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Meredith Frampton

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with a field survey unit, sketching enemy trenches, and also worked on the interpretation of aerial photographs. After the war Frampton resumed his artistic career and established himself as among the most highly regarded of British painters during the period. Between 1920 and 1945 he exhibited at
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In 1953 Frampton requested that the Royal Academy place him on its list of retired members. His eyesight had begun to worsen, convincing him that he could no longer paint to his previous high standard and with such meticulous detail. With his wife he moved to a hilltop house overlooking
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Sir Ernest Gowers, KCB, KBE, Senior Regional Commissioner for London, Lt Col AJ Child, OBE, MC, Director of Operations and Intelligence, and KAL Parker Deputy Chief Administrative Officer in the London Regional Civil Defence Control
231:. Frampton had several of the objects in the painting made specially for the painting and his mother made the dress worn by the model, Margaret Austin-Jones. She modelled for him again in one of his most famous works, 270:
For many years Frampton's art was rarely shown in public and he was largely forgotten. However, he lived to see his retrospective at the Tate in 1982. It was his first one-man show and greatly restored his standing.
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in Wiltshire. Frampton had designed the property in the 1930s and for the rest of his life he worked on improving and maintaining this house, which included his own furniture and clock designs.
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Frampton painted in smooth colours without visible brushstrokes, achieving a look of almost photographic realism. Most of his paintings were commissions, but a notable exception was
255:, WAAC. One was intended for the Admiralty, but a suitable subject was not found and the painting was never made. Frampton's other WAAC commission was for a portrait of Sir 220:, academics and scientists, and a series of full length portraits of women from fashionable society. He would often spend an entire year working on a single painting. 668: 138:
in the 1920sā€“1940s. His artistic career was short and his output limited because his eyesight began to fail in the 1950s, but his work is on display at the
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the Royal Academy nearly every year, showing a total of thirty-two paintings there. Frampton was an early member of the
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and in 1942 became a full member of the Academy. Frampton painted portraits of the Duke of York, who was to become
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began employing a series of Frampton's paintings for new editions of the complete works of Russian writer
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In Search of a Masterpiece: An Art Lover's Guide to Great Britain & Ireland
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between 1912 and 1915, where he won both a first prize and a silver medal.
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During the First World War, Frampton served in the British Army on the
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Oxford Dictionary of National Biography Vol 20 (Flattisbury-Freston)
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and exhibited there in 1921. In 1925 he was elected a member of the
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During World War Two, Frampton received two commissions from the
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area of London and was the only child of the sculptor Sir
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May 2011 Entry on Ludwig Mies van der Rohe Blogspot Page
