326:. During this time, she made roughly a dozen recordings with Braxton, and also began releasing recordings under her own name. Regarding her tenure with the group, she stated: "t was like a family. Playing with Anthony really taught me a lot about space, the use of space and silence and breath, and the use of composition in improvisation... Just being inside his compositions taught me a lot about composition... What really impressed me is that he was composing in a way that was very similar to contemporary classical musicians but with a lot more freedom, allowing interpretation.". Since then, silence and space have become known as a central part of her recordings. As she noted in an interview with PostGenre, Marilyn noted, "hen I first started playing creative music, I don’t think I left much of any silence in my performances. I was focused heavily on playing into the energy and showing what I could do. That kind of thinking is very far away from my mindset now."
33:
303:. Regarding her first encounter with Taylor, she recalled: "I remember the day I first met Cecil Taylor... He was playing pool, and there was a piano behind the pool room. So I sat at the piano and gave him an impromptu concert, hoping he'd listen. When I was finished he kissed my hand, and said, 'This lady can play!' I'm still flattered to hear my name mentioned in the same breath." (During this time, people frequently referred to her as "the female Cecil Taylor" due to her fiery approach to the piano and her tendency to play "lots of notes, all of the time. Continuously, without much of a break.") Regarding her time at the
307:, she stated: "It was and is a unique place in the world for the kind of music that we do... If it had taken place in New York City I don't think the feeling would have been the same. Here you were living and eating and hanging out with the guiding artists in this country motel setting. People would be up all night making bonfires and playing outside on the lawn with musicians from all over the world. It was a very important human experience and I met many of the people I ended up playing with." Upon completion of the session, Crispell quickly moved to Woodstock and has resided there ever since.
387:. She recalls: "It just touched a nerve in me... it unlocked the door to the lyrical things that I would have liked to be doing and wasn't doing." "Some of this kind of beauty and Nordic sound and tenderness opened up something in me that I had really kept hidden because I was trying to be really strong all the time. Even when I played romantic things I played them with a lot of energy. So suddenly this other sound entered into my consciousness and it resonated with something in me that I had not allowed to be expressed." She soon performed and recorded with Jormin and his
158:
413:. Regarding her ECM recordings, she stated: "A lot of the stuff I have been doing with ECM is more about an inner intensity rather than an outer one. I feel there is a connection between the two states - wild energy and extreme introversion - two sides of the same coin. I do both and feel like there is an organic connection between them - an integration between them. With the ECM recordings, I like the idea of playing things so slowly that you are almost suspended in time."
318:, who invited her to sit in with his group. She recalls: "At our first gig Anthony placed a beer in my hand and said, 'Relax, don't play so many notes.' I was playing like a thousand notes a minute, and he was the first person to make me think of space and breath and phrasing, as opposed to a constant barrage." She was soon invited to join Braxton's Creative Music Orchestra and his quartet, of which she was a member from 1983 to 1995, and which also featured bassist
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for two years. According to
Crispell, "I had to, like, really go from scratch. I had to do everything in twelve keys. I had to write out seven solos in every key on every piece. I had to listen to tons of stuff and transcribe it to be able to hear and understand what was happening, you know, within
243:
for the first time. She recalls: "The emotional and spiritual quality of it overpowered me... I can honestly say it's possibly the most overpowering experience I've ever had in my life. That one night of listening to A Love
Supreme over and over and over just completely changed my life."
196:
wrote: "Hearing
Marilyn Crispell play solo piano is like monitoring an active volcano... She is one of a very few pianists who rise to the challenge of free jazz." In addition to her own extensive work as a soloist or bandleader, Crispell is also known as a longtime member of saxophonist
515:, and in 2004, was named as being one of their 100 most outstanding alumni of the past 100 years. She is the author of the instructional DVD "A pianist's guide to free improvisation: keys to unlocking your creativity" (2002, Homespun Video).
499:
She has taught improvisation workshops and given lecture/demonstrations across the world and has collaborated with poets, dancers, filmmakers, and videographers. She has been the recipient of a
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beginning at age seven, and also began improvising at an early age, thanks to a teacher who required all her students to improvise regardless of their skill level. She later attended the
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the confines of these time cycles and chord changes. How were people using the chords and the notes and the chords and the scales? Where did they go outside of them?"
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fellowship grants (1988-1989, 1994-1995 and 2006-2007). In 1996, Crispell was presented with an
Outstanding Alumni Award by the
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Crispell has continued to perform and record extensively as a soloist and leader of her own groups, as well as with the
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described her as "a powerful player... who has her own way of using space... She is near the top of her field."
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Finding aid to the
Marilyn Crispell collection at Columbia University. Rare Book & Manuscript Library.
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Most tracks duo, with
Stefano Maltese (reeds); some tracks trio, with Gioconda Cilio (vocals) added
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International
Workshop in Jazz. She also created and directed a multi media production entitled
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Crispell, Marilyn. 2000. "Elements of
Improvisation: For Cecil Taylor and Anthony Braxton." In
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279:. In 1977, she visited the studio for a summer, and came into contact with musicians such as
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Johnson, Martin (November 2020). "Reviews: Anglica
Sanchez & Marilyn Crispell".
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Quartet, with Didier Petit (cello), Marcio Mattos (bass), Yoval
Mincemacher (drums)
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by Gilles Corre. In 2005–2006, she performed and recorded with the NOW Orchestra in
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Erlewine, Michael; Bogdanov, Vladimir; Woodstra, Chris; Yanow, Scott, eds. (1996).
