Knowledge

Mark Ravenhill

Source 📝

586: 25: 153: 284:
Ravenhill is the elder of two sons born to Ted and Angela Ravenhill. He grew up in West Sussex, England and cultivated an early interest in theatre, putting on plays with his brother when they were eight and seven, respectively. He studied English and Drama at
372:
and depicting a range of gender-nonconformists from a pre-gay, pre-queer era exploring dissident sexualities. The play was directed by Nick Hytner who became artistic director of the National Theatre the year after, bringing in Ravenhill as a key advisor.
313:. It is set among a mostly young, queer group of friends and captured a generation using sex, drugs, popular culture and therapy to replace a fundamental lack of history, value and political commitment. The play toured with two successful runs at the 349:
adopted some features of the 'State of the Nation Play', an epic left-wing theatre style associated with the 1970s. Each play simultaneously endorsed and critiqued the intellectual styles and movements that they were working in.
380:
moves into Pinteresque territory, its metaphorical image of a near-future society organised around an unspecified surgical procedure (the 'cut' of the title) was an allegory of liberal authoritarianism.
317:
and then the West End, before embarking on world tours. It was one of the British plays that were picked up by German theatres to establish a new generational wave of directors, writers, and audiences.
289:
from 1984 to 1987, and worked as a freelance director, workshop leader and drama teacher. In the mid-1990s, Ravenhill was diagnosed as HIV+, his partner of the early 1990s having died from AIDS.
53: 417:
and the hypocrisies of artistic rivalry. Each of these texts move away from direct representations of the contemporary world towards something more abstract, minimalist, metaphorical.
1174: 413:
and concerned a group of artists who lament and celebrate the death of their successful colleague; the text was written in fragments, observing the speech patterns of the
1332: 550:
announced that Ravenhill would be joining their teaching staff as a Visiting Lecturer and co-tutor, focusing his time on the Writing for Performance BA degree.
447:, an experimental play and performance about twins separated by the Berlin Wall for the Royal Court. He also worked in music theatre, creating libretti for 955: 210:
Ravenhill is one of the most widely performed playwrights in British theatre of the late-twentieth and twenty-first centuries. His major plays include
1365: 1284: 1188: 1457: 1452: 1100: 337:(1999). The plays did not necessarily share the attitudes of their characters and contained ironic commentary beneath the violence and intensity. 57: 1407: 519:, about a schoolteacher whose distant history as an administer of corporal punishment threatens his reputation, his family even his life. 1397: 1472: 516: 364:
making more explicit a sense of contemporary identities being connected to a longer history. This was brought even more to the fore in
1467: 1348: 1294: 547: 405:(2005), his monologue for two people (the second actor is silent) was a satire of Hollywood and attitudes to terrorism post-9/11. 1373: 594: 33: 657: 107: 629: 507:, explores the evolution of mentalities in respect of homosexuality in the lifetime of the Chorus and was premiered at the 79: 1462: 1442: 1432: 1422: 1314: 636: 86: 891: 676: 557: 126: 539:
In 2021, Ravenhill was appointed co-artistic director of the King's Head Theatre for 2022. In a 2021 interview with
1326: 1132: 465:(both 2011). As Writer-in-Residence for the Royal Shakespeare Company, he produced a new translation of Brecht's 376:
Through the 2000s, Ravenhill moved further away from naturalism, continually changing styles and forms. His play
361: 643: 560:, Stratford-upon-Avon on 21 February 2024, is a 'reimagined for 2024' and staged version of the 2013 radio play 93: 1437: 837: 424:(2006), for the Barbican Theatre; a piece for, about and performed by the drag performer Bette Bourne entitled 273: 1160: 1417: 1412: 1298: 963: 1447: 729: 625: 306: 75: 1202: 1175:"Diane Coyle: Innovation, intangibles, inequality, sustainability and measuring beyond GDP | podcast" 1079: 528:
with Gary Janetti which aired between 2013 and 2016. and in 2014 wrote a Doctor Who audio story entitled
1161:"188. Doctor Who: Breaking Bubbles and Other Stories – Doctor Who – the Monthly Adventures – Big Finish" 543:, Ravenhill explained he was looking to programme more queer and LGBTQ+ work as a co-artistic director. 1427: 811: 610: 496: 49: 930: 858: 599: 453: 38: 603: 42: 1343: 1402: 1301:. Author's page, incl. "critical perspective." (Compiled and written by Dr. Peter Buse, 2003.) 533: 385:
began as a series of short (usually 20-minute) plays performed over successive mornings at the
1358: 309:
who asked to see his next play. Ravenhill quickly finished the play that would make his name:
414: 398: 650: 100: 1392: 1288: 697: 322: 242: 212: 1370: 8: 1110: 523: 508: 314: 246: 986: 386: 302: 286: 887: 499:
for a piece to mark the choir's 21st anniversary in 2012. With the music composed by
443:
At the end of the 2000s, Ravenhill collaborated with Ramin Gray in directing his own
1304: 565: 410: 342: 1377: 480: 466: 262: 258: 254: 64: 1353: 1256: 767: 613:. Contentious material about living people that is unsourced or poorly sourced 500: 488: 226: 165: 393:(for which he received the Spirit of the Fringe award). Retitled collectively 1386: 1322: 1308: 904: 564:. Set in 1953, it explores collaboration and conflict between two composers, 540: 1137: 1085: 991: 569: 484: 1189:"Mark Ravenhill: Making theatre, curiosity, listening and rainbow stories" 1133:"Sir Ian McKellen and Derek Jacobi play gay couple in Vicious ITV comedy" 1105: 462: 369: 357: 169: 862: 448: 250: 188: 180: 1241: 1227: 1337: 1101:"Sir Ian McKellen, Sir Derek Jacobi to star in ITV sitcom 'Vicious'" 470: 401:, the Royal Court, the National Theatre, Paines Plough and others. 207:(born 7 June 1966) is an English playwright, actor and journalist. 475: 152: 420:
He continued to write a range of works, including a pantomime,
63:
from the article and its talk page, especially if potentially
184: 479:(both 2013). At the end of the decade he collaborated with 321:
Ravenhill followed this with a series of plays that shared
268:
He made his professional acting debut in his own monologue
341:
explored some queer post-modern ideas, with nods to
