212:, Clare Walker Gore praised Hatt and Edwards for not pandering to modern taste in sculpture by including only those works that modern critics approve of, "choosing instead to showcase a broad range of works, ranging from those likely to charm modern viewers to those likely to appal, and often placing them side by side." Philip Ward-Jackson in
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Hatt is professor of the history of art at the
University of Warwick where he specialises in nineteenth-century British and American art, focussing on gender, sexuality, and
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Shirland, J., (2016). "Review of ‘Sculpture
Victorious: Art in an Age of Invention, 1837–1901’ at the Yale Center for British Art, 11 September to 30 November 2014."
176:. He later received his PhD in art history from the same institution, where he taught courses from 1991 to 2000. He then took a teaching position at the
218:, however, criticised the curator's selection of objects and accompanying catalogue which he felt had a lack of coherence due to being jointly written.
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and was the result of new ideas that the curators had developed over a number of years about
Victorian sculpture. In a review of the exhibition for
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Review of ‘Sculpture
Victorious: Art in an Age of Invention, 1837–1901’ at Tate Britain, 25 February to 25 May 2015.
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Michael Hatt – England arise! Carpenter, Ashbee and the Visual
Culture of Song in Late-Nineteenth-Century England.
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Previews First Look: ‘Sculpture
Victorious: Art in an Age of Invention’ at the Yale Center for British Art
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in 2015. The exhibition was the first to examine the creation and viewing of
British sculpture of the
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Britain in the World: Highlights from the Yale Center for
British Art in Honor of Amy Meyers
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290:"Thoughts and Things: Sculpture and the Victorian Nude" in Alison Smith (Ed.) (2002)
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136:. He has served there since 2007, before which he was head of research at the
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297:"Uranians and Imperialists", in eds. Timothy Barringer, Douglas Fordham, and
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317:"A Great Sight: Henry Scott Tuke and His Models", in eds. Jane Desmarais,
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336:"Near and Far: Hamo Thornycroft's Mower and the Homoerotics of Labour",
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The
Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910
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The
Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910
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The Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910
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260:. Yale University Press, 2019. (With Martina Droth & Nathan Flis)
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Review: Sculpture Victorious. Art in an Age of Invention, 1837-1901.
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308:"Space, Surface, Self: Homosexuality and the Aesthetic Interior",
280:. Yale Center for British Art, 2010. (Edited with Morna O'Neill)
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He was a co-curator with Jason Edwards and Martina Droth, of
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19: Interdisciplinary Studies in the Long Nineteenth Century
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Sculpture Victorious: Art in an Age of Invention, 1837–1901.
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19: Interdisciplinary Studies in the Long Nineteenth Century
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19: Interdisciplinary Studies in the Long Nineteenth Century
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Sculpture Victorious: Art in an Age of Invention, 1837-1901
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Sculpture Victorious: Art in an Age of Invention, 1837–1901
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Sculpture Victorious: Art in an Age of Invention, 1837–1901
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Yale Center for British Art. Retrieved 27 October 2019.
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Models and Supermodels: The Artist's Model in Britain
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Art History: A Critical Introduction to Its Methods
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Art History: A Critical Introduction to Its Methods
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Art History: A Critical Introduction to Its Methods
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314:, Vol. 8, No. 1, Summer 2007, pp. 105–128.
486:, 6 September 2014. Retrieved 27 October 2019.
172:, University of London, while working as a
710:Academics of the University of Nottingham
187:(2006), and editor with Morna O'Neill of
183:He is the author with Charlotte Klonk of
148:(2006), and editor with Morna O'Neill of
715:Alumni of Birkbeck, University of London
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168:Hatt completed his BA in art history at
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633:Lintel, Amy M. Von (20 October 2011).
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229:and the history of art history.
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152:(2010). In 2014, he co-curated
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225:. He is also interested in
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140:. He is the author with
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549:Prange, Regine (2007).
524:27 October 2019 at the
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528:Philip Ward-Jackson,
233:Selected publications
134:University of Warwick
106:University of Warwick
16:British art historian
73:University of London
577:The Edwardian Sense
498:Clare Walker Gore,
62:Academic background
626:Reviews in History
599:10.1093/jdh/eps039
370:"Dr. Michael Hatt"
530:Sculpture Journal
458:"Ferrari reviews
408:. 22 January 2018
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725:1960 births
575:Reviews of
563:(3): 11116.
543:Art History
412:21 February
379:21 February
339:Art History
130:art history
52:art history
39:Nationality
699:Categories
556:Sehepunkte
541:Review of
347:References
227:Danish art
94:Discipline
83:Lynda Nead
68:Alma mater
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657:163096796
160:in 2015.
622:"Review"
522:Archived
191:(2010).
132:at the
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238:Books
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414:2018
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