394:”It goes back to an organic period when I had a closer association with some of those writers than I do now, when we were a generation in San Francisco with lots of poetic and theoretical energy and desperately trying to escape from the assumptions of poetic production that were largely dominant in our culture. My own hesitancy comes when you try to create, let's say, a fixed theoretical matrix and begin to work from an ideology of prohibitions about expressivity and the self — there I depart quite dramatically from a few of the Language Poets.”
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699:“One was that, when I was using language — but even when I wasn't, when I was simply envisioning a structure, for example — I was working with the idea of actual space. Over time, my own language took on a certain physicality or gestural character that it hadn't had as strongly in the earliest work. Margy (Margaret Jenkins) and I would often work with language as
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Palmer’s concern is “to maintain or at least continue the search for an ethics of the I/Thou." The poet must suffer 'loss', embrace disturbance and paradox, agonizing over what cannot be accounted for. Palmer will admit into his work that "essential errancy of discovery in the poem" that would not be
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For those who attended the
Vancouver Conference or learned about it later on, it was apparent that second-generation modernist poet Charles Olson was exerting a significant influence on the emerging generation of artists and poets (the so-called third-generation modernists) who came to prominence in
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Another recent collaboration with
Jenkins resulted in "Danger Orange", a 45-minute outdoor site-specific performance, presented in October 2004 before the presidential elections. The color orange metaphorically references the national alert systems that are in place that evoke the sense of danger.
428:"The implicit...question has always concerned the human and social justification for this strange thing, poetry, when it is not directly driven by the political or by some other, equally other evident purpose Whereas the significant artistic thrust has always been toward artistic independence
1513:, and from language poetries. He is one of the most original craftsmen at work in English at the present time. His poetry is at once a dark and comic interrogation of the possibilities of representation in language, but its continuing surprise is its resourcefulness and its sheer beauty." -
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Perhaps similar to Olson's and Duncan’s impact on their generation, Palmer's influence remains singular and palpable, if difficult to measure. For many decades now, Palmer has worked collaboratively in the fields of dance, translation, teaching, and the visual arts.
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a music", or a "nowhere" that is "now / here". For Palmer, poetry can "interrogate the radical and violent instability of our moment, asking where is the location of culture, where the site of self, selves, among others" (as Palmer has characterized the poetry of
1543:"Micaëla Henich's collection of 1003 india ink drawings, published under the title "Mille e tre", is accompanied by 5 writer-poet-thinkers who were asked each to write on 200 of the drawings in the series (the last three have no text). They are:
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The note on the website indicates that in this lecture, Michael Palmer is exploring translation and its aesthetic implications. The title refers to writers who refuse to submit to an authoritarian poetic or political reality. Palmer discusses
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in 2008 by the student editors of "Arch
Literary Journal" in conjunction with a talk and reading Palmer gave at the school. Includes an introductory essay by one of the editors, Lawrence Revard, "'What Reading?': Play in Michael Palmer's
213:(Providence, Rhode Island) numbered just three issues in all, published between 1964 and 1966, but it extended Palmer’s correspondence with fellow poets begun in Vancouver. The first issue appeared in Spring 1964 and included poems by
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1525:"Choose your euphemism for the work of Michael Palmer", writes columnist Anneli Rufus, "who has been busy in the Bay Area these past thirty years, writing and translating poetry and collaborating with painters and choreographers".
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If poetry and literature is, as Ezra Pound observed, "news that stays news," in his own work Palmer also wants to account for a subterranean or “counter-tradition”. He invokes the latter as a way to “think against” the prevailing
653:, an evening-length dance work in which Palmer worked with not only Ms. Jenkins, but also Paul Dresher and Rinde Eckert. This was performed in September 1993 in the San Francisco Bay Area and in July 1994 at New York's
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As for the modernist project, its legacy is something Palmer both resists and embraces. Palmer is candid about the towering figures of early modernism, the great inventors of the period, those who MAKE IT NEW (i.e.,
424:" as we delve "beneath it to its relationship with language". Here Palmer confronts not only the problem of subjectivity and public address, but the specific agency of poetry and its relationship with the political:
1493:, among those selecting Palmer to receive the award, wrote: "Michael Palmer is the foremost experimental poet of his generation and perhaps of the last several generations. A gorgeous writer who has taken cues from
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Introducing Palmer for a reading in 1996, Brighde
Mullins noted that his poetics is both “situated yet active.” Likewise, Palmer himself speaks of the poem on the page as signaling a "site of passages":
273:“...before meeting that group of poets in 1963 at the Vancouver Poetry Conference, I had begun to read them intensely, and they proposed alternatives to the poets I was encountering at that time at
337:(with translations by Koichiro Yamauchi), was published by Meltemia Press of Japan, to coincide with the Tokyo Poetry and Dance Festival. Palmer’s work has appeared in literary magazines such as
269:. The latter poets, such as Robert Creeley, Robert Duncan, and Denise Levertov would have an impact on the new generation of artists emerging in the 1970s, which included Palmer. Says Palmer:
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Palmer has been quoted as saying that Pound's fascism, Eliot's anti-semitism, and even Yeats' nostalgia lead one to suspect there is something harrowing "inscribed in the heart of modernism"
707:. And inevitably then, as I brought certain characteristics of my work to dance, and to dance structure and gesture, it started crossing over into my work. It added space to the poems.