1317:. A symposium celebrating the tenth anniversary of 1013:See Dan Rebellato, Introduction, Mark Ravenhill, 1384: 1203:"Mark Ravenhill Joins Teaching Staff at Central" 428:(2009); and a series of plays for young people: 511:in May 2012 during the Chorus' summer concert: 931:"Europe Theatre Prize - VII Edition - Reasons" 515:. He returned to the Royal Court in 2018 with 241:In 1999 he was one of the recipients of the V 1325:Centre for Performance and Creative Writing, 409:was written for the physical theatre company 325:'s punky, gender-queer aggression, including 1207:The Royal Central School of Speech and Drama 905:"VII Edizione – Premio Europa per il Teatro" 151: 56:about living persons that is unsourced or 984: 677:Learn how and when to remove this message 397:they were performed across London by the 127:Learn how and when to remove this message 978: 548:Royal Central School of Speech and Drama 16:English playwright, actor and journalist 1458:English male dramatists and playwrights 1453:British LGBT dramatists and playwrights 1098: 1017:, London: Methuen Drama, 2005, pp. v–l. 1385: 1349:Contemporary Writers, British Council 1130: 1015:Shopping and Fucking: Student Edition 851: 876: 579: 469:and a dramatisation and response to 18: 1408:Alumni of the University of Bristol 1099:Jeffery, Morgan (5 November 2012). 1043:, Palgrave Macmillan, 2007, p. 125. 495:(2019). He was commissioned by the 13: 1398:English dramatists and playwrights 14: 1484: 1473:English writers with disabilities 1278: 985:Ravenhill, Mark (26 March 2008). 243:Europe Prize Theatrical Realities 1327:Goldsmiths, University of London 1131:Deans, Jason (5 November 2012). 1080:London Gay Men's Chorus turns 21 584: 23: 1468:English male television writers 1249: 1235: 1221: 1195: 1181: 1167: 1153: 1124: 1092: 1072: 1059: 368:, set in an eighteenth-century 362:The Importance of Being Earnest 1046: 1033: 1020: 1007: 948: 923: 897: 457:and a new music-theatre piece 274:2005 Edinburgh Festival Fringe 1: 869: 279: 595:biography of a living person 307:Out of Joint Theatre Company 34:biography of a living person 7: 1231:, Royal Shakespeare Company 1041:New Performance/New Writing 956:"The University Of Bristol" 909:Premio Europa per il Teatro 615:must be removed immediately 487:on a musical adaptation of 216:(first performed in 1996), 163:1966 (age 57–58) 61:must be removed immediately 10: 1489: 1463:British LGBT screenwriters 1443:English male screenwriters 1433:English television writers 1371:At the Playwright Database 812:Ten Plagues - A Song Cycle 301:, gained the attention of 1423:English male stage actors 935:archivio.premioeuropa.org 793:Shoot/Get Treasure/Repeat 730:Mother Clap's Molly House 395:Shoot Get Treasure Repeat 389:in 2007, under the title 383:Shoot Get Treasure Repeat 366:Mother Clap's Molly House 292: 232:Shoot Get Treasure Repeat 222:Mother Clap's Molly House 194: 176: 159: 150: 143: 1366:Barbican, Mark Ravenhill 1243:Britten 100: Imo and Ben 1030:, London: Methuen, 2001. 859:The Coronation of Poppea 575: 454:The Coronation of Poppea 391:Breakfast with Ravenhill 882:Ravenhill, Mark. 2001. 787:Scenes From Family Life 781:Ravenhill For Breakfast 723:Some Explicit Polaroids 546:In September 2023, the 497:London Gay Men's Chorus 438:Scenes from Family Life 347:Some Explicit Polaroids 335:Some Explicit Polaroids 305:, artistic director of 218:Some Explicit Polaroids 1354:New York Entertainment 1319:Shopping & Fucking 1297:at the website of the 1245:, BBC Radio, June 2013 1067:Plays for Young People 1056:, Methuen Drama, 2008. 