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Martin M. Wattenberg

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as part of the Visual Communication Lab, and created Many Eyes. In April 2010, Wattenberg and Viégas started a new venture called Flowing Media, Inc., to focus on visualization aimed at consumers and mass audiences. Four months later, both of them joined Google as the co-leaders of the Google's "Big
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Wattenberg is one of the founders of IBM's experimental Many Eyes web site, created in 2007 which seeks to make visualization technology accessible to the public. In addition to broad uptake from individuals, the technology from Many Eyes has been used by nonprofits and news outlets such as the New
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and was widely imitated. Subsequently, Wattenberg started a research and development group at SmartMoney, which was responsible for interactive charts, graphs, and simulations, as well as a library of visualization components. Outside of his work at Dow Jones, Wattenberg is known for interactive
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of networks, a technique that has since been used by many other designers. Wattenberg and Viégas together introduced several techniques for depicting text: in addition to the history flow technique described above, the two created such text visualizations as the Word Tree and Chromogram. With
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to create interactive works that evoke the joy of "revelation". They have used academic techniques such as history flow to create prints that have been shown in venues such as the New York Museum of Modern Art. The two have also created purely artistic visualizations. For example, the
331:(2001), an interactive representation of the online art universe, was the first internet artwork commissioned by the Whitney Museum of American Art, as well as a very early example of an artwork that used "crowdsourcing" to gather data. Wattenberg has also worked with 210:
While at SmartMoney.com, Wattenberg focused on new forms of interactive web-based journalism. Early work in 1996-1997 ranged from service pieces, such as worksheets to guide financial decisions, to expository graphical narratives on subjects such as bond
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As an artist, Wattenberg uses interactive graphics and visualization as expressive media. He has primarily worked on internet-accessible projects, but has also created installations, videos, and prints.
202:, in its Cambridge, Massachusetts location; in 2004, he founded IBM Research's Visual Communication Lab. In Fall 2021 Wattenberg joined Harvard University as Gordon McKay Professor of Computer Science. 392:
2004: Studying Cooperation and Conflict between Authors with history flow Visualizations. Fernanda B. Viégas, Martin Wattenberg, and Kushal Dave. ACM Conference on Computer-Human Interaction (CHI).
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2004: Studying Cooperation and Conflict between Authors with history flow Visualizations. Fernanda B. Viégas, Martin Wattenberg, and Kushal Dave. ACM Conference on Computer-Human Interaction (CHI)
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2002: Ordered and quantum treemaps: Making effective use of 2D space to display hierarchies Ben Bederson, Ben Shneiderman, and Martin Wattenberg. ACM Transactions on Graphics, Vol 21, No. 4.
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Wattenberg frequently works with Marek Walczak, with whom he formed a collaboration known as MW2MW. A key theme of their work is the relationship between language and space. For example,
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2007: Many Eyes: A Site for Visualization at Internet Scale. Fernanda B. Viégas, Martin Wattenberg, Frank van Ham, Jesse Kriss, Matt McKeon. IEEE Symposium on Information Visualization.
151: 198:. From 1996 through 2002, he lived in New York City and worked for Dow Jones, on the personal finance and investing site SmartMoney.com. In 2002 he took a position at IBM's 215:. In 1998 Wattenberg created the Map of the Market, which visualized the stock price performance of hundreds of publicly traded companies. The Map was the first web-based 1955: 323:
series (1999–2002) depicted the form of musical compositions; this project exists online as well as in prints that have been exhibited in multiple venues.
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and Chromogram led to some of the earliest publications on the dynamics of Knowledge, including the first scientific study of the repair of vandalism.
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series (2004–2008), for example, is based on a chess-playing program that attempts to best the viewer while displaying its own thinking process.
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Wattenberg invented or co-invented many visualization techniques. The Map of the Market was based on a new algorithm for treemap layouts (see
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visualizations that have introduced mass audiences to data sets ranging from baby names to museum collections at NASA and the
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2005: Baby Names, Visualization, and Social Data Analysis Martin Wattenberg. IEEE Symposium on Information Visualization.