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terms a "composition of the real.” And that might articulate a place for, and even spaces where, both the "poetic imaginary" is constituted and a possible social space is envisioned.
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article by
Deborah Jowitt on "A Slipping Glimpse", performed by the Margaret Jenkins Dance Company at the "Danspace Project" at Saint Mark's Church, October 4 through 6, 2007
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507:"How does the human break down so completely that the only alternative we have is to impose massive destruction and then...massive suffering among civilian populations?"
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this is a version of a talk Palmer gave in San
Francisco in February 1982. Scroll down to "Table of Contents" to find the Palmer selection. Here it appears in an
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as a summer course at the
University of B.C. There Palmer met writers and artists who would leave a mark on his own developing sense of a poetics, especially
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Michael Palmer's poetry has been described variously as abstract, intimate, elegant, hermetic, allusive, personal, political, speculative, and inaccessible.
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Michael Palmer began actively pursuing a career in poetry during the 1960s. Two events in the early sixties seem decisive to his development as a poet.
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spanned three weeks and involved about sixty people who had registered for a program of discussions, workshops, lectures, and readings designed by
687:, and curated her exhibition at the CUE Art Foundation (March 17 -April 23, 2005) Talbot, in turn, provided the cover art for Palmer’s collection
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Elsewhere, Palmer observes that "in our reading we have to rediscover the radical nature of the poem" and search for "the essential place of
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445:, and to have access to an 'alternative tradition' that slips under the radar of the Academy but exerts an underground influence.
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181:“The Vancouver Poetry Conference brought together for the first time, a decisive company of then disregarded poets such as
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578:, a project that grew out of Hocquard's translations of Palmer's "Baudelaire Series" into French. Palmer has written many
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a “unified narrative explanation of the self,” but would allow for “cloaked meaning and necessary semantic indirection.”
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Palmer has repeatedly stated, in interviews and talks over the years, that the situation for the poet and/or the poem is
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and visual space to be expressively exploited, as was the case with the Black
Mountain poets, as well as writers such as
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Besides the 2006 Wallace
Stevens Award, Michael Palmer's honors include two grants from the Literature Program of the
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Palmer has published translations from French, Russian, and
Brazilian Portuguese. He edited and helped translate
546:). But Palmer clearly states that there remains “something quite harrowing inscribed at the heart of modernism.”
360:
201:... together with as yet unrecognised younger poets of that time, Michael Palmer, Clark Coolidge and many more.”
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reprinted at the Poetry Foundation website where it is labeled 'a poetics essay'. Includes a brief bio sketch.
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566:. With Michael Molnar and John High, Palmer helped edit and translate a volume of poetry by the Russian poet
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struck me as people absolutely lusting for fame, all of them, and they were all trying to write great lines.”
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First, Palmer attended the Vancouver Poetry Conference in 1963. This July–August 1963 Poetry Conference in
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889:, Druksel (Ghent, Belgium), 2009 (chapbook with 10 new poems, inspired by the Russian poet Gennadiy Aygi.
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Although it was published in June 2016, various sources had originally reported a release date of 2015.
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695:(2006). When asked how collaboration has pushed or shaped the boundaries of his work, Palmer responded:
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The second decisive event in Palmer’s early career as a poet began with the editing of the journal
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Michael Palmer: New poems from 'The Laughter of the Sphinx,' for Mac Low, Tcherepnin, & Artaud
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177:, with whom he formed lifelong friendships. It was a landmark moment as Robert Creeley observed:
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2006 dance piece in collaboration with Tanushree Shankar Dance School & the text by Palmer
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This is the title of the lecture/talk that Palmer gave, along with a poetry reading, at the
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and its relation to human consciousness and perception, Palmer is often associated with the
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1559:. Derrida's appeared in "Mille e tre, cinq: Lignées" (published by William Blake & Co.)