987:"My near death period" 609:Please help by adding 522:He created ITV sitcom 503:, the piece, entitled 297:His first short play, 48:Please help by adding 1438:English screenwriters 1344:Literary Encyclopedia 604:references or sources 556:, which opens at the 415:Young British Artists 1418:English LGBT writers 1413:People with HIV/AIDS 1299:British Arts Council 838:The Boy in the Dress 698:Shopping and Fucking 493:The Boy in the Dress 426:A Life in Three Acts 323:Shopping and Fucking 311:Shopping and Fucking 213:Shopping and Fucking 54:Contentious material 1448:British gay writers 1376:4 July 2014 at the 1309:In-Yer-Face Theatre 1209:. 22 September 2023 1111:Hearst Magazines UK 1109:. London, England: 966:on 16 November 2007 739:(Radio Play) (2000) 509:Royal Festival Hall 315:Royal Court Theatre 247:Royal Court Theatre 1307:at the website of 852:Opera translations 593:This section of a 513:A Band of Brothers 387:Edinburgh Festival 356:was a response to 303:Max Stafford-Clark 287:Bristol University 1428:English satirists 1289:Barbican homepage 1191:. 22 August 2021. 1177:. 31 August 2021. 1141:. London, England 960:Alumni.bris.ac.uk 687: 686: 679: 661: 530:Of Chaos Time The 202: 201: 137: 136: 129: 111: 37:needs additional 1480: 1272: 1271: 1269: 1267: 1253: 1247: 1239: 1233: 1225: 1219: 1218: 1216: 1214: 1199: 1193: 1192: 1185: 1179: 1178: 1171: 1165: 1164: 1157: 1151: 1150: 1148: 1146: 1128: 1122: 1121: 1119: 1117: 1096: 1090: 1076: 1070: 1069:, Methuen, 2010. 1065:Mark Ravenhill, 1063: 1057: 1052:Mark Ravenhill, 1050: 1044: 1037: 1031: 1026:Mark Ravenhill, 1024: 1018: 1011: 1005: 1004: 1002: 1000: 982: 976: 975: 973: 971: 962:. Archived from 952: 946: 945: 943: 941: 927: 921: 920: 918: 916: 901: 895: 880: 743:Totally Over You 682: 675: 671: 668: 662: 660: 626:"Mark Ravenhill" 619: 611:reliable sources 588: 587: 580: 566:Benjamin Britten 430:Totally Over You 422:Dick Whittington 411:Frantic Assembly 343:Jean Baudrillard 155: 141: 140: 132: 125: 121: 118: 112: 110: 76:"Mark Ravenhill" 69: 50:reliable sources 27: 26: 19: 1488: 1487: 1483: 1482: 1481: 1479: 1478: 1477: 1383: 1382: 1378:Wayback Machine 1333:Audio interview 1281: 1276: 1275: 1265: 1263: 1255: 1254: 1250: 1240: 1236: 1226: 1222: 1212: 1210: 1201: 1200: 1196: 1187: 1186: 1182: 1173: 1172: 1168: 1159: 1158: 1154: 1144: 1142: 1129: 1125: 1115: 1113: 1097: 1093: 1077: 1073: 1064: 1060: 1051: 1047: 1038: 1034: 1025: 1021: 1012: 1008: 998: 996: 983: 979: 969: 967: 954: 953: 949: 939: 937: 929: 928: 924: 914: 912: 903: 902: 898: 881: 877: 872: 854: 775:Pool (No Water) 711:Sleeping Around 683: 672: 666: 663: 620: 618: 608: 589: 585: 578: 481:Robbie Williams 467:Life of Galileo 407:pool (no water) 295: 282: 263:Martin McDonagh 259:Conor McPherson 255:Jez Butterworth 245:awarded to the 164: 146: 133: 122: 116: 113: 70: 68: 47: 28: 24: 17: 12: 11: 5: 1486: 1476: 1475: 1470: 1465: 1460: 1455: 1450: 1445: 1440: 1435: 1430: 1425: 1420: 1415: 1410: 1405: 1400: 1395: 1381: 1380: 1368: 1363: 1356: 1351: 1346: 1341: 1330: 1312: 1305:Mark Ravenhill 