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series (2008-2009) portrays aspects of sensuality, and includes work on the web, video, and installations. For example,
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In the 1990s he began to work with information visualization as an artistic medium. For example, his
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and the social use of data visualization. Their work with visualizations such as
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Transdisciplinary Digital Art: Sound, Vision and the New Screen: Digital Art
702:, Martin Wattenberg, Fernanda B. Viégas, and Kate Hollenbach. Interact 2007. 1844: 1804: 1725: 1705: 1670: 1655: 1549: 1544: 1514: 1392: 747: 263: 64: 1829: 1777: 1715: 1685: 1614: 1539: 1509: 1447: 1402: 632: 332: 295: 221: 216: 212: 68: 986: 803: 303:
collaborator Zan Armstrong, Wattenberg developed a new way to visualize
150:. He is currently the Gordon McKay Professor of Computer Science at the 1700: 1478: 1442: 1437: 1187: 980: 666:, Martin Wattenberg. IEEE Symposium on Information Visualization, 2002. 178:
Wattenberg grew up in Amherst, Massachusetts. He received an A.B. from
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Processing: a programming handbook for visual designers and artists
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visualizes the language used to describe the body in song lyrics.
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Picture" data visualization group in Cambridge, Massachusetts.
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Harvard University School of Engineering and Applied Sciences
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Adams, Randy; Gibson, Steve; Arisona, Stefan Muller (2008).
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Database aesthetics: art in the age of information overflow
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Online Investing: 200 Essential Q&a's for the Internet
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IEEE Transactions on Visualization and Computer Graphics
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Martin Wattenberg, Fernanda B. Viégas. IEEE InfoVis 2008
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Lines and Bubbles and Bars, Oh My! New Ways to Sift Data
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The singularity is near: when humans transcend biology
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provides a collective view of erogenous zones, while
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Armstrong, Zan; Wattenberg, Martin (December 2014).
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Generic families of dynamical systems on the circle
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American artist and computer researcher (born 1970)
