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Debussy goes on to write that 'clarity of expression, precision and concentration of form are qualities peculiar to the French genius.' These qualities are indeed most noticeable when again compared with the German genius, excelling as it does in long, uninhibited outpourings, directly opposed to the
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that are still closely studied and often performed. Debussy is noted for a particular gift for marrying text and music, while Ravel based a number of his on folk song, in direct contradiction to the common practice for mélodies, transfiguring both forms.
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126:, one must have a sensitive knowledge of the French language, French poetry, and French poetic diction. Numerous books have been written about the details of French pronunciation specifically for
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was more likely to be taken from contemporary, serious poetry and the music was also generally of a more profound sort. Further, while most composers in this genre were
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Bernac writes that "the art of the greatest French composers is an art of suggestion", rather than explicit statement of feelings.
326:, though their styles and essential temperaments were very different. Fauré is best remembered for his settings of the poetry of
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developed independently of that tradition. Instead, it grew more directly from the earlier genre of French songs known as the
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is noted for its deliberate and close relationship between text and melody. To compose or interpret
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257:(1841) is still considered an example of the genre. Whatever Berlioz' chronological precedence,
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are today best known for their instrumental compositions. However, they both wrote dozens of
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continue to be composed, though perhaps the last uncontestedly great composer of them was
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transcriptions of songs with further notations for French-specific features like
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French taste, which abhors overstatement and venerates concision and diversity.
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A contemporary of Fauré whose name has become practically synonymous with the
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arose just before the middle of the 19th century in France. Though the
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during Gounod's lifetime, a name that cannot be omitted is that of
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The literal meaning of the word in the French language is "
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have led many to view them as not properly
Romantic.
224:. These songs, while apparently quite similar to the
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had reached its peak in the early 19th century, the
27:"Melodie" redirects here. For the album by Cro, see
461:. Milwaukee: Hal Leonard Corporation. p. 158.
401:with texts from Baudelaire, Verlaine, and others.
393:. Though more famous as a composer for the organ,
261:is often viewed as the first distinct composer of
355:, even though he left only a handful of them, is
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459:Song: A Guide to Art Song Style and Literature
236:, at least in chronology, certain features of
510:"The Art of French Song — Three Collections"
436:. London: Kahn & Averill. p. 33.
306:Though numerous other composers, such as
196:Learn how and when to remove this message
411:, who died in 1963. He wrote nearly 150
295:, in English, is a perfect example of a
92:is often defined by comparison with the
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377:Contemporaries of Ravel who were noted
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593:. London: Eulenburg Books. pp.
484:"LISTENING TO THE MELODIE OF FRANCE"
178:adding citations to reliable sources
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623:The Interpretation of French Song
434:The Interpretation of French Song
104:The Interpretation of French Song
482:Davis, Peter (25 January 1981).
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639:. Bruxelles, H. Lemoine, 1957.
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322:and has been called the French
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397:wrote several collections of
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563:"GOUNOD CHARLES (1818-1893)"
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339:Cinq mélodies "de Venise"
130:singers, often featuring
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687:Songs in classical music
587:Orledge, Robert (1979).
567:Encyclopædia Universalis
457:Kimball, Carol (2006).
432:Bernac, Pierre (1997).
677:French styles of music
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57:) is a form of French
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336:and the song cycles
318:. He wrote over 100
273:. He wrote over 200
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637:L'amour de chanter
508:Richter, Maurice.
488:The New York Times
381:composers include
299:that has become a
243:Some of the first
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468:978-1-4234-1280-9
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279:Victor Hugo
682:Song forms
671:Categories
661:Alan Blyth
572:1 December
546:1 December
519:1 December
493:1 December
443:0393008789
419:References
287:Lord Byron
186:March 2012
651:); V. 2 (
536:"Memoirs"
283:Lamartine
234:Romantics
692:Mélodies
514:La Folia
413:mélodies
405:Mélodies
399:mélodies
371:mélodies
324:Schumann
320:mélodies
312:mélodies
310:, wrote
308:Massenet
275:mélodies
263:mélodies
245:mélodies
238:mélodies
124:mélodies
59:art song
657:mélodie
627:Reprint
379:mélodie
353:mélodie
301:mélodie
297:romance
271:mélodie
267:romance
230:mélodie
226:mélodie
222:romance
218:mélodie
210:mélodie
146:History
140:elision
136:liaison
128:mélodie
120:mélodie
90:mélodie
70:chanson
42:French:
37:mélodie
18:Melodie
648:Lieder
601:
465:
440:
84:Nature
78:melody
595:77–78
653:Song
599:ISBN
574:2016
548:2016
521:2016
495:2016
463:ISBN
438:ISBN
389:and
365:and
342:and
281:and
214:lied
208:The
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