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286:) of a larger meter. Thus a beat is to a measure as a measure/hyperbeat is to a hypermeasure. Hypermeasures must be larger than a notated bar, perceived as a unit, consist of a pattern of strong and weak beats, and along with adjacent hypermeasures, which must be of the same length, create a sense of
250:
Bar lines began to be introduced into ensemble music in the late 16th century but continued to be used irregularly. Not until the mid-17th century were bar lines used in the modern style with every measure being the same length, and they began to be associated with time signatures.
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is a bar line which stretches only between staves of a score, not through each staff; this is a specialized notation used by editors of early music to help orient modern musicians when reading music which was originally written without bar lines.
133:) looks like the music end, but it has two dots, one above the other, indicating that the section of music that is before is to be repeated. The beginning of the repeated passage can be marked by a
152:
Lines extending only partway through the staff are rarely used, sometimes to help orient the reader in very long measures in complex time signatures, or as brief section divisions in
231:(an incomplete bar at the beginning of a piece of music), "bar 1" or "m. 1" is the following bar. Bars contained within first or second endings are numbered consecutively.
85:
Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a
137:; if this is absent, the repeat is understood to be from the beginning of the piece or movement. This begin-repeat sign, if appearing at the beginning of a
207:
The bar line is much, much more than a mere accent, and I don't believe that it can be simulated by an accent, at least not in my music.
141:, does not act as a bar line because no bar is before it; its only function is to indicate the beginning of the passage to be repeated.
1056:
453:
197:, the first note in the bar (known as the downbeat) is usually stressed slightly in relation to the other notes in the bar.
174:) have placed bar lines at different places in the different parts to indicate different stress patterns from part to part.
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227:
The first metrically complete bar within a piece of music is called "bar 1" or "m. 1". When the piece begins with an
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within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that
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321:
270:
Hypermeter: 4 beat measure, 4 measure hypermeasure, and 4 hypermeasure verses. Hyperbeats in red.
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563:
177:
If many consecutive bars contain only rests, they may be replaced by a single bar containing a
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254:
Modern editions of early music that was originally notated without bar lines sometimes use a
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at all but were only section divisions, or in some cases marked off every beat.
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298:(New York: Norton, 1968), and is similar to the less formal notion of a
100:) consists of two single bar lines drawn close together, separating two
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365:. Wittlich, Gary (ed.). Englewood Cliffs, New Jersey: Prentice–Hall.
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395:, p.18-19 and "Glossary", p.329. New York: Oxford University Press.
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181:, as shown. The number above shows the number of bars replaced.
170:
Some composers use dashed or dotted bar lines; others (including
282:
in which, generally, each regular measure is one beat (actually
1261:
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243:
music in the 15th and 16th centuries, didn't reflect a regular
212:
1246:
944:
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548:
528:
266:
153:
57:) is a segment of music bounded by vertical lines, known as
498:
361:
Winold, Allen (1975). "Rhythm in
Twentieth-Century Music",
278:, large-scale or high-level measure, or measure-group is a
37:
27:
Segment of time corresponding to a specific number of beats
120:, whether or not it marks the beginning of a new section.
116:. Typically, a double bar is used when followed by a new
382:
Harvard
Dictionary of Music, Second ed. (1972), "Barline"
215:
of beats within and between bars, within and between
89:or a family of instruments in an orchestral score.
69:The length of the bar, measured by the number of
1274:
1050:
447:
239:The earliest bar lines, used in keyboard and
65:), usually indicating one of more recurring
211:Bars and bar lines also indicate grouping:
1057:
1043:
1009:
454:
440:
73:it contains, is normally indicated by the
393:Engaging Music: Essays in Music Analysis
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158:
36:
14:
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219:, and on higher levels such as meter.
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435:
189:Whether the music contains a regular
80:
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418:Musical Form and Musical Performance
296:Musical Form and Musical Performance
184:
24:
410:
363:Aspects of Twentieth-Century Music
112:(i.e., measure), but to a type of
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13:
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819:History of music publishing
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10:
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234:
29:
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1024:Category:Musical notation
1004:
968:
890:Numbered musical notation
842:
809:
689:
681:Scientific pitch notation
572:
469:
290:. The term was coined by
1187:Non-retrogradable rhythm
671:Helmholtz pitch notation
416:Cone, Edward T. (1968).
154:Gregorian chant notation
108:refers not to a type of
1014:List of musical symbols
885:Nashville Number System
391:Stein, Deborah (2005).
564:Transposing instrument
342:Learning to Read Music
340:Nickol, Peter (2008).
