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perfectly he was aided in his reading by an extraordinary memory. By nature a fatalist, he had the highest conception of his mission. He considered it his duty to remain in Russia, even and especially after the
Revolution, and would never leave his native land; he thus paid with his own life and the lives of his family for his faith in the Russian people."
501:
in 1894, shortly after the death of his father, Alexander III. Mathilde wrote of the future tsar: "He had an incomparable knowledge of the
Russian language and its subtleties, and found the greatest pleasure in reading the Russian classics. In addition to being erudite and speaking several languages
630:), during the February Revolution. Her home occupied by the Bolsheviks, Kschessinska wrote "And Petrograd was a nightmare world of arrests, the assassination of officers in the streets, arson, pillage". After staying with friends and relatives for a time, she left Petrograd on 13 July, ending up in
572:
of the first act, Kschessinskaya opened the doors to the chickens' coops, and at the first note of the music, the chickens went flying about the stage. Nevertheless, Preobrajenska continued her variation to the end and received a storm of applause, much to
Kschessinskaya's chagrin.
525:
However, Kschessinska wrote that "Serge knew for certain that he was not the father of the child" and that she was "full of my love for André and my son." She goes on to state "We decided to call our son
Wladimir, in honor of the Grand Duke Wladimir, André's father."
394:, which was, as I have said, to become my favourite role, had at once assured him fame in Russia. where he came on May 24th 1847, invited by the Imperial Theatres Administration, after working several years in Spain." Petipa created roles for Kschessinskaya in
1070:
351:, the future Tsar Nicholas II. After the performance, the tsar said "Be the glory and the adornment of our ballet." On 22 April 1890, she made her debut on stage, performing the same dance for Papkov's farewell, and graduated at the age of 18.
676:. On 5 February 1929, they moved into their Paris home. On 26 March, Kschessinska opened a dance studio, and gave her first lesson on 6 April. By 1933, she had over a hundred students, boys and girls. Her students included
552:. She considered Pavlova to be technically weak and believed that the young ballerina could not upstage her. Instead, audiences became enthralled with the frail, long-limbed, ethereal-looking Pavlova, and a star was born.
927:
Having had a friendly relationship with Prince
Wladimir Andreievich for the last 17 years of his life, I have never heard him issuing any doubt as to the identity of his father. In her memoirs, published under the title
1064:
Marija
Trofimova, "Prince Serge M. Wolkonsky – theatrical critic of Poslednie Novosti" (“Knyaz Sergei Volkonsky – teatralny kritik gazety Poslednie Novosti”) (in Russian), Rev. Etud. Slaves, Paris, LXIV/4, 1992.
496:
from 1890, when he was
Tsesarevich and she was age 17, having met him in the presence of his family after her graduation performance. The relationship continued for three years, until Nicholas married the future
538:, she was not afraid to use her connections with the tsar to strengthen her position in the Imperial Theatres. She was known to sew valuable jewels into her costumes and came on stage as the Princess Aspicia in
522:. In 1902, she gave birth to a son, Vladimir (known as "Vova"; 30 June 1902 – 23 April 1974); he was later titled H.S.H. Prince Romanovsky-Krasinsky, but said that he never knew for sure who his father was.
601:
when he returned in 1917. She claims in her memoirs that they turned it into a kind of pigsty; she went to court to recover it, only to receive death threats; once when she passed near the house, she saw
457:
was his immediate assistant, and
Wolkonsky entrusted him with the publication of the Annual of the Imperial Theaters in 1900. During this period, new names appeared in the theaters, such as painters
382:
did not consent to
Kschessinskaya receiving such a title and although she possessed an extraordinary gift as a dancer, she obtained it primarily via her influence at the Imperial Russian Court.
932:, his mother writes on page 89: "Serge knew for certain that he was not the father of the child... We decided to call our son Wladimir, in honour of the Grand Duke Wladimir, André's father."
