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Because Currie had already lost a significant number of lead vocals to Jett by the time it was recorded, Fowley decided to have Fox and Currie sing the lead vocals together in an effort to appease Currie, but Fox recalled that "Cherie's voice and mine didn't blend well at all" and they gave up trying
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According to Jett, the lyrics of the song concern "a girl wanting to become a star knowing that you can become one." Doherty described it as "one of the weaker on the album", although Myers considered it one of the four songs that made up the "consistently enjoyable" stretch between "I Love Playin'
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Written by local songwriter Steven Tetsch, Fowley, and Currie together, Fox noted that the song was initially unpopular with the other four members of the band, but in 2000 remarked that upon further listening it was "actually one of the better songs on the album". Despite this, Doherty argued that
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features a total of ten songs that are evenly split between the two sides of the original vinyl record. Nine of the ten songs were written or co-written by members of the band themselves, while the other (the title track "Queens of Noise") was written specifically for the
Runaways, meaning that the
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According to Fox, Currie believed that the song had been written with the intention that she would sing the lead vocals, but Jett insisted on singing them and, with the support of the rest of the band, did so. However, according to Currie, she was unable to sing the lead vocals because she had an
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The
Runaways are partially obscured by smoke in the photograph that was used on the front cover of the album, which according to Fox was taken "at the last moment before we all started choking". The back cover features a similar photograph that is posed differently and does not include any smoke,
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After Fox suggested that the smoke-filled image would draw more attention on the front of the album, as well as noting the practical concern that it would not lend itself well to having the track listing and other notes printed over it, Mercury
Records agreed and switched the covers.
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In sharp contrast to the first two songs on the album, "Midnight Music" is a softer and more melodic song with Currie on lead vocals. She was quite happy with the finished version of the song, remarking that it "turned out more fantastic than I thought it would".
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The album's titular song has a "heavy" sound and features a distinctive riff as well as a guitar solo by Ford. The only song on the album that was not written or co-written by any of the
Runaways themselves, "Queens of Noise" was penned by Billy Bizeau of
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Both Fox and Andy
Doherty believe that this song in particular serves as a microcosm of the growing tension between Currie and Jett over the issue of lead vocals, a tension reflected by those duties being evenly split between the two on this album.
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According to Fox, Currie was infuriated by the decision to include Jett's version on the album, although as a compromise she was allowed to sing the first verse during live performances of the song while Jett sang the second verse.
470:, and vocals were then recorded later and ultimately mixed with the drum, bass, and rhythm guitar tracks to achieve the finished product. Ford used multiple techniques for recording her solos, including playing both through a mic'd
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Written singlehandedly by Jett, who also handles lead vocal duties on the song, "Take It or Leave It" challenges the title track in terms of strength and power with its "thunderous" drumming from West, who begins the song with a
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Ford and Fox were so displeased with the song that they both refused to record their respective instruments on the track, and with the support of Jett and West they helped ensure that it was not included in the finalized album.
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Currie's performance on lead vocals has been called "outstanding", although Fox observed that Currie hated to sing it live night after night because she had great difficulty repeatedly hitting the highest notes in the song.
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M. Barle ā hand clapping on "Queens of Noise" and "I Love Playin' With Fire" M. Gormley, B. Krayer ā hand clapping on "Queens of Noise" G. Zipperman, K. J. Smythe, Karls ā hand clapping on "I Love Playin' With Fire"
325:, most of it consists of the "heavy" guitar-driven tracks that have come to be seen as the Runaways' signature sound, although it also features two noticeably softer songs that have sometimes been described as early
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According to Fox, the
Runaways did much of the producing themselves, which resulted in a greater emphasis on volume as well as more musical sophistication than the "keep it simple" approach that Fowley preferred.
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The song has received both highly positive and highly negative reviews. Myers lamented that it is "not one of the best tracks" on the album, while Fox dismissed it as "almost as embarrassing as Johnny Guitar".
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Described by Jett as a chance "for Lita to show off her lead guitar work", the "seven minute epic" has been criticized as "an unnecessary use of vinyl" and a "doom-laden attempt at a slow blues number".
838:
It has also garnered positive reviews, however, including
Henderson's recognition of it being a "fine vehicle" for Ford's guitar playing and Moro's belief that it proved Ford "could actually play".