886: 700:Visualizing Activity on Knowledge with Chromograms 233:Collaborative analysis and collective intelligence 1956:UC Berkeley College of Letters and Science alumni 928:, Cate McQuaid, The Boston Globe, April 29, 2009. 1897: 859:Collecting the New: Museums and Contemporary Art 688:The Word Tree: An Interactive Visual Concordance 664:Arc Diagrams: Visualizing Structure in Strings 1019: 841: 357:Since 2003, Wattenberg has collaborated with 775: 995:Site for the "Fleshmap" series of artworks. 474: 472: 1026: 1012: 983:Project page for Knowledge visualizations. 29: 856: 729: 676:Visual Complexity Gallery of Arc Diagrams 227: 186:in 1992, and a Ph.D. in Mathematics from 871: 606:"A Site Whose Riches Bob on the Surface" 603: 469: 277: 236: 971:Experimental public visualization site. 815: 760: 587:"He Creates Ways of Seeing Information" 526: 346:took inspiration from the concept of a 1936:Human–computer interaction researchers 1898: 938:Body Parts In Song: From Hands To Eyes 631: 569: 1007: 931: 926:Inside squash: art and sport confined 919: 907: 895: 880: 865: 850: 842:Blais, Joline; Ippolito, Jon (2006). 835: 824: 809: 797: 784: 769: 754: 693: 681: 669: 657: 645: 625: 616: 597: 584: 1921:American technology company founders 904:, online video of MIT lecture, 2004. 578: 563: 539: 520: 478: 448: 427: 406: 604:Mirapaul, Matthew (9 August 2001). 481:"IBM's Data-Visualization Champion" 274:Visualization techniques and theory 146:and artist known for his work with 13: 14: 1972: 1926:Information visualization experts 959:Personal home page for Wattenberg 950: 816:Bulajic, Viktorija Vesna (2007). 820:. University of Minnesota Press. 527:Kirsner, Scott (December 2007). 458:. Fernandaviegas.com. 2008-08-31 258:at IBM, has published widely on 254:Wattenberg, in partnership with 200:Thomas J. Watson Research Center 167:Thomas J. Watson Research Center 56:Ph.D. Mathematics, U.C. Berkeley 776:Dodge, Martin; Kitchin (2007). 705: 377: 585:Baker, Billy (9 August 2001). 495: 435:"That was fast! — Visual Hint" 290:Wattenberg & Viégas (2016) 270:York Times Visualization Lab. 1: 1050:Biological data visualization 861:. Princeton University Press. 507:Mathematics Genealogy Project 414:"A New Chapter — Visual Hint" 399: 205: 989:Visualization of baby names. 975:SmartMoney Map of the Market 173: 7: 914:Design and the Elastic Mind 804:The Secret Lives of Numbers 638:Here Comes Everybody (book) 337:The Secret Lives of Numbers 142:(born 1970) is an American 86:Interactive Design (1999), 44:1970 (age 53–54) 10: 1977: 1961:Stanford University alumni 1931:Human–computer interaction 1090:Mathematical visualization 310: 1768: 1638: 1502: 1456: 1380: 1279: 1248: 1241: 1148: 1085:Information visualization 1070:Educational visualization 1042: 857:Altshuler, Bruce (2007). 761:Reas, Casey; Ben (2007). 731:10.1109/TVCG.2014.2346297 678:, accessed Sept. 2, 2009. 574:. Harriman House Limited. 479:Jana, Reena (June 2007). 250:Wattenberg (CLOUDS, 2014) 133: 119: 101: 94: 78: 60: 52: 40: 28: 21: 1916:American digital artists 1261:Charles-René de Fourcroy 1110:Scientific visualization 1037:of technical information 570:Eckett, Stephen (2002). 1951:Brown University alumni 260:collective intelligence 1681:Christopher R. Johnson 1233:Technical illustration 1120:Software visualization 872:Kurzweil, Ray (2005). 