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Years given are for the recording(s), not first release, unless stated otherwise.
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A 3-disc set. Crispell plays solo piano on one disc; the other two discs feature
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A pianist's guide to free improvisation: keys to unlocking your creativity
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Most tracks duo, with Tanya Kalmanovitch (violin); some tracks trio, with
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3485:"Density and Space: A Conversation with Yuma Uesaka and Marilyn Crispell"
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3657:"Drawing Sound: An Exhibition and Musical Performance of Graphic Scores"
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In the early 1990s, her style began to evolve further when she visited
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3174:(episode in a series of 51 short films on ECM, 2020) by IJ.Biermann
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October 16, 1982: Donaueschinger Musiktage, Donaueschingen, Germany
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During the late 1970s and 1980s, she also worked and recorded with
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The Complete Remastered Recordings on Black Saint & Soul Note
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2148:: Recorded Live in July 1993 at Yoshi's in Oakland California (
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Charitable Trust composition commission (1988-1989), and three
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3499:"John Simon Guggenheim Memorial Foundation: Marilyn Crispell"
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Marilyn Crispell, Mark Dresser, Gerry Hemingway Play Braxton
3716:, ed. John Zorn, 190-192. New York: Granary Books/Hips Road.
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2604:
Stone Quartet: DMG @ The Stone Volume 1: December 22, 2006
756:(bass, drums, percussion), Doug James (drums, percussion)
3096:
Works for Piano, Toy Piano & Prepared Piano, Vol. III
3606:"Femmes du Jazz / Women in Jazz: A film by Gilles Corre"
3212:"Noted in Brief: Marilyn Crispell Plays Solo Jazz Piano"
383:, where she heard a Swedish group that included bassist
3471:
Chasing the Vibration: Meetings with Creative Musicians
263:, who suggested she consider attending sessions at the
372:, held in celebration of the tenth anniversary of the
850:(soprano sax, alto sax), Peter Buettner (tenor sax),
3834:Nothing Ever Was, Anyway: Music of Annette Peacock
3445:"Marilyn Crispell: Uncompromising Power and Grace"
3390:Jazzwomen: Conversations With Twenty-One Musicians
3387:
3302:Jazzwomen: Conversations With Twenty-One Musicians
3299:
1310:Nothing Ever Was, Anyway: Music of Annette Peacock
394:Nothing Ever Was, Anyway: Music of Annette Peacock
3385:
3297:
4355:
4113:Highlights from the Summer of 1992 American Tour
1014:Highlights from the Summer of 1992 American Tour
37:Crispell in music is (Speaking Portraits Vol. I)
2430:Gryffgryffgryffs: The 1996 Radio Sweden Concert
1589:Live at Nya Perspektiv Festivals 2004 and 2007
3737:Marilyn Crispell Interview at allaboutjazz.com
1350:Duo with Agustà Fernández (piano); in concert
518:In 2000, Crispell appeared in the French film
3778:
1701:Free Flight: Live At Enjoy Jazz Festival 2010
1613:(drums), Lars-Goran Ulander (saxophone), and
1406:Compilation of tracks previously released on
1399:Selected Works 1983-1986 (Solo, Duo, Quartet)
3199:(2nd ed.). Miller Freeman. p. 178.
3913:(with Richard Poole and Gary Peacock, 2014)
3438:
3436:
3414:"A Chosen Calm After the Avant-Garde Storm"
3293:
3291:
2319:with The Glasgow Improvisers Orchestra and
1978:Quartet, with Jason Stein (bass clarinet),
3785:
3771:
3386:Enstice, Wayne; Stockhouse, Janis (2004).
3298:Enstice, Wayne; Stockhouse, Janis (2004).
3190:
3188:
2218:(live, archival) (New Braxton House, 2012)
2212:(live, archival) (New Braxton House, 2012)
1705:fixcel (Release with limited circulation)
420:Trio, an all-female trio led by Denmark’s
3327:
1110:(drums, vibraphone, gamelan); in concert
4105:Piano Duets (Tuned & Detuned Pianos)
3965:(with Joe Fonda and Harvey Sorgen, 2021)
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942:Piano Duets (Tuned & Detuned Pianos)
251:, where she studied jazz privately with
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3732:short film portrait on Marilyn Crispell
3631:"Come As A Musician, Leave As A Master"
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2612:Stone Quartet: Live at Vision Festival
1684:Trio, with Jeff Henderson (reeds) and
557:
3874:One Dark Night I Left My Silent House
3766:
3749:"The Marilyn Crispell Sessionography"
3706:
3685:"The Marilyn Crispell Sessionography"
3411:
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3394:. Indiana University Press. pp.
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3306:. Indiana University Press. pp.
3271:"Marilyn Crispell: Between the Lines"
1627:One Dark Night I Left My Silent House
446:and drummer Carmen Castaldi, Trio 3 (
259:While in Boston, she met saxophonist
221:. She studied classical piano at the
178:(born March 30, 1947) is an American
4439:21st-century American women pianists
4429:20th-century American women pianists
3792:
3547:
3468:
3251:
3171:ECM50 | 2000 - Marilyn Crispell
3122:Stellar Pulsations / Three Composers
2792:Breaking the Wheel of Life and Death
503:in Music Composition (2005-2006), a
3945:(with Yuma Uesaka, 2018 & 2019)
3473:. Exeter: Stride. pp. 105–111.
