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162:(1969). While the arrangement of spaces in this structure is inconsistent, its relationship to its site, separation of living from service spaces, and deep window recesses echo of what would become his stark, strong, towering style. His designs tend to include a strong sense of geometry, often being based on very simple shapes, yet creating unique volumes of space. His buildings are often made of brick, yet his use of material is wide, varied, and often unique.
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265:, and an atrium filled with glass skywalks. The project, which lies substantially underground so as to minimize the impact on the urban fabric, emphasizes movement and light by transforming masses into voids. Sakellaridou highlights that the project is typical of Botta's style in its symmetry, geometry, and solid form. The collaboration of Botta and Sakellaridou is notable in that the latter paid tribute to the former in her book
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293:. Botta does not place himself in the Modernist movement, but rather he is responding to it. His architecture is tied very closely with nature, and is very simple. Botta believes that architecture is a basic need for man, and therefore creates buildings that symbolize simplicity and the essentials. About his own work, he says "it is an architecture which is measured by the yardstick of a man's needs."
205:. “When you enter a church, you already are part of what has transpired and will transpire there. The church is a house that puts a believer in a dimension where he or she is the protagonist. The sacred directly lives in the collective. Man becomes a participant in a church, even if he never says anything.”
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Mario Botta's style is in part defined by his clients needs. Most of his early work was planned and constructed under a tight budget, so use of low cost materials, such as exposed concrete blocks, was necessary. To Botta, material cost does not influence or define his style, as good architecture is
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is a Swiss architect born in
Mendrisio, Ticino on 1 April 1943. At age fifteen, Botta dropped out of secondary school and apprenticed with the architectural firm of Carloni and Camenisch in Lugano. After three years, he went to the Art College in
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made regardless of the medium or material. Botta also believes that architecture is the formal expression of history; and his job as an architect, to some degree, is to give validity to low budget materials through thoughtful expression.
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269:; regarding his design oeuvre, she writes: "Botta continuously invents what is a strong possibility in the vast universe of unrealized architectural probability."
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and Morfo
Papanikolaou of SPARCH architecture. The office complex features two solid forms arranged around a public square, facilitating views of the nearby
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Dome, which houses many major events at the Europa-Park theme park resort in
Germany. Religious works by Botta, including the
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Theaterlexikon der
Schweiz / Dictionnaire du théâtre en Suisse / Dizionario Teatrale Svizzero / Lexicon da teater svizzer
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212:(near Milan), a red brick building linked to many facilities, underlining the city's recent development. He worked at
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242:, Switzerland. The spa opened in December 2006 and cost an estimated CHF 35 million. Mario Botta participated in the
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for his professional degree in 1969. During his time in Venice, Botta got to meet and work with the architects:
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in 2012. In 2014, he was awarded with the Prize Javier
Carvajal by the Universidad de Navarra.
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Judith Dupré, “Interview with Mario Botta,” Churches (New York: HarperCollins, 2001): 16.
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771:"Premio Javier Carvajal 2014: Mario Botta: tres momentos de una trayectoria profesional"
961:. Architectura et Ars Series, Volume 2, Virginia Tech Architecture Publications, 2013.
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movement, specifically the three
Modernist architects Botta has worked under:
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One of Botta's less-known works is the NBG Insurance
Headquarters complex in
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His trademark style can be seen widely in
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Mario Botta. To be an architect, free online course on FutureLearn.com
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STORIES OF HOUSES: A Family House at Riva San Vitale, by Mario Botta
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Stock
Exchange Of Visions: Visions of Mario Botta (Video Interviews)
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238:. In 2006, he designed his first-ever spa, the Bergoase Spa in
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983:(25th anniversary ed.). Köln: Taschen. pp. 124–125.
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First construction of Mario Botta 1961–1963. Parish house in
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project in 2007. He was a member of the Jury of the Global
892:"Architecture and Morality: An Interview with Mario Botta"
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Botta designed his first building, a two-family house at
138:. Mario Botta started his own architectural practice in
587:Cymbalista Synagogue and Jewish Heritage Center in
1081:2007 Interview with Mario Botta in The Leaf Review
693:"La Scala Proudly Emerges From a Drama of Its Own"
575:Chiesa di Santa Maria degli Angeli on Monte Tamaro
563:Chiesa di Santa Maria degli Angeli on Monte Tamaro
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840:"OHA virtual tours: NBG Insurance Headquarters"
277:Mario Botta has been heavily influenced by the
191:Cymbalista Synagogue and Jewish Heritage Center
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869:. New York: Universe Publishing. p. 10.
725:"Critics say restoration has ruined La Scala"
614:. New York: Museum of Modern Art. p. 8.
208:In 1998, he designed the new bus station for
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219:In 2004, he designed Museum One (M1) of the
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959:Architecture and the Ambient – Mario Botta
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199:Architetture del Sacro: Prayers in Stone.
1101:Mario Botta Architecture on Google maps
979:Fiell, Charlotte; Fiell, Peter (2005).
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185:or SFMOMA (1994). He also designed the
1166:Members of the Académie d'architecture
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890:Dimitriu, Livio; Botta, Mario (1983).
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169:region and also in the Mediatheque in
1096:Santa Maria degli Angeli Monte Tamaro
1013:Publications by and about Mario Botta
759:27 October 2011. Retrieved 2011-11-04
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195:Royal Institute of British Architects
1015:in the catalogue Helveticat of the
382:Évry Cathedral from the northwest
366:Facade of Évry Cathedral (photo by
158:, at age 16. He graduated from the
122:for his baccalaureate, and then to
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867:Mario Botta: Architectural Poetics
488:San Francisco Museum of Modern Art
412:telecommunication headquarters in
267:Mario Botta: Architectural Poetics
183:San Francisco Museum of Modern Art
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524:Bechtler Museum of Modern Art
90:Bechtler Museum of Modern Art
815:"NBG Insurance Headquarters"
221:Leeum, Samsung Museum of Art
193:were shown in London at the
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775:Ra. Revista de Arquitectura
691:Riding, Alan (2004-12-05).
546:Stadt- und Landesbibliothek
197:in an exhibition entitled,
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160:UniversitĂ Iuav di Venezia
124:UniversitĂ Iuav di Venezia
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16:Swiss architect, born 1943
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1036:Helena Bernal (2005).
1017:Swiss National Library
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445:La Fortezza building,
1161:People from Mendrisio
1141:Mario Botta buildings
1136:Postmodern architects
548:(Central library) in
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755:2012-09-28 at the
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902:: 119–138.
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316:Genestrerio
229:South Korea
187:Europa-Park
175:a cathedral
115:Mario Botta
103:Switzerland
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1115:Categories
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1031:archINFORM
735:2022-05-02
710:2022-05-02
621:0870702580
597:References
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447:Maastricht
414:Bellinzona
283:Louis Kahn
132:Louis Kahn
62:Occupation
35:1943-04-01
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824:August 3,
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630:cite book
528:Charlotte
368:Pino Musi
354:, France
263:Acropolis
210:Vimercate
142:in 1970.
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753:Archived
591:, Israel
589:Tel Aviv
550:Dortmund
410:Swisscom
214:La Scala
173:(1988),
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156:Ticino
146:Career
140:Lugano
82:Athens
1046:[
934:(PDF)
912:JSTOR
797:S2CID
474:Japan
470:Tokyo
334:Mogno
240:Arosa
225:Seoul
120:Milan
57:Swiss
1070:OCLC
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