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590:, an independent comic book, was executed with intentionally unsophisticated production means. It has thus far employed artwork that is rendered with only “ball point pens” and without the aid of computer scanning or computer image editing. It has been noted for its “cut out” style achieved by use of unique hand-drawn Xeroxed patterns trimmed to fit in as backdrop elements in the place of
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chronicles the adventures of an exorcist and his team of monster hunters, beginning in a conjectured 1970s New York City where the supernatural is as big a threat to human life as violent crime. The earliest stories in issues 1 and 2 illustrate a hard-scrabble existence, with the protagonists in need
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of money and support for their war against the undead. Marley
Davidson and his team appear to function as mercenaries seeking paying clients, in seeming opposition to the principles and ethics of their mentors, a Rabbi and a Muslim cleric.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Marley
Davidson last appeared in the fourth issue of his titular comic book in 1999. A series reboot was advertised in issue #40 of
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as the chief villains and often as agents in conspiratorial plots to undermine and prey upon the poor and the underclass.
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Expert knowledge of the occult, master of various forms of weaponry both arcane and modern.
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Typical Marley
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According to end notes by the author on the inside back cover of the first issue,
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After the production of an animated short in 2006, a full-length
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Please help to demonstrate the notability of the topic by citing
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was announced as being in pre-production in
February 2007.
650:"Reviews: Marley Davidson - #1, The Comic Book Database"
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498:character created by writer and comic book artist
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573:Like Sandy Jimenez’s other long-running series,
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50:Learn how and when to remove these messages
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295:Relevant discussion may be found on the
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444:#1 (June 1995; Vampyrotechnic)
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697:1999 comics endings
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637:. August 20, 2014.
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