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Marilyn Crispell

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326:. During this time, she made roughly a dozen recordings with Braxton, and also began releasing recordings under her own name. Regarding her tenure with the group, she stated: "t was like a family. Playing with Anthony really taught me a lot about space, the use of space and silence and breath, and the use of composition in improvisation... Just being inside his compositions taught me a lot about composition... What really impressed me is that he was composing in a way that was very similar to contemporary classical musicians but with a lot more freedom, allowing interpretation.". Since then, silence and space have become known as a central part of her recordings. As she noted in an interview with PostGenre, Marilyn noted, "hen I first started playing creative music, I don’t think I left much of any silence in my performances. I was focused heavily on playing into the energy and showing what I could do. That kind of thinking is very far away from my mindset now." 33: 303:. Regarding her first encounter with Taylor, she recalled: "I remember the day I first met Cecil Taylor... He was playing pool, and there was a piano behind the pool room. So I sat at the piano and gave him an impromptu concert, hoping he'd listen. When I was finished he kissed my hand, and said, 'This lady can play!' I'm still flattered to hear my name mentioned in the same breath." (During this time, people frequently referred to her as "the female Cecil Taylor" due to her fiery approach to the piano and her tendency to play "lots of notes, all of the time. Continuously, without much of a break.") Regarding her time at the 307:, she stated: "It was and is a unique place in the world for the kind of music that we do... If it had taken place in New York City I don't think the feeling would have been the same. Here you were living and eating and hanging out with the guiding artists in this country motel setting. People would be up all night making bonfires and playing outside on the lawn with musicians from all over the world. It was a very important human experience and I met many of the people I ended up playing with." Upon completion of the session, Crispell quickly moved to Woodstock and has resided there ever since. 387:. She recalls: "It just touched a nerve in me... it unlocked the door to the lyrical things that I would have liked to be doing and wasn't doing." "Some of this kind of beauty and Nordic sound and tenderness opened up something in me that I had really kept hidden because I was trying to be really strong all the time. Even when I played romantic things I played them with a lot of energy. So suddenly this other sound entered into my consciousness and it resonated with something in me that I had not allowed to be expressed." She soon performed and recorded with Jormin and his 158: 413:. Regarding her ECM recordings, she stated: "A lot of the stuff I have been doing with ECM is more about an inner intensity rather than an outer one. I feel there is a connection between the two states - wild energy and extreme introversion - two sides of the same coin. I do both and feel like there is an organic connection between them - an integration between them. With the ECM recordings, I like the idea of playing things so slowly that you are almost suspended in time." 318:, who invited her to sit in with his group. She recalls: "At our first gig Anthony placed a beer in my hand and said, 'Relax, don't play so many notes.' I was playing like a thousand notes a minute, and he was the first person to make me think of space and breath and phrasing, as opposed to a constant barrage." She was soon invited to join Braxton's Creative Music Orchestra and his quartet, of which she was a member from 1983 to 1995, and which also featured bassist 168: 255:
for two years. According to Crispell, "I had to, like, really go from scratch. I had to do everything in twelve keys. I had to write out seven solos in every key on every piece. I had to listen to tons of stuff and transcribe it to be able to hear and understand what was happening, you know, within
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for the first time. She recalls: "The emotional and spiritual quality of it overpowered me... I can honestly say it's possibly the most overpowering experience I've ever had in my life. That one night of listening to A Love Supreme over and over and over just completely changed my life."
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wrote: "Hearing Marilyn Crispell play solo piano is like monitoring an active volcano... She is one of a very few pianists who rise to the challenge of free jazz." In addition to her own extensive work as a soloist or bandleader, Crispell is also known as a longtime member of saxophonist
515:, and in 2004, was named as being one of their 100 most outstanding alumni of the past 100 years. She is the author of the instructional DVD "A pianist's guide to free improvisation: keys to unlocking your creativity" (2002, Homespun Video). 499:
She has taught improvisation workshops and given lecture/demonstrations across the world and has collaborated with poets, dancers, filmmakers, and videographers. She has been the recipient of a
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beginning at age seven, and also began improvising at an early age, thanks to a teacher who required all her students to improvise regardless of their skill level. She later attended the
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the confines of these time cycles and chord changes. How were people using the chords and the notes and the chords and the scales? Where did they go outside of them?"