3362:"Overdue Ovation: Marilyn Crispell"
3328:Greenland, Tom (October 13, 2006).
3269:Sheridan, Molly (August 20, 2009).
1988:
1154:(saxophones, clarinets, tarogato),
171:Crispell in concert, April 29, 2008
13:
4013:Quartet Improvisations, Paris 1986
3443:Peterson, Lloyd (March 20, 2009).
3412:Shatz, Adam (September 23, 2001).
3402:
3314:
1416:Quartet Improvisations, Paris 1986
1370:Duo, with Stefano Maltese (reeds)
704:Quartet Improvisations, Paris 1986
694:Duo, with Doug James (percussion)
489:X, The Life and Times of Malcolm X
201:'s quartet in the 1980s and '90s.
16:American jazz pianist and composer
14:
4470:
4093:Overlapping Hands: Eight Segments
3746:
3720:
1328:(drums); one track quartet, with
1120:Contrasts: Live at Yoshi's (1995)
896:Overlapping Hands: Eight Segments
227:New England Conservatory of Music
213:and, at the age of ten, moved to
4399:Jazz musicians from Philadelphia
2359:London Jazz Composer's Orchestra
2222:CMS Archive Selections, Volume 2
1664:(drums, percussion, vibraphone)
509:New York Foundation for the Arts
31:
4409:New England Conservatory alumni
3677:
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3623:
3598:
3573:
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3516:
3491:
3477:
3462:
3210:Pareles, Jon (March 26, 1984).
3166:(2020) by Michael Patrick Kelly
2198:Quartet (New York) 1993 - Set 2
2192:Quartet (New York) 1993 - Set 1
2093:Prag 1984 (Quartet Performance)
2069:Six Compositions (Quartet) 1984
952:Duo, with Georg Graewe (piano)
632:A Concert in Berlin – Summer 83
436:, the Copenhagen Art Ensemble,
368:. In 1981 she performed at the
4434:21st-century American pianists
4424:20th-century American pianists
3379:
3203:
3147:Femmes du Jazz / Women in Jazz
3133:
2988:Gunhild Seim & Time Jungle
2200:(Bootleg / Unauthorized, 2011)
2194:(Bootleg / Unauthorized, 2011)
2188:(Bootleg / Unauthorized, 2011)
2182:(Bootleg / Unauthorized, 2006)
2157:Creative Orchestra (Köln) 1978
1962:(bass), Harvey Sorgen (drums)
1831:(bass), Harvey Sorgen (drums)
1809:(bass), Richard Poole (drums)
1300:(alto sax, flute); in concert
800:(alto sax, flute); in concert
618:(violin), Wes Brown (guitar),
552:
1:
4220:(with Agustà Fernández, 1995)
3933:(with Tanya Kalmanovitch and
3524:"Marilyn Crispell: Biography"
3178:
2287:Stephen Dembski – Sonotropism
1708:Trio, with Erwin Ditzner and
4419:Cadence Jazz Records artists
4404:American women jazz pianists
4332:(with Gerry Hemingway, 2013)
4248:(with Stefano Maltese, 1999)
4240:(with Stefano Maltese, 1999)
3360:Brady, Shaun (May 1, 2019).
2271:48 Motives, January 11, 1996
204:
7:
4201:Live at Mills College, 1995
3997:Rhythms Hung in Undrawn Sky
2810:The Paradox of Independence
2725:Two Duos : Three Trios
2716:with Raymond MacDonald and
2348:Blue Horizon. Barry Guy@70
1982:(bass), Adam Shead (drums)
1408:Rhythms Hung In Undrawn Sky
1218:Live at Mills College, 1995
584:Rhythms Hung in Undrawn Sky
10:
4475:
4374:Avant-garde jazz musicians
3818:And Your Ivory Voice Sings
3714:Arcana: Musicians on Music
2365:Three Pieces for Orchestra
1609:(clarinet and saxophone),
1412:And Your Ivory Voice Sings
684:And Your Ivory Voice Sings
247:Crispell soon returned to
4379:Avant-garde jazz pianists
4324:and Harrison Smith, 2012)
4300:and Jeff Henderson, 2008)
4108:(with Georg Graewe, 1991)
3972:
3905:(with Gary Peacock, 2011)
3809:
3800:
2928:(Fundacja SĹ‚uchaj!, 2021)
2718:Pierre Alexandre Tremblay
2350:(Fundacja SĹ‚uchaj!, 2018)
2328:Parallel Moments Unbroken
2257:(Fundacja SĹ‚uchaj!, 2015)
2169:Quartet (Santa Cruz) 1993
2101:Quartet (Birmingham) 1985
2042:(Uptee Productions, 1998)
1403:Golden Years Of New Jazz
1276:(percussion); in concert
541:, saxophonist, both from
163:Photo Hreinn Gudlaugsson)
136:
132:
110:
100:
92:
84:
70:
47:
42:
30:
23:
4449:Music & Arts artists
4389:American women composers
4217:Dark Night, and Luminous
3921:(with Harvey Sorgen and
2946:with Michele Rabbia and
2941:(Minuit 5 Regards, 1998)
2804:Beautiful Empty Fullness
2210:Quartet (Karlsruhe) 1983
1975:Balance Point Acoustics
1597:Various ensembles; with
1342:Dark Night, and Luminous
513:New England Conservatory
391:. In 1996, she recorded
4394:American jazz composers
3821:(with Doug James, 1985)
3197:All Music Guide to Jazz
2727:(Bruce's Fingers, 2016)
2216:Quartet (Mulhouse) 1983
2125:Quartet (Coventry) 1985
2113:Willisau (Quartet) 1991
1517:Bootleg / Unauthorized
1320:Most tracks trio, with
1248:Solo piano; in concert
1228:Solo piano; in concert
1208:(alto sax); in concert
1130:Solo piano; in concert
972:Solo piano; in concert
776:Solo piano; in concert
482:, Manfred Niehaus, and
370:Woodstock Jazz Festival
4454:Intakt Records artists
4384:American jazz pianists
3150:(2000) by Gilles Corre
2592:Joëlle Léandre Project
2513:Any Terrain Tumultuous
2186:Orchestra (Paris) 1978
2096:(Sound Aspects, 1984 )
1918:Duo, with Yuma Uesaka
1067:B&W Music, X-Talk
409:, her first album for
182:pianist and composer.