1509:ā rhythm guitar, 12-string guitar on "Born to be Bad", overdubbed first solo on "California Paradise", hand clapping on "Queens of Noise" and "I Love Playin' With Fire", lead and backing vocals
637:, along with the songs "Neon Angels On the Road to Ruin" and "I Love Playin' with Fire", while Jett noted that it "always went over really well" with audiences when it was played live.
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According to Fox, the recording and potential inclusion of "Hollywood Dream" on this album sparked a "true band rebellion" because only lead vocalist Currie wanted to see it released.
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features greater emphases on volume and musical sophistication. The album has received generally positive reviews and has remained the band's best-selling record in the United States.
1136:. In addition to the inclusion of the album version of "Hollywood", it also featured covers of "California Paradise", "Queens of Noise", and "I Love Playin' With Fire" recorded by
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It is an up-tempo song with Jett providing lead vocals that Myers describes as "divinely decadent", while it also features both a powerful riff and another guitar solo from Ford.
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Barry Myers praised it as "possible single material" while Fowley referred to it as "pure
Runaways", although Fox dismissed it as "one of my least favorite Runaways songs".
543:
The cover features all five of the
Runaways dressed in similar black shirts and pants, all "clinging to long, metallic shafts" in a design that Marianne Moro describes as a "
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Described simply as a "crunching heavy rock track" and "hard-ass rock", the song is considered by both
Henderson and Doherty to be one of the best tracks on the album.
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According to Fox, the band was contractually obligated to produce two studio albums each year for their label (Mercury Records), which led to the eventual release of
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during the latter's brief tenure as bassist, "Born to Be Bad" is very slow in tempo and features "unusually mellow" lead vocals from Jett for part of the song.
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With the singular exception of "Midnight Music", all of the songs on the album were recorded in the same fashion: drums, bass, and rhythm guitar (except for the
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After beginning with another opening drum fill from West, the song quickly becomes a guitar-driven "stomping rock track" with Currie on lead vocals and Jett
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Written by Fowley, Jett, West, and Kari Krome (Jett's friend and an important catalyst in the band's formation), "California Paradise" was the first of the
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While critics such as Myers recognized that the Runaways possessed "tremendous potential" going forward and eagerly anticipated their third studio album,
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Written by Fowley, Fox, and Jett, "Hollywood" features Jett on lead vocals for the fifth and final time on the album, while Fox provides backing vocals.
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The liner notes and back cover of the album refer to the sides as "Side One" and "Side Two", while the disc itself is stamped with "Side A" and "Side B".
606:
abortion shortly before the song was recorded, and by the time she had recovered and returned to the studio, Jett had already recorded the lead vocals.
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Doherty described the losses of the band's lead vocalist and bassist, respectively, as "a pity as they were both strong in their respective fields".
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which Fox notes was originally intended to grace the front of the album, while the eventual front image was initially planned to be put on the back.
489:, the Runaways also recorded two more during these sessions that did not ultimately make the final cut for the album: "Hollywood Dream" and "C'Mon".
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The concluding track "Johnny Guitar" was written by Fowley and Ford, and at 7:15 it is more than twice as long as all but one of the other songs on
1026:, Alex Henderson referred to it as the Runaways' "outstanding sophomore effort ... hard rock that pulls no punches either musically or lyrically".
695:
Fowley described it as reminiscent of a "European approach to heavy metal", while Fox viewed it as the band's "concession to Lita's heavy metal ."
816:
Myers described it as one of the album's two "tear-jerkers", along with "Midnight Music", and praised Currie's vocals as "irresistibly moody".
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Written by Ford, Fowley, and Fox, "Neon Angels on the Road to Ruin" is driven by a slow riff and a guitar solo that are both provided by Ford.
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Fowley described the lyrical content of the song as Jett's perspective on "getting ripped off and almost destroyed by superficial love".
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gave the album a grade of "Cā" and panned the Runaways as "bimbos" whose singing sounds out of tune. He amended the grade to a "C" for
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After their self-titled debut album achieved some critical and popular success in the summer of 1976, the Runaways retained the same
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The song also features hand clapping during the third verse, which the Runaways recorded with a group of friends that included
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and a frontwoman who fall in love but "can't stay together because each one has to go their own way to help their career".