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fellowship grants (1988-1989, 1994-1995 and 2006-2007). In 1996, Crispell was presented with an Outstanding Alumni Award by the
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Crispell has continued to perform and record extensively as a soloist and leader of her own groups, as well as with the
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described her as "a powerful player... who has her own way of using space... She is near the top of her field."
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Finding aid to the Marilyn Crispell collection at Columbia University. Rare Book & Manuscript Library.
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Most tracks duo, with Stefano Maltese (reeds); some tracks trio, with Gioconda Cilio (vocals) added
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International Workshop in Jazz. She also created and directed a multi media production entitled
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Crispell, Marilyn. 2000. "Elements of Improvisation: For Cecil Taylor and Anthony Braxton." In
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Johnson, Martin (November 2020). "Reviews: Anglica Sanchez & Marilyn Crispell".
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Quartet, with Didier Petit (cello), Marcio Mattos (bass), Yoval Mincemacher (drums)
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by Gilles Corre. In 2005–2006, she performed and recorded with the NOW Orchestra in
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Erlewine, Michael; Bogdanov, Vladimir; Woodstra, Chris; Yanow, Scott, eds. (1996).
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Years given are for the recording(s), not first release, unless stated otherwise.
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A 3-disc set. Crispell plays solo piano on one disc; the other two discs feature
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A pianist's guide to free improvisation: keys to unlocking your creativity
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Most tracks duo, with Tanya Kalmanovitch (violin); some tracks trio, with
4169: 4129: 3917: 3838: 3549: 3523: 3485:"Density and Space: A Conversation with Yuma Uesaka and Marilyn Crispell" 3484: 3126: 3112: 3062: 3038: 3016: 2885: 2873: 2859: 2851: 2747: 2668: 2596: 2534: 2491: 2447: 2331: 2320: 2299: 2129: 2105: 2085: 1995: 1979: 1846: 1818: 1753: 1632: 1614: 1598: 1592: 1547: 1529: 1501: 1497: 1491: 1443: 1433: 1325: 1315: 1273: 1155: 987: 967: 947: 873: 847: 825: 815: 747: 709: 689: 671: 619: 589: 479: 451: 421: 417: 410: 402: 300: 272: 187: 183: 126: 114: 3657:"Drawing Sound: An Exhibition and Musical Performance of Graphic Scores" 3236: 3234: 167: 4316: 2655: 1927: 1521: 663: 615: 532: 443: 379:
In the early 1990s, her style began to evolve further when she visited
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October 16, 1982: Donaueschinger Musiktage, Donaueschingen, Germany
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During the late 1970s and 1980s, she also worked and recorded with
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The Complete Remastered Recordings on Black Saint & Soul Note
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Charitable Trust composition commission (1988-1989), and three
248: 3731: 3169: 3499:"John Simon Guggenheim Memorial Foundation: Marilyn Crispell" 3194: 3099: 3886:
Marilyn Crispell, Mark Dresser, Gerry Hemingway Play Braxton
3716:, ed. John Zorn, 190-192. New York: Granary Books/Hips Road. 3079: 179: 74: 2604:
Stone Quartet: DMG @ The Stone Volume 1: December 22, 2006
756:(bass, drums, percussion), Doug James (drums, percussion) 3096:
Works for Piano, Toy Piano & Prepared Piano, Vol. III