172:
164:
161:Aarhus, Denmark (2022
43:Background information
4337:The Adornment of Time
4209:The Woodstock Concert
4037:Live in San Francisco
3469:Lock, Graham (1994).
3158:(2019) by Paul Lamont
3142:(1985) dir. Ebba Jahn
2926:Brass and Ivory Tales
2312:Ambiances Magnétiques
2249:with Agustà Fernández
2081:Quartet (London) 1985
1865:The Adornment of Time
1238:The Woodstock Concert
766:Live in San Francisco
501:Guggenheim Fellowship
486:(including his opera
374:Creative Music Studio
312:Creative Music Studio
305:Creative Music Studio
275:, Ingrid Sertso, and
265:Creative Music Studio
217:, where she attended
209:Crispell was born in
170:
160:
4293:This Appearing World
4281:Sibanye (We Are One)
4045:Duets Vancouver 1989
3950:How to Turn the Moon
3637:. September 11, 2018
3140:"Rising Tones Cross"
3107:performing works of
3087:performing works of
2743:Sketches from Bamboo
2676:Garden of Expression
2180:The Coventry Concert
2137:(Victoriaville) 1992
1889:How to Turn the Moon
1879:(drums, percussion)
1855:(electronics) added
1674:This Appearing World
1576:(drums, percussion)
1562:Sibanye (We Are One)
1158:(drums); in concert
1082:, and Elvira Plenar
1054:(drums); in concert
858:(drums); in concert
828:(drums); in concert
786:Duets Vancouver 1989
622:(drums); in concert
314:, Crispell also met
223:Peabody Conservatory
66:, Pennsylvania, U.S.
4444:Leo Records artists
4414:ECM Records artists
4065:The Kitchen Concert
4005:A Concert in Berlin
3548:Crispell, Marilyn.
3528:MarilynCrispell.com
3487:. November 3, 2021.
3115:and Manfred Niehaus
2839:The Secret Magritte
2786:Auspicious Healing!
2708:Songs Along the Way
2647:Quartet Noir Lugano
2480:Phases of the Night
2224:(Planet Arts, 2015)
2206:(C.A.M. Jazz, 2011)
2145:Twelve Compositions
1940:and Harrison Smith
1574:Louis Moholo-Moholo
868:The Kitchen Concert
558:As leader/co-leader
494:New York City Opera
219:Western High School
4225:Connecting Spirits
3962:With Grace in Mind
3935:Richard Teitelbaum
3707:Additional sources
3664:WoodstockGuild.org
3419:The New York Times
3330:"Marilyn Crispell"
3217:The New York Times
2997:(Drollehala, 2012)
2981:(Drollehala, 2018)
2869:Natives and Aliens
2817:with NOW Orchestra
2736:Creative Orchestra
2530:In Winds, In Light
2515:(Red Toucan, 1995)
2376:Double Trouble Two
1955:Fundacja Sluchaj!