902:
Though Andrei acknowledged Vova as his son, it is possible that Vova's biological father was Grand Duke Sergei, whose patronymic he was given. It has also been suggested that Grand Duke
1408:
542:
wearing her diamond encrusted tiaras and chokers. She could be ruthless with rivals. One of her more famous miscalculations occurred when, while pregnant in 1902, she coached
1403:
1358:
1363:
865:
Dancing in
Petersburg: The Memoirs of Kschessinska - Prima Ballerina of the Russian Imperial Theatre, and Mistress of the Future Tsar Nicholas II
396:
1353:
138:
723:). In later years, she suffered financial difficulties but remained indomitable. She died in Paris at the age of 99. She is buried at the
1393:
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661:"bestowed on me the name of Krassinsky, with the title of Princess. Our son was similarly given the title Prince." In 1935, due to their
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According to Mathilde, "My whole artistic career, until Fokine's appearance, had been linked with Petipa. The success of his ballet,
270:
151:
906:
was the father. Another rumor, with Nicholas II as father, was assumed by Adrienne Sharp in her fictional account of Kschessinska,
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Scandals and rumours around her name developed and persisted as she engaged in a sexual relationship with two Grand Dukes of the
17:
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469:. However, Wolkonsky was forced to send in his resignation after clashing with Kschessinskaya when she refused to wear the
560:
Another notorious incident occurred in 1906 when Kschessinskaya's coveted role of Lise in the Petipa/Ivanov production of
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On 30 January 1921, Andrei and Mathilde were married at the Russian Church in Cannes. According to Kschessinska, the
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568:. One feature of this production was the use of live chickens on stage. Before Preobrajenska's variation in the
801:
581:
Through her aristocratic connections, she managed to amass much valuable property in the Russian capital. The
301:) and Julie Kschessinska. Her Polish father arrived in St. Petersburg on 30 January 1853, one of five Warsaw
250:
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in the garden wearing one of her overcoats. The Bolsheviks were forced to abandon the house only after the
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708:. On 14 June 1936, she made her last appearance on stage at the age of 64, a jubilee performance at
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addressed a meeting of the Petrograd Bolsheviks, shortly after he had addressed the crowd at the
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from the noble Krzesiński family. Her father, Feliks Krzesiński, and her brother both danced in
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321:. On 30 August 1881, she danced for the first time on the Grand Theatre stage in the ballet
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liner, leaving behind Russian soil. On 12 March 1920, they arrived at Kschessinska's
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984:"Cannes 2012: Paul Schrader to Pen Script for Russian Ballerina Biopic (Exclusive)"
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Kschessinska was forced to flee her home, with her son Vova, on 27 February 1917 (
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Krzesińska's tomb at the Sainte-Geneviève-des-Bois Russian Orthodox Cemetery, 2014
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While Kschessinskaya could be charming and kind to colleagues, such as the young
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19 August] 1872 – 6 December 1971), also known as
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453:. Although he held the position only until 1902, he achieved a great deal.
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1061:
Arnold L.Haskell. Diaghileff. His artistic and private life. — NY, 1935.
1007:
665:, they added the name Romanovsky, and Romanov was added to their son's.
1120:"Prized manuscript — and valuable lesson — unearthed in Soviet archive"
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646:. On 13 February 1920, Mathilde, Vova, and Andrei boarded a
309:. In 1880, at the age of eight, Mathilde entered into the
1162:
Mistresses and minions of Russian emperors and empresses
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Imperial Dancer: Mathilde Kschessinska and the Romanovs
378:
of the Saint Petersburg Imperial Theatres. The maestro
305:
dancers invited by the tsar, where he performed in the
935:
721:
Dancing in St. Petersburg: The Memoirs of Kschessinska
269:
before his marriage, and later the wife of his cousin
1409:
Burials at Sainte-Geneviève-des-Bois Russian Cemetery
449:
became Director of the Imperial Theaters, succeeding
1404:
Converts to Eastern Orthodoxy from Roman Catholicism
890:
Russian Ballet Master: The Memoirs of Marius Petipa
347:and the rest of the Imperial family, including the
492:Kschessinskaya had been involved with the future
479:. In 1901, he was succeeded by V.A. Teliakovsky.
327:. Kschessinskaya's graduation exam dance was the
293:, the youngest child of Adam-Felix Kschessinsky (
1359:People from the Russian Empire of Polish descent
1330:
715:In 1960, she published an autobiography titled
638:no longer able to stop the Red invasion of the
1146:
1113:The Ballerina Gallery – Mathilde Kschessinska
910:(New York: Farrar, Straus and Giroux, 2010),
887:
862:
76:Kschessinska costumed for the title role in
1068:
1033:H.S.H. The Princess Romanovsky-Krassinsky.
