிறந்த கதை"
2398:
2312:
2236:
2082:
2019:
1805:
1720:
1657:
1621:
1573:
1537:
1406:
1310:
1194:
estimated the short to have run for "5 to 10 minutes", the 1992 book
1129:
1044:
892:
578:
322:
309:
263:
229:
1005:
says that the film "paid for itself at the box office". Vasan's son
2736:
2277:"Filmy Ripples – Madras Day, in the eyes of an old movie buff"
1009:
said the film "fared reasonably well". In April 1954, the magazine
953:
824:
739:
609:
602:
326:
2585:
1072:
was derived initially from a line written by Subbu in a song from
510:", duping the merchant in the process. According to the 1996 book
3870:
3554:
3531:
3413:
2689:
1091:
According to Ganesan's journalist daughter Narayani, his role in
1061:
1053:
859:, which featured caricatures of popular South Indian actors like
538:
239:
3184:
554:, frauds, social climbers and so on. According to the 2006 book
3073:
2666:
1972:
515:
468:
3015:
Madras Studios: Narrative, Genre, and Ideology in Tamil Cinema
2944:
Memories of Madras: Its Movies, Musicians & Men of Letters
2814:
1375:] (in Tamil). Chennai: Sivagami Publishers. Archived from
601:
sang all of the songs except "Kulikkanum Kalikkanum" (sung by
262:
and Parur S. Anantharaman became popular, and the film gained
1987:
1103:
279:
2990:
Performing Pasts: Reinventing the Arts in Modern South India
556:
Performing Pasts: Reinventing the Arts in Modern South India
2208:
526:
2,50,000. Its final length was 13,924 feet (4,244 m).
503:
386:
334:
2144:"Creating Emerging Markets – Oral History Collection"
631:
composition of the same name. S. S. Vasan initially hired
2456:
2454:
1452:
1450:
1448:
1446:
1444:
836:. It was the first animated film produced in South India.
1916:
1914:
1912:
1431:
1429:
1330:
1211:
The claim by Vamanan does not identify the song by name.
2724:
550:
called the film a satire on South Indian society, it's
2451:
1441:
2987:
Peterson, Indira Viswanathan; Soneji, Devesh (2008).
2642:
2575:
2573:
2059:
1909:
1775:
1773:
1426:
3036:
2742:
2472:
1677:
1593:
1177:
The exchange rate in 1947 was 3.3175 Indian rupees (
3092:
2591:
1897:
2905:40 Retakes: Bollywood Classics You May Have Missed
2748:
2654:
2630:
2570:
2256:
1846:
1770:
1001:in 2015, also stated that the film was a success.
488:(1944). N. Seetharaman, who later became known as
2694:"Kothamangalam Subbu: Storyteller par excellence"
2100:
2098:
2096:
1562:
1560:
1361:
714:"Kaalaiyiley Ezhunthiruntha Kattayodey Azhuganam"
4055:
1863:
1861:
1698:
1696:
1694:
1692:
1610:
1608:
1368:Sadhanaigal Padaitha Thamizh Thiraipada Varalaru
537:subtly ridiculed aspects of life in Madras (now
1388:
1386:
1086:Gandhi Mahaan, Netaji, Kattabomman kathai koori
1060:'s enthusiasm for popularising the life of the
2986:
2274:
2182:[Kothamangalam Subbu, who gave the screen
2093:
1993:
1873:"Round the City's old studios with Randor Guy"
1831:
1557:
3570:
3200:
3141:
2927:Starlight, Starbright: The Early Tamil Cinema
2820:
2380:
2378:
2376:
2308:"Memories of Madras: Mystic aura of Mylapore"
2214:
2149:(Interview). Interviewed by V. G. Narayanan.
1858:
1689:
1605:
627:"Sri Saraswathi" is a partial variant of the
2603:
2337:
2335:
1566:
1383:
605:), and "Kaalaiyiley" (sung by Sundari Bai).
19:For the blogger known as "Miss Malini", see
3382:The Grandmother's Tale and Selected Stories
3354:An Astrologer's Day and Other Short Stories
2834:"திரை உலகில் சோ மீது போர் தொடுத்த துக்ளக்!"
1017:
518:and his wife Susan, the film was made on a
211:. Subbu also starred in the film alongside
3577:
3563:
3207:
3193:
2886:Eternal Romantic: My Father Gemini Ganesan
2498:"All about Miss Malini the press acclaims"
2492:
2490:
2488:
2373:
2305:
2055:. Vol. 37, no. 1–6. p. 211.
1964:
1832:Krishnamoorthy, Sugeeth (5 January 2018).
1567:Ramakrishnan, Venkatesh (14 August 2017).
909:s review the same day similarly opined, "
875:, was the first animated film produced in
441:was an original story written by novelist
36:
3259:Mr. Sampath – The Printer of Malgudi
3142:Venkatachalam, Krishnan (November 2009).
3093:Ramachandran, T. M.; Rukmini, S. (1985).
2967:Films Division and the Indian Documentary
2767:Santhanam, Kausalya (24 September 2004).
2766:
2332:
1357:
1355:
1353:
1351:
1349:
1347:
1345:
1196:Films Division and the Indian Documentary
1099:Mr. Sampath – The Printer of Malgudi
308:is known to survive, thereby making it a
275:Mr. Sampath – The Printer of Malgudi
238:ridiculed aspects of life in Madras (now
3078:R.K. Narayan: The Early Years, 1906–1945
2972:Ministry of Information and Broadcasting
2960:
2460:
2424:
2275:Gopalakrishnan, P. V. (22 August 2017).
1292:
1290:
1288:
1200:Ministry of Information and Broadcasting
1162:(1952) and contributed to the script of
1152:which was not produced. He also wrote a
1076:, which mentions Kattabomman along with
896:believed the technical aspects had made
823:
3375:Under the Banyan Tree and Other Stories
3368:A Horse and Two Goats and Other Stories
2688:
2528:
2485:
1526:
1524:
1522:
1520:
1518:
1373:Tamil film history and its achievements
1286:
1284:
1282:
1280:
1278:
1276:
1274:
1272:
1270:
1268:
832:, an animated short screened alongside
392:P. A. Subbiah Pillai as Malini's father
325:, who is regularly involved in dodging
4056:
3071:
3011:
2883:
2730:
2672:
2648:
2425:Madhavan, Pradeep (14 November 2014).
2138:
2065:
1920:
1842:from the original on 20 December 2021.
1683:
1511:from the original on 16 February 2018.
1489:Ram, Susan; Ram, N. (5 October 1996).