1950:With Grace in Mind
1853:Richard Teitelbaum
1607:Fredrik Ljungkvist
1347:Edicions Nova Era
1286:Connecting Spirits
366:Babatunde Olatunji
193:The New York Times
173:
165:
88:Musician, composer
4459:Okka Disk artists
4351:
4350:
4276:(2004 & 2007)
4116:(1991 & 1992)
3984:(1981 & 1982)
3635:CreativeMusic.org
3070:with Bobby Zankel
3012:Budding of a Rose
2933:with Nelly Pouget
2701:Parallel Moments
2694:Raymond MacDonald
2255:River Tiger Fire
2040:The Way I Hear It
1986:
1985:
1611:Paal Nilssen-Love
539:Raymond MacDonald
505:Mary Flagler Cary
442:with saxophonist
152:
151:
4466:
4329:Table of Changes
4177:Band on the Wall
3955:Angelica Sanchez
3879:David Rothenberg
3794:Marilyn Crispell
3787:
3780:
3773:
3764:
3763:
3759:
3757:
3755:
3727:Official website
3700:
3699:
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3449:AllAboutJazz.com
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3339:
3337:
3332:. All About Jazz
3325:
3312:
3311:
3305:
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3283:
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3192:
3163:Motian in Motion
3051:Music & Arts
3004:Wadada Leo Smith
2972:David Rothenberg
2948:Vincent Courtois
2920:Music & Arts
2908:Music & Arts
2435:Music & Arts
2399:Inscape–Tableaux
2291:Music & Arts
2281:Music & Arts
2277:Five Frozen Eggs
2150:Music & Arts
2026:(Moonjune, 2022)
1989:As side musician
1899:Angelica Sanchez
1771:Table of Changes
1710:Sebastian Gramss
1639:David Rothenberg
1603:Palle Danielsson
1292:Music & Arts
1244:Music & Arts
1224:Music & Arts
1200:Music & Arts
1146:Music & Arts
1126:Music & Arts
1098:Music & Arts
1063:Behind the Night
1042:Band on the Wall
1020:Music & Arts
924:Knitting Factory
792:Music & Arts
772:Music & Arts
562:
561:
472:Pauline Oliveros
339:Wadada Leo Smith
293:Wadada Leo Smith
176:Marilyn Crispell
148:
145:
144:.marilyncrispell
143:
123:Music & Arts
103:
61:
57:
55:
35:
25:Marilyn Crispell
21:
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4310:Gerry Hemingway
4193:Live at Yoshi's
4126:Peter Brötzmann
4098:Irène Schweizer
4078:Gerry Hemingway
4050:Anthony Braxton
3968:
3895:Gerry Hemingway
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3275:NewMusicBox.org
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2915:Sound Hierarchy
2761:Gerry Hemingway
2734:Roscoe Mitchell
2684:Our Daily Bread
2607:(DMG/ARC, 2008)
2302:and Nick Fraser
2273:(Cadence, 1996)
2231:Andrea Centazzo
2049:Anthony Braxton
2018:with Clint Bahr
1991:
1971:Spi-raling Horn
1783:Gerry Hemingway
1737:Gerry Hemingway
1662:Gerry Hemingway
1332:(vocals) added
1330:Annette Peacock
1152:Peter Brötzmann
1108:Gerry Hemingway
1076:Hildegard Kleeb
1030:Gerry Hemingway
1002:Gerry Hemingway
930:Gerry Hemingway
906:Irene Schweizer
884:Gerry Hemingway
856:Gerry Hemingway
798:Anthony Braxton
560:
555:
407:Annette Peacock
348:, the European
335:Roscoe Mitchell
324:Gerry Hemingway
316:Anthony Braxton
289:Roscoe Mitchell
277:Ornette Coleman
261:Charlie Mariano
253:Charlie Banacos
207:
199:Anthony Braxton
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4273:Collaborations
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4057:Live in Zurich
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3989:Live in Berlin
3985:
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3026:Reggie Workman
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2995:Elephant Wings
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2798:Heart to Heart
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2626:Urs Leimgruber
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2057:Composition 98
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2033:Thurman Barker
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2007:Poetic Justice
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1080:Urs Leimgruber
1070:Quintet, with
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846:Quintet, with
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810:Live in Zurich
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565:Year released
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456:Andrew Cyrille
448:Reggie Workman
389:Bortom Quintet
362:Joëlle Léandre
354:Urs Leimgruber
331:Reggie Workman
322:, and drummer
240:A Love Supreme
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154:Musical artist
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3276:
3272:
3265:
3263:
3261:
3259:
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3149:
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3141:
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3119:
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3114:
3110:
3106:
3105:
3101:
3097:
3094:
3093:
3090:
3086:
3085:
3081:
3077:
3076:Human Flowers
3074:
3073:
3069:
3068:
3064:
3060:
3059:
3055:
3052:
3048:
3047:
3043:
3040:
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3023:
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3018:
3014:
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3009:
