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In May 1921, Gordon married
Mildred Bartlett of Amsterdam, New York, who performed under the stage name Raye Dean; at the request of her fiancé, Bartlett gave up her acting career a few months before the wedding. Soon after, Gordon started to produce plays, and quickly became one of New York's most
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which opened to mixed reviews, but still ran for 271 performances. By 1932, broke and suffering from a nervous breakdown, friends provided financial support; his biographer
Margaret Case Harriman reports that
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In the 1930s, Gordon became playwright and director George
Kaufman's producer of choice, staging ten shows in 25 years, beginning in 1931 with
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Gordon continued producing plays and musicals on
Broadway until 1955. Several of his productions were made into popular films such as
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356:(1946) ran for 1,642 performances, and remains the seventh longest-running non-musical play in Broadway history. It also gave
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her first starring part, and Gordon later recalled that "The minute she walked in, I knew she was it."
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came to see him in the hospital with his pockets stuffed with cash and strewed it over the bed..."
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on into the
Eisenhower years. One of his first great hits was the original stage production of
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offered him fifteen hundred of the sixteen hundred dollars
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by quipping "Marx, the jig is up," Gordon became an independent producer, with
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Gordon's other highly successful collaboration was with married playwrights
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613:"R&H's Alltime Mark With 4-Show B'way Takeover; Some Famed Precedents"
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Shortly after his brother's death Gordon, then in his early 20s, formed a
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Born Mechel
Salpeter, Gordon was the youngest son of immigrants from
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In the Long Run: A Cultural
History of Broadway's Hit Plays
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Cullen, Frank, Hackman, Florence, and McNeilly, Donald.
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His reputation in the early 1930s was immortalized in
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The New York Times, Thursday, October 16, 1930, p. 33
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successful producers, from the
Roaring Twenties and
503:. Oxford Companion to American Theatre, 2004, p272.
209:(June 28, 1892 – November 2, 1978) was an American
56:. Unsourced material may be challenged and removed.
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483:Take Them Up Tenderly,: A Collection of Profiles
648:. New York and London: Routledge. p. 87.
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116:Learn how and when to remove this message
19:For other people with the same name, see
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427:Beloff, Ruth (2007). "Gordon, Max". In
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677:. Bernard Geis. p.
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217:. His credits included
525:Groucho Marx (1959).
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673:Max Gordon Presents
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553:(2007), Routledge,
429:Berenbaum, Michael
318:Her Master's Voice
448:978-0-02-866097-4
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43:verification
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767:1978 deaths
762:1892 births
402:Rockefeller
386:Cole Porter
375:(1950) and
344:Ruth Gordon
756:Categories
734:Max Gordon
725:Max Gordon
460:References
350:. Kanin's
296:Harpo Marx
264:circuits.
254:Phil Baker
246:vaudeville
207:Max Gordon
183:Occupation
150:1892-06-28
132:Max Gordon
76:newspapers
743:Raye Dean
625:March 12,
388:'s song "
336:Dodsworth
258:Lou Holtz
233:Biography
561:, p. 448
435:(eds.).
421:See also
381:(1956).
369:(1942),
223:on stage
189:Producer
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618:Variety
513:Listing
324:Roberta
262:Orpheum
227:on film
211:theater
90:scholar
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287:(1930)
239:Poland
197:Spouse
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400:When
303:Adele
97:JSTOR
83:books
747:IMDb
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650:ISBN
627:2024
555:ISBN
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490:–43.
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138:Born
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