1342:
1336:
1235:stated that the film was adapted from
1128:is known to survive, which makes it a
1112:(1952) directed by Vasan and starring
250:, the first animated film produced in
4134:Tamil films remade in other languages
4104:Films directed by Kothamangalam Subbu
3558:
3188:
3113:
2902:
2754:
2636:
2604:Balakrishnan, V. (19 December 2016).
1903:
1599:
1102:, which in turn was adapted into the
882:
799:
782:
765:
748:
729:
710:
689:
668:
278:, which in turn was adapted into the
232:named Sampath (Kothamangalam Subbu).
3096:70 Years of Indian Cinema, 1913–1983
1515:
1265:
989:70 Years of Indian Cinema, 1913–1983
2941:
2921:
2676:
2660:
2579:
2560:(1 February 1989). "Hit and Miss".
2556:
2384:
2287:from the original on 23 August 2017
2262:
2226:
2045:
2009:
1867:
1852:
1791:
1779:
1702:
1647:
1614:
1581:from the original on 23 August 2017
1530:
1456:
1435:
1392:
1296:
614:Mylapore vakeelaathu mattupennaaven
432:Two surviving stills from the film.
13:
3584:
3012:Pillai, Swarnavel Eswaran (2015).
2306:Ramnarayan, Gowri (15 June 2010).
2232:"Memorable voice, evergreen songs"
2120:from the original on 10 April 2017
1968:Asian Film Directory and Who's who
1665:from the original on 28 April 2016
14:
4150:
3214:
3156:
2836:[The war on the actor Cho by
2015:"With a finger on people's pulse"
1885:from the original on 3 March 2016
2743:Rajadhyaksha & Willemen 1998
2705:. pp. 13–14. Archived from
1975:: Fozalbhoy House. p. 167.
1934:"Exchange Rate – 1945–1971"
786:"Senthamizh Nadu Sezhiththidave"
672:"Abayam Thanthu Arul Purivaiyam"
422:
411:
16:1947 film by Kothamangalam Subbu
2876:
2826:
2793:
2769:"The tillana glitter is intact"
2760:
2682:
2618:from the original on 8 May 2017
2597:
2592:Ramachandran & Rukmini 1985
2550:
2522:
2466:
2439:from the original on 3 May 2017
2418:
2406:from the original on 3 May 2017
2320:from the original on 3 May 2017
2299:
2268:
2244:from the original on 3 May 2017
2220:
2196:from the original on 3 May 2017
2172:
2160:from the original on 3 May 2017
2132:
2104:
2071:
2039:
2003:
1958:
1946:from the original on 3 May 2017
1926:
1825:
1813:from the original on 3 May 2017
1785:
1740:
1728:from the original on 3 May 2017
1641:
1414:from the original on 3 May 2017
1318:from the original on 3 May 2017
1248:The Illustrated Weekly of India
1214:
1205:
1184:
1171:
1142:
3099:. Cinema India-International.
3047:Encyclopaedia of Indian Cinema
2800:"Vast crowds welcome Gemini's
2192:(in Tamil). 10 November 2016.
1615:Guy, Randor (15 August 2003).
1482:
1056:noted in 2013 that politician
650:
1:
3361:Lawley Road and Other Stories
2473:Swamy, R. (director) (1997).
1466:: Fine acting and good music"
1258:
1239:, a December 1952 article by
1003:R.K. Narayan: The Early Years
970:
693:"Jegame Oru Chiththira Salai"
638:R.K. Narayan: The Early Years
585:
562:R.K. Narayan: The Early Years
512:R.K. Narayan: The Early Years
402:
2475:Glimpses Of Indian Animation
1617:"Star and a versatile actor"
1531:Guy, Randor (26 July 2001).
645:Tracks sorted alphabetically
612:district of Chennai – "
7:
4139:Tamil-language Indian films
3537:Indian Thought Publications
1202:says it was 8 minutes long.
987:In contrast, the 1985 book
154:26 September 1947
10:
4155:
4079:1940s Tamil-language films
2281:The Cinema Resource Centre
2049:(1997). "A Malgudi Life".
1994:Peterson & Soneji 2008
1533:"A flood of fond memories"
1148:Narayan wrote a story for
819:
552:wolves in sheep's clothing
18:
4114:Indian comedy-drama films
4004:
3881:
3754:
3623:
3616:
3592:
3524:
3476:
3444:
3391:
3338:
3222:
2884:Ganesh, Narayani (2011).
2864:: CS1 maint: unfit URL (
2506:. Madras. 21 October 1947
2186:! Birthday special].
1474:. p. 19 – via
1181:) per 1 US dollar (US$ ).
1120:directed by and starring
1035:
975:According to Randor Guy,
847:, was screened after the
663:
660:
657:
654:
649:
529:
376:as the assistant director
176:
168:
145:
129:
117:
109:
101:
85:
75:
65:
57:
47:
42:Theatrical release poster
35:
30:
3287:The Man-Eater of Malgudi
2140:Chetti, Nalli Kuppuswami
2114:Mylaporelawyerpichai.org
1965:Doraiswamy, V . (1952).
1838:(documentary). YouTube.
1135:
1066:Veerapandiya Kattabomman
573:The Man-Eater of Malgudi
199:written and directed by
4124:Lost comedy-drama films
4094:Films about con artists
4084:1947 comedy-drama films
3453:Gods, Demons and Others
3273:Waiting for the Mahatma
3120:Rekha: The Untold Story
3055:Oxford University Press
2995:Oxford University Press
2903:Ghosh, Abhijit (2013).
2532:, ed. (November 1947).
2479:Films Division of India
2151:Harvard Business School
1124:. Although no print of
733:"Kulikkanum Kalikkanum"
478:in the title role, and
453:launched it as a film.
385:L. Narayana Rao as the
340:
315:
4119:Indian satirical films
2085:) (in Tamil). Madras:
1708:"Blast from the Past:
1569:"1947: A Madras story"
903:The Free Press Journal
837:
752:"Mylapore Vakkeelathu"
364:Suryaprabha as Nirmala
207:, based on a story by
3946:Motor Sundaram Pillai
3144:"கொத்தமங்கலம் சுப்பு"
2946:. Creative Workshop.
2481:. From 8:40 to 9:30.
1939:Reserve Bank of India
1653:"Remembering Ramnoth"
1190:While film historian
1050:Kapaleeshwarar Temple
827:
125:Parur S. Anantharaman
4109:Gemini Studios films
3849:Vanji Kottai Valipan
3728:Apoorva Sahodarargal
3435:A Writer's Nightmare
3322:The World of Nagaraj
3301:The Painter of Signs
3294:The Vendor of Sweets
3266:The Financial Expert
3238:The Bachelor of Arts
3038:Rajadhyaksha, Ashish
2942:Guy, Randor (2016).
1795:(14 November 2015).
1491:"Narayan of Malgudi"
984:at the box office".