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482:: a seeing which is blind, a "nothing you can see", an "active waiting", "purposive,
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Palmer is the author of fourteen full-length books of poetry, beginning in 1972 with
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Ramey wrote a doctoral dissertation on Palmer, and here reviews his "Selected Poems"
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Lecture & Talk given in June 2002, when Palmer taught for a brief stint at the
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Late Night Poetry @ Tony Bilson's Number One: Palmer reads "The Dream of Narcissus"
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These are not one-off collaborations for Palmer: they are on-going. It may be that
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574:(Avec Books, 1994). And he translated "Theory of Tables" (1994), a book written by
277:, the confessional poets, whose work was grounded to a greater or lesser degree in
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and her Dance Company. Early dance scenarios in which Palmer participated include
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Michael Palmer, Paul Hoover with the poetry of Maria Baranda - September 27, 2015
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and gesture as language---we would cross these two media, have them join at some
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1177:(which Palmer edited in 1983, with the subtitle "Recent Writings in Poetics").
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1997:
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info on both Palmer & his collaborators in their on-going work with Dance
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146:. This award recognizes outstanding and proven mastery in the art of poetry.
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While some reviewers or readers may value Palmer's work as an "extension of
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Hands Across Many Seas: From San Francisco and India, a dance collaboration
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conducted by Paul Naylor, Lindsay Hill, and J. P. Craig; appeared in 1994.
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Since the 1970s, Palmer has collaborated on over a dozen dance works with
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Cadenciando-um-ning, um samba, para o outro: poemas, traduções, diálogos
649:, 1984. A noteworthy example of a Jenkins/Palmer collaboration might be
1974:
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discuss Michael Palmer's work as recorded by Vasiliki Katsarou at the
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Nothing The Sun Could Not Explain: Twenty Contemporary Brazilian Poets
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Boundary 2, Berkeley Poetry Review, Sulfur, Conjunctions, Grand Street
1985:
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128:
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Poetry and Contingency: Within a Timeless Moment of Barbaric Thought
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Writer's Award. From 1999 to 2004, he served as a Chancellor of the
390:. Of this particular association, Palmer comments in an interview:
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introductory remarks made before his reading on December 10, 1999
1609:. The lecture concludes with a brief question and answer session.
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241:. Palmer published five of his own poems in the second number of
2019:(biography) - 2006, Gale Reference Team, Publisher: Thomson Gale
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Video of Palmer at the 2010 Sydney (Australia) Writers Festival.
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with a wide range of painters. These include the German painter
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Griffin Poetry Prize biography, including audio and video clips
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1122:
Michael Palmer reads Mahmoud Darwish's "The Strangers' Picnic"
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Fred Wah’s recordings of the 1963 Vancouver Poetry Conference
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Similar to his friendship with Robert Duncan and the painter
535:
1797:"Department of English :: University at Buffalo |"
1425:. Article discusses Palmer's collaboration (includes quotes)
416:, perhaps partly in response to gestural abstract painting."
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magazine, for which Palmer served as a contributing editor.
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77:
1333:, a bookstore in Berkeley, California; includes interviews
991:
includes links to on-line poems by Palmer not listed below
333:
was published in 1999. In the spring of 2007, a chapbook,
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article from Hindustantimes.com on the dance performance
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Michael Palmer's "Introduction" to a combined edition of
1201:
text of Palmer's keynote address given at the 3rd Annual
965:, Avec Books (Penngrove, California), 1999 — prose/memoir
781:, Black Sparrow Press (Santa Barbara, California), 1977.
764:, Black Sparrow Press (Santa Barbara, California), 1974.
758:, Black Sparrow Press (Santa Barbara, California), 1973.
1369:
408:"The space of the page is taken as a site in itself, a
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poetry reading at "Small Press Traffic", San Francisco
1053:(ed. David Breskin, The Shifting Foundation, SF MOMA:
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Margaret Jenkins Dance Company's "A Slipping Glimpse"
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Fellows of the American Academy of Arts and Sciences
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1968:
1966:
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East Bay Express's Events Column (November 29, 2006)
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Poetic Obligations (Talking about Nothing at Temple)
1246:"In Company: On Artistic Collaboration and Solitude"
959:, North Atlantic Books (Berkeley, California), 1983.
804:, North Atlantic Books (Berkeley, California), 1983.
1279:in February 1999, and was originally published in
1238:Held on October 5, 2006, in the Morrison Library,
1150:. He also reads a single poem from his collection
736:, Barn Dreams Press (Boston, Massachusetts), 1971.
526:", some criticize Palmer's work as discordant: an
1963:
1946:"Chicago Postmodern Poetry Profile and Interview"
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1572:noted a 2015 publication by New Directions here:
816:, North Point Press (Berkeley, California), 1988.
810:, North Point Press (Berkeley, California), 1984.
793:, North Point Press (Berkeley, California), 1981.
775:, Sand Dollar Books (Berkeley, California), 1976.
752:, Sand Dollar Books (Berkeley, California), 1973.