3008:
3005:
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2996:
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2989:
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2909:
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2900:
2899:
2896:
2892:
2891:
2887:
2883:
2882:
2881:After Appleby
2878:
2875:
2871:
2870:
2866:
2865:
2861:
2857:
2853:
2849:
2848:
2844:
2840:
2837:
2836:
2833:
2829:
2828:
2825:(Victo, 2005)
2824:
2821:
2820:
2816:
2815:
2812:(Anami, 2014)
2811:
2808:
2806:(Anami, 2014)
2805:
2802:
2800:(Anami, 2013)
2799:
2796:
2794:(Anami, 2000)
2793:
2790:
2788:(Anami, 2000)
2787:
2784:
2783:
2780:
2779:Tisziji Munoz
2776:
2775:
2771:
2770:
2766:
2765:
2762:
2758:
2757:Michael Moore
2754:
2753:
2749:
2745:
2744:
2740:
2739:
2735:
2731:
2730:
2726:
2723:
2722:
2719:
2715:
2714:
2711:(Babel, 2018)
2710:
2709:
2705:
2703:(Babel, 2014)
2702:
2699:
2698:
2695:
2691:
2690:
2686:
2685:
2681:
2678:
2677:
2673:
2670:
2666:
2665:
2664:Trio Tapestry
2661:
2660:
2657:
2653:
2652:
2649:(Victo, 2005)
2648:
2645:
2643:(Victo, 1999)
2642:
2639:
2638:
2635:
2631:
2627:
2623:
2622:
2618:
2614:
2613:
2609:
2606:
2605:
2601:
2598:
2594:
2593:
2589:
2588:
2585:
2581:
2580:
2576:
2572:
2569:
2568:
2565:
2561:
2560:
2556:
2552:
2551:Eternity Blue
2549:
2548:
2545:
2541:
2540:
2536:
2532:
2531:
2527:
2526:
2523:
2522:Anders Jormin
2519:
2518:
2514:
2511:
2510:
2507:
2503:
2502:
2498:
2494:
2493:
2489:
2486:
2482:
2481:
2477:
2474:
2470:
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2427:
2426:
2422:
2418:
2414:
2410:
2409:
2405:
2401:
2400:
2396:
2395:
2392:New Orchestra
2391:
2387:
2386:
2382:
2378:
2377:
2373:
2370:
2366:
2363:
2362:
2358:
2354:
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2268:
2265:
2261:
2260:
2256:
2253:
2252:
2248:
2247:
2243:
2239:
2238:Stolen Moment
2236:
2235:
2232:
2228:
2227:
2223:
2220:
2217:
2214:
2211:
2208:
2205:
2202:
2199:
2196:
2193:
2190:
2187:
2184:
2181:
2178:
2175:
2171:
2170:
2166:
2163:
2159:
2158:
2154:
2151:
2147:
2146:
2142:
2140:(Victo, 1993)
2139:
2138:
2134:
2131:
2127:
2126:
2122:
2119:
2115:
2114:
2110:
2107:
2103:
2102:
2098:
2095:
2094:
2090:
2087:
2083:
2082:
2078:
2075:
2071:
2070:
2066:
2063:
2059:
2058:
2054:
2053:
2050:
2046:
2045:
2041:
2038:
2037:
2034:
2030:
2029:
2025:
2022:
2021:
2017:
2016:
2012:
2008:
2005:
2004:
2001:
2000:Marilyn Mazur
1997:
1993:
1992:
1981:
1977:
1974:
1972:
1969:
1966:
1965:
1961:
1957:
1954:
1952:
1951:
1947:
1944:
1943:
1939:
1938:Eddie Prévost
1935:
1932:
1930:
1929:
1925:
1922:
1921:
1917:
1914:
1912:
1911:
1907:
1904:
1903:
1900:
1896:
1893:
1891:
1890:
1886:
1883:
1882:
1878:
1877:Tyshawn Sorey
1874:
1872:
1869:
1867:
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1718:
1715:
1714:
1711:
1707:
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1702:
1699:
1696:
1695:
1691:
1687:
1686:Richard Nunns
1683:
1681:
1678:
1676:
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1668:
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1663:
1659:
1657:
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1471:
1467:
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1449:
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1441:
1437:
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1432:
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1425:
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1357:
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1339:
1336:
1335:
1331:
1327:
1323:
1319:
1317:
1314:
1312:
1311:
1307:
1304:
1303:
1299:
1298:Joseph Jarman
1295:
1293:
1290:
1288:
1287:
1283:
1280:
1279:
1275:
1272:(tenor sax),
1271:
1270:Fred Anderson
1267:
1265:
1262:
1260:
1259:
1255:
1252:
1251:
1247:
1245:
1242:
1240:
1239:
1235:
1232:
1231:
1227:
1225:
1222:
1220:
1219:
1215:
1212:
1211:
1207:
1203:
1201:
1198:
1196:
1195:
1191:
1188:
1187:
1183:
1182:Raymond Strid
1179:
1178:Anders Jormin
1175:
1172:
1170:
1169:
1165:
1162:
1161:
1157:
1153:
1149:
1147:
1144:
1142:
1141:
1137:
1134:
1133:
1129:
1127:
1124:
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1121:
1117:
1114:
1113:
1109:
1105:
1101:
1099:
1096:
1094:
1093:
1089:
1086:
1085:
1081:
1077:
1073:
1069:
1066:
1064:
1061:
1058:
1057:
1053:
1052:Eddie Prévost
1049:
1046:
1044:
1043:
1039:
1036:
1035:
1031:
1027:
1023:
1021:
1018:
1016:
1015:
1011:
1008:
1007:
1003:
1000:(cello), and
999:
995:
991:
989:
986:
984:
983:
979:
976:
975:
971:
969:
966:
964:
963:
959:
956:
955:
951:
949:
946:
944:
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939:
936:
935:
931:
927:
925:
922:
920:
919:
915:
912:
911:
907:
903:
900:
898:
897:
893:
890:
889:
885:
881:
877:
875:
872:
870:
869:
865:
862:
861:
857:
853:
849:
845:
842:
840:
839:
835:
832:
831:
827:
823:
819:
817:
814:
812:
811:
807:
804:
803:
799:
795:
793:
790:
788:
787:
783:
780:
779:
775:
773:
770:
768:
767:
763:
760:
759:
755:
751:
749:
746:
744:
743:
739:
736:
735:
731:
728:
726:
725:
721:
718:
717:
713:
711:
708:
706:
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701:
698:
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693:
691:
688:
686:
685:
681:
678:
677:
673:
669:
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661:
659:
656:
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649:
646:
645:
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639:
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634:
633:
629:
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625:
621:
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613:
611:
608:
606:
605:
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598:
597:
593:
591:
588:
586:
585:
581:
578:
577:
573:
570:
567:
564:
563:
550:
548:
547:Drawing Sound
544:
540:
536:
534:
529:
525:
521:
520:Women in Jazz
516:
514:
510:
506:
502:
497:
495:
491:
490:
485:
484:Anthony Davis
481:
477:
473:
469:
465:
464:Tyshawn Sorey
461:
457:
453:
449:
445:
441:
440:
439:Trio Tapestry
435:
431:
427:
426:Tisziji Munoz
423:
419:
414:
412:
408:
404:
400:
396:
395:
390:
386:
385:Anders Jormin
382:
377:
375:
371:
367:
363:
359:
355:
351:
347:
346:New Orchestra
345:
340:
336:
332:
327:
325:
321:
317:
313:
310:While at the
308:
306:
302:
298:
297:Anthony Davis
294:
290:
286:
282:
278:
274:
271:, founded by
270:
269:Woodstock, NY
266:
262:
257:
254:
250:
245:
242:
241:
236:
235:John Coltrane
232:
228:
224:
220:
216:
212:
202:
200:
195:
194:
189:
185:
181:
177:
169:
159:
147:
139:
135:
131:
128:
124:
120:
116:
113:
109:
105:
99:
95:
91:
87:
85:Occupation(s)
83:
80:
76:
73:
69:
65:
60:(age 77)
50:
46:
41:
34:
29:
22:
19:
4335:
4327:
4315:
4303:
4291:
4286:Louis Moholo
4279:
4271:
4266:Cecil Taylor
4258:Paul Plimley
4251:
4243:
4235:
4223:
4215:
4207:
4199:
4191:
4183:
4175:
4159:
4151:
4143:
4135:
4119:
4111:
4103:
4091:
4083:
4071:
4063:
4055:
4043:
4035:
4029:For Coltrane
4027:
4019:
4011:
4003:
3995:
3987:
3981:Spirit Music
3979:
3960:
3948:
3940:
3928:
3916:
3908:
3900:
3891:Mark Dresser
3884:
3872:
3864:
3856:
3848:
3843:Gary Peacock
3832:
3824:
3816:
3802:
3793:
3754:December 13,
3752:. Retrieved
3713:
3692:. Retrieved
3688:
3679:
3667:. Retrieved
3663:
3651:
3639:. Retrieved
3634:
3625:
3613:. Retrieved
3609:
3600:
3588:. Retrieved
3585:Homespun.com
3584:
3575:
3563:. Retrieved
3550:
3543:
3531:. Retrieved
3527:
3518:
3506:. Retrieved
3502:
3493:
3479:
3470:
3464:
3452:. Retrieved
3448:
3423:. Retrieved
3417:
3389:
3381:
3369:. Retrieved
3365:
3334:. Retrieved
3301:
3278:. Retrieved
3274:
3242:
3221:. Retrieved
3215:
3205:
3196:
3170:
3162:
3155:The Songpoet
3154:
3146:
3120:
3109:Robert Cogan
3095:
3075:
3056:
3044:
3032:
3010:
2994:
2978:
2968:Gunhild Seim
2954:
2938:
2925:
2913:
2901:
2895:Ivo Perelman
2879:
2867:
2838:
2822:
2809:
2803:
2797:
2791:
2785:
2767:
2741:
2724:
2706:
2700:
2682:
2674:
2662:
2646:
2641:Quartet Noir
2640:
2634:Fritz Hauser
2610:
2602:
2590:
2571:Five Facings
2570:
2550:
2544:Henry Kaiser
2528:
2512:
2490:
2478:
2466:
2454:
2428:
2397:
2374:
2364:
2347:
2327:
2307:
2286:
2276:
2270:
2264:Scott Fields
2254:
2237:
2221:
2215:
2209:
2203:
2197:
2191:
2185:
2179:
2167:
2155:
2143:
2135:
2123:
2111:
2099:
2091:
2079:
2067:
2055:
2039:
2023:
2006:
1970:
1948:
1926:
1908:
1894:Pyroclastic
1887:
1863:
1839:
1817:
1807:Gary Peacock
1793:
1769:
1760:Gary Peacock
1746:
1733:Mark Dresser
1721:Play Braxton
1719:
1700:
1690:Taonga pūoro
1672:
1648:
1625:
1584:
1560:
1540:
1526:Peter Kowald
1512:
1484:
1474:Cecil Taylor
1466:Paul Plimley
1454:
1440:Gary Peacock
1426:
1415:
1414:(1985), and
1411:
1407:
1398:
1378:
1358:
1340:
1322:Gary Peacock
1308:
1284:
1256:
1236:
1216:
1192:
1166:
1138:
1118:
1090:
1072:Fritz Hauser
1062:
1040:
1012:
998:Hank Roberts
994:Mark Feldman
980:
962:For Coltrane
960:
940:
916:
894:
880:Mark Dresser
866:
836:
808:
784:
764:
740:
722:
702:
682:
668:Peter Kowald
650:
630:
604:Spirit Music
602:
582:
546:
531:
528:Banff Centre
519:
517:
498:
487:
476:Robert Cogan
460:Dave Douglas
437:
434:Scott Fields
430:Ivo Perelman
415:
399:Gary Peacock
392:
388:
378:
358:Fritz Hauser
350:Quartet Noir
349:
342:
328:
320:Mark Dresser
309:
281:Cecil Taylor
258:
246:
238:
233:, she heard
211:Philadelphia
208:
191:
175:
174:
106:1977–present
102:Years active
64:Philadelphia
18:
4364:1947 births
4262:John Oswald
4185:Spring Tour
4170:Hamid Drake
4130:Hamid Drake
3973:Live albums
3918:Dreamstruck
3858:Storyteller
3839:Paul Motian
3590:October 18,
3565:October 18,
3134:Filmography
3113:Pozzi Escot
2843:Black Saint
2687:(ECM, 2023)
2679:(ECM, 2021)
2492:Deep Memory
2448:Paul Lytton
2321:Evan Parker
2300:John Geggie
2074:Black Saint
1996:Lotte Anker
1980:Damon Smith
1958:Trio, with
1936:Trio, with
1827:Trio, with
1819:Dreamstruck
1805:Trio, with
1731:Trio, with
1615:Per Zanussi
1601:(trumpet),
1599:Magnus Broo
1552:Solo piano
1530:John Betsch
1502:Paul Motian
1498:Mark Helias
1496:Trio, with
1486:Storyteller
1470:John Oswald
1444:Paul Motian
1438:Trio, with
1386:Black Saint
1366:Black Saint
1326:Paul Motian
1274:Hamid Drake
1268:Trio, with
1176:Trio, with
1168:Spring Tour
1156:Hamid Drake
1150:Trio, with
1102:Trio, with