935:The critic from the
629:Muthuswami Dikshitar
620:through the lyrics "
567:The Financial Expert
4099:Films about theatre
3856:Vijaya Kota Veerudu
3680:Kannamma En Kadhali
3308:A Tiger for Malgudi
3252:The English Teacher
2929:. Amra Publishers.
2810:. 26 December 1952.
2516:Google News Archive
2388:(3 December 2011).
2184:Thillana Mohanambal
2052:The London Magazine
1996:, p. 275: "In
1752:Kothamangalam Subbu
1706:(8 February 2014).
1651:(3 November 2006).
1476:Google News Archive
1438:, pp. 193–194.
1339:, pp. 322–323.
1082:Subhas Chandra Bose
1016:column "Nunippul" (
877:South Indian cinema
806:Kothamangalam Subbu
789:Kothamangalam Subbu
772:Kothamangalam Subbu
755:Kothamangalam Subbu
736:Kothamangalam Subbu
697:Kothamangalam Subbu
676:Kothamangalam Subbu
646:
464:Kannamma En Kadhali
459:Kothamangalam Subbu
347:Kothamangalam Subbu
288:(1952) directed by
252:South Indian cinema
201:Kothamangalam Subbu
93:Kothamangalam Subbu
61:Kothamangalam Subbu
52:Kothamangalam Subbu
4089:Films about actors
4069:1940s Indian films
3744:Apoorva Sahodarulu
3477:Screen adaptations
3329:Grandmother's Tale
3117:(29 August 2016).
2821:Venkatachalam 2009
2807:The Times of India
2503:The Indian Express
2215:Venkatachalam 2009
2066:Ram & Ram 1996
1921:Ram & Ram 1996
1471:The Indian Express
1337:Ram & Ram 1996
1242:The Times of India
1220:While Vasan's son
1070:resistance fighter
920:The Indian Express
883:Critical reception
869:T. R. Ramachandran
838:
644:
474:The film featured
4129:Lost Indian films
4051:
4050:
4047:
4046:
4037:Ellorum Nallavare
4013:Vilaiyattu Pillai
3795:Moondru Pillaigal
3779:Samsaram / Sansar
3664:Mangamma Sabatham
3632:Madana Kama Rajan
3552:
3551:
3428:The Emerald Route
3407:My Dateless Diary
3231:Swami and Friends
3134:978-81-93284-18-6
3106:978-0-86132-090-5
3029:978-93-5150-121-3
3020:SAGE Publications
3004:978-0-19-569084-2
2953:978-81-928961-7-5
2914:978-93-83260-31-7
2895:978-81-7436-578-1
2823:, pp. 12–13.
2733:, pp. 50–51.
2566:. pp. 46–47.
2543:The Indian Review
2432:The Hindu (Tamil)
2110:"Mylapore Lawyer"
1363:Film News Anandan
1159:Moondru Pillaigal
960:The Indian Review
816:
815:
721:M. S. Sundari Bai
595:Carnatic musician
522:of approximately
520:shoestring budget
500:V. Gopalakrishnan
490:Javar Seetharaman
480:M. S. Sundari Bai
382:as the office boy
359:M. S. Sundari Bai
266:in Tamil cinema.
221:Javar Seetharaman
217:M. S. Sundari Bai
191:is a 1947 Indian
184:
183:
96:M. S. Sundari Bai
4146:
4074:1940s lost films
3986:Manushulu Marali
3978:Teen Bahuraniyan
3833:Rajee Naa Pranam
3825:Rajee En Kanmani
3802:Mugguru Kodukulu
3621:
3620:
3579:
3572:
3565:
3556:
3555:
3525:Related articles
3209:
3202:
3195:
3186:
3185:
3151:
3138:
3125:Juggernaut Books
3110:
3089:
3068:
3052:
3033:
3008:
2983:
2962:Narwekar, Sanjit
2957:
2938:
2918:
2899:
2888:. Lustre Press.
2870:
2869:
2863:
2855:
2853:
2851:
2830:
2824:
2818:
2812:
2811:
2797:
2791:
2790:
2788:
2786:
2777:. Archived from
2764:
2758:
2752:
2746:
2740:
2734:
2728:
2722:
2721:
2719:
2717:
2712:on 24 April 2017
2711:
2698:
2686:
2680:
2670:
2664:
2658:
2652:
2646:
2640:
2634:
2628:
2627:
2625:
2623:
2601:
2595:
2589:
2583:
2577:
2568:
2567:
2554:
2548:
2547:
2526:
2520:
2519:
2513:
2511:
2494:
2483:
2482:
2470:
2464:
2458:
2449:
2448:
2446:
2444:
2422:
2416:
2415:
2413:
2411:
2382:
2371:
2370:
2368:
2366:
2361:on 14 April 2017
2357:. Archived from
2339:
2330:
2329:
2327:
2325:
2303:
2297:
2296:
2294:
2292:
2272:
2266:
2260:
2254:
2253:
2251:
2249:
2230:(31 July 2009).
2224:
2218:
2212:
2206:
2205:
2203:
2201:
2176:
2170:
2169:
2167:
2165:
2159:
2148:
2142:(28 June 2014).
2136:
2130:
2129:
2127:
2125:
2102:
2091:
2090:
2075:
2069:
2063:
2057:
2056:
2043:
2037:
2036:
2034:
2032:
2023:. Archived from
2007:
2001:
1991:
1985:
1984:
1962:
1956:
1955:
1953:
1951:
1930:
1924:
1918:
1907:
1901:
1895:
1894:
1892:
1890:
1865:
1856:
1850:
1844:
1843:
1829:
1823:
1822:
1820:
1818:
1789:
1783:
1777:
1768:
1767:
1765:
1763:
1754:. Archived from
1744:
1738:
1737:
1735:
1733:
1700:
1687:
1681:
1675:
1674:
1672:
1670:
1645:
1639:
1638:
1636:
1634:
1625:. Archived from
1612:
1603:
1597:
1591:
1590:
1588:
1586:
1564:
1555:
1554:
1552:
1550:
1541:. Archived from
1528:
1513:
1512:
1486:
1480:
1479:
1460:(6 April 1991).
1454:
1439:
1433:
1424:
1423:
1421:
1419:
1396:(13 July 2013).
1390:
1381:
1380:
1359:
1340:
1334:
1328:
1327:
1325:
1323:
1300:(25 July 2008).
