517:- "It's true that tears fall from my eyes"), but Corradino has his chains removed and will give him the run of the castle if he promises not to escape. Edoardo agrees and goes in. Ginardo reports that Aliprando and Matilde are approaching the castle. Corradino vows to find Matilde a husband and supply her with a dowry, but will see her as little as possible. Ginardo, alone, muses that a heart of iron ("cuor di ferro") may not be enough to save his master from Cupid's darts.
1759:
44:
482:- "Who brings you to these walls?"), but since the peasants have not been taught to read, he is obliged to read them out: "Anyone entering without permission will have their heads split in two" and "Anyone who disturbs the peace will be starved to death". He and Ginardo confirm that the ferocious Corradino will have no hesitation in carrying out these threats, and furthermore he has a particular hatred of women (
603:
that
Corradino ran off to find Raimondo and challenge him to a duel. Corradino returns, demanding to see Edoardo, but Ginardo discovers that he has escaped. Corradino starts to question Matilde, but Rodrigo enters with a letter for her. It is from Edoardo, who swears undying love for her and thanks her for allowing him to escape. Corradino condemns her to death, to the delight of the Countess (
545:- "This is the goddess? What a picture!"). Matilde stands firm, Ginardo and Aliprando are amazed that Corradino makes no attempt to kill her for her impertinence, and the Countess is further enraged. Corradino is confused - his head is spinning and his blood is burning. He asks Ginardo to look after Matilde, and departs with Aliprando. The Countess storms off, pursued by Matilde.
1453:
1257:
594:- "Ah, why, why does death ignore my tears") but then he hears Raimondo calling his name. Corradino and Raimondo arrive simultaneously, but, before they can fight, Edoardo takes Raimondo's place. As he fights Corradino, he tells him that it was Matilde who set him free. Corradino rushes off in a rage, and father and son leave together.
632:
immediately returning with
Matilde. Isidoro admits that he made up the story of Matilde's death, Matilde thanks Edoardo, instructs Corradino to make peace with Raimondo and regrets that the Countess is not there to see her triumph. She and Corradino are reunited, and, to general rejoicing, she sings in praise of love (
497:- "Meanwhile, Armenia, through the shady trees"), but, when he sees the inscriptions, his instinct is to flee. But he accidentally runs into Ginardo, who tells him that it is too late. Corradino, armed and surrounded by guards, makes his appearance and demands to know who Isidoro is and why he is there (
548:
Corradino asks
Aliprando what is wrong with him, and is told that he is lovesick, which is a disease with no cure. Aliprando leaves, and Corradino summons Isidoro, whom he suspects of bewitching him, from his prison. Isidoro, in fear of his life, has no idea what he is talking about, but, just when
508:
Aliprando tells
Corradino that Matilde, whose father, Shabran, has been killed in battle, is approaching the castle. With his dying breath, Shabran commended her to Corradino's care. Corradino, who respected Shabran, agrees to accommodate Matilde in fine apartments, but wishes her to be kept out of
536:
Ginardo announces the arrival of the
Contessa d'Arco, who, as a result of a peace treaty, was promised in marriage to Corradino. He had immediately repudiated her, but was obliged to agree that he would not marry anyone else. The Countess has heard that Matilde is to be accommodated in the castle
602:
The
Countess reveals that Edoardo had bribed the guards and escaped. She is sure that Corradino will blame Matilde, who now arrives, followed by Isidoro. He tells the ladies how he saved the day by taking command of the army. Ginardo and Aliprando confirm that the enemy has been routed, but add
505:- "Wicked man! Why are you running away?"). Isidoro tries to curry favour with Corradino by offering to serenade his ladies, but this enrages the tyrant further. He is about to kill the poet when Aliprando intervenes. Corradino relents, but Isidoro is marched off to the dungeons by Ginardo.