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1515:ā bass guitar, hand clapping on "Queens of Noise", backing vocals on "Queen of Noise", "Take It Or Leave It", "Hollywood"
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It is a unique track on the album because the guitar solo is split between Jett, who plays the first portion, and Ford.
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and recorded the vocals without Fox. According to Currie, " wrote something and I rearranged it and wrote the melody".
198:
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it is not representative of the Runaways' style because it "lacks their spirit and rough around the edges approach".
498:, which included previously unreleased material that was not made public until after the Runaways' breakup in 1979.
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Fox remarked that it was "always a lot of fun to play" and that she thought that Ford's solo was "one of her best".
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Jett noted that the title of the song was derived from a lyric in the song "American Nights" from the album
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The first track on the second side of the original album, "I Love Playin' with Fire" is the second song on
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proved to be the best-performing of any of the Runaways' albums in the charts, reaching number 172 on the
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Fox even went so far as to declare it "without a question the single worst song the Runaways ever did".
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songs to be penned, and it was even one of the songs that Fox learned while auditioning for the band.
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Without Fox's knowledge or approval, Currie and Fowley then rewrote the lyrics to be about
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began, the increasingly poor relationship between the Runaways and their manager,
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2457:""The Runaways" Soundtrack: Stewart and Fanning, Plus Stooges, Bowie and More"
2143:
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Fox believed that Fowley intended the lyrics to refer at least in part to the
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2492:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 261.
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2247:(Motion picture). Dana Point, California: Sacred Dogs Entertainment Group.
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This article is about the Runaways album. For the British indie DJs, see
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Originally written by Ford and Fox, "Heartbeat" was conceived as a mock
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features an "improved studio sound" and recommended it to his readers.
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but Jett interpreted them as concerning homeless people living in the
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Uhelszki, Jaan (13 November 1976). Parnes, Sid (ed.). "The Coast".
1527:ā lead and backing vocals, tambourine and snare on "Midnight Music"
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Alex Henderson nonetheless deemed it a "classic" in his review for
332:
While stylistically similar to the band's self-titled debut album
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as a whole and declared that it "is a lot more listenable" than
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Both of these songs were eventually included on the 1980 album
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on a 22-song "2-for-1" CD that also included the entirety of
582:, while Fox felt that it is "not a very good album" overall.
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was recorded in November 1976 at Mankey's Brothers Studio in
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was the final studio album to feature either Currie or Fox.
1063:, Cherie Currie, Dakota Fanning and Kristen Stewart at the
463:
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and was initially intended to feature Fox on lead vocals.
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Fox praised it as "probably the best song on the album".
627:, and "powerful" guitar playing by both Ford and Jett.
702:
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2309:
Christgau's Record Guide: Rock Albums of the Seventies
1016:
Christgau's Record Guide: Rock Albums of the Seventies
760:' by the Beach Boys although musically it resembles a
809:
Jett described the lyrical content as the story of a
2535:"Swedishcharts.com ā The Runaways ā Queens of Noise"
2148:
Joan Jett and The Blackhearts Bad Reputation Nation
1132:Multiple songs from the album were featured in the
485:In addition to the ten songs that were released on
730:
617:
451:, a facility most famous for its association with
1693:(1533). New York: Record World Publishing Co: 79.
354:The Runaways' line-up that produced and recorded
317:album, although it also exhibits influences from
2833:
1521:ā drums, backing vocals on "Take It Or Leave It"
1125:in the United States. The eventual third album,
321:. While the album features a range of different
2345:"Queens of Noise ā The Runaways: Releases"
2138:
2136:
2094:"The Runaways: Neon Angels On The Road To Ruin"
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2132:
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1088:In 2008, it was included by Australian label
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2209:"The Runaways ā Queens Of Noise (1977)"
1152:Credits adapted from the album liner notes.
920:
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574:Jett described herself as "really proud" of
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1668:Catalog of Copyright Entries: Third series
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2004:"The Runaways Flaming Schoolgirls review"
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528:was released on three different formats:
2537:. Hung Medien. Retrieved June 30, 2024.
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1503:ā lead guitar, groan on "Johnny Guitar"
595:, the other band that Fowley managed.
