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137:, while their older son Charles Clark Jr. remained in Dunedin. After the sudden death of their daughter, Nellie, Mary Ann and her husband travelled to West Australia to care for their grandchildren. They eventually returned to the Melbourne area and settled with the family of their daughter Jennie. Mary Ann died in Flemington on 2 July 1910 and is buried in
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162:(1889) represents the culmination of her career blending its botanical, aesthetic, and commercial aspects together with the burgeoning discourses of tourism and nationalism. In addition to albums, Armstrong produced ferns mounted on postcards and paper goods with fern transfers selling them to local booksellers and fancy goods shops.
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She used botanical watercolors, miniature painting and needlework, as well as natural objects such as ferns, seaweeds, shells and seed for arranging her compositions. Another distinctive feature of
Armstrong's works is their commercial success among the general public generated by the reputation she
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Armstrong developed a keen interest in collecting and arranging fern specimens, being active from roughly the late 1870s to the 1890s. She artistically arranged and scientifically notated ferns in albums and framed some of the compositions into decorative, collage-like landscapes. Her ornamental and
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artist who lived and worked in New
Zealand and Australia. She compiled and artistically arranged fern specimens for a number of Australasia's ferns albums, including a series of professional gift books "The South Pacific Fern Album". Armstrong participated in a number of international and
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handcrafted fern work reflects the domestic tradition of 19th century women's decorative arts, however unlike others examples of feminine tradition, Armstrong's botanical art was displayed at a series of international and intercolonial exhibitions between 1879 and 1889.
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established through her commendable exhibition record. Her commercial fern work also capitalised on the popular appeal of the fern as a tourist icon and national symbol. In the mid-to-late 1880s Mary Ann's fern albums entitled
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Armstrong was born in a family of
William and Margaret Newey of Birmingham, England. When her mother died, in 1853, she emigrated with her father, brothers and stepsisters to
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378:"The South Pacific fern album : New Zealand section, containing fronds of ferns collected throughout the islands by the New Zealand Fern Company"
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intercolonial exhibitions, where her ferns received commendation and were gifted to dignitaries.
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1880â1881 â Melbourne
International Exhibitions, Exhibition Building, Melbourne, VIC
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293:'The world's fernery': New Zealand, fern albums, and nineteenth-century fern fever
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Nowadays
Armstrong's albums can be found such institutions as the
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existed in public institutions and private collections. Her later
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349:""A HUNGER OF THE MIND", Four Centuries of Women and Science"
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324:"Armstrong, C. C. [Mary Ann] | New Zealand Ferns"
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1886 â Colonial and Indian
Exhibition, London, England
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430:Asplenium umbrosum Doodia media Lamaria procera
356:ALEMBIC RARE BOOKS, DEBORAH COLTHAM RARE BOOKS
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133:In 1887 Armstrong and her husband moved to
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490:10.7228/manchester/9780719091537.003.0006
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452:"Polypodium pennigerum [realia]"
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262:"Mary Ann Armstrong"
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107:Mrs. C.C. Armstrong
57:Birmingham, England
482:hollis.harvard.edu
407:library.anu.edu.au
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209:Exhibitions
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239:References
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