291: 251: 228:Visualization research 182:in 1991, an M.S. from 1575:Lawrence J. Rosenblum 1388:Edward Walter Maunder 1312:Charles Joseph Minard 1130:User interface design 1105:Product visualization 965:listed on IBM's site. 963:Academic publications 902:Revelatory Interfaces 289: 249: 194:with a thesis titled 1855:Scientific modelling 1830:Information graphics 1570:Clifford A. Pickover 1520:William S. Cleveland 1428:Henry Norris Russell 1413:Howard G. Funkhouser 1357:Florence Nightingale 1322:Francis Amasa Walker 1218:Statistical graphics 1140:Volume visualization 1115:Social visualization 846:. Thames and Hudson. 551:www.seas.harvard.edu 503:"Martin Watternberg" 456:"Fernanda B. Viégas" 140:Martin M. Wattenberg 73:Social Data Analysis 23:Martin M. Wattenberg 1835:Information science 1798:in computer science 1590:Sheelagh Carpendale 1525:George G. Robertson 1362:Karl Wilhelm Pohlke 1297:André-Michel Guerry 1173:Graph of a function 1168:Engineering drawing 941:NPR Weekend Edition 778:Atlas of Cyberspace 485:BusinessWeek Online 184:Stanford University 161:, he worked at the 1875:Volume cartography 1639:Early 21st century 1535:Catherine Plaisant 1530:Bruce H. McCormick 1484:Mary Eleanor Spear 1474:Arthur H. Robinson 1408:Arthur Lyon Bowley 1381:Early 20th century 1228:Technical drawings 1100:Molecular graphics 1075:Flow visualization 1065:Data visualization 943:, August 30, 2008. 844:At the Edge of Art 610:The New York Times 382:Key publications: 292: 252: 165:location of IBM's 148:data visualization 69:Treemap algorithms 1893: 1892: 1870:Visual perception 1820:Graphic organizer 1793:Computer graphics 1764: 1763: 1746:Martin Wattenberg 1721:Hanspeter Pfister 1676:Martin Krzywinski 1600:Jock D. Mackinlay 1580:Thomas A. DeFanti 1503:Late 20th century 1423:Ejnar Hertzsprung 1125:Technical drawing 957:Martin Wattenberg 780:. Addison Wesley. 724:(12): 2132–2141. 529:"Image Conscious" 491:on July 16, 2007. 305:Simpson's paradox 300:linear embeddings 287: 247: 137: 136: 96:Scientific career 35:Wattenberg (2014) 1968: 1946:Google employees 1880:Volume rendering 1865:Visual analytics 1860:Spatial analysis 1840:Misleading graph 1691:David McCandless 1666:Gordon Kindlmann 1630:Alfred Inselberg 1625:Leland Wilkinson 1560:Michael Friendly 1494:Howard T. Fisher 1457:Mid 20th century 1398:W. E. B. Du Bois 1302:William Playfair 1292:Adolphe Quetelet 1266:Joseph Priestley 1249:Pre-19th century 1246: 1245: 1213:Skeletal formula 1080:Geovisualization 1055:Chemical imaging 1028: 1021: 1014: 1005: 1004: 944: 935: 929: 923: 917: 911: 905: 899: 893: 892: 884: 878: 877: 869: 863: 862: 854: 848: 847: 839: 833: 828: 822: 821: 813: 807: 801: 795: 792:Artport Idealine 788: 782: 781: 773: 767: 766: 758: 752: 751: 733: 709: 703: 697: 691: 685: 679: 673: 667: 661: 655: 649: 643: 642: 629: 623: 620: 614: 613: 601: 595: 594: 591:The Boston Globe 582: 576: 575: 567: 561: 560: 558: 557: 543: 537: 536: 524: 518: 517: 515: 513: 499: 493: 492: 487:. Archived from 476: 467: 466: 464: 463: 452: 446: 445: 443: 442: 431: 425: 424: 422: 421: 410: 372:Fleshmap: Listen 352:Thinking Machine 288: 248: 180:Brown University 33: 19: 18: 1976: 1975: 1971: 1970: 