158:(Emma's sister), when he is apprised of Churchill's clandestine engagement. He decided to return to Hartfield to offer support to Emma, whom he believes to be in love with Mr. Churchill. On the spur of the moment, after finding this to be untrue, he declares his love to Emma and asks her to marry him, and she accepts. Harriet and Robert Martin marry; Jane Fairfax and Frank Churchill plan a November wedding. Within a month, Emma and Mr. Knightley marry and, because Mr. Woodhouse cannot face life without his daughter, Mr. Knightley gallantly moves in with Emma and her father at the Woodhouse estate, Hartfield.
146:
154:
Emma, but later admits that, because of jealousy, "I was not quite impartial in my judgement...My Emma". Frank
Churchill's guardian—his aunt—dies, and he is now free to publicise his engagement to Jane Fairfax, which had been kept secret to avoid his domineering aunt's disapproval. Emma is shocked, but realises she had never really had romantic sentiments towards Frank Churchill. Nevertheless, she worries that Harriet has feelings for Frank, but soon discovers that Harriet has become infatuated with Mr. Knightley.
119:
and ostentatious, not even keeping a pair of carriage horses. As the owner of the largest estate in the area (Donwell Abbey) this makes his down to earth manners all the more remarkable. Despite a certain sharpness of tongue, his genuine qualities are revealed for example by his disappointment when he sees Emma insult Miss Bates, a
118:
A kind and compassionate person, Mr. Knightley exhibits good judgement, high moral character and maturity in contrast to Emma's still-maturing character: as a hero, he also has presence and authority, and a natural lifelike quality. The most hard-working of Austen's heroes, he is also the least grand
42:
157:
Emma becomes very unhappy; finally it dawns on her that she loves Mr. Knightley—and has for a time, apparently unconsciously—and is distressed as she believes Mr. Knightley and
Harriet to be on the verge of marriage. Mr. Knightley is in London, visiting his brother John and sister-in-law Isabella
153:
In the course of the story, Emma believes that she falls briefly in love with a young, handsome man named Frank
Churchill. Mr. Knightley's jealousy of the latter is gradually uncovered: he makes several negative remarks about Churchill, and is concerned that Frank has had a negative influence on
123:
of modest means. Mr. Knightley's reprimand of Emma for this insult also demonstrates his affection and esteem for her as a friend. Another revealing incident is his anger with Emma for persuading
Harriet Smith to refuse Robert Martin's proposal of marriage, Martin being in Knightley's eyes an
110:, published in 1815. He is a landowner and gentleman farmer, though "having little spare money". A lifetime friend of Emma's, though nearly seventeen years older than she, he is one of the only characters willing to correct her when he believes her to be doing wrong.
128:
mentor for Emma, Knightley learns from his own desire for Emma and his jealousy-fuelled blunders - which brings the characters into a more realistic, egalitarian relationship, just as in their marriage
613:
124:
eminently suitable husband for
Harriet: the row that follows leaves the pair estranged for a time. But while in some respects serving as a
434:
507:
192:
618:
608:
566:
542:
210:
171:
550:
8:
558:
201:
167:
145:
427:
515:
219:
523:
239:
206:
463:
188:
412:
602:
586:
420:
257:
229:
473:
448:
235:
224:
125:
106:
47:
31:
443:
197:
101:
483:
215:
149:
1898 illustration of the wedding of George
Knightley and Emma Woodhouse
478:
176:
41:
500:
181:
120:
16:
Principal character in the novel Emma by Jane Austen
46:George Knightley as depicted in an illustration by
600:
442:
428:
185:, Josh Lucas, is based on George Knightley.
435:
421:
91:Donwell Abbey; after he marries, Hartfield
40:
144:
614:Literary characters introduced in 1815
601:
416:
161:
137:role as the leading local landowner.
100:is a principal character depicted by
140:
227:in the 2013 modernized adaptation,
13:
14:
630:
397:
384:
371:
364:Ronald Blythe, 'Introduction',
312:Ronald Blythe, 'Introduction',
358:
345:
332:
319:
306:
293:
280:
277:(London 1946) p. 69 and p. 235
267:
251:
218:in the 2010 Hindi adaptation,
179:'s character in the 1995 film
1:
245:
113:
7:
10:
635:
578:
535:
492:
456:
87:
79:
71:
63:
58:
39:
29:
24:
59:In-universe information
50:for an 1896 edition of
405:Talking of Jane Austen
394:(Oxford 2007) p. 170-1
288:Talking of Jane Austen
275:Talking of Jane Austen
150:
133:money will complement
407:(London 1946) p. 36-7
392:A Fine Brush on Ivory
381:(Penguin 1971) p. 243
301:A Fine Brush on Ivory
290:(London 1946) p. 87-8
264:(Penguin 1971) p. 223
148:
368:(Penguin 1971) p. 26
316:(Penguin 1971) p. 21
202:1996 British TV film
303:(Oxford 2007) p. 75
19:Fictional character
377:Ronald Blythe ed.