1302: 1295:Mark Ravenhill 1292: 1280: 1279:External links 1277: 1274: 1273: 1248: 1234: 1220: 1194: 1180: 1166: 1152: 1123: 1091: 1071: 1058: 1045: 1039:John Freeman, 1032: 1019: 1006: 977: 947: 922: 896: 874: 873: 871: 868: 867: 866: 853: 850: 849: 848: 842: 834: 828: 822: 816: 808: 805:The Experiment 802: 796: 790: 784: 778: 772: 764: 758: 752: 746: 740: 734: 726: 720: 714: 708: 702: 694: 685: 684: 592: 590: 583: 577: 574: 501:Conor Mitchell 489:David Walliams 294: 291: 281: 278: 205:Mark Ravenhill 200: 199: 196: 192: 191: 178: 174: 173: 166:Haywards Heath 161: 157: 156: 148: 147: 145:Mark Ravenhill 144: 135: 134: 58:poorly sourced 31: 29: 22: 15: 9: 6: 4: 3: 2: 1485: 1474: 1471: 1469: 1466: 1464: 1461: 1459: 1456: 1454: 1451: 1449: 1446: 1444: 1441: 1439: 1436: 1434: 1431: 1429: 1426: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1404: 1403:Living people 1401: 1399: 1396: 1394: 1391: 1390: 1388: 1379: 1375: 1372: 1369: 1367: 1364: 1362: 1361: 1357: 1355: 1352: 1350: 1347: 1345: 1342: 1340: 1339: 1334: 1331: 1328: 1324: 1320: 1316: 1313: 1310: 1306: 1303: 1300: 1296: 1293: 1290: 1286: 1283: 1282: 1262: 1258: 1252: 1246: 1244: 1238: 1232: 1230: 1224: 1208: 1204: 1198: 1190: 1184: 1176: 1170: 1162: 1156: 1140: 1139: 1134: 1127: 1112: 1108: 1107: 1102: 1095: 1088: 1087: 1082: 1081: 1075: 1068: 1062: 1055: 1049: 1042: 1036: 1029: 1023: 1016: 1010: 994: 993: 988: 981: 965: 961: 957: 951: 936: 932: 926: 910: 906: 900: 893: 892:0-413-76060-X 889: 885: 879: 875: 864: 861: 860: 856: 855: 846: 843: 840: 839: 835: 832: 829: 826: 823: 820: 817: 814: 813: 809: 806: 803: 800: 797: 794: 791: 788: 785: 782: 779: 776: 773: 770: 769: 765: 762: 759: 756: 753: 750: 747: 744: 741: 738: 735: 732: 731: 727: 724: 721: 718: 715: 712: 709: 706: 705:Faust Is Dead 703: 700: 699: 695: 692: 689: 688: 681: 678: 670: 667:February 2017 659: 656: 652: 649: 645: 642: 638: 635: 631: 628: –  627: 623: 622:Find sources: 616: 612: 606: 605: 601: 596: 591: 582: 581: 573: 571: 567: 563: 559: 555: 551: 549: 544: 542: 541:Benjamin Yeoh 537: 535: 531: 527: 526: 520: 518: 514: 510: 506: 502: 498: 494: 490: 486: 482: 478: 477: 472: 468: 464: 460: 456: 455: 450: 446: 441: 439: 435: 431: 427: 423: 418: 416: 412: 408: 404: 400: 396: 392: 388: 384: 379: 374: 371: 367: 363: 359: 355: 351: 348: 344: 340: 339:Faust is Dead 336: 332: 328: 327:Faust Is Dead 324: 319: 316: 312: 308: 304: 300: 290: 288: 277: 275: 271: 266: 264: 260: 256: 252: 248: 244: 239: 237: 233: 229: 228: 223: 219: 215: 214: 208: 206: 197: 193: 190: 186: 182: 179: 175: 171: 167: 162: 158: 154: 149: 142: 139: 131: 128: 120: 117:February 2017 109: 106: 102: 99: 95: 92: 88: 85: 81: 78: –  77: 73: 72:Find sources: 66: 62: 59: 55: 51: 45: 44: 40: 35: 30: 21: 20: 1360:The Guardian 1359: 1336: 1318: 1315:Ravenhill 10 1264:. Retrieved 1260: 1251: 1242: 1237: 1228: 1223: 1211:. Retrieved 1206: 1197: 1183: 1169: 1155: 1143:. Retrieved 1138:The Guardian 1136: 1126: 1114:. Retrieved 1104: 1094: 1089:, 3 May 2012 1086:The Guardian 1084: 1078: 1074: 1066: 1061: 1053: 1048: 1040: 1035: 1027: 1022: 1014: 1009: 997:. Retrieved 992:The Guardian 990: 980: 968:. Retrieved 964:the original 959: 950: 938:. Retrieved 934: 925: 913:. Retrieved 911:(in Italian) 908: 899: 883: 878: 857: 844: 836: 830: 824: 818: 