1969: 1967: 1966: 1965: 1896: 1895: 1894: 1889: 1885:Information art 1825:Imaging science 1770: 1760: 1741:Fernanda Viégas 1736:Moritz Stefaner 1661:Jessica Hullman 1634: 1605:Alan MacEachren 1555:Ben Shneiderman 1498: 1452: 1376: 1275: 1237: 1150: 1144: 1095:Medical imaging 1038: 1032: 999:Google+ Ripples 953: 948: 947: 936: 932: 924: 920: 912: 908: 900: 896: 885: 881: 870: 866: 855: 851: 840: 836: 831:MW2MW home page 829: 825: 814: 810: 802: 798: 790:Whitney Museum 789: 785: 774: 770: 759: 755: 710: 706: 698: 694: 686: 682: 674: 670: 662: 658: 650: 646: 630: 626: 621: 617: 602: 598: 583: 579: 568: 564: 555: 553: 545: 544: 540: 525: 521: 511: 509: 501: 500: 496: 477: 470: 461: 459: 454: 453: 449: 440: 438: 433: 432: 428: 419: 417: 412: 411: 407: 402: 380: 368:Fleshmap: Touch 359:Fernanda Viégas 313: 278: 276: 256:Fernanda Viégas 237: 235: 230: 208: 192:Charles C. Pugh 176: 159:Fernanda Viégas 126: 110:interactive art 53:Alma mater 48: 45: 36: 24: 17: 12: 11: 5: 1974: 1964: 1963: 1958: 1953: 1948: 1943: 1938: 1933: 1928: 1923: 1918: 1913: 1908: 1891: 1890: 1888: 1887: 1882: 1877: 1872: 1867: 1862: 1857: 1852: 1850:Patent drawing 1847: 1842: 1837: 1832: 1827: 1822: 1817: 1815:Graphic design 1812: 1807: 1802: 1801: 1800: 1790: 1785: 1780: 1774: 1772: 1766: 1765: 1762: 1761: 1759: 1758: 1756:Hadley Wickham 1753: 1748: 1743: 1738: 1733: 1728: 1723: 1718: 1713: 1711:Tamara Munzner 1708: 1703: 1698: 1693: 1688: 1683: 1678: 1673: 1668: 1663: 1658: 1653: 1648: 1642: 1640: 1636: 1635: 1633: 1632: 1627: 1622: 1617: 1612: 1610:David Goodsell 1607: 1602: 1597: 1595:Cynthia Brewer 1592: 1587: 1582: 1577: 1572: 1567: 1562: 1557: 1552: 1547: 1542: 1537: 1532: 1527: 1522: 1517: 1512: 1506: 1504: 1500: 1499: 1497: 1496: 1491: 1489:Edgar Anderson 1486: 1481: 1476: 1471: 1466: 1464:Jacques Bertin 1460: 1458: 1454: 1453: 1451: 1450: 1445: 1440: 1435: 1430: 1425: 1420: 1418:John B. Peddle 1415: 1410: 1405: 1400: 1395: 1390: 1384: 1382: 1378: 1377: 1375: 1374: 1372:Francis Galton 1369: 1367:Toussaint Loua 1364: 1359: 1354: 1349: 1347:Georg von Mayr 1344: 1339: 1337:Matthew Sankey 1334: 1329: 1324: 1319: 1314: 1309: 1304: 1299: 1294: 1289: 1283: 1281: 1277: 1276: 1274: 1273: 1268: 1263: 1258: 1252: 1250: 1243: 1239: 1238: 1236: 1235: 1230: 1225: 1220: 1215: 1210: 1205: 1203:Sankey diagram 1200: 1195: 1190: 1185: 1180: 1175: 1170: 1165: 1160: 1154: 1152: 1146: 1145: 1143: 1142: 1137: 1135:Visual culture 1132: 1127: 1122: 1117: 1112: 1107: 1102: 1097: 1092: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1046: 1044: 1040: 1039: 1031: 1030: 1023: 1016: 1008: 1002: 1001: 996: 990: 984: 978: 972: 966: 960: 952: 951:External links 949: 946: 945: 930: 918: 906: 894: 879: 864: 849: 834: 823: 808: 796: 783: 768: 753: 704: 692: 680: 668: 656: 644: 624: 615: 596: 577: 562: 538: 519: 494: 468: 447: 426: 404: 403: 401: 398: 397: 396: 393: 390: 387: 379: 376: 312: 309: 275: 272: 234: 231: 229: 226: 207: 204: 190:in 1996 under 175: 172: 135: 134: 131: 130: 121: 117: 116: 103: 99: 98: 92: 91: 80: 76: 75: 62: 61:Known for 58: 57: 54: 50: 49: 46: 42: 38: 37: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1973: 