211:2009 BBC TV serial
193:1996 American film
162:Notable portrayals
151:
596:
595:
379:Jane Austen: Emma
366:Jane Austen: Emma
314:Jane Austen: Emma
262:Jane Austen: Emma
141:Role in narrative
95:
94:
626:
619:Fictional gentry
469:George Knightley
437:
430:
423:
414:
413:
408:
401:
395:
388:
382:
375:
369:
362:
356:
349:
343:
336:
330:
323:
317:
310:
304:
297:
291:
284:
278:
271:
265:
255:
207:Jonny Lee Miller
98:George Knightley
75:Landed gentleman
44:
25:George Knightley
22:
21:
634:
633:
629:
628:
627:
625:
624:
623:
609:Emma characters
599:
598:
597:
592:
574:
531:
488:
452:
441:
411:
403:S. Kaye-Smith,
402:
398:
389:
385:
376:
372:
363:
359:
351:G. Hecimovich,
350:
346:
337:
333:
325:G. Hecimovich,
324:
320:
311:
307:
298:
294:
286:S. Kaye-Smith,
285:
281:
273:S. Kaye-Smith,
272:
268:
256:
252:
248:
164:
143:
116:
54:
20:
17:
12:
11:
5:
632:
622:
621:
616:
611:
594:
593:
591:
590:
582:
580:
576:
575:
573:
572:
564:
556:
548:
539:
537:
533:
532:
530:
529:
521:
513:
505:
496:
494:
490:
489:
487:
486:
481:
476:
471:
466:
464:Emma Woodhouse
460:
458:
454:
453:
440:
439:
432:
425:
417:
410:
409:
396:
383:
370:
357:
344:
331:
329:(2008) p. 47-9
318:
305:
292:
279:
266:
249:
247:
244:
243:
242:
233:
222:
213:
204:
195:
189:Jeremy Northam
186:
174:
172:1972 TV serial
163:
160:
142:
139:
115:
112:
93:
92:
89:
85:
84:
83:John Knightley
81:
77:
76:
73:
69:
68:
65:
61:
60:
56:
55:
45:
37:
36:
27:
26:
18:
15:
9:
6:
4:
3:
2:
631:
620:
617:
615:
612:
610:
607:
606:
604:
589:
588:
587:Emma Approved
584:
583:
581:
577:
570:
569:
565:
562:
561:
557:
554:
553:
549:
546:
545:
541:
540:
538:
534:
527:
526:
522:
519:
518:
514:
511:
510:
506:
503:
502:
498:
497:
495:
491:
485:
482:
480:
477:
475:
472:
470:
467:
465:
462:
461:
459:
455:
451:
450:
445:
438:
433:
431:
426:
424:
419:
418:
415:
406:
400:
393:
387:
380:
374:
367:
361:
354:
353:Austen's Emma
348:
342:(2006) p. 110
341:
335:
328:
327:Austen's Emma
322:
315:
309:
302:
296:
289:
283:
276:
270:
263:
259:
258:Ronald Blythe
254:
250:
241:
237:
234:
232:
231:
230:Emma Approved
226:
223:
221:
217:
214:
212:
208:
205:
203:
199:
196:
194:
190:
187:
184:
183:
178:
175:
173:
169:
166:
165:
159:
155:
147:
138:
136:
132:
127:
122:
111:
109:
108:
104:in her novel
103:
99:
90:
86:
82:
78:
74:
70:
66:
62:
57:
53:
49:
43:
38:
34:
33:
28:
23:
585:
567:
559:
551:
543:
524:
516:
508:
499:
474:Mr Woodhouse
468:
447:
404:
399:
391:
390:R. Jenkyns,
386:
378:
373:
365:
360:
355:(2008) p. 27
352:
347:
340:Auto-poetica
339:
334:
326:
321:
313:
308:
300:
299:R. Jenkyns,
295:
287:
282:
274:
269:
261:
253:
236:Johnny Flynn
228:
225:Brent Bailey
180:
156:
152:
134:
130:
126:conduct book
117:
105:
97:
96:
51:
48:Hugh Thomson
30:
444:Jane Austen
198:Mark Strong
168:John Carson
102:Jane Austen
603:Categories
536:Television
484:Miss Bates
457:Characters
338:D. Lewes,
246:References
216:Abhay Deol
72:Occupation
479:Mr Weston
240:2020 film
177:Paul Rudd
114:Character
80:Relatives
35:character
552:Clueless
501:Clueless
182:Clueless
121:spinster
238:in the
209:in the
200:in the
191:in the
170:in the
571:(2009)
563:(1996)
555:(1996)
547:(1972)
528:(2020)
520:(2010)
512:(1996)
504:(1995)
64:Gender
579:Other
525:Emma.
517:Aisha
493:Films
220:Aisha
568:Emma
560:Emma
544:Emma
509:Emma
449:Emma
260:ed.
107:Emma
88:Home
67:Male
52:Emma
32:Emma
446:'s
135:his
131:her
605::
436:e
429:t
422:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.