1294:
1252:
1230:
1218:
1212:
1209:
1203:
1188:
1182:
1180:
1175:
1169:
1150:Jupiter Pictures
1146:
1114:Motilal Rajvansh
1058:M. P. Sivagnanam
1031:
1028:
1025:
1022:
1019:
1015:
931:
908:
857:Cinema Kadhambam
845:Cinema Kadhambam
803:"Sri Saraswathi"
652:
647:
643:
591:S. Rajeswara Rao
525:
426:
415:
260:S. Rajeswara Rao
248:Cinema Kadhambam
203:and produced by
161:
159:
122:S. Rajeswara Rao
40:
28:
27:
4154:
4153:
4149:
4148:
4147:
4145:
4144:
4143:
4054:
4053:
4052:
4043:
4000:
3930:Vaazhkai Padagu
3877:
3750:
3612:
3611:
3588:
3583:
3553:
3548:
3520:
3499:Banker Margayya
3472:
3467:The Mahabharata
3440:
3387:
3334:
3218:
3213:
3180:Rotten Tomatoes
3159:
3154:
3135:
3107:
3065:
3050:
3030:
3005:
2954:
2915:
2896:
2879:
2874:
2873:
2857:
2856:
2849:
2847:
2832:
2831:
2827:
2819:
2815:
2799:
2798:
2794:
2784:
2782:
2765:
2761:
2753:
2749:
2741:
2737:
2729:
2725:
2715:
2713:
2709:
2696:
2687:
2683:
2675:, p. 173;
2671:
2667:
2659:
2655:
2647:
2643:
2635:
2631:
2621:
2619:
2602:
2598:
2590:
2586:
2578:
2571:
2555:
2551:
2527:
2523:
2509:
2507:
2496:
2495:
2486:
2477:(documentary).
2471:
2467:
2459:
2452:
2442:
2440:
2423:
2419:
2409:
2407:
2383:
2374:
2364:
2362:
2341:
2340:
2333:
2323:
2321:
2304:
2300:
2290:
2288:
2273:
2269:
2261:
2257:
2247:
2245:
2225:
2221:
2213:
2209:
2199:
2197:
2178:
2177:
2173:
2163:
2161:
2157:
2146:
2137:
2133:
2123:
2121:
2103:
2094:
2077:
2076:
2072:
2064:
2060:
2044:
2040:
2030:
2028:
2013:(23 May 2003).
2008:
2004:
1992:
1988:
1963:
1959:
1949:
1947:
1932:
1931:
1927:
1919:
1910:
1902:
1898:
1888:
1886:
1866:
1859:
1851:
1847:
1830:
1826:
1816:
1814:
1790:
1786:
1778:
1771:
1761:
1759:
1758:on 8 April 2017
1746:
1745:
1741:
1731:
1729:
1701:
1690:
1682:
1678:
1668:
1666:
1646:
1642:
1632:
1630:
1613:
1606:
1602:, pp. 3–4.
1598:
1594:
1584:
1582:
1565:
1558:
1548:
1546:
1529:
1516:
1488:
1487:
1483:
1455:
1442:
1434:
1427:
1417:
1415:
1391:
1384:
1360:
1343:
1335:
1331:
1321:
1319:
1295:
1266:
1261:
1256:
1255:
1251:some time ago".
1228:
1219:
1215:
1210:
1206:
1189:
1185:
1178:
1176:
1172:
1147:
1143:
1138:
1118:1972 Tamil film
1038:
1029:
1026:
1023:
1020:
1013:
973:
929:
906:
885:
830:Cinema Kadambam
822:
817:
633:D. K. Pattammal
588:
532:
523:
436:
435:
434:
433:
429:
428:
427:
418:
417:
416:
405:
370:as the director
343:
331:general manager
318:
294:1972 Tamil film
164:
157:
155:
148:
141:
134:
132:
124:
94:
92:
43:
24:
17:
12:
11:
5:
4152:
4142:
4141:
4136:
4131:
4126:
4121:
4116:
4111:
4106:
4101:
4096:
4091:
4086:
4081:
4076:
4071:
4066:
4049:
4048:
4045:
4044:
4042:
4041:
4033:
4025:
4017:
4008:
4006:
4002:
4001:
3999:
3998:
3990:
3982:
3974:
3966:
3958:
3950:
3942:
3934:
3926:
3918:
3910:
3902:
3894:
3885:
3883:
3879:
3878:
3876:
3875:
3867:
3859:
3853:
3845:
3837:
3829:
3821:
3817:Bahut Din Huwe
3813:
3805:
3799:
3791:
3783:
3775:
3767:
3758:
3756:
3752:
3751:
3749:
3748:
3740:
3732:
3724:
3716:
3712:Gnana Soundari
3708:
3700:
3692:
3684:
3676:
3668:
3660:
3652:
3644:
3636:
3627:
3625:
3618:
3617:Films produced
3614:
3613:
3610:
3609:
3604:
3597:
3596:
3594:
3590:
3589:
3586:Gemini Studios
3582:
3581:
3574:
3567:
3559:
3550:
3549:
3547:
3546:
3539:
3534:
3528:
3526:
3522:
3521:
3519:
3518:
3510:
3502:
3495:
3488:
3480:
3478:
3474:
3473:
3471:
3470:
3463:
3456:
3448:
3446:
3442:
3441:
3439:
3438:
3431:
3424:
3421:Reluctant Guru
3417:
3410:
3403:
3395:
3393:
3389:
3388:
3386:
3385:
3378:
3371:
3364:
3357:
3350:
3342:
3340:
3336:
3335:
3333:
3332:
3325:
3318:
3311:
3304:
3297:
3290:
3283:
3276:
3269:
3262:
3255:
3248:
3241:
3234:
3226:
3224:
3220:
3219:
3212:
3211:
3204:
3197:
3189:
3183:
3182:
3171:
3158:
3157:External links
3155:
3153:
3152:
3139:
3133:
3111:
3105:
3090:
3069:
3063:
3042:Willemen, Paul
3034:
3028:
3009:
3003:
2984:
2958:
2952:
2939:
2919:
2913:
2900:
2894:
2880:
2878:
2875:
2872:
2871:
2825:
2813:
2792:
2781:on 11 May 2018
2759:
2747:
2745:, p. 326.
2735:
2723:
2692:(April 2013).
2681:
2679:, p. 249.
2665:
2663:, p. 181.
2653:
2651:, p. 189.
2641:
2629:
2611:Ananda Vikatan
2596:
2594:, p. 164.
2584:
2582:, p. 194.
2569:
2549:
2546:. p. 629.
2530:Natesan, G. A.
2521:
2484:
2465:
2450:
2417:
2372:
2331:
2298:
2267:
2265:, p. 234.
2255:
2219:
2207:
2189:Ananda Vikatan
2171:
2131:
2092:
2087:Gemini Studios
2070:
2068:, p. 323.
2058:
2038:
2002:
1986:
1957:
1925:
1923:, p. 322.
1908:
1896:
1878:Madras Musings
1857:
1855:, p. 252.
1845:
1824:
1784:
1782:, p. 193.