2103:
2048:"Druksel, een uitgeverij van bibliofiele boeken"
1722:"Finding Aid for the Joglars Records, 1963-1966"
135:. Palmer has lived in San Francisco since 1969.
127:since the 1970s and has collaborated with many
1252:in October 2006. (In audio & video format)
1135:Unfortunately, It Was Paradise: Selected Poems
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1948:. Chicagopostmodernpoetry.com. Archived from
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1662:
1660:
1407:Palmer was shortlisted for this prize in 2006
1376:Lauri Ramey:"Michael Palmer: The Lion Bridge"
971:, New Directions (New York, New York), 2008.
932:. New Directions (New York, New York), 2021.
919:, New Directions (New York, New York), 2016.
906:, New Directions (New York, New York), 2011.
876:, New Directions (New York, New York), 2005.
844:, New Directions (New York, New York), 2001.
1763:The River City Interview with Michael Palmer
1198:"On the Sustaining of Culture in Dark Times"
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1006:(in English) Palmer was a guest of the ILB (
982:
969:Active Boundaries: Selected Essays and Talks
838:, New Directions (New York, New York), 2000.
832:, New Directions (New York, New York), 1998.
787:, Tuumba Press (Berkeley, California), 1980.
42:Reading at Lannan Poetry Series (March 2015)
1281:Fulcrum: An annual of poetry and aesthetics
1014:An internet bibliography for Michael Palmer
957:Code of Signals: Recent Writings in Poetics
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19:For other people named Michael Palmer, see
1998:Collector's Items for fans and adversaries
1931:Robert Duncan, from his "Introduction" to
1823:
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1260:Jack Kerouac School of Disembodied Poetics
870:, Atelieì Editorial (Cotia, Brazil), 2001.
830:The Lion Bridge: Selected Poems, 1972-1995
379:Prize from the Poetry Society of America.
306:(2005) (shortlisted for the 2006 Canadian
36:
2082:Hollander, Benjamin (30 September 2016).
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1429:Palmer is Spring 2007 Writer in Residence
1401:a book review of Palmer's 2005 collection
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375:. In the spring of 2001 he received the
281:, at least those were their mentors. The
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1077:magazine's on-line archive; included in
989:Exhibit at The Academy of American Poets
680:Palmer has also worked with painter and
382:Since he seems to explore the nature of
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16:American poet and translator (born 1943)
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1814:
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1289:essay/talk originally published in the
1256:Bad to the bone: What I learned outside
1192:Michael Palmer audio-files at PENNsound
1008:Internationales Literatufestival Berlin
1002:Internationales Literatufestival Berlin
715:via collaboration becomes part of what
367:. During the years 1992–1994 he held a
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2015:"Biography - Palmer, Michael (1943-)"
1862:
1187:"Robert Duncan and Romantic Synthesis"
530:(to invoke Robert Duncan's phrase).
265:the 1950s and 1960s, and included the
209:alongside fellow poet Clark Coolidge.
1881:– via journals.openedition.org.
802:Jonah Who Will Be 25 in the Year 2000
494:
1863:Palmer, Michael (December 1, 2020).
1853:
1743:"On Robert Duncan-by Michael Palmer"
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1240:University of California at Berkeley
1146:and from his forthcoming collection
1129:Video of Palmer reading a poem from
454:And the poem, from its homeless home
302:. Other notable collections include
138:Palmer is the 2006 recipient of the
1799:. Wings.buffalo.edu. Archived from
1363:
13:
1847:"Poetry: The News that Stays News"
1438:Michael Palmer (Six Introductions)
1349:"An interview with Michael Palmer"
1341:Washington University in St. Louis
1055:San Francisco Museum of Modern Art
767:(Translator, with Geoffrey Young)
746:(Santa Barbara, California), 1972.
14:
2193:
2182:21st-century American translators
2177:20th-century American translators
2097:
1325:discusses a reading Palmer &
1028:"Dream of a Language That Speaks"
900:, Druksel (Ghent, Belgium), 2010.
842:Codes Appearing: Poems, 1979-1988
553:
468:from the poem "Night Gardening",
369:Lila Wallace-Reader's Digest Fund
245:, an issue that included work by
1460:Lyric Persuasions at Poets House
1382:A Collision of "Possible Worlds"
1313:An Interview with Michael Palmer
1086:To the Title (Are there titles?)