1024:Trio, with
878:Trio, with
848:Oliver Lake
826:Paul Motian
820:Trio, with
752:Trio, with
732:Solo piano
672:John Betsch
658:Black Saint
642:Solo piano
620:John Betsch
594:Solo piano
553:Discography
480:Pozzi Escot
452:Oliver Lake
422:Lotte Anker
418:Evan Parker
403:Paul Motian
301:Oliver Lake
273:Karl Berger
188:Jon Pareles
184:Scott Yanow
119:Black Saint
4358:Categories
4317:ConcertOto
4305:Affinities
4253:Complicité
4021:Labyrinths
3179:References
2979:Grenseland
2832:Larry Ochs
2656:Joe Lovano
2564:Steve Lacy
2417:Gustafsson
1933:Matchless
1928:ConcertOto
1897:Duo, with
1875:Duo, with
1781:Duo, with
1758:Duo, with
1660:Duo, with
1650:Affinities
1637:Duo, with
1572:Duo, with
1524:(violin),
1522:Billy Bang
1456:Complicité
1296:Duo, with
1204:Duo, with
1050:Duo, with
1047:Matchless
996:(violin),
928:Duo, with
904:Duo, with
796:Duo, with
724:Labyrinths
666:(violin),
664:Billy Bang
616:Billy Bang
535:Dreamhouse
533:Cy Twombly
444:Joe Lovano
285:Don Cherry
93:Instrument
54:1947-03-30
4145:Santuerio
4137:Inference
3923:Joe Fonda
3910:In Motion
3866:Vignettes
3850:Amaryllis
3694:March 28,
3244:JazzTimes
3089:John Cage
3034:Synthesis
2732:with The
2555:Shanachie
2444:Barry Guy
2390:Barry Guy
2357:Barry Guy
2341:Barry Guy
2024:Puzzlebox
1960:Joe Fonda
1829:Joe Fonda
1795:In Motion
1542:Vignettes
1428:Amaryllis
1264:Okka Disk
1206:Tim Berne
1194:Inference
1104:Barry Guy
982:Santuerio
524:Vancouver
492:with the
468:John Cage
381:Stockholm
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215:Baltimore
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4121:Hyperion
3560:51197945
3336:July 19,
2959:CAM Jazz
2769:MGM Trio
2433:(live) (
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2164:, 1978 )
2132:, 1985 )
2108:, 1985 )
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1915:Not Two
1824:Not Two
1785:(drums)
1605:(bass),
1532:(drums)
1528:(bass),
1504:(drums)
1500:(bass),
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1442:(bass),
1418:(1987).
1410:(1983),
1324:(bass),
1184:(drums)
1180:(bass),
1140:Hyperion
1106:(bass),
1092:Cascades
1032:(drums)
1028:(bass),
1004:(drums)
932:(drums)
908:(piano)
886:(drums)
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824:(bass),
674:(drums)
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543:Scotland
231:Cape Cod
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3641:June 9,
3615:June 9,
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3508:June 9,
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3280:June 9,
3223:June 9,
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1910:Streams
1617:(bass)
1258:Destiny
838:Circles
610:Cadence
458:), the
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137:Website
4340:(with
4320:(with
4308:(with
4296:(with
4284:(with
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4256:(with
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4068:(1989)
4060:(1989)
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4000:(1983)
3992:(1982)
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3853:(2000)
3837:(with
3829:(1987)
3581:"Shop"
3558:
3503:gf.org
3046:Images
2860:Lytton
2852:Parker
2497:Intakt
2485:Intakt
2473:Intakt
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2162:hatART
2118:hatART
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1801:Intakt
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1727:Tzadik
1656:Intakt
1568:Intakt
1461:Victo
1173:Alice
843:Victo
729:Victo
574:Notes
571:Label
568:Title
462:Trio,
405:, and
360:, and
352:(with
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299:, and
249:Boston
111:Labels
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3689:bb10k
3660:(PDF)
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2031:with
1994:with
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1945:2022
1923:2021
1905:2021
1884:2020
1860:2019
1836:2018
1814:2018
1790:2016
1766:2015
1748:Azure
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1716:2012
1697:2011
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1395:2001
1375:2001
1355:2000
1337:1998
1305:1997
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1233:1996
1213:1995
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1163:1995
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1059:1995
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833:1991
805:1990
781:1990
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699:1987
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647:1984
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545:, on
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4245:Blue
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3841:and
3826:Gaia
3756:2007
3696:2022
3671:2020
3643:2020
3617:2020
3592:2023
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3556:OCLC
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3338:2010
3282:2020
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3080:CIMP
2970:and
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