1769:
1739:
1714:Samooga Thondu
1710:Chandra Mohana
1688:
1676:
1640:
1604:
1592:
1556:
1514:
1481:
1440:
1425:
1382:
1379:on 3 May 2017.
1341:
1329:
1263:
1262:
1260:
1257:
1254:
1253:
1213:
1204:
1183:
1170:
1140:
1139:
1137:
1134:
1078:Mahatma Gandhi
1037:
1034:
998:Ananda Vikatan
972:
969:
884:
881:
821:
818:
814:
813:
810:
807:
804:
801:
797:
796:
793:
790:
787:
784:
780:
779:
776:
773:
770:
769:"Paadum Radio"
767:
763:
762:
759:
756:
753:
750:
746:
745:
742:
737:
734:
731:
727:
726:
723:
718:
715:
712:
708:
707:
704:
699:
694:
691:
687:
686:
683:
678:
673:
670:
666:
665:
662:
659:
656:
653:
642:
587:
584:
531:
528:
494:Gemini Ganesan
447:Gemini Studios
431:
430:
421:
420:
419:
410:
409:
408:
407:
406:
404:
401:
400:
399:
396:S. Varalakshmi
393:
390:
383:
380:Gopalakrishnan
377:
371:
368:N. Seetharaman
365:
362:
356:
350:
342:
339:
317:
314:
300:. Although no
225:Gemini Ganesan
197:satirical film
182:
181:
178:
174:
173:
170:
166:
165:
163:
162:
151:
149:
146:
143:
142:
139:Gemini Studios
137:
135:
130:
127:
126:
119:
115:
114:
111:
107:
106:
103:
102:Cinematography
99:
98:
87:
83:
82:
77:
73:
72:
67:
63:
62:
59:
55:
54:
49:
45:
44:
41:
33:
32:
21:Malini Agarwal
15:
9:
6:
4:
3:
2:
4151:
4140:
4137:
4135:
4132:
4130:
4127:
4125:
4122:
4120:
4117:
4115:
4112:
4110:
4107:
4105:
4102:
4100:
4097:
4095:
4092:
4090:
4087:
4085:
4082:
4080:
4077:
4075:
4072:
4070:
4067:
4065:
4062:
4061:
4059:
4039:
4038:
4034:
4031:
4030:
4026:
4023:
4022:
4018:
4015:
4014:
4010:
4009:
4007:
4003:
3996:
3995:
3991:
3988:
3987:
3983:
3980:
3979:
3975:
3972:
3971:
3970:Bhale Kodallu
3967:
3964:
3963:
3959:
3956:
3955:
3951:
3948:
3947:
3943:
3940:
3939:
3938:Aada Brathuku
3935:
3932:
3931:
3927:
3924:
3923:
3919:
3916:
3915:
3911:
3908:
3907:
3903:
3900:
3899:
3895:
3892:
3891:
3890:Irumbu Thirai
3887:
3886:
3884:
3880:
3873:
3872:
3868:
3865:
3864:
3860:
3857:
3854:
3851:
3850:
3846:
3843:
3842:
3838:
3835:
3834:
3830:
3827:
3826:
3822:
3819:
3818:
3814:
3811:
3810:
3806:
3803:
3800:
3797:
3796:
3792:
3789:
3788:
3784:
3781:
3780:
3776:
3773:
3772:
3768:
3765:
3764:
3760:
3759:
3757:
3753:
3746:
3745:
3741:
3738:
3737:
3733:
3730:
3729:
3725:
3722:
3721:
3717:
3714:
3713:
3709:
3706:
3705:
3701:
3698:
3697:
3693:
3690:
3689:
3685:
3682:
3681:
3677:
3674:
3673:
3672:Dasi Aparanji
3669:
3666:
3665:
3661:
3658:
3657:
3653:
3650:
3649:
3645:
3642:
3641:
3640:Jeevan Mukthi
3637:
3634:
3633:
3629:
3628:
3626:
3622:
3619:
3615:
3608:
3605:
3602:
3599:
3598:
3595:
3591:
3587:
3580:
3575:
3573:
3568:
3566:
3561:
3560:
3557:
3545:
3544:
3540:
3538:
3535:
3533:
3530:
3529:
3527:
3523:
3516:
3515:
3511:
3508:
3507:
3503:
3501:
3500:
3496:
3494:
3493:
3489:
3487:
3486:
3482:
3481:
3479:
3475:
3469:
3468:
3464:
3462:
3461:
3457:
3455:
3454:
3450:
3449:
3447:
3443:
3437:
3436:
3432:
3430:
3429:
3425:
3423:
3422:
3418:
3416:
3415:
3411:
3409:
3408:
3404:
3402:
3401:
3397:
3396:
3394:
3390:
3384:
3383:
3379:
3377:
3376:
3372:
3370:
3369:
3365:
3363:
3362:
3358:
3356:
3355:
3351:
3349:
3348:
3344:
3343:
3341:
3337:
3331:
3330:
3326:
3324:
3323:
3319:
3317:
3316:
3315:Talkative Man
3312:
3310:
3309:
3305:
3303:
3302:
3298:
3296:
3295:
3291:
3289:
3288:
3284:
3282:
3281:
3277:
3275:
3274:
3270:
3268:
3267:
3263:
3261:
3260:
3256:
3254:
3253:
3249:
3247:
3246:
3245:The Dark Room
3242:
3240:
3239:
3235:
3233:
3232:
3228:
3227:
3225:
3221:
3217:
3216:R. K. Narayan
3210:
3205:
3203:
3198:
3196:
3191:
3190:
3187:
3181:
3177:
3176:
3172:
3170:
3166:
3165:
3161:
3160:
3149:
3145:
3140:
3136:
3130:
3126:
3122:
3121:
3116:
3115:Usman, Yasser
3112:
3108:
3102:
3098:
3097:
3091:
3087:
3083:
3079:
3075:
3070:
3066:
3064:0-19-563579-5
3060:
3056:
3049:
3048:
3043:
3039:
3035:
3031:
3025:
3021:
3017:
3016:
3010:
3006:
3000:
2996:
2992:
2991:
2985:
2981:
2977:
2973:
2969:
2968:
2963:
2959:
2955:
2949:
2945:
2940:
2936:
2932:
2928:
2924:
2920:
2916:
2910:
2906:
2901:
2897:
2891:
2887:
2882:
2881:
2867:
2861:
2845:
2844:
2839:
2835:
2829:
2822:
2817:
2809:
2808:
2803:
2796:
2780:
2776:
2775:
2770:
2763:
2756:
2751:
2744:
2739:
2732:
2727:
2708:
2704:
2703:
2695:
2691:
2685:
2678:
2674:
2669:
2662:
2657:
2650:
2645:
2638:
2633:
2617:
2613:
2612:
2607:
2600:
2593:
2588:
2581:
2576:
2574:
2565:
2564:
2559:
2553:
2545:
2544:
2539:
2537:
2531:
2525:
2517:
2505:
2504:
2499:
2493:
2491:
2489:
2480:
2476:
2469:
2463:, p. 45.