589:He has participated in multiple
501:
460:writes of blindsight and silence
447:
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2061:
2040:
2022:
2009:
1991:
1938:
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1907:
1878:10.4000/sillagescritiques.10437
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1676:, at Slought Foundation website
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1537:
1528:
1519:
1214:"Ground Work: On Robert Duncan"
930:Little Elegies for Sister Satan
722:
361:National Endowment for the Arts
300:Little Elegies for Sister Satan
298:and most recently in 2021 with
91:poetry, prose, "analytic lyric"
21:Michael Palmer (disambiguation)
1735:
1714:
1679:
1641:
1622:
1484:
1433:California College of the Arts
1370:Margaret Jenkins Dance Company
1275:This is a talk Palmer gave at
796:(Translator) Alain Tanner and
773:Relativity of Spring: 13 Poems
1:
1616:
1337:Interview with Michael Palmer
1203:Sustainable Living Conference
1142:– Palmer reads from his book
673:, Palmer's work with painter
528:interruption of our composure
149:
2069:"The Laughter of the Sphinx"
1629:The Flower of Capital (1979)
1515:Press release from poets.org
1010:/ Germany) in 2001 and 2005.
352:Palmer (center) at the 2009
7:
2172:20th-century American poets
2167:21st-century American poets
2017:Contemporary Authors Online
1724:. Oac.cdlib.org. 1939-02-26
1223:Ground Work II: In the Dark
1219:Ground Work: Before the War
1166:Period (senses of duration)
995:Modern American Poetry site
826:(New York, New York), 1995.
665:Painters and visual artists
159:Vancouver, British Columbia
10:
2198:
2162:Writers from San Francisco
2157:Writers from New York City
2147:American magazine founders
1768:September 6, 2005, at the
1687:"Electronic Poetry Center"
1339:an interview conducted at
1236:by Michael Palmer: Webcast
1185:reprint of Palmer's essay
1148:The Laughter of the Sphinx
917:The Laughter of the Sphinx
111:(born May 11, 1943) is an
18:
2152:Harvard University alumni
1919:November 1, 2006, at the
1829:"JUBILAT | number 1"
1507:contemporary French poets
1351:. Litshow.com. 2013-02-13
1159:Selected essays and talks
1105:'s March/April 2010 issue
983:Palmer sites and exhibits
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651:The Gates (Far Away Near)
373:Academy of American Poets
144:Academy of American Poets
95:
87:
73:
47:
35:
28:
2050:. Druksel.be. 2003-11-06
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1020:
1016:from LiteraryHistory.com
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856:together in one volume.
608:
399:Themes and writing style
1315:by Robert Hicks in 2006
1207:Evergreen State College
866:(With RĂ©gis Bonvicino)
2132:English-language poets
1935:(New Directions, 1968)
1467:Zoketsu Norman Fischer
1298:Interviews with Palmer
709:
438:
418:
396:
363:. In 1989-90 he was a
356:
354:Brooklyn Book Festival
287:
203:
173:, Robert Creeley, and
1473:in the Spring of 2010
1386:The Promises of Glass
1321:Berkeley Daily Planet
1250:University of Chicago
1079:The Promises of Glass
836:The Promises of Glass
734:Plan of the City of O
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627:No One but Whitington
426:
406:
392:
377:Shelly Memorial Prize
351:
312:The Promises of Glass
271:
179:
140:Wallace Stevens Award
2137:American translators
1835:on October 18, 2005.
1654:accessed 30 Aug 2009
1499:Black Mountain poets
1418:Cultural camaraderie
1306:River City Interview
1152:The Company of Moths
952:(radio plays), 1979.
689:The Company of Moths
331:The Danish Notebook,
308:Griffin Poetry Prize
290:Work and recognition
2122:American male poets
1599:Friedrich Hölderlin
1431:press release from
1234:Lunch Poems reading
1049:first published in
963:The Danish Notebook
846:Notes for Echo Lake
791:Notes for Echo Lake
744:Black Sparrow Press
601:and French painter
324:Notes for Echo Lake
64:Manhattan, New York
2088:The New York Times
2034:CUE Art Foundation
2003:2007-09-25 at the
1984:(see also article:
