81:, she is a paradise of pleasure and a garden of delight." Sometimes, the metaphor of female form equals landscape changes, but the objectification of the female body remains intact; only the image is changed, as when, for example, in another passage, the novel's narrator, Roger Pheuquewell, describes the uterus ("Utrs," as the author simply contracts vowels without graphical indication) as resembling "one of our common pint bottles, with the neck downwards." It is remarkable, he says, for expanding infinitely, the more it is filled, and contracting when there is no crop to hold. Similarly, in Charles Cotton's
124:. In Book II, Gulliver reports that he was used in ways that a gentleman should not endure by the giant girls who undress in his presence. The erotic possibilities were dismissed in Swift's account, but Curll, who was an enemy of Swift's, would have quickly seen the pornographic possibilities, especially as he had already produced a "Key" to
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and had attempted to siphon off Swift's sales. Curll's practice was to hire impoverished authors for commissioned works on pornography, and his stable of hired authors was substantial.
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After Curll's death further books appeared by different authors, using a similar topographical metaphor for the female body. The last book in the genre is a parody of
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Stretzer's book was typical of the genre in depicting the female body as a landscape that men explore, till, and plow. For example, he writes: "Her valleys are like
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La
Souriciere. The Mousetrap. A Facetious and Sentimental Excursion through part of Austrian Flanders and France
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A New
Description of Merryland. Containing a Topographical, Geographical and Natural History of that Country
62:(1740) by Thomas Stretzer (whose name is sometimes given as "Stretser" and of whom nothing is known),
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in which the female body was described in terms of a topographical metaphor derived from a pun on
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Paul Baines and Pat Rogers (2007) Edmund Curll: Bookseller. OUP: 291-3
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of classical education, and, most pointedly, the tropes of Book II of
39:. Four of the titles were published by 18th century controversialist
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For the setting of a children's fantasy novel by L. Frank Baum, see
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181:. Published by Black Scat Books, Pocket Erotica series, 2020.
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20:. For the film production studio in Kerala, India, see
54:. This was included, in abbreviated form, in Curll's
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books were a genre of
English 17th and 18th century
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A Compleat Set of Charts of the Coasts of
Merryland
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58:(1741). Other works published by Curll include
138:A Sentimental Journey Through France and Italy
85:, the female body is an island farmed by men.
92:, who, at that time, would not be known for
46:The earliest work in this genre seems to be
56:The Potent Ally: or Succours from Merryland
83:Erotopolis: The Present State of Bettyland
48:Erotopolis: The Present State of Bettyland
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158:. Published by Robin Hood House, 1932.
174:New York: Kessinger Publishing, 2003.
104:combines the traditional language of
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166:Eighteenth-Century British Erotica
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88:Stretzer's book is dedicated to
66:(1741) and set of maps entitled
199:Phyllis and Eberhard Kronhausen
238:A History of Erotic Literature
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225:A History of Erotic Literature
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262:Human body in popular culture
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145:(1794) by "Timothy Touchit".
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223:Patrick J Kearney (1982)
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179:Travels to Merryland
177:Pheuquewell, Roger.
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50:(1684) probably by
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112:microcosm
102:Merryland
29:Merryland
126:Gulliver
70:(1745).
37:Maryland
201:(1969)
79:Lebanon
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98:deism
75:Eden
27:The
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