478:. According to Fox, West did not use a
306:, released on January 7, 1977, through
14:
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1863:"The Runaways Queens of Noise review"
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34:1977 studio album by the Runaways
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2001:
1491:Adapted from the album liner notes.
2793:Edgeplay: A Film About the Runaways
2465:. February 26, 2010. Archived from
2270:. No. March 21. New York. 1977
2244:Edgeplay: A Film About the Runaways
1812:
960:
872:
24:
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2292:. Random House. 1992. p. 609.
2207:Doherty, Andy (October 25, 2009).
1745:
1740:online reproduction available here
25:
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2565:
2059:"THE RUNAWAYS: 'Queens of Noise'"
2057:Myers, Barry (January 22, 1977).
1902:. London: Rough Guides. pp.
1300:"Neon Angels on the Road to Ruin"
922:
685:"Neon Angels on the Road to Ruin"
256:"Neon Angels on the Road to Ruin"
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1955:"The Runaways - Queens of Noise"
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711:that was written by Jett alone.
567:album does not include any true
432:, most famous for his work with
2862:Albums produced by Earle Mankey
2490:Australian Chart Book 1970ā1992
2488:David Kent (historian) (1993).
2481:
2449:
2368:
2337:
2296:
2282:
1995:
1979:"The Runaways - Midnight Music"
1635:
1096:along with two selections from
1971:
1947:
1923:
1813:Fox, Jackie (August 4, 2000).
1387:Fowley, Jett, Kari Krome, West
1337:
1162:
1022:In a retrospective review for
558:
13:
1:
2857:Albums produced by Kim Fowley
2547:"The Runaways Chart History (
2513:"Top RPM Albums: Issue 5178b"
2418:"The Runaways: Awards ā
2290:The Rolling Stone Album Guide
2092:Moro, Marianne (April 2004).
1648:
915:The Rolling Stone Album Guide
658:Written by Fowley, West, and
345:
1621:
1607:
1595:
1581:
1486:
996:magazine's Barry Myers said
779:with Fire" and "Heartbeat".
439:
259:Released: February 25, 1977
7:
2559:. Retrieved June 30, 2024.
2525:. Retrieved June 30, 2024.
2523:Library and Archives Canada
1553:ā producer, engineer, mixer
1437:Currie, Ford, Fowley, Fox,
1048:as "a pop-metal pinnacle".
752:Fowley described it as an "
10:
2878:
1931:"The Runaways - Heartbeat"
1359:"I Love Playin' with Fire"
1033:"a real development" from
990:In a contemporary review,
746:with her on the choruses.
703:"I Love Playin' with Fire"
26:
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1003:In a negative review for
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2800:The Runaways (2010 film)
2775:Mama Weer All Crazee Now
2304:"Consumer Guide '70s: R"
1628:
1134:2010 film about the band
1044:, Peter Buckley praised
903:Christgau's Record Guide
449:Santa Monica, California
420:Before the recording of
247:Released: February 1977
235:Released: February 1977
2697:And Now... The Runaways
1899:The Rough Guide to Rock
1896:Buckley, Peter (2003).
1819:The Runaways Remembered
1587:Canada Top Albums/CDs (
1077:Between 1997 and 2011,
1042:The Rough Guide to Rock
2852:Mercury Records albums
1074:
1067:screening of the film
660:Michael "Micki" Steele
522:
474:and directly into the
379:
358:. From left to right,
2690:Waitin' for the Night
2656:Victory Tischler-Blue
2239:Victory Tischler-Blue
2099:Perfect Sound Forever
1918:A pop-metal pinnacle.
1384:"California Paradise"
1211:"Take It or Leave It"
1127:Waitin' for the Night
1099:Waitin' for the Night
1085:six separate times.
1059:
799:to record together.
731:"California Paradise"
618:"Take It or Leave It"
547:album cover theme".
516:
509:Release and packaging
353:
313:It's fundamentally a
276:Released: March 1977
2314:Ticknor & Fields
1532:Additional musicians
1029:Andy Doherty called
847:Professional ratings
417:on January 7, 1977.
2842:The Runaways albums
2729:Flaming Schoolgirls
2388:ravenrecords.com.au
2384:(2-for-1) RVCD-278"
1575:Australian Albums (
1333:
1158:
1129:, failed to chart.