561:
Edoardo, Rodrigo and the guards await the enemy. Corradino, Matilde, Aliprando and
Ginardo come through the gate, together with Isidoro and his guitar (he has appointed himself court poet). The Countess follows them. When Corradino tells Edoardo that his father will be defeated, Edoardo is
631:
Isidoro is at the foot of the mountain and
Corradino is above, planning to throw himself off in order to atone for Matilde's death. But before he can do so, a bell rings and Raimondo emerges from the castle. Aliprando and Ginardo try to restrain Corradino as Edoardo rushes into the castle,
553:- "Ah! I understand, do not speak"), and falls at her feet just as Aliprando arrives to announce that Raimondo and his troops are on their way to rescue Edoardo. Corradino leaves to give orders to the guards, taking Matilde with him, as the others comment on his surrender to her.
512:
Ginardo returns, telling
Corradino that Edoardo is weeping and may be repentant. But when he brings the chained prisoner to Corradino, it is clear that Edoardo remains defiant. Corradino demands that he acknowledge him as the victor over his father. Edoardo refuses (Cavatina:
486:- "When Cerberus comes, woes rain down"). The alarmed peasants disperse rapidly. Ginardo asks Udolfo to check that Corradino's prisoners are not being ill-treated, except that he himself will visit the most recent arrival, Edoardo, the son of Corradino's enemy Raimondo Lopez.
533:- "I've caprices, little glances"). The physician is not so sure, but he admires her spirit and tells her that Corradino, despite his warlike demeanour, runs to him whenever he has a headache or a cold. Maybe his dislike of women can be overcome.
615:- "Are you really sending that poor girl to her death?") fall on deaf ears. As they leave, Isidoro, Ginardo, Aliprando and the Countess return. Isidoro describes how he kicked Matilde into the gorge, amid conflicting emotions from the others.
549:
Corradino is about to have him torn into pieces, a contrite
Matilde appears. Ginardo is to take Isidoro back to the dungeon, but the two of them hide in order to watch developments. The bemused Corradino succumbs to Matilde's wiles (Finale:
191:
exist. These are: the Rome version (24 February 1821); the Naples version (11 November 1821), and the Vienna version (7 May 1822). It is unlikely that Rossini participated directly in the 15 October 1821 performance that took place in Paris.
611:- "Her treachery is obvious"). Isidoro and the guards are to take Matilde to a deep chasm and throw her in. Corradino, alone, meditates on his revenge. He is joined by some peasant women, but their pleas that Matilde be saved (
618:
Suddenly, Edoardo appears and describes how the Countess bribed Udolfo to release him, with the intention of throwing the blame on Matilde. The Countess flees Corradino's wrath, and he and Edoardo lament Matilde's death (Duet:
206:
went the rounds of other Italian cities. The opera appears to have been popular, with presentations in Europe (London on 3 July 1823) and New York (10 February 1834). However, apart from an 1892 staging in
489:
The wandering poet Isidoro arrives with his guitar at the castle, tired, hungry and thirsty, having travelled all the way from Naples. Seeing the castle, he hopes that his luck will change (
583:- "May the name of Corradino resound in every country"), and, although they know that most of what Isidoro has written is made up, he persuades them that that's what poets do (
1687:
1058:
537:
and intends to have her evicted. The women insult each other, and the resulting noise brings Corradino and his guards to the gallery (
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After the mixed reception at the premiere, performances continued at Teatro Apollo until the end of the season, and
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1051:
636:- "Are you at last in love? Who does not love?") as the peasants comment: "Women are born to conquer and rule".
566:- "Oh, how my soul flares up in a minute!") develops, Isidoro urges the guards onwards, and the curtain falls.
1798:
973:
961:
590:
Raimondo appears, laments the loss of his son, and departs. Edoardo, dispirited, longs for death (Cavatina:
947:
1808:
1584:
148:
733:(Recording of a performance at the Rossini Opera Festival in the Teatro Rossini, Pesaro, 8 August 2004)
579:
Isidoro, sitting in a tree, is writing about his exploits. The peasants and Corradino's troops arrive (
1762:
1163:
1044:
769:
690:(Recording of a performance at the Rossini in Wildbad BelCanto Opera Festival in the Kurhaus, Kursaal,
587:- "Poets' pens are quite different weapons"), and they nevertheless salute him and take him with them.