1962: 1959: 1957: 1954: 1952: 1949: 1947: 1944: 1942: 1941:IBM employees 1939: 1937: 1934: 1932: 1929: 1927: 1924: 1922: 1919: 1917: 1914: 1912: 1911:Living people 1909: 1907: 1904: 1903: 1901: 1886: 1883: 1881: 1878: 1876: 1873: 1871: 1868: 1866: 1863: 1861: 1858: 1856: 1853: 1851: 1848: 1846: 1843: 1841: 1838: 1836: 1833: 1831: 1828: 1826: 1823: 1821: 1818: 1816: 1813: 1811: 1810:Graph drawing 1808: 1806: 1803: 1799: 1796: 1795: 1794: 1791: 1789: 1786: 1784: 1781: 1779: 1776: 1775: 1773: 1767: 1757: 1754: 1752: 1749: 1747: 1744: 1742: 1739: 1737: 1734: 1732: 1731:Claudio Silva 1729: 1727: 1724: 1722: 1719: 1717: 1714: 1712: 1709: 1707: 1704: 1702: 1699: 1697: 1696:Mauro Martino 1694: 1692: 1689: 1687: 1684: 1682: 1679: 1677: 1674: 1672: 1669: 1667: 1664: 1662: 1659: 1657: 1654: 1652: 1649: 1647: 1644: 1643: 1641: 1637: 1631: 1628: 1626: 1623: 1621: 1620:Michael Maltz 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1585:George Furnas 1583: 1581: 1578: 1576: 1573: 1571: 1568: 1566: 1565:Howard Wainer 1563: 1561: 1558: 1556: 1553: 1551: 1548: 1546: 1543: 1541: 1538: 1536: 1533: 1531: 1528: 1526: 1523: 1521: 1518: 1516: 1513: 1511: 1508: 1507: 1505: 1501: 1495: 1492: 1490: 1487: 1485: 1482: 1480: 1477: 1475: 1472: 1470: 1469:Rudolf Modley 1467: 1465: 1462: 1461: 1459: 1455: 1449: 1446: 1444: 1441: 1439: 1436: 1434: 1433:Max O. Lorenz 1431: 1429: 1426: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1404: 1401: 1399: 1396: 1394: 1391: 1389: 1386: 1385: 1383: 1379: 1373: 1370: 1368: 1365: 1363: 1360: 1358: 1355: 1353: 1350: 1348: 1345: 1343: 1342:Charles Booth 1340: 1338: 1335: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1317:Luigi Perozzo 1315: 1313: 1310: 1308: 1307:August Kekulé 1305: 1303: 1300: 1298: 1295: 1293: 1290: 1288: 1287:Charles Dupin 1285: 1284: 1282: 1278: 1272: 1271:Gaspard Monge 1269: 1267: 1264: 1262: 1259: 1257: 1256:Edmond Halley 1254: 1253: 1251: 1247: 1244: 1240: 1234: 1231: 1229: 1226: 1224: 1221: 1219: 1216: 1214: 1211: 1209: 1206: 1204: 1201: 1199: 1196: 1194: 1191: 1189: 1186: 1184: 1181: 1179: 1176: 1174: 1171: 1169: 1166: 1164: 1161: 1159: 1156: 1155: 1153: 1147: 1141: 1138: 1136: 1133: 1131: 1128: 1126: 1123: 1121: 1118: 1116: 1113: 1111: 1108: 1106: 1103: 1101: 1098: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1060:Crime mapping 1058: 1056: 1053: 1051: 1048: 1047: 1045: 1041: 1036: 1035:Visualization 1029: 1024: 1022: 1017: 1015: 1010: 1009: 1006: 1000: 997: 994: 991: 988: 985: 982: 979: 976: 973: 970: 967: 964: 961: 958: 955: 954: 942: 939: 934: 927: 922: 915: 910: 903: 898: 890: 883: 875: 868: 860: 853: 845: 838: 832: 827: 819: 812: 805: 800: 793: 787: 779: 772: 764: 757: 749: 745: 741: 737: 732: 727: 723: 719: 715: 708: 701: 696: 689: 684: 677: 672: 665: 660: 653: 648: 640: 639: 634: 628: 619: 611: 607: 600: 592: 588: 581: 573: 566: 552: 548: 542: 534: 530: 523: 508: 504: 498: 490: 486: 482: 475: 473: 457: 451: 436: 430: 415: 409: 405: 394: 391: 388: 385: 384: 383: 375: 373: 369: 365: 360: 355: 353: 349: 348:memory palace 345: 340: 338: 334: 330: 326: 322: 321:Shape of Song 