2462:
2461:Narwekar 1992
2457:
2455:
2438:
2434:
2433:
2428:
2421:
2405:
2401:
2400:
2395:
2393:
2387:
2381:
2379:
2377:
2360:
2356:
2352:
2350:
2346:
2338:
2336:
2319:
2315:
2314:
2309:
2302:
2286:
2282:
2278:
2271:
2264:
2259:
2243:
2239:
2238:
2233:
2229:
2223:
2217:, p. 12.
2216:
2211:
2195:
2191:
2190:
2185:
2181:
2175:
2156:
2152:
2145:
2141:
2135:
2119:
2115:
2111:
2107:
2101:
2099:
2097:
2088:
2084:
2080:
2074:
2067:
2062:
2054:
2053:
2048:
2042:
2027:on 3 May 2017
2026:
2022:
2021:
2016:
2012:
2006:
1999:
1995:
1990:
1982:
1978:
1974:
1970:
1969:
1961:
1945:
1941:
1940:
1935:
1929:
1922:
1917:
1915:
1913:
1906:, p. 28.
1905:
1900:
1884:
1880:
1879:
1874:
1870:
1864:
1862:
1854:
1849:
1841:
1837:
1836:
1828:
1812:
1808:
1807:
1802:
1801:(1962) Tamil"
1800:
1794:
1788:
1781:
1776:
1774:
1757:
1753:
1749:
1743:
1727:
1723:
1722:
1717:
1715:
1711:
1705:
1699:
1697:
1695:
1693:
1686:, p. 50.
1685:
1680:
1664:
1660:
1659:
1654:
1650:
1644:
1629:on 3 May 2017
1628:
1624:
1623:
1618:
1611:
1609:
1601:
1596:
1580:
1576:
1575:
1570:
1563:
1561:
1545:on 3 May 2017
1544:
1540:
1539:
1534:
1527:
1525:
1523:
1521:
1519:
1510:
1506:
1502:
1498:
1497:
1492:
1485:
1477:
1473:
1472:
1467:
1465:
1459:
1453:
1451:
1449:
1447:
1445:
1437:
1432:
1430:
1413:
1409:
1408:
1403:
1401:
1400:Thulasimaadam
1395:
1389:
1387:
1378:
1374:
1370:
1369:
1364:
1358:
1356:
1354:
1352:
1350:
1348:
1346:
1338:
1333:
1317:
1313:
1312:
1307:
1305:
1299:
1293:
1291:
1289:
1287:
1285:
1283:
1281:
1279:
1277:
1275:
1273:
1271:
1269:
1264:
1250:
1249:
1244:
1243:
1238:
1234:
1231:lead actress
1227:
1223:
1217:
1208:
1201:
1197:
1193:
1187:
1174:
1167:
1166:
1161:
1160:
1156:for Gemini's
1155:
1151:
1145:
1141:
1133:
1131:
1127:
1123:
1122:Cho Ramaswamy
1119:
1115:
1111:
1110:
1105:
1101:
1100:
1094:
1089:
1087:
1083:
1079:
1075:
1071:
1067:
1063:
1059:
1055:
1051:
1046:
1042:
1033:
1027:Surface Grass
1012:
1008:
1004:
1000:
999:
994:
990:
985:
983:
978:
968:
966:
962:
961:
956:
955:
950:
949:
944:
943:
942:Andhra Prabha
938:
933:
928:
927:
926:Swadesamitran
922:
921:
916:
912:
905:
904:
899:
895:
894:
889:
880:
878:
874:
870:
866:
862:
858:
854:
850:
846:
842:
835:
831:
828:A scene from
826:
811:
809:T. V. Rathnam
808:
805:
802:
798:
794:
792:T. V. Rathnam
791:
788:
785:
781:
777:
775:T. V. Rathnam
774:
771:
768:
764:
760:
758:T. V. Rathnam
757:
754:
751:
747:
743:
741:
738:
735:
732:
728:
724:
722:
719:
716:
713:
709:
705:
703:
702:T. V. Rathnam
700:
698:
695:
692:
688:
684:
682:
681:T. V. Rathnam
679:
677:
674:
671:
667:
648:
641:
639:
634:
630:
625:
623:
619:
618:ration system
615:
611:
606:
604:
600:
599:T. V. Rathnam
596:
592:
583:
581:
580:
575:
574:
569:
568:
563:
559:
557:
553:
549:
544:
541:) during the
540:
536:
527:
521:
517:
513:
509:
505:
501:
497:
495:
491:
487:
486:
485:Dasi Aparanji
481:
477:
472:
470:
466:
465:
460:
456:
452:
448:
444:
443:R. K. Narayan
440:
425:
414:
397:
394:
391:
388:
384:
381:
378:
375:
372:
369:
366:
363:
360:
357:
354:
351:
348:
345:
344:
338:
336:
332:
328:
324:
313:
311:
307:
303:
299:
298:Cho Ramaswamy
295:
291:
287:
286:
281:
277:
276:
271:
267:
265:
261:
257:
253:
249:
245:
242:) during the
241:
237:
233:
231:
226:
222:
218:
214:
210:
209:R. K. Narayan
206:
202:
198:
194:
190:
189:
179:
175:
171:
167:
153:
152:
150:
144:
140:
136:
128:
123:
120:
116:
112:
108:
104:
100:
97:
91:
88:
84:
81:
78:
74:
71:
70:R. K. Narayan
68:
64:
60:
58:Screenplay by
56:
53:
50:
46:
39:
34:
29:
26:
22:
4035:
4027:
4021:Lakhon Me Ek
4019:
4011:
3992:
3984:
3976:
3968:
3960:
3952:
3944:
3936:
3928:
3920:
3912:
3904:
3896:
3888:
3869:
3861:
3855:
3847:
3839:
3831:
3823:
3815:
3807:
3801:
3793:
3785:
3777:
3769:
3761:
3742:
3734:
3726:
3720:Chakra Dhari
3718:
3710:
3704:Chandralekha
3702:
3694:
3687:
3686:
3678:
3670:
3662:
3656:Bala Nagamma
3654:
3646:
3638:
3630:
3542:
3541:
3512:
3504:
3497:
3492:Malgudi Days
3490:
3483:
3465:
3460:The Ramayana
3458:
3451:
3433:
3426:
3419:
3412:
3405:
3398:
3380:
3373:
3366:
3359:
3352:
3347:Malgudi Days
3345:
3327:
3320:
3313:
3306:
3299:
3292:
3285:
3278:
3271:
3264:
3257:
3250:
3243:
3236:
3229:
3174:
3163:
3148:Amudhasurabi
3147:
3119:
3095:
3077:
3072:Ram, Susan;
3046:
3014:
2989:
2966:
2943:
2926:
2907:. Westland.