478:- "Quiet, no-one is here"). Aliprando draws their attention to two inscriptions on the castle gates (
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1615:
1550:
1123:
1115:
1030:
215:." This 1974 performance used the Roman version. The Roman version was also used in a performance of
474:
Egoldo and some peasants arrive with some of their produce, which they hope Corradino will accept (
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1452:
950:(2002), "Matilde di Shabran Number Three, or: Viennese Version - Ideal Version?" in CD booklet for
887:
Synopsis based on those in the Decca recording's booklet and the 2008 Royal Opera programme book.
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1422:
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Scene 3: Outside Raimondo's castle: a steep mountain with a raging torrent plunging into a gorge
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177:. The premiere was followed by a street brawl "between Rossini's admirers and his detractors."
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overcome, but when Matilde comforts the boy, Corradino succumbs to jealousy. An ensemble (
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Male chorus of guards and peasants. Female chorus of peasants sometimes used in Act II
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as an oratorio in Paris in 1981. A revised version of the score was presented at the
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468:
317:
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in 2008; these three presentations have used the Neapolitan version;
1036:
1607:
1179:
490:
333:
208:
623:- "A hundred agonies, and then a hundred more, pierce my heart").
43:
1383:
1335:
538:
288:
237:
sang the role of Corradino each time. A 1998 performance at the
604:
445:
226:
1006:, Vol. Three, p. 267. London: MacMillan Publishers, Inc.
773:(Video recording of a performance (or of performances) at the
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his sight unless he summons her. Aliprando goes to meet her.
449:
275:
212:
526:
525:
Matilde tells Aliprando that Corradino will yield to her (
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The Bel Canto Operas of Rossini, Donizetti, and Bellini
1164:
L'occasione fa il ladro, ossia Il cambio della valigia
968:, London: Methuen; Portland, Oregon: Amadeus Press.
592:
Ah! perché, perché la morte non ascolta i pianti miei
1415:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
1251:
Il barbiere di Siviglia, ossia L'inutile precauzione
1688:
Conservatorio Statale di Musica "Gioachino Rossini"
982:, Ithaca, New York: Northeastern University Press.
241:Belcanto Opera Festival used the Viennese version.
1376:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
118:Matilde di Shabran, o sia Bellezza e Cuor di ferro
1775:
1172:Il signor Bruschino, ossia Il figlio per azzardo
1140:Ciro in Babilonia, ossia La caduta di Baldassare
621:Da cento smanie, e cento sento straziarmi il cor
1431:Moïse et Pharaon, ou Le passage de la mer rouge
1304:Adelaide di Borgogna, ossia Ottone, re d'Italia
897:Recordings on operadis-opera-discography.org.uk
564:Oh come mai quest'anima sfavilla in un momento!
173:, 24 February 1821 conducted by the violinist
169:. The opera was first performed in Rome at the
1360:Bianca e Falliero, ossia Il consiglio dei tre
1264:La gazzetta, ossia Il matrimonio per concorso
1052:
958:recording, Bologna: Bongiovanni, GB 2242/44-2
22:
804:Passionart Orchestra, Gorecki Chamber Choir
521:Scene 2: A magnificent gallery in the castle
581:Di Corradino il nome per ogni suol rimbomba
124:Matilde of Shabran, or Beauty and Ironheart
1099:
1059:
1045:
585:Le penne de i poeti so spade assai diverse
229:in 1996, 2004 and 2012, as well as at the
42:
1280:La Cenerentola, ossia La bontà in trionfo
858:
856:
874:
872:
870:
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575:Scene 1: The countryside near the castle
211:, it was not staged again until 1974 in
728:Orchestra Sinfónica de Galicia and the
1776:
901:
853:
834:
832:
495:Intanto Armenia 'nfra l'ombrose piante
195:
1066:
1040:
865:
557:Scene 3: Outside the castle gatehouse
850:, 21 March 2007. (On operatoday.com)
829:
484:Se viene il Cerbero fioccano i guai
13:
598:Scene 2: The gallery in the castle
14:
1820:
1320:Adina, ossia Il califfo di Bagdad
1024:
1003:The New Grove Dictionary of Opera
441:Place: In and around Corradino's
1758:
1757:
1451:
1272:Otello, ossia Il Moro di Venezia
1255:
1235:Elisabetta, regina d'Inghilterra
694:, Germany, 22 and 25 July 1998)
613:Mandare a morte quella meschina?