305:"National Portrait Gallery - Person - Meredith Frampton" 179:and after some months learning to speak French in 605: 381: 480: 435: 412:"Gowers, Parker and Child by Meredith Frampton" 409: 441:Tate Britain Companion, A Guide to British Art 354:HCG Matthew & Brian Harrison, ed. (2004). 246: 669:People educated at Westminster School, London 325: 212:. In 1934 he was elected an Associate of the 534: 328:Artists in Britain Since 1945 Vol 1, A to L 377: 375: 319: 584:15 artworks by or after Meredith Frampton 483:"War artists archive, Meredith Frampton" 349: 347: 109: 528: 372: 606: 644:British Army personnel of World War I 509:Sooke, Alastair (20 September 2017). 508: 463: 403: 344: 599:National Portrait Gallery Collection 474: 457: 639:Alumni of the Royal Academy Schools 634:Alumni of St John's Wood Art School 429: 387:20th Century Painters and Sculptors 274: 13: 555: 14: 690: 629:20th-century English male artists 577: 565:The Tate Gallery, London, 1982. 535:Peter Elliot (19 October 2017). 253:War Artists' Advisory Committee 123:George Vernon Meredith Frampton 502: 297: 194: 1: 624:20th-century English painters 290: 158: 389:. Antique Collectors' Club. 185:St John's Wood School of Art 153: 87:St John's Wood School of Art 7: 464:Lloyd, Christopher (2011). 358:. Oxford University Press. 307:. National Portrait Gallery 247:World War II and later life 235:(1937), now hanging in the 187:. He went on to attend the 175:. Frampton was educated at 118:(1943) (Art.IWM ART LD2905) 10: 695: 171:and his wife, the painter 16:British artist (1894ā€“1984) 659:English portrait painters 225:Portrait of A Young Woman 163:Frampton was born in the 140:National Portrait Gallery 100: 79: 71: 52: 30: 23: 330:. Art Dictionaries Ltd. 470:. Thames & Hudson. 326:David Buckman (1998). 206:Society of Graphic Art 119: 654:English male painters 481:Imperial War Museum. 410:Imperial War Museum. 189:Royal Academy Schools 113: 92:Royal Academy Schools 679:World War II artists 664:Painters from London 173:Christabel Cockerell 649:British war artists 488:Imperial War Museum 443:. Tate Publishing. 416:Imperial War Museum 183:he enrolled at the 148:Imperial War Museum 674:Royal Academicians 563:Meredith Frampton, 237:Ferens Art Gallery 233:A Game of Patience 177:Westminster School 134:, successful as a 120: 561:Richard Morphet, 450:978-1-84976-033-1 210:Art Workers Guild 108: 107: 104:Portrait painting 56:16 September 1984 47:, London, England 25:Meredith Frampton 686: 549: 548: 546: 544: 532: 526: 525: 523: 521: 506: 500: 499: 497: 495: 478: 472: 471: 461: 455: 454: 433: 427: 426: 424: 422: 407: 401: 400: 383:Frances Spalding 379: 370: 369: 351: 342: 341: 323: 317: 316: 314: 312: 301: 285:Vladimir Nabokov 281:Penguin Classics 275:Posthumous usage 265:Monkton Deverill 129: 59: 40: 38: 21: 20: 694: 693: 689: 688: 687: 685: 684: 683: 604: 603: 580: 558: 556:Further reading 553: 552: 542: 540: 533: 529: 519: 517: 507: 503: 493: 491: 479: 475: 462: 458: 451: 437:Penelope Curtis 434: 430: 420: 418: 408: 404: 397: 380: 373: 366: 352: 345: 338: 324: 320: 310: 308: 303: 302: 298: 293: 277: 249: 197: 169:George Frampton 161: 156: 125: 96: 67: 64:Mere, Wiltshire 61: 57: 48: 42: 36: 34: 26: 17: 12: 11: 5: 692: 682: 681: 676: 671: 666: 661: 656: 651: 646: 641: 636: 631: 626: 621: 616: 602: 601: 596: 591: 579: 578:External links 576: 575: 574: 557: 554: 551: 550: 527: 501: 473: 456: 449: 439:, ed. (2013). 428: 402: 395: 371: 364: 343: 336: 318: 295: 294: 292: 289: 276: 273: 248: 245: 218:King George VI 196: 193: 165:St John's Wood 160: 157: 155: 152: 106: 105: 102: 101:Known for 98: 97: 95: 94: 89: 83: 81: 77: 76: 73: 69: 68: 62: 60:(aged 90) 54: 50: 49: 45:St John's Wood 43: 32: 28: 27: 24: 15: 9: 6: 4: 3: 2: 691: 680: 677: 675: 672: 670: 667: 665: 662: 660: 657: 655: 652: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 611: 609: 600: 597: 595: 592: 589: 585: 582: 581: 572: 568: 564: 560: 559: 538: 531: 516: 512: 505: 490: 489: 484: 477: 469: 466: 460: 452: 446: 442: 438: 432: 417: 413: 406: 398: 396:1-85149-106-6 392: 388: 384: 378: 376: 367: 365:0-19-861370-9 361: 357: 350: 348: 339: 337:0-95326-095-X 333: 329: 322: 306: 300: 296: 288: 286: 282: 272: 268: 266: 260: 258: 257:Ernest Gowers 254: 244: 242: 238: 234: 230: 226: 221: 219: 215: 214:Royal Academy 211: 207: 202: 201:Western Front 192: 190: 186: 182: 178: 174: 170: 166: 151: 149: 145: 141: 137: 133: 128: 124: 117: 112: 103: 99: 93: 90: 88: 85: 84: 82: 78: 74: 70: 65: 55: 51: 46: 41:17 March 1894 33: 29: 22: 19: 586: at the 562: 541:. 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Index

St John's Wood
Mere, Wiltshire
St John's Wood School of Art
Royal Academy Schools

RA
etcher
portraitist
National Portrait Gallery
Tate Gallery
Imperial War Museum
St John's Wood
George Frampton
Christabel Cockerell
Westminster School
Geneva
St John's Wood School of Art
Royal Academy Schools
Western Front
Society of Graphic Art
Art Workers Guild
Royal Academy
King George VI
Tate
Ferens Art Gallery
Hull
War Artists' Advisory Committee
Ernest Gowers
Monkton Deverill
Penguin Classics

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