2904:
2885:
2877:Bibliography
2848:. Retrieved
2841:
2837:
2828:
2816:
2805:
2801:
2795:
2783:. Retrieved
2779:the original
2772:
2762:
2757:, p. 4.
2750:
2738:
2726:
2714:. Retrieved
2707:the original
2700:
2684:
2668:
2656:
2644:
2639:, p. 8.
2632:
2620:. Retrieved
2614:(in Tamil).
2609:
2599:
2587:
2561:
2552:
2541:
2535:
2524:
2514:– via
2508:. Retrieved
2501:
2474:
2468:
2441:. Retrieved
2430:
2420:
2408:. Retrieved
2397:
2391:
2363:. Retrieved
2359:the original
2354:
2348:
2344:
2322:. Retrieved
2311:
2301:
2289:. Retrieved
2280:
2270:
2258:
2246:. Retrieved
2235:
2222:
2210:
2198:. Retrieved
2187:
2183:
2174:
2162:. Retrieved
2134:
2122:. Retrieved
2113:
2078:
2073:
2061:
2050:
2041:
2029:. Retrieved
2025:the original
2018:
2005:
1997:
1989:
1967:
1960:
1948:. Retrieved
1937:
1928:
1899:
1887:. Retrieved
1876:
1848:
1834:
1827:
1815:. Retrieved
1804:
1798:
1787:
1760:. Retrieved
1756:the original
1751:
1742:
1730:. Retrieved
1719:
1713:
1709:
1679:
1667:. Retrieved
1656:
1643:
1631:. Retrieved
1627:the original
1620:
1595:
1583:. Retrieved
1572:
1547:. Retrieved
1543:the original
1536:
1494:
1484:
1469:
1463:
1416:. Retrieved
1405:
1399:
1377:the original
1372:
1367:
1332:
1320:. Retrieved
1309:
1303:
1246:
1240:
1236:
1225:
1216:
1207:
1195:
1186:
1173:
1163:
1157:
1144:
1125:
1107:
1097:
1092:
1090:
1085:
1073:
1040:
1039:
1010:
1002:
996:
992:
988:
986:
976:
974:
964:
958:
952:
946:
940:
934:
924:
918:
914:
910:
901:
897:
891:
887:
886:
856:
852:
844:
840:
839:
833:
829:
637:
626:
621:
613:
607:
589:
577:
571:
565:
561:
560:
555:
543:World War II
534:
533:
511:
498:
483:
473:
462:
438:
437:
319:
305:
296:directed by
283:
273:
269:
268:
255:
247:
244:World War II
235:
234:
228:befriends a
187:
186:
185:
147:Release date
105:M. Natarajan
25:
3962:Oli Vilakku
3688:Miss Malini
3607:S. S. Balan
3601:S. S. Vasan
3543:Miss Malini
3514:Mr. Sampath
3400:Next Sunday
3392:Non-fiction
3339:Collections
3175:Miss Malini
3164:Miss Malini
3150:(in Tamil).
2923:Guy, Randor
2731:Ganesh 2011
2673:Pillai 2015
2649:Pillai 2015
2558:Guy, Randor
2392:Padma Jyoti
2386:Guy, Randor
2349:மிஸ் மாலினி
2345:Miss Malini
2228:Guy, Randor
2106:Guy, Randor
2079:மிஸ் மாலினி
2047:Haq, Kaiser
2011:Guy, Randor
1998:Miss Malini
1889:10 February
1869:Guy, Randor
1793:Guy, Randor
1704:Guy, Randor
1684:Ganesh 2011
1649:Guy, Randor
1464:Miss Malini
1458:Guy, Randor
1394:Guy, Randor
1304:Miss Malini
1298:Guy, Randor
1237:Miss Malini
1222:S. S. Balan
1198:by India's
1126:Miss Malini
1093:Miss Malini
1074:Miss Malini
1045:cult status
1041:Miss Malini
1007:S. S. Balan
993:Miss Malini
977:Miss Malini
965:Miss Malini
915:Miss Malini
898:Miss Malini
888:Miss Malini
873:P. Kannamba
853:Miss Malini
841:Miss Malini
834:Miss Malini
535:Miss Malini
508:Shakespeare
476:Pushpavalli
451:S. S. Vasan
439:Miss Malini
398:as Ponnamma
353:Pushpavalli
306:Miss Malini
290:S. S. Vasan
270:Miss Malini
264:cult status
256:Miss Malini
236:Miss Malini
213:Pushpavalli
188:Miss Malini
113:N. K. Gopal
90:Pushpavalli
76:Produced by
48:Directed by
31:Miss Malini
4064:1947 films
4058:Categories
3787:Mr. Sampat
3593:Key people
3506:Mr. Sampat
3080:. Viking.
2755:Ghosh 2013
2637:Ghosh 2013
2534:"Gemini's
1904:Usman 2016
1799:Aalayamani
1748:"Director"
1600:Ghosh 2013
1259:References
1226:Mr. Sampat
1192:Randor Guy
1109:Mr. Sampat
1064:chieftain
971:Box office
939:newspaper
865:Vasundhara
586:Soundtrack
548:Randor Guy
455:K. Ramnoth
403:Production
361:as Sundari
349:as Sampath
285:Mr. Sampat
205:K. Ramnoth
195:-language
158:1947-09-26
131:Production
80:K. Ramnoth
3863:Raj Tilak
3841:Insaniyat
3603:(founder)
3445:Mythology
3280:The Guide
3086:889711654
3044:(1998) .
3018:. India:
2970:. India:
2860:cite news
2843:Dinamalar
2802:Mr Sampat
2774:The Hindu
2399:The Hindu
2355:Inbaminge
2313:The Hindu
2291:23 August
2237:The Hindu
2083:song book
2020:The Hindu
1806:The Hindu
1721:The Hindu
1658:The Hindu
1622:The Hindu
1585:23 August
1574:The Hindu
1538:The Hindu
1505:0970-1710
1496:Frontline
1407:The Hindu
1311:The Hindu
1154:treatment
1130:lost film
1043:attained
893:The Hindu
661:Singer(s)
579:The Guide
355:as Malini
327:creditors
323:charlatan
310:lost film
230:charlatan
110:Edited by
3994:Shatranj
3914:Grahasti
3898:Ghunghat
3809:Avvaiyar
3648:Nandanar
3076:(1996).