1033:- Deutsche Rossini Gesellschaft
697:Audio CD: Bongiovanni, Bologna
258:Premiere Cast, 24 February 1821
925:; Brauner, Patricia (2001), "
890:
881:
1:
862:Osborne, Charles 1994, p. 106
817:
652:(Matilde di Shabran, Edoardo,
639:
937:, New York: Penguin Putnam.
685:I Virtuosi di Praga and the
515:Piange il mio ciglio, è vero
467:Scene 1: Outside the castle
185:Three authentic versions of
7:
1804:Operas by Gioachino Rossini
935:The New Penguin Opera Guide
503:Alma rea! Perché t'involi?
480:Chi vi guida a queste mura?
435:
180:
10:
1825:
992:Osborne, Richard (1998), "
770:Teatro Comunale di Bologna
661:Opera House and Orchestra
634:Ami alfine? E chi non ama?
543:Questa è la Dea? Che aria!
531:Di capricci, di smorfiette
89:24 February 1821
16:Opera by Gioachino Rossini
1753:
1726:Duetto buffo di due gatti
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1202:
1116:La cambiale di matrimonio
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978:Osborne, Richard (1990),
802:José Miguel Pérez-Sierra
687:Coro da camera di Czechia
656:Corradino Cuor di Ferro)
649:
551:Ah! Capisco; non parlate
426:
84:
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63:
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41:
30:
21:
1665:(1991 biographical film)
1657:(1942 biographical film)
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1789:Italian-language operas
1567:Petite messe solennelle
777:, Pesaro, August 2012)
768:Orchestra and Choir of
149:François-Benoît Hoffman
1698:Rossini Opera Festival
1512:Ecco, ridente in cielo
1156:La pietra del paragone
1124:L'equivoco stravagante
775:Rossini Opera Festival
609:È palese il tradimento
388:leader of the peasants
223:Rossini Opera Festival
163:J. M. Boutet de Monvel
23:
1799:Operas based on plays
1720:La boutique fantasque
1635:The Barber of Seville
476:Zitti; nessun qui v'è
75:Libretto for Méhul's
1616:Péchés de vieillesse
1423:Le siège de Corinthe
1211:Aureliano in Palmira
1188:L'italiana in Algeri
1079:List of compositions
730:Prague Chamber Choir
402:leader of the guards
1809:Operas set in Spain
1732:Matinées musicales
1646:Cultural depictions
1600:La regata veneziana
1328:Ricciardo e Zoraide
1243:Torvaldo e Dorliska
908:Decca DVD catalogue
792:Victoria Yarovaya,
780:DVD: Decca Classics
374:keeper of the tower
354:Antonio Parlamagni
339:Giuseppe Fioravanti
322:Annetta Parlamagni
285:Matilde di Shabran
231:Royal Opera, London
196:Performance history
1703:Rossini in Wildbad
1585:Six string sonatas
1344:Eduardo e Cristina
1219:Il turco in Italia
1108:Demetrio e Polibio
994:Matilde di Shabran
956:Rossini in Wildbad
952:Matilde di Shabran
927:Matilde di Shabran
842:Matilde di Shabran
838:Tom Kaufman 2007,
699:Cat: GB 2242/44-2
293:Caterina Liparini
239:Rossini in Wildbad
218:Matilde di Shabran
203:Matilde di Shabran
188:Matilde di Shabran
161:(1790, Paris) and
130:melodramma giocoso
112:Matilde di Shabran
24:Matilde di Shabran
1771:
1770:
1738:Messa per Rossini
1681:Named for Rossini
1662:Rossini! Rossini!