317: 308: 306: 301: 297: 271: 267: 265: 261: 257: 225: 223: 218: 214: 203: 201: 197: 193: 189: 188:U.C. Berkeley 185: 181: 171: 168: 164: 160: 155: 153: 149: 145: 141: 132: 129: 125: 122: 118: 115: 111: 107: 106:Visualization 104: 100: 97: 93: 89: 85: 82:Gold award / 81: 77: 74: 70: 67:, Many Eyes, 66: 63: 59: 55: 51: 47:United States 43: 39: 32: 27: 20: 1845:Neuroimaging 1805:CPK coloring 1788:Color coding 1745: 1726:Hans Rosling 1706:Miriah Meyer 1671:Aaron Koblin 1656:Jeffrey Heer 1550:Edward Tufte 1545:Pat Hanrahan 1515:Nigel Holmes 1393:Otto Neurath 1332:Oliver Byrne 1280:19th century 987:Name Voyager 981:History flow 940: 933: 921: 909: 897: 888: 882: 873: 867: 858: 852: 843: 837: 826: 817: 811: 799: 786: 777: 771: 765:. MIT Press. 762: 756: 721: 717: 707: 695: 683: 671: 659: 647: 637: 633:Shirky, Clay 627: 618: 609: 599: 590: 580: 571: 565: 554:. Retrieved 550: 541: 533:Fast Company 532: 522: 510:. Retrieved 506: 497: 489:the original 484: 460:. Retrieved 450: 439:. Retrieved 429: 418:. Retrieved 408: 381: 378:Publications 371: 367: 363: 356: 351: 343: 341: 336: 328: 324: 320: 318: 314: 293: 268: 264:History Flow 253: 213:yield curves 209: 195: 177: 156: 139: 138: 124:IBM Research 120:Institutions 95: 65:History Flow 1906:1970 births 1778:Cartography 1716:Ade Olufeko 1686:Manuel Lima 1615:Kwan-Liu Ma 1540:Stuart Card 1510:Borden Dent 1448:Erwin Raisz 1403:Henry Gantt 891:. Springer. 512:17 December 333:Golan Levin 325:Starrynight 296:Treemapping 222:Smithsonian 157:Along with 84:ID Magazine 1900:Categories 1701:John Maeda 1479:John Tukey 1443:Harry Beck 1438:Fritz Kahn 1188:Photograph 876:. Penguin. 641:. Penguin. 556:2020-11-15 462:2010-09-04 441:2010-09-04 420:2010-09-04 400:References 206:Journalism 114:journalism 1783:Chartjunk 1751:Bang Wong 1646:Polo Chau 1352:John Snow 1327:John Venn 1208:Schematic 1193:Pictogram 969:Many Eyes 740:1941-0506 437:. Hint.fm 416:. Hint.fm 344:Apartment 174:Biography 163:Cambridge 144:scientist 1769:Related 1178:Ideogram 993:Fleshmap 748:26356927 635:(2008). 364:Fleshmap 339:(2002). 329:Idealine 1651:Ben Fry 1163:Diagram 311:Artwork 217:treemap 1771:topics 1242:People 1149:Image 1043:Fields 806:(2002) 794:, 2001 746:  738:  128:Google 102:Fields 90:(2003) 79:Awards 1223:Table 1158:Chart 1151:types 88:TR100 1198:Plot 744:PMID 736:ISSN 514:2022 41:Born 1183:Map 726:doi 108:, 1902:: 742:. 734:. 722:20 720:. 716:. 608:. 589:. 549:. 531:. 505:. 483:. 471:^ 307:. 224:. 154:. 112:, 71:, 1027:e 1020:t 1013:v 977:. 750:. 728:: 612:. 593:. 559:. 535:. 516:. 465:. 444:. 423:.

Index


History Flow
Treemap algorithms
Social Data Analysis
ID Magazine
TR100
Visualization
interactive art
journalism
IBM Research
Google
scientist
data visualization
Harvard University School of Engineering and Applied Sciences
Fernanda Viégas
Cambridge
Thomas J. Watson Research Center
Brown University
Stanford University
U.C. Berkeley
Charles C. Pugh
Thomas J. Watson Research Center
yield curves
treemap
Smithsonian
Fernanda Viégas
collective intelligence
History Flow
Treemapping
linear embeddings

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