2980:29012317
2964:(1992).
2935:52794531
2925:(1997).
2850:17 April
2840:!].
2716:23 April
2677:Guy 2016
2661:Guy 2016
2616:Archived
2580:Guy 2016
2510:11 April
2437:Archived
2404:Archived
2365:14 April
2318:Archived
2285:Archived
2263:Guy 1997
2242:Archived
2194:Archived
2164:24 April
2155:Archived
2124:10 April
2118:Archived
1981:19120677
1950:24 April
1944:Archived
1883:Archived
1871:(2008).
1853:Guy 2016
1840:Archived
1811:Archived
1780:Guy 2016
1726:Archived
1663:Archived
1579:Archived
1509:Archived
1436:Guy 2016
1412:Archived
1365:(2004).
1322:21 April
1316:Archived
1165:Avvaiyar
1116:, and a
1011:Gundoosi
954:Dinamani
948:The Mail
849:interval
740:P. Leela
610:Mylapore
603:P. Leela
449:' owner
389:merchant
292:, and a
177:Language
118:Music by
86:Starring
66:Story by
3922:Zindagi
3906:Gharana
3871:Paigham
3771:Mangala
3763:Mangala
3696:Kalpana
3532:Malgudi
3414:My Days
3074:Ram, N.
2838:Tughlaq
2690:Vamanan
2443:5 April
2410:6 April
2324:6 April
2248:6 April
2089:. 1947.
2031:7 April
1817:6 April
1762:8 April
1732:6 April
1633:6 April
1549:4 April
1418:6 April
1402:(1963)"
1233:Padmini
1062:Polygar
1054:Vamanan
1021:
963:called
820:Release
717:Surabhi
539:Chennai
240:Chennai
169:Country
156: (
133:company
4040:(1975)
4032:(1971)
4029:Sanjog
4024:(1971)
4016:(1970)
3997:(1969)
3989:(1969)
3981:(1968)
3973:(1968)
3965:(1968)
3957:(1967)
3949:(1966)
3941:(1965)
3933:(1965)
3925:(1964)
3917:(1963)
3909:(1961)
3901:(1960)
3893:(1960)
3874:(1959)
3866:(1958)
3858:(1958)
3852:(1958)
3844:(1955)
3836:(1954)
3828:(1954)
3820:(1954)
3812:(1953)
3804:(1952)
3798:(1952)
3790:(1952)
3782:(1951)
3774:(1951)
3766:(1950)
3747:(1950)
3739:(1949)
3736:Nishan
3731:(1949)
3723:(1948)
3715:(1948)
3707:(1948)
3699:(1948)
3691:(1947)
3683:(1945)
3675:(1944)
3667:(1943)
3659:(1942)
3651:(1942)
3643:(1942)
3635:(1941)
3517:(1972)
3509:(1952)
3223:Novels
3131:
3103:
3084:
3061:
3026:
3001:
2978:
2950:
2933:
2911:
2892:
2785:11 May
2536:Malini
1979:
1973:Bombay
1503:
1229:'s
1036:Legacy
1014:'s
982:bombed
937:Telugu
930:'s
911:Malini
861:Ranjan
664:Length
658:Lyrics
530:Themes
516:N. Ram
469:Mysore
4005:1970s
3954:Aurat
3882:1960s
3755:1950s
3624:1940s
3485:Guide
3051:(PDF)
2710:(PDF)
2702:Sruti
2697:(PDF)
2622:8 May
2563:Aside
2394:1937"
2200:3 May
2158:(PDF)
2147:(PDF)
1716:1936"
1669:8 May
1371:[
1306:1947"
1136:Notes
1106:film
1104:Hindi
1068:as a
991:says
917:from
907:'
655:Title
374:R. G.
302:print
282:film
280:Hindi
193:Tamil
180:Tamil
172:India
3169:IMDb
3129:ISBN
3101:ISBN
3082:OCLC
3059:ISBN
3024:ISBN
2999:ISBN
2976:OCLC
2948:ISBN
2931:OCLC
2909:ISBN
2890:ISBN
2866:link
2852:2017
2787:2018
2718:2017
2624:2017
2512:2017
2445:2017
2412:2017
2367:2017
2326:2017
2293:2017
2250:2017
2202:2017
2166:2017
2126:2017
2033:2017
1977:OCLC
1952:2017
1891:2016
1819:2017
1764:2017
1734:2017
1671:2017
1635:2017
1587:2017
1551:2017
1501:ISSN
1420:2017
1324:2012
1224:and
1088:").
1080:and
1018:lit.
871:and
812:3:24
795:2:43
778:6:24
761:2:24
744:1:58
725:6:06
706:3:15
685:2:52
593:and
576:and
504:sari
387:sari
341:Cast
335:debt
316:Plot
223:and
215:and
3178:at
3167:at
2804:".
1712:or
851:of
651:No.
514:by
304:of
4060::
3146:.
3127:.
3123:.
3057:.
3053:.
3040:;
3022:.
2997:.
2993:.
2974:.
2862:}}
2858:{{
2771:.
2699:.
2572:^
2540:.
2500:.
2487:^
2453:^
2435:.
2402:.
2396:.
2375:^
2353:.
2351:)"
2334:^
2316:.
2310:.
2283:.
2279:.
2240:.
2234:.
2153:.
2116:.
2112:.
2108:.
2095:^
2017:.
1971:.
1942:.
1936:.
1911:^
1881:.
1875:.
1860:^
1809:.
1803:.
1772:^
1750:.
1724:.
1718:.
1691:^
1661:.
1655:.
1619:.
1607:^
1577:.
1571:.
1559:^
1535:.
1517:^
1507:.
1493:.
1468:.
1443:^
1428:^
1410:.
1404:.
1385:^
1344:^
1314:.
1308:.
1267:^
1084:("
879:.
867:,
863:,
855:.
800:8.
783:7.
766:6.
749:5.
730:4.
711:3.
690:2.
669:1.
570:,
254:.
219:.
3578:e
3571:t
3564:v
3208:e
3201:t
3194:v
3137:.
3109:.
3088:.
3067:.
3032:.
3007:.
2982:.
2956:.
2937:.
2917:.
2898:.
2868:)
2854:.
2789:.
2720:.
2626:.
2538:"
2518:.
2447:.
2414:.
2390:"
2369:.
2347:(
2343:"
2328:.
2295:.
2252:.
2204:.
2168:.
2128:.
2081:(
2035:.
1983:.
1954:.
1893:.
1821:.
1797:"
1766:.
1736:.
1673:.
1637:.
1589:.
1553:.
1478:.
1462:"
1422:.
1398:"
1326:.
1302:"
1179:₹
1030:'
1024:'
524:₹
160:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)