941:
668:On 9 December 1925, she converted from the
385:
265:. She was a mistress of the future Emperor
1153:
1139:
1040:S.A.S. La Princesse Romanovsky-Krassinsky
1017:
725:Sainte-Genevieve-des-Bois Russian Cemetery
139:Sainte-Geneviève-des-Bois Russian Cemetery
70:
1364:People who emigrated to escape Bolshevism
659:Grand Duke Kirill Vladimirovich of Russia
473:of an 18th-century costume in the ballet
271:Grand Duke Andrei Vladimirovich of Russia
152:Grand Duke Andrei Vladimirovich of Russia
617:
358:
289:Kschessinskaya was born at Ligovo, near
257:upon her marriage, was a Polish–Russian
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482:
363:Kschessinskaya in 1898, in costume for
343:. The performance was attended by Tsar
166: 1921; died 1956)
14:
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741:, 13-part television drama created by
730:
634:with Andrei. On 30 December 1919, the
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231:Mathilde-Marie Feliksovna Kschessinska
1134:
1009:Untitled Matilda Kshesinskaya Project
867:. Pantianos Classics. pp. 6–22.
785:Untitled Matilda Kshesinskaya project
1354:People from Sankt-Peterburgsky Uyezd
858:
856:
854:
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850:
848:
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844:
842:
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179:Prince Vladimir Romanovsky-Krasinsky
1058:, Sutton Publishing, England, 2005.
24:
1394:Mariinsky Ballet principal dancers
1384:Ballerinas from the Russian Empire
1107:In search of Mathilde Kschessinska
1101:Mathilde's story on www.peoples.ru
1094:
1072:Анна Павлова. "Неумирающий лебедь"
832:The latter is Beaumont's version,
505:
487:
372:In 1896, she obtained the rank of
354:
25:
1430:
1369:White Russian emigrants to France
1118:Burgess, Anna (1 November 2021).
970:History of the Russian Revolution
956:History of the Russian Revolution
839:
613:
436:(1899). She also mastered the 32
255:Princess Romanovskaya-Krasinskaya
64:Princess Romanovskaya-Krasinskaya
1027:
1077:Anna Pavlova. The Immortal Swan
1001:
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863:Kschessinska, Mathilde (1960).
273:. She was known in the West as
163:
1419:Russian princesses by marriage
962:
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896:
881:
834:The Diaghilev Ballet in London
826:
813:
802:List of Russian ballet dancers
247:Матильда Феликсовна Кшесинская
13:
1:
1389:Mistresses of Russian royalty
1349:Dancers from Saint Petersburg
1069:Pavlischeva, Natalya (2018).
982:Szalai, Georg (17 May 2012).
823:. London, translated Haskell.
807:
284:
32:Eastern Slavic naming customs
27:Russian ballerina (1872–1971)
1042:Souvenirs de la Kschessinska
908:The True Memoirs of Little K
717:Souvenirs de la Kschessinska
642:, she was forced to flee to
499:Empress Alexandra Feodorovna
7:
1079:] (in Russian). Yauza.
795:
576:
10:
1435:
1262:Alexander Dmitriev-Mamonov
1048:
745:for the BBC; portrayed by
727:with her husband and son.
313:, where she studied under
30:In this name that follows
29:
1414:House of Romanov in exile
1374:Prima ballerina assolutas
1308:Alexandra S. Albedinskaya
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719:(published in English as
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85:. St. Petersburg, c. 1902
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546:in the role of Nikya in
386:Relationship with Petipa
239:Matylda Maria Krzesińska
190:Holstein-Gottorp-Romanov
1399:Russian ballet teachers
674:Russian Orthodox Church
345:Alexander III of Russia
311:Imperial Theatre School
18:Mathilde Kschessinskaya
1379:Ballets Russes dancers
1191:Ernst Johann von Biron
988:The Hollywood Reporter
888:Marius Petipa (1958).