810: 804: 798: 792: 786: 780: 774: 766: 760: 754: 748: 742: 736: 728: 722: 716: 710: 704: 696: 690: 673: 664: 654: 647: 640: 633: 621: 614: 597: 570:Imogen Holst 561: 558:Swan Theatre 553: 552: 545: 538: 529: 524: 521: 512: 504: 492: 485:Guy Chambers 474: 461:written for 458: 452: 444: 442: 437: 433: 429: 425: 421: 419: 406: 402: 399:Gate Theatre 394: 390: 382: 377: 375: 365: 353: 352: 346: 338: 334: 330: 326: 320: 310: 298: 296: 283: 269: 267: 240: 235: 231: 225: 221: 217: 211: 209: 204: 203: 138: 123: 114: 104: 97: 90: 83: 71: 60: 43:verification 36: 1393:1966 births 1266:10 December 1261:Royal Court 1229:Ben and Imo 1213:25 February 1106:Digital Spy 940:24 December 915:24 December 886:. Methuen. 845:Ben and Imo 825:Ghost Story 755:Citizenship 562:Imo and Ben 554:Ben and Imo 505:Shadow Time 463:Marc Almond 459:Ten Plagues 436:(2005) and 434:Citizenship 370:Molly House 358:Oscar Wilde 234:(2007) and 195:Nationality 170:West Sussex 1387:Categories 1257:"The Cane" 870:References 863:Monteverdi 799:Over There 637:newspapers 534:Big Finish 449:Monteverdi 445:Over There 280:Early life 251:Sarah Kane 189:journalist 181:Playwright 177:Occupation 87:newspapers 1338:OpenLearn 1285:Biography 999:30 August 749:Education 598:does not 272:, at the 172:, England 39:citations 1374:Archived 1145:24 April 1116:24 April 1054:Plays: 2 1028:Plays: 1 995:. London 894:. p.1-91 831:The Cane 517:The Cane 471:Voltaire 440:(2007). 432:(2003), 333:(1998), 329:(1997), 238:(2018). 236:The Cane 230:(2006), 224:(2000), 220:(1999), 65:libelous 1287:at the 884:Plays:1 819:Candide 768:The Cut 761:Product 737:Feed Me 717:Handbag 651:scholar 600:include 525:Vicious 476:Candide 403:Product 378:The Cut 354:Handbag 331:Handbag 270:Product 227:The Cut 198:British 101:scholar 1323:Pinter 1321:, The 970:6 July 890:  865:(2011) 847:(2024) 841:(2019) 833:(2018) 827:(2015) 821:(2013) 815:(2011) 807:(2009) 801:(2009) 795:(2008) 789:(2007) 783:(2007) 777:(2006) 771:(2006) 763:(2005) 757:(2005) 751:(2004) 745:(2003) 733:(2000) 725:(1999) 719:(1998) 713:(1998) 707:(1997) 701:(1996) 693:(1995) 653:  646:  639:  632:  624:  293:Career 249:(with 103:  96:  89:  82:  74:  1335:from 658:JSTOR 644:books 576:Plays 185:actor 108:JSTOR 94:books 32:This 1268:2018 1215:2024 1147:2014 1118:2013 1001:2008 972:2007 942:2022 917:2022 888:ISBN 691:Fist 630:news 602:any 568:and 532:for 483:and 299:Fist 160:Born 80:news 41:for 491:'s 473:'s 451:'s 360:'s 265:). 1389:: 1259:. 1205:. 1135:. 1103:. 1083:, 989:. 958:. 933:. 907:. 572:. 536:. 345:; 276:. 261:, 257:, 253:, 187:, 183:, 168:, 52:. 1329:. 1311:. 1291:. 1270:. 1217:. 1163:. 1149:. 1120:. 1003:. 974:. 944:. 919:. 680:) 674:( 669:) 665:( 655:· 648:· 641:· 634:· 617:. 607:. 130:) 124:( 119:) 115:( 105:· 98:· 91:· 84:· 67:. 46:.

Index

biography of a living person
citations
verification
reliable sources
Contentious material
poorly sourced
libelous
"Mark Ravenhill"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message

Haywards Heath
West Sussex
Playwright
actor
journalist
Shopping and Fucking
The Cut
Europe Prize Theatrical Realities
Royal Court Theatre
Sarah Kane
Jez Butterworth
Conor McPherson
Martin McDonagh
2005 Edinburgh Festival Fringe
Bristol University

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.