271:
209:
167:
42:
1081:Additive and divisive
269:
205:
162:
40:
1207:Prolation and tempus
32:Bar (disambiguation)
30:For other uses, see
910:Percussion notation
203:said of bar lines:
272:
168:
81:Types of bar lines
43:
41:Types of bar lines
1270:
1269:
1182:Metric modulation
1032:
1031:
976:Mensural notation
258:as a compromise.
185:Bars and stresses
135:begin-repeat sign
16:(Redirected from
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1288:Rhythm and meter
1283:Musical notation
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1052:
1045:
1036:
1035:
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1021:
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875:Graphic notation
539:Rehearsal letter
463:Musical notation
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47:musical notation
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1157:Harmonic rhythm
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829:Music publisher
824:Music engraving
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676:Letter notation
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411:Further reading
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264:
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201:Igor Stravinsky
187:
131:repeat bar line
94:double bar line
83:
35:
28:
23:
22:
18:Measure (music)
15:
12:
11:
5:
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1257:Time signature
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1192:Notes inégales
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554:Time signature
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312:Bar-line shift
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292:Edward T. Cone
263:
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236:
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224:
223:Numbering bars
221:
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183:
82:
79:
75:time signature
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1222:Rhythmic mode
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1101:Canter rhythm
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996:Transcription
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991:Sight-reading
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986:Perfect pitch
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920:Ancient Greek
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860:Chord diagram
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850:Braille music
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843:Other systems
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574:Musical notes
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559:Transposition
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514:Key signature
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401:0-19-517010-5
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371:0-13-049346-5
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118:key signature
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52:
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39:
33:
19:
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1090:
895:Klavarskribo
870:Figured bass
744:Appoggiatura
691:Articulation
493:
489:Abbreviation
417:
392:
387:
378:
362:
357:
341:
336:
317:Tala (music)
295:
276:hypermeasure
275:
273:
262:Hypermeasure
256:mensurstrich
253:
249:
238:
226:
213:rhythmically
210:
206:
199:
195:mixed meters
188:
176:
172:Hugo Distler
169:
163:Fifteen-bar
151:
146:mensurstrich
143:
134:
130:
124:
122:
113:
109:
105:
97:
93:
91:
84:
62:
58:
54:
50:
44:
1237:Syncopation
981:Music stand
855:Chord chart
834:Scorewriter
811:Sheet music
609:Dotted note
544:Repeat sign
519:Ledger line
280:metric unit
126:repeat sign
87:grand staff
71:note values
1277:Categories
1252:Time point
1202:Polyrhythm
1197:Note value
1167:Homorhythm
1133:Note value
1123:Cross-beat
955:Shakuhachi
930:Ekphonetic
915:Simplified
880:Lead sheet
754:Grace note
619:Note value
614:Grace note
582:Accidental
328:References
288:hypermeter
106:double bar
98:double bar
1227:Stop-time
1177:Isorhythm
1152:Half-time
1116:Count off
1086:Anacrusis
950:Swaralipi
940:Kunkunshi
900:Tablature
865:Eye music
749:Glissando
724:Fingering
509:Dal segno
344:, p.105.
284:hyperbeat
229:anacrusis
179:multirest
165:multirest
59:bar lines
1128:Duration
1111:Counting
1106:Colotomy
960:Znamenny
801:Tonguing
786:Staccato
739:Ornament
714:Dynamics
666:Interval
629:Notehead
604:Cue note
306:See also
114:bar line
102:sections
63:barlines
1212:Prosody
1162:Hemiola
969:Related
935:Gamelan
925:Chinese
905:Parsons
776:Portato
759:Mordent
734:Marcato
719:Fermata
709:Damping
704:Caesura
661:Tremolo
592:natural
504:Da capo
241:vihuela
235:History
217:phrases
55:measure
1262:Tuplet
1147:Groove
1066:Rhythm
791:Tenuto
729:Legato
699:Accent
656:Tuplet
424:
399:
369:
348:
300:phrase
67:beats.
1247:Tempo
1232:Swing
1217:Pulse
1141:Gatra
1070:meter
945:Neume
769:Trill
764:Slide
651:Tacet
641:Pitch
597:sharp
549:Tempo
534:Scale
529:Ossia
471:Staff
245:meter
191:meter
139:staff
129:(or,
1242:Tala
1172:Iqa'
1096:Beat
1068:and
781:Slur
646:Rest
634:stem
624:beam
587:flat
524:Mode
499:Clef
422:ISBN
397:ISBN
367:ISBN
346:ISBN
322:Wazn
96:(or
61:(or
53:(or
49:, a
1091:Bar
796:Tie
494:Bar
294:in
193:or
110:bar
51:bar
45:In
1279::
484:15
420:.
302:.
274:A
144:A
123:A
92:A
77:.
1058:e
1051:t
1044:v
479:8
455:e
448:t
441:v
428:.
403:.
373:.
352:.
156:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