1081:was re-released on
1052:Releases and legacy
848:
725:Rodney Bingenheimer
538:Stereo 8 track tape
495:Flaming Schoolgirls
406:(bass guitar), and
2721:Compilation albums
2580:(list of releases)
2213:Rock Album Reviews
2152:Blackheart Records
1331:
1156:
1075:
846:
842:Critical reception
523:
517:The back cover of
482:while recording.
384:five woman line-up
380:
2829:
2828:
2768:Eight Days a Week
2660:Laurie McAllister
2267:The Village Voice
2219:on March 10, 2012
2144:"Queens Of Noise"
1861:Henderson, Alex.
1815:"Queens of Noise"
1626:
1625:
1603:Sverigetopplistan
1577:Kent Music Report
1483:
1482:
1412:Fowley, Fox, Jett
1332:Side Two / Side B
1327:
1326:
1184:"Queens of Noise"
1157:Side One / Side A
1061:Floria Sigismondi
1006:The Village Voice
988:
987:
586:"Queens of Noise"
402:(rhythm guitar),
291:
290:
244:"Queens of Noise"
207:
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86:Brothers Studio (
16:(Redirected from
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2469:on March 1, 2010
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2436:Rovi Corporation
2414:
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2405:
2403:
2398:on March 4, 2016
2394:. Archived from
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2355:Rovi Corporation
2341:
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2262:"Consumer Guide"
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2215:. Archived from
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2014:Rovi Corporation
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1873:Rovi Corporation
1858:
1839:
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1825:. Archived from
1810:
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1601:Swedish Albums (
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1268:"Born to Be Bad"
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1236:"Midnight Music"
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758:California Girls
673:neighborhood of
654:"Born to Be Bad"
641:"Midnight Music"
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273:"Midnight Music"
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1462:"Johnny Guitar"
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1390:Currie and Jett
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1142:Kristen Stewart
1116:Queens of Noise
1107:Queens of Noise
1079:Queens of Noise
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1031:Queens of Noise
998:Queens of Noise
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844:
826:Queens of Noise
822:
820:"Johnny Guitar"
785:
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737:Queens of Noise
733:
709:Queens of Noise
705:
687:
656:
643:
620:
588:
576:Queens of Noise
564:Queens of Noise
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526:Queens of Noise
519:Queens of Noise
511:
487:Queens of Noise
445:Queens of Noise
442:
422:Queens of Noise
415:Queens of Noise
398:(lead guitar),
394:(lead vocals),
388:Queens of Noise
356:Queens of Noise
348:
340:Queens of Noise
308:Mercury Records
295:Queens of Noise
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70:January 7, 1977
62:
40:Queens of Noise
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29:Queens of Noize
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2566:External links
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1173:Lead vocals by
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1146:
1138:Dakota Fanning
1053:
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18:Midnight Music
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2713:Live in Japan
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2692:
2691:
2687:
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2680:
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2677:
2673:
2672:
2670:
2668:Studio albums
2666:
2659:
2657:
2654:
2652:
2649:
2647:
2646:Cherie Currie
2644:
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2499:0-646-11917-6
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2462:Rolling Stone
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2433:
2432:United States
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2392:Raven Records
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2015:
2011:
2010:
2005:
1998:
1984:
1983:dutchchrts.nl
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1959:dutchchrts.nl
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1935:dutchchrts.nl
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1913:1-84353-105-4
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1890:
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1870:
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1829:on 2015-11-21
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1741:
1738:liner notes (
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1573:
1565:Chart (1977)
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1552:
1549:
1546:
1543:
1542:
1541:
1540:
1536:
1533:
1526:
1525:Cherie Currie
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1270:
1267:
1263:
1251:
1248:
1245:
1241:
1240:Cherie Currie
1238:
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1219:
1216:
1213:
1210:
1206:
1194:
1192:
1189:
1186:
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1179:
1160:
1153:
1148:Track listing
1145:
1143:
1139:
1135:
1130:
1128:
1124:
1122:
1117:
1113:
1110:
1108:
1103:
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1100:
1095:
1091:
1090:Raven Records
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1049:
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919:
917:
916:
912:
911:
907:
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904:
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899:
869:
867:
864:
863:
855:
852:Review scores
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839:
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833:
829:
827:
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805:
800:
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545:stripper pole
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392:Cherie Currie
389:
385:
377:
376:Cherie Currie
373:
369:
365:
361:
357:
352:
343:
341:
337:
336:
330:
328:
327:power ballads
324:
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316:
311:
309:
305:
301:
297:
296:
286:
270:
253:
241:
229:
228:
225:
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200:
199:Live in Japan
196:
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137:
125:
121:
115:
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110:
107:
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99:
97:
93:
89:
85:
81:
78:November 1976
77:
73:
69:
65:
61:
56:
52:
48:
43:
38:
30:
19:
2813:
2798:
2791:
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2681:
2676:The Runaways
2674:
2636:Micki Steele
2615:The Runaways
2571:
2555:
2548:
2542:
2530:
2516:
2508:
2489:
2483:
2471:. Retrieved
2467:the original
2460:
2451:
2439:. Retrieved
2425:
2419:
2412:
2400:. Retrieved
2396:the original
2387:
2381:
2378:The Runaways
2377:
2370:
2358:. Retrieved
2348:
2339:
2327:. Retrieved
2307:
2298:
2289:
2284:
2272:. Retrieved
2265:
2242:
2233:
2221:. Retrieved
2217:the original
2212:
2155:. Retrieved
2147:
2103:. Retrieved
2097:
2068:. Retrieved
2062:
2017:. Retrieved
2007:
1997:
1986:. Retrieved
1982:
1973:
1962:. Retrieved
1958:
1949:
1938:. Retrieved
1934:
1925:
1917:
1898:
1876:. Retrieved
1866:
1831:. Retrieved
1827:the original
1818:
1690:
1687:Record World
1686:
1667:
1637:
1615:
1588:
1551:Earle Mankey
1538:
1537:
1531:
1530:
1495:Band members
1494:
1493:
1490:
1465:Fowley, Ford
1439:Earle Mankey
1187:Billy Bizeau
1151:
1131:
1126:
1120:
1115:
1114:
1111:
1106:
1104:
1097:
1094:The Runaways
1093:
1087:
1078:
1076:
1070:The Runaways
1068:
1045:
1041:
1040:In his book
1039:
1035:The Runaways
1034:
1030:
1028:
1021:
1014:
1004:
1002:
997:
991:
989:
951:
913:
901:
837:
834:
830:
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823:
815:
808:
801:
797:
786:
777:
774:
766:
762:Gary Glitter
751:
748:
741:
736:
734:
722:
719:
716:
713:
708:
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697:
694:
691:
688:
679:
664:
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648:
644:
632:
629:
621:
612:
608:
604:
600:The Runaways
599:
597:
589:
580:The Runaways
579:
575:
573:
563:
562:
553:
549:
542:
534:Musicassette
530:vinyl record
525:
524:
518:
503:
500:
493:
491:
486:
484:
476:mixing board
461:
457:
444:
443:
430:Earle Mankey
421:
419:
414:
412:
387:
381:
355:
339:
335:The Runaways
333:
331:
312:
304:the Runaways
294:
293:
292:
220:
197:
189:
188:
181:The Runaways
179:
168:The Runaways
161:Earle Mankey
88:Santa Monica
60:the Runaways
55:Studio album
2847:1977 albums
2747:Cherry Bomb
2707:Live albums
1434:"Heartbeat"
1409:"Hollywood"
804:David Bowie
793:Joey Ramone
783:"Heartbeat"
771:"Hollywood"
744:harmonizing
667:Vietnam War
559:Composition
480:click track
232:"Heartbeat"
2836:Categories
2761:Wild Thing
2651:Jackie Fox
2631:Sandy West
2323:089919026X
2019:August 28,
1988:2024-03-15
1964:2024-03-15
1940:2024-03-15
1878:August 28,
1649:References
1547:ā producer
1545:Kim Fowley
1539:Production
1519:Sandy West
1513:Jackie Fox
1308:Jackie Fox
1306:, Fowley,
1277:Sandy West
1244:Kim Fowley
764:record".
426:Kim Fowley
410:(drums).