1980:2005-10-18 at the
1975:JUBILAT | number 1
1900:2005-02-21 at the
1869:Sillages Critiques
1783:2005-10-18 at the
1745:. English.uiuc.edu
1672:2007-02-10 at the
1650:2010-04-07 at the
1634:2010-04-19 at the
1551:, Michael Palmer,
1549:Dominique Fourcade
1423:A Slipping Glimpse
1388:by Michael Dowdy @
1173:representation of
1091:Jacket Magazine 33
762:The Circular Gates
597:, Italian painter
568:Alexei Parshchikov
495:Critical reception
357:
283:confessional poets
267:New American poets
125:Contemporary dance
121:Harvard University
1595:Stéphane Mallarmé
1570:Jerome Rothenberg
1509:, the poetics of
1440:a brief essay by
1384:A 2002 review of
1329:gave together at
1277:Temple University
1268:Boulder, Colorado
1065:"Autobiography 3"
925:978-0-8112-2554-0
912:978-0-8112-1921-1
882:978-0-8112-1623-4
862:978-0-8112-1470-4
639:Versions by Turns
631:Red, Yellow, Blue
576:Emmanuel Hocquard
520:
519:
476:
475:
365:Guggenheim Fellow
227:Jonathan Williams
193:, Robert Duncan,
106:
105:
102:, Language poetry
96:Literary movement
2189:
2092:
2091:
2079:
2073:
2072:
2065:
2059:
2058:
2056:
2055:
2044:
2038:
2037:
2030:"Augusta Talbot"
2026:
2020:
2013:
2007:
1995:
1989:
1972:
1961:
1960:
1958:
1957:
1942:
1936:
1929:
1923:
1911:
1905:
1892:
1883:
1882:
1880:
1865:"Coda: The Open"
1860:
1851:
1850:
1843:
1837:
1836:
1831:. Archived from
1825:
1812:
1811:
1809:
1808:
1793:
1787:
1778:
1772:
1760:
1754:
1753:
1751:
1750:
1739:
1733:
1732:
1730:
1729:
1718:
1712:
1711:
1706:. Archived from
1704:"Michael Palmer"
1700:
1691:
1690:
1683:
1677:
1664:
1655:
1645:
1639:
1626:
1610:
1582:
1576:
1566:
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1541:
1535:
1532:
1526:
1523:
1517:
1488:
1442:Clayton Eshleman
1398:Company of Moths
1364:Others on Palmer
1359:
1357:
1356:
1283:(Issue 2, 2003).
1242:: webcast online
1209:in February 2004
1182:On Robert Duncan
1123:
1111:
1096:four poems from
1059:Company of Moths
1033:Company of Moths
874:Company of Moths
769:Vicente Huidobro
615:Margaret Jenkins
502:
470:Company of Moths
448:
304:Company of Moths
231:Lorine Niedecker
61:
57:
55:
40:
26:
25:
2197:
2196:
2192:
2191:
2190:
2188:
2187:
2186:
2102:
2101:
2100:
2095:
2080:
2076:
2071:. 28 June 2016.
2067:
2066:
2062:
2053:
2051:
2046:
2045:
2041:
2028:
2027:
2023:
2014:
2010:
2005:Wayback Machine
1996:
1992:
1982:Wayback Machine
1973:
1964:
1955:
1953:
1944:
1943:
1939:
1933:Bending the Bow
1930:
1926:
1921:Wayback Machine
1912:
1908:
1902:Wayback Machine
1893:
1886:
1861:
1854:
1845:
1844:
1840:
1827:
1826:
1815:
1806:
1804:
1795:
1794:
1790:
1785:Wayback Machine
1779:
1775:
1770:Wayback Machine
1761:
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1746:
1741:
1740:
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1727:
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1715:
1702:
1701:
1694:
1685:
1684:
1680:
1674:Wayback Machine
1665:
1658:
1652:Wayback Machine
1646:
1642:
1636:Wayback Machine
1627:
1623:
1619:
1614:
1613:
1591:Herman Melville
1583:
1579:
1567:
1563:
1557:Jacques Roubaud
1545:Jacques Derrida
1542:
1538:
1533:
1529:
1524:
1520:
1495:Wallace Stevens
1489:
1485:
1480:
1366:
1354:
1352:
1347:
1323:: April 7, 2006
1300:
1225:, published by
1175:Code of Signals
1161:
1131:Mahmoud Darwish
1121:
1109:
1073:two poems from
1069:Autobiography 5
1057:); included in
1038:Jacket Magazine
1023:
1000:Author Page at
985:
946:
898:Truths of Stone
730:
725:
691:(2005) and for
677:is important.
667:
611:
595:Gerhard Richter
556:
497:
432:the world, not
401:
335:The Counter-Sky
292:
259:Jackson Mac Low
223:Fielding Dawson
219:Michael McClure
195:Margaret Avison
183:Denise Levertov
152:
62:
59:
53:
51:
43:
31:
24:
17:
12:
11:
5:
2195:
2185:
2184:
2179:
2174:
2169:
2164:
2159:
2154:
2149:
2144:
2139:
2134:
2129:
2127:Language poets
2124:
2119:
2114:
2099:
2098:External links
2096:
2094:
2093:
2074:
2060:
2039:
2021:
2008:
1990:
1962:
1937:
1924:
1906:
1884:
1852:
1838:
1813:
1788:
1773:
1755:
1734:
1713:
1710:on 2023-10-04.