1619:(1857–1868)
1519:Largo al factotum
1470:
1469:
1402:
1401:
1352:La donna del lago
1198:
1197:
1068:Gioachino Rossini
878:Müller, Reto 2002
815:
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798:Michele Angelini
759:Juan Diego Flórez
719:Juan Diego Flórez
701:ASIN: B00004R8MY
676:Agata Bienkowska,
433:
432:
409:Gaetano Rambaldi
395:Gaetano Rambaldi
300:father of Edoardo
280:Giuseppe Fusconi
235:Juan Diego Flórez
143:to a libretto by
141:Gioachino Rossini
139:) in two acts by
108:
107:
36:Gioachino Rossini
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1712:Related articles
1627:Film adaptations
1533:Una voce poco fa
1460:Ugo, re d'Italia
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808:Audio CD: NAXOS
764:Michele Mariotti
754:Anna Goryachova,
683:Francesco Corti,
674:Roswitha Muller,
654:Contessa d'Arco,
644:
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367:Luigia Cruciati
359:Contessa d'Arco
298:Raimondo Lopez,
262:Niccolo Paganini
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151:’s libretto for
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1288:La gazza ladra
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1084:List of operas
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790:Sarah Blanch,
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782:Cat: 074 3813
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65:
61:
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55:
51:
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47:
39:
38:
32:Dramma giocoso
28:
27:
15:
9:
6:
4:
3:
2:
1821:
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1807:
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1797:
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1125:
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1020:
1019:1-56159-228-5
1016:
1013:
1012:0-333-73432-7
1009:
1005:
1004:
999:
998:Stanley Sadie
995:
991:
989:
988:1-55553-088-5
985:
981:
977:
975:
971:
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960:
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946:
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943:0-14-029312-4
940:
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928:
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748:
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739:
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714:Hadar Halevy,
711:
710:Annick Massis
708:
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389:
385:
384:
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371:
370:
366:
364:
363:mezzo-soprano
361:
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344:
343:
340:
337:
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287:
284:
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279:
277:
274:
272:
271:Cuor di ferro
268:
267:
263:
260:(Conductor:
257:
254:
251:
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242:
240:
236:
232:
228:
224:
220:
219:
214:
210:
205:
204:
193:
190:
189:
178:
176:
172:
171:Teatro Apollo
168:
164:
160:
159:
154:
150:
146:
142:
138:
137:
132:
131:
126:
125:
120:
119:
115:(full title:
114:
113:
101:
100:Teatro Apollo
87:
83:
80:
79:
74:
70:
66:
62:
59:
56:
52:
45:
40:
37:
33:
29:
25:
20:
1742:
1730:
1718:
1693:Prix Rossini
1668:
1660:
1652:
1634:
1614:
1606:
1598:
1590:
1570:(1864, 1867)
1565:
1562:(1831, 1841)
1559:Stabat mater
1557:
1549:
1543:Sacred music
1526:Sombre forêt
1493:Robert Bruce
1491:
1483:
1463:(unfinished)
1458:
1445:
1439:Le comte Ory
1437:
1429:
1421:
1413:
1390:
1382:
1375:
1374:
1366:
1358:
1350:
1342:
1334:
1326:
1318:
1310:
1302:
1294:
1286:
1278:
1270:
1262:
1249:
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1225:
1217:
1209:
1186:
1178:
1170:
1162:
1154:
1146:
1138:
1130:
1122:
1114:
1106:
1001:
993:
979:
965:
955:
951:
948:Müller, Reto
934:
926:
916:
915:
903:
892:
883:
847:
841:
840:, "Rossini:
822:
821:
809:
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797:
794:
791:
633:
630:
626:
625:
620:
617:
612:
608:
601:
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589:
584:
580:
578:
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573:
563:
560:
556:
555:
550:
547:
542:
535:
530:
524:
520:
519:
514:
511:
507:
502:
494:
488:
483:
479:
475:
473:
466:
465:
427:
415:
401:
387:
373:
346:
328:
299:
270:
217:
216:
202:
201:
199:
187:
186:
184:
166:
156:
134:
128:
123:
122:
117:
116:
111:
110:
109:
76:
1784:1821 operas
1673:(1996 film)
1637:(1947 film)
1578:Other works
1407:Later works
1368:Maometto II
1100:Early works
848:Opera Today
692:Bad Wildbad
456:Middle Ages
327:Aliprando,
269:Corradino,
255:Voice type
121:; English:
1778:Categories
1744:Rossiniana
1392:Semiramide
1227:Sigismondo
1000:, (Ed.),
974:0931340713
818:References
736:Audio CD:
672:Akie Amou,
659:Conductor,
640:Recordings
454:Time: The
158:Euphrosine
93:1821-02-24
78:Euphrosine
54:Librettist
1476:Pastiches
469:gatehouse
400:Rodrigo,
372:Ginardo,
345:Isidoro,
329:physician
318:contralto
1763:Category
1608:La Danza
1203:Maturity
1180:Tancredi
1031:Libretto
964:(1994),
491:Cavatina
436:Synopsis
414:Udolfo,
386:Egoldo,
334:baritone
314:Edoardo
209:Florence
181:Versions
167:Mathilde
165:'s play
85:Premiere
72:Based on
64:Language
1654:Rossini
1485:Ivanhoé
1450:(1829)
1384:Zelmira
1336:Ermione
1254:(1816)
996:", in
980:Rossini
933:(ed.),
917:Sources
539:Quintet
499:Quartet
420:silent
289:soprano
127:) is a
91: (
67:Italian
1794:Operas
1611:(1835)
1603:(1835)
1595:(1817)
1587:(1804)
1554:(1820)
1496:(1846)
1488:(1826)
1442:(1828)
1434:(1827)
1426:(1826)
1418:(1825)
1395:(1823)
1387:(1822)
1379:(1821)
1371:(1820)
1363:(1819)
1355:(1819)
1347:(1819)
1339:(1819)
1331:(1818)
1323:(1826)
1315:(1818)
1307:(1817)
1299:(1817)
1296:Armida
1291:(1817)
1283:(1817)
1275:(1816)
1267:(1816)
1246:(1815)
1238:(1815)
1230:(1814)
1222:(1814)
1214:(1813)
1191:(1813)
1183:(1813)
1175:(1813)
1167:(1812)
1159:(1812)
1151:(1812)
1143:(1812)
1135:(1812)
1127:(1811)
1119:(1810)
1111:(1812)
1093:Operas
1017:
1010:
986:
972:
941:
664:Label
605:Sextet
446:castle
443:gothic
416:jailer
406:tenor
392:tenor
227:Pesaro
147:after
102:, Rome
1504:Arias
954:1998
929:" in
823:Notes
787:2020
746:2012
738:Decca
706:2004
669:1998
647:Year
570:Act 2
462:Act 1
450:Spain
378:bass
351:bass
276:tenor
252:Role
245:Roles
213:Genoa
153:Méhul
1015:ISBN
1008:ISBN
984:ISBN
970:ISBN
939:ISBN
650:Cast
527:Duet
347:poet
305:bass
448:in
225:in
155:’s
34:by
1780::
867:^
855:^
846:,
831:^
607::
541::
529::
501::
493::
264:)
1535:"
1531:"
1528:"
1524:"
1521:"
1517:"
1514:"
1510:"
1060:e
1053:t
1046:v
844:"
766:,
752:,
726:,
712:,
133:(
95:)
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