408:Sandy West
404:Jackie Fox
372:Sandy West
368:Jackie Fox
346:Background
170:chronology
157:Kim Fowley
2641:Lita Ford
2626:Joan Jett
2556:Billboard
2549:Billboard
2473:March 16,
2420:Billboard
2329:March 12,
1734:Original
1616:Billboard
1570:position
1507:Joan Jett
1501:Lita Ford
1487:Personnel
1345:Writer(s)
1304:Lita Ford
1191:Joan Jett
1170:Writer(s)
1121:Billboard
1065:SXSW 2010
789:love song
671:Manhattan
625:drum fill
593:the Quick
472:amplifier
440:Recording
400:Joan Jett
396:Lita Ford
364:Joan Jett
360:Lita Ford
319:glam rock
315:hard rock
278:(Germany)
266:(Austria)
114:pop metal
109:glam rock
104:Hard rock
2820:Category
2427:AllMusic
2402:June 10,
2360:June 10,
2350:Allmusic
2316:. 1981.
2241:(2005).
2009:Allmusic
1868:AllMusic
1823:Blogspot
1271:Fowley,
1024:AllMusic
866:AllMusic
811:frontman
635:AllMusic
152:Producer
75:Recorded
67:Released
57: by
2578:Discogs
2441:June 9,
2422:Albums"
2274:June 7,
2223:June 9,
2157:June 9,
2105:June 9,
2070:June 9,
1833:June 9,
1671:. 1978.
261:(Japan)
217:Singles
203:(1977)
194:(1977)
185:(1976)
145:Mercury
2496:
2320:
2064:Sounds
1910:
1558:Charts
1468:Currie
1443:Currie
1351:Length
1312:Currie
1249:Currie
1176:Length
993:Sounds
953:Sounds
860:Rating
857:Source
754:answer
675:Bowery
569:covers
536:, and
374:, and
323:tempos
123:Length
83:Studio
2785:Films
2739:Songs
2551:200)"
1629:Notes
1342:Title
1167:Title
468:solos
464:riffs
302:band
264:1977
219:from
140:Label
96:Genre
2494:ISBN
2475:2010
2443:2012
2404:2012
2362:2012
2331:2019
2318:ISBN
2276:2015
2225:2012
2159:2012
2107:2012
2072:2012
2021:2011
1908:ISBN
1880:2011
1835:2012
1622:172
1568:Peak
1415:Jett
1365:Jett
1362:Jett
1281:Jett
1217:Jett
1214:Jett
1140:and
756:to '
386:for
300:rock
249:(UK)
237:(US)
2576:at
2518:RPM
1904:893
1618:200
1613:US
1608:28
1596:83
1590:RPM
1582:36
1459:10.
1338:No.
1163:No.
1123:200
828:.
791:to
571:.
540:.
455:.
329:.
2838::
2553:.
2521:.
2515:.
2459:.
2434::
2430:.
2424:.
2390:.
2386:.
2380:/
2353:.
2347:.
2312:.
2306:.
2264:.
2253:^
2211:.
2167:^
2150:.
2146:.
2115:^
2096:.
2080:^
2061:.
2029:^
2012:.
2006:.
1981:.
1957:.
1933:.
1916:.
1906:.
1888:^
1871:.
1865:.
1843:^
1821:.
1817:.
1747:^
1736:LP
1699:^
1691:33
1689:.
1677:^
1656:^
1605:)
1593:)
1579:)
1477:15
1452:49
1431:9.
1424:56
1406:8.
1399:52
1381:7.
1374:18
1356:6.
1321:23
1297:5.
1290:28
1275:,
1265:4.
1258:47
1242:,
1233:3.
1226:23
1208:2.
1201:26
1181:1.
1102:.
1083:CD
1019:.
1009:,
908:Cā
532:,
390::
370:,
366:,
362:,
338:,
310:.
159:,
132:37
128:36
2777:"
2773:"
2770:"
2766:"
2763:"
2759:"
2756:"
2752:"
2749:"
2745:"
2607:e
2600:t
2593:v
2502:.
2477:.
2445:.
2406:.
2376:"
2364:.
2333:.
2278:.
2227:.
2161:.
2109:.
2074:.
2023:.
1991:.
1967:.
1943:.
1882:.
1837:.
1742:)
1475::
1473:7
1450::
1448:2
1422::
1420:2
1397::
1395:2
1372::
1370:3
1319::
1317:3
1288::
1286:4
1256::
1254:2
1224::
1222:3
1199::
1197:3
1073:.
378:.
130::
90:)
31:.
20:)
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