1692:
1678:
1656:
1640:
1620:
1618:
1615:
1612:
1611:
1587:Arthur Rimbaud
1577:
1561:
1536:
1527:
1518:
1482:
1481:
1479:
1476:
1475:
1474:
1463:Rae Armantrout
1457:
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1414:
1408:
1402:
1393:
1379:
1373:
1365:
1362:
1361:
1360:
1345:
1334:
1327:Douglas Blazek
1316:
1310:
1299:
1296:
1295:
1294:
1291:Chicago Review
1284:
1270:
1253:
1243:
1230:
1229:in April 2006.
1227:New Directions
1210:
1194:
1189:
1178:
1160:
1157:
1156:
1155:
1137:
1133:'s collection
1118:
1106:
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997:
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945:
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940:
927:
914:
901:
894:Jan Lauwereyns
890:
884:
871:
864:
839:
833:
827:
824:New Directions
817:
811:
805:
794:
788:
782:
776:
765:
759:
753:
747:
740:Blake's Newton
737:
729:
726:
724:
721:
685:Augusta Talbot
666:
663:
655:Lincoln Center
635:Straight Words
610:
607:
603:Micaëla Henich
591:collaborations
555:
554:Collaborations
552:
518:
517:
515:Michael Palmer
511:
510:
509:
508:
496:
493:
474:
473:
465:
464:
463:
462:
457:
400:
397:
388:Language poets
329:A prose work,
296:Blake's Newton
291:
288:
239:Louis Zukofsky
191:Allen Ginsberg
175:Clark Coolidge
167:Robert Creeley
163:Warren Tallman
151:
148:
133:visual artists
119:. He attended
109:Michael Palmer
104:
103:
97:
93:
92:
89:
85:
84:
75:
71:
70:
49:
45:
44:
41:
33:
32:
30:Michael Palmer
29:
15:
9:
6:
4:
3:
2:
2194:
2183:
2180:
2178:
2175:
2173:
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2155:
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2150:
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2145:
2143:
2140:
2138:
2135:
2133:
2130:
2128:
2125:
2123:
2120:
2118:
2117:Living people
2115:
2113:
2110:
2109:
2107:
2089:
2085:
2078:
2070:
2064:
2049:
2043:
2035:
2031:
2025:
2018:
2012:
2006:
2002:
1999:
1994:
1987:
1983:
1979:
1976:
1971:
1969:
1967:
1952:on 2011-07-08
1951:
1947:
1941:
1934:
1928:
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1859:
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1842:
1834:
1830:
1824:
1822:
1820:
1818:
1803:on 2009-04-16
1802:
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1371:
1368:
1367:
1350:
1346:
1342:
1338:
1335:
1332:
1328:
1324:
1322:
1319:Interview at
1317:
1314:
1311:
1308:
1307:
1302:
1301:
1292:
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1285:
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1124:
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1104:
1103:Boston Review
1100:
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1087:
1083:
1080:
1076:
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1005:
1003:
998:
996:
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987:
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978:
977:0-8112-1754-X
974:
970:
967:
964:
961:
958:
954:
951:
948:
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939:
938:9780811230896
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851:
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840:
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834:
831:
828:
825:
821:
818:
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812:
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806:
803:
799:
795:
792:
789:
786:
783:
780:
779:Without Music
777:
774:
770:
766:
763:
760:
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748:
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741:
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732:
731:
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708:
706:
702:
696:
694:
690:
686:
683:
682:visual artist
678:
676:
675:Irving Petlin
672:
662:
658:
656:
652:
648:
644:
640:
636:
632:
628:
624:
620:
619:Interferences
616:
606:
604:
600:
596:
592:
587:
585:
582:and works of
581:
577:
573:
569:
565:
560:
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547:
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541:
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531:
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336:
332:
327:
325:
321:
317:
313:
309:
305:
301:
297:
286:
284:
280:
279:New Criticism
276:
270:
268:
262:
260:
256:
255:Russell Edson
252:
251:Stan Brakhage
248:
244:
240:
236:
232:
228:
224:
220:
216:
212:
208:
202:
200:
199:Philip Whalen
196:
192:
188:
187:Charles Olson
184:
178:
176:
172:
171:Robert Duncan
168:
164:
160:
155:
147:
145:
141:
136:
134:
130:
126:
122:
118:
114:
113:American poet
110:
101:
98:
94:
90:
86:
83:
79:
76:
72:
69:
65:
60:(age 81)
50:
46:
39:
34:
27:
22:
2087:
2077:
2063:
2052:. Retrieved
2042:
2033:
2024:
2016:
2011:
1993:
1954:. Retrieved
1950:the original
1940:
1932:
1927:
1909:
1868:
1841:
1833:the original
1805:. Retrieved
1801:the original
1791:
1776:
1758:
1747:. Retrieved
1737:
1726:. Retrieved
1716:
1708:the original
1681:
1643:
1624:
1580:
1564:
1539:
1530:
1521:
1503:John Ashbery
1486:
1471:Poet's House
1445:
1422:
1417:
1397:
1396:A review of
1389:
1385:
1353:. Retrieved
1330:
1320:
1305:
1293:(June, 2003)
1233:
1222:
1218:
1213:
1202:
1197:
1186:
1181:
1174:
1165:
1151:
1147:
1143:
1134:
1097:
1090:
1089:included in
1085:
1078:
1075:Conjunctions
1074:
1068:
1064:
1058:
1050:
1045:
1036:
1032:
1031:a poem from
1027:
1007:
1001:
968:
962:
956:
949:
929:
916:
903:
897:
886:
873:
867:
853:
850:First Figure
849:
845:
841:
835:
829:
819:
813:
808:First Figure
807:
801:
790:
784:
778:
772:
761:
755:
749:
739:
733:
723:Bibliography
710:
698:
692:
688:
679:
671:Jess Collins
668:
659:
650:
647:First Figure
646:
645:, 1982; and
643:Cortland Set
642:
638:
634:
630:
626:
622:
618:
612:
588:
572:Blue Vitriol
571:
563:
561:
557:
548:
532:
527:
521:
514:
498:
489:Myung Mi Kim
483:
477:
469:
459:
453:
439:
433:
429:
427:
422:lyric poetry
419:
414:Frank O'Hara
407:
402:
393:
381:
358:
342:
338:
334:
330:
328:
323:
322:(1988), and
319:
315:
311:
303:
299:
295:
293:
272:
263:
247:Larry Eigner
242:
235:Robert Kelly
210:
206:
204:
180:
156:
153:
137:
108:
107:
58:May 11, 1943
2112:1943 births
1603:Octavio Paz
1553:Tom Raworth
1511:Octavio Paz
1491:Robert Hass
1444:who edited
1051:Richter 858
887:Aygi Cycle
820:At Passages
798:John Berger
717:Jack Spicer
599:Sandro Chia
580:radio plays
480:parodoxical
410:syntactical
316:At Passages
215:Gary Snyder
2106:Categories
2054:2011-06-18
1956:2011-06-18
1807:2013-04-23
1749:2011-06-18
1728:2011-06-18
1617:References
1607:Paul Celan
1390:Free Verse
1355:2013-04-23
713:friendship
623:Equal Time
150:Beginnings
117:translator
100:postmodern
82:translator
74:Occupation
54:1943-05-11
1986:modernism
1035:(2005) @
955:(Editor)
756:Six Poems
750:C's Songs
584:criticism
524:modernism
484:sometimes
326:(1981).
142:from the
129:composers
2084:"Poetry"
2001:Archived
1978:Archived
1917:Archived
1898:Archived
1781:Archived
1766:Archived
1670:Archived
1648:Archived
1632:Archived
1344:Poetics"
950:Idem 1-4
641:, 1980;
637:, 1980;
633:, 1980,
629:, 1978;
625:, 1976;
621:, 1975;
384:language
318:(1996),
314:(2000),
1392:website
1127:YouTube
1115:YouTube
1046:"Scale"
701:gesture
472:(2005)
275:Harvard
243:Joglars
211:Joglars
207:Joglars
1871:(29).
1497:, the
1447:Sulfur
1264:Naropa
1221:, and
1171:e-book
1144:Thread
1098:Thread
1081:(2000)
1067:&
975:
936:
923:
910:
904:Thread
892:(With
880:
860:
852:, and
785:Alogon
728:Poetry
693:Thread
430:within
343:O-blek
257:, and
237:, and
1478:Notes
1331:Moe's
1101:from
1021:Poems
944:Other
705:nexus
609:Dance
544:Pound
540:Eliot
536:Yeats
88:Genre
1605:and
1465:and
1304:The
1041:site
1004:site
973:ISBN
934:ISBN
921:ISBN
908:ISBN
878:ISBN
858:ISBN
542:and
443:doxa
436:it."
434:from
341:and
165:and
131:and
115:and
78:Poet
68:U.S.
48:Born
1873:doi
1266:in
1262:at
1205:at
1125:on
1113:on
854:Sun
814:Sun
657:.
605:.
491:).
320:Sun
310:),
2108::
2086:.
2032:.
1965:^
1887:^
1867:.
1855:^
1816:^
1695:^
1659:^
1601:,
1597:,
1593:,
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848:,
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800:,
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570:,
538:,
345:.
261:.
253:,
249:,
233:,
229:,
225:,
221:,
217:,
197:,
189:,
185:,
80:,
66:,
56:)
2090:.
2057:.
2036:.
1988:)
1959:.
1875::
1849:.
1810:.
1752:.
1731:.
1689:.
1358:.
1154:.
1071:"
456:,
52:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