623:
540:The Pharaoh's Daughter
421:The Pharaoh's Daughter
415:Les Aventures de Pélée
369:
366:The Pharaoh's Daughter
317:, and was inspired by
299:Adam Feliks Krzesiński
298:
249:; 31 August [
238:
1318:Mathilde Kschessinska
1313:Catherine Dolgorukova
1227:Alexander Vasilchikov
1037:— London, 1960, 1973.
1035:Dancing in Petersburg
930:Dancing in Petersburg
821:Dancing in Petersburg
678:Tatiana Riabouchinska
621:
362:
275:Mathilde Kschessinska
267:Nicholas II of Russia
58:Mathilde Kschessinska
1247:Ivan Rimsky-Korsakov
1206:Elizaveta Vorontsova
520:Andrei Vladimirovich
483:Scandals and rumours
439:fouettés en tournant
279:Matilda Kshesinskaya
1283:Yekaterina Nelidova
1124:The Harvard Gazette
959:volume 1 chapter 15
779:Michalina Olszańska
731:Cultural depictions
663:morganatic marriage
604:Alexandra Kollontai
593:. It was here that
591:February Revolution
562:La Fille Mal Gardée
530:Coaching of Pavlova
516:Sergei Mikhailovich
392:La Fille du Pharaon
336:La Fille Mal Gardée
1257:Alexander Yermolov
1196:Aleksey Razumovsky
972:volume 2 chapter 2
892:. Dance Books Ltd.
819:Kshessinska 1960.
624:
566:Olga Preobrajenska
397:Le Réveil de Flore
370:
339:, to the music of
1326:
1325:
1252:Alexander Lanskoy
1086:978-5-9500752-8-5
556:Chickens on stage
451:Ivan Vsevolozhsky
341:Stella Confidenta
307:Mariinsky Theatre
228:
227:
199:Feliks Krzesiński
16:(Redirected from
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1303:Varvara Nelidova
1298:Maria Naryshkina
1293:Louise Chevalier
1237:Pyotr Zavadovsky
1232:Grigory Potemkin
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536:Tamara Karsavina
463:Konstantin Somov
459:Alexandre Benois
455:Sergei Diaghilev
445:In 1899, Prince
315:Yekaterina Vazem
263:Saint Petersburg
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208:Russian Orthodox
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761:; portrayed by
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670:Catholic Church
648:Lloyd Triestino
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599:Finland Station
589:soon after the
579:
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518:and his cousin
508:
506:Two grand dukes
490:
488:The future tsar
485:
447:Serge Wolkonsky
409:Le Roi Candaule
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375:Prima ballerina
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355:Prima ballerina
319:Virginia Zucchi
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223:Prima ballerina
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121:6 December 1971
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1044:— Paris, 1960.
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1028:Autobiography
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1109:(in English)
1103:(in Russian)
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1344:1971 deaths
1339:1872 births
747:Jan Francis
743:John Elliot
706:Diana Gould
549:La Bayadère
494:Nicholas II
349:Tsesarevich
330:pas de deux
324:Don Quixote
44:family name
1333:Categories
993:21 January
808:References
773:, film by
757:, film by
698:Pamela May
636:White Army
632:Kislovodsk
585:took over
583:Bolsheviks
476:La Camargo
467:Léon Bakst
285:Early life
219:Occupation
97:1872-08-31
82:La Camargo
40:Feliksovna
36:patronymic
1276:1796–1917
1215:1762–1796
1176:Anna Mons
1169:1700–1762
690:June Brae
652:Cap-d'Ail
628:Old Style
608:July Days
587:her house
259:ballerina
796:See also
640:Caucasus
577:Finances
471:panniers
424:(1898),
418:(1897),
412:(1897),
406:(1896),
400:(1894),
291:Peterhof
212:Catholic
204:Religion
108:Petergof
78:Petipa's
1049:Sources
836:, 1940.
781:(2017).
770:Matilda
765:(1983).
749:(1974).
672:to the
654:villa.
303:mazurka
243:Russian
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295:Polish
235:Polish
196:Father
146:Spouse
134:Burial
104:Ligovo
34:, the
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403:Mlada
333:from
185:House
175:Issue
162:(
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1081:ISBN
1014:IMDb
995:2017
912:ISBN
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91:Born
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