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Austen was, like Miss Bates, the unmarried daughter of a clergyman's widow, and, while she herself was notoriously silent in company, her letters by contrast have a rambling, inconsequential flow that has been compared to the speech of her creation, for example: “my coarse spot, I shall turn it into
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While she herself has thus been seen as a possible model for Miss Bates, another single spinster, Miss Milles, who “talked on...for half an hour, using such odd expressions & so foolishly minute that I could hardly keep my countenance”, has also been suggested as a possible external influence.
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from one unimportant event to another – something which was to make her an immediate comic success among Austen's first readership. Many of the clues to the book's intrigue are in fact artfully concealed and revealed within her verbose talk. Her speech is overtly a recognition of her grateful
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with her ageing widow of a mother and only one servant, Miss Bates was nonetheless on visiting terms with the best in
Highbury society. At the same time, she was dependent on her neighbours for much support – pork from
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dependence on her neighbours, but it can also be seen, in its overwhelming impact on other characters, as almost tyrannical in its
97:: “She is poor; she has sunk from the comforts she was born to; and if she live to old age, must probably sink more”.
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93:. Those who see Austen as painting uncritically a rural paradise should remember the latter's words to
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Miss Bates has as her main characteristic an unending flow of trivial speech,
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a petticoat very soon. - I wish you a Merry
Christmas, but
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524:Literary characters introduced in 1815
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276:The Cambridge Companion to Jane Austen
185:The Cambridge Companion to Jane Austen
172:The Cambridge Companion to Jane Austen
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317:(Oxford 1995) p. 245, p. 332 and p. x
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187:(Cambridge 1997) p. 107 and p. 141
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529:Female characters in literature
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213:(Penguin 1973) p. 368 (Ch. 43)
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174:(Cambridge 1997) p. 125-6
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265:(Edinburgh 2009) p. 66-7
278:(Cambridge 1997) p. 104
37:In-universe information
226:(Edinburgh 2009) p. 74
315:Jane Austen's Letters
289:Jane Austen's Letters
198:A Fine Brush on Ivory
142:Anna Livia Plurabelle
313:Deirdre Le Faye ed,
287:Deirdre Le Faye ed,
200:(Oxford 2007) p. 153
118:Possible inspiration
291:(Oxford 1995) p. 30
16:Fictional character
112:passive-aggressive
107:freely associating
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300:P. Graham,
263:Jane's Fame
261:C. Harman,
235:P. Graham,
224:Jane's Fame
222:C. Harman,
64:Jane Austen
29:Jane Austen
513:Categories
446:Television
394:Miss Bates
367:Characters
159:References
80:Living in
76:Background
60:Miss Bates
42:Occupation
22:Miss Bates
389:Mr Weston
152:Mr Jingle
53:Mrs Bates
32:character
462:Clueless
411:Clueless
135:See also
45:Spinster
481:(2009)
473:(1996)
465:(1996)
457:(1972)
438:(2020)
430:(2010)
422:(1996)
414:(1995)
50:Family
489:Other
435:Emma.
427:Aisha
403:Films
478:Emma
470:Emma
454:Emma
419:Emma
359:Emma
211:Emma
95:Emma
69:Emma
356:'s
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125:no
346:e
339:t
332:v
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