3606:"Femmes du Jazz / Women in Jazz: A film by Gilles Corre" 3212:"Noted in Brief: Marilyn Crispell Plays Solo Jazz Piano" 383:, where she heard a Swedish group that included bassist 3471:
Chasing the Vibration: Meetings with Creative Musicians
263:, who suggested she consider attending sessions at the 372:, held in celebration of the tenth anniversary of the 850:(soprano sax, alto sax), Peter Buettner (tenor sax), 3834:Nothing Ever Was, Anyway: Music of Annette Peacock 3445:"Marilyn Crispell: Uncompromising Power and Grace" 3390:Jazzwomen: Conversations With Twenty-One Musicians 3387: 3302:Jazzwomen: Conversations With Twenty-One Musicians 3299: 1310:Nothing Ever Was, Anyway: Music of Annette Peacock 394:Nothing Ever Was, Anyway: Music of Annette Peacock 3385: 3297: 4355: 4113:Highlights from the Summer of 1992 American Tour 1014:Highlights from the Summer of 1992 American Tour 37:Crispell in music is (Speaking Portraits Vol. I) 2430:Gryffgryffgryffs: The 1996 Radio Sweden Concert 1589:Live at Nya Perspektiv Festivals 2004 and 2007 3737:Marilyn Crispell Interview at allaboutjazz.com 1350:Duo with AgustĂ­ Fernández (piano); in concert 518:In 2000, Crispell appeared in the French film 3778: 1701:Free Flight: Live At Enjoy Jazz Festival 2010 1613:(drums), Lars-Goran Ulander (saxophone), and 1406:Compilation of tracks previously released on 1399:Selected Works 1983-1986 (Solo, Duo, Quartet) 3199:(2nd ed.). Miller Freeman. p. 178. 3913:(with Richard Poole and Gary Peacock, 2014) 3438: 3436: 3414:"A Chosen Calm After the Avant-Garde Storm" 3293: 3291: 2319:with The Glasgow Improvisers Orchestra and 1978:Quartet, with Jason Stein (bass clarinet), 3785: 3771: 3386:Enstice, Wayne; Stockhouse, Janis (2004). 3298:Enstice, Wayne; Stockhouse, Janis (2004). 3190: 3188: 2218:(live, archival) (New Braxton House, 2012) 2212:(live, archival) (New Braxton House, 2012) 1705:fixcel (Release with limited circulation) 420:Trio, an all-female trio led by Denmark’s 3327: 1110:(drums, vibraphone, gamelan); in concert 4105:Piano Duets (Tuned & Detuned Pianos) 3965:(with Joe Fonda and Harvey Sorgen, 2021) 3442: 3433: 3355: 3353: 3351: 3349: 3347: 3288: 3268: 942:Piano Duets (Tuned & Detuned Pianos) 251:, where she studied jazz privately with 166: 156: 3732:short film portrait on Marilyn Crispell 3631:"Come As A Musician, Leave As A Master" 3264: 3262: 3260: 3258: 3256: 3254: 3240: 3209: 3185: 4356: 2612:Stone Quartet: Live at Vision Festival 1684:Trio, with Jeff Henderson (reeds) and 557: 3874:One Dark Night I Left My Silent House 3766: 3749:"The Marilyn Crispell Sessionography" 3706: 3685:"The Marilyn Crispell Sessionography" 3411: 3407: 3405: 3394:. Indiana University Press. pp.  3359: 3344: 3323: 3321: 3319: 3317: 3306:. Indiana University Press. pp.  3271:"Marilyn Crispell: Between the Lines" 1627:One Dark Night I Left My Silent House 446:and drummer Carmen Castaldi, Trio 3 ( 259:While in Boston, she met saxophonist 221:. She studied classical piano at the 178:(born March 30, 1947) is an American 4439:21st-century American women pianists 4429:20th-century American women pianists 3792: 3547: 3468: 3251: 3171:ECM50 | 2000 - Marilyn Crispell 3122:Stellar Pulsations / Three Composers 2792:Breaking the Wheel of Life and Death 503:in Music Composition (2005-2006), a 3945:(with Yuma Uesaka, 2018 & 2019) 3473:. Exeter: Stride. pp. 105–111. 3362:"Overdue Ovation: Marilyn Crispell" 3328:Greenland, Tom (October 13, 2006). 3269:Sheridan, Molly (August 20, 2009). 1988: 1154:(saxophones, clarinets, tarogato), 171:Crispell in concert, April 29, 2008 13: 4013:Quartet Improvisations, Paris 1986 3443:Peterson, Lloyd (March 20, 2009). 3412:Shatz, Adam (September 23, 2001). 3402: 3314: 1416:Quartet Improvisations, Paris 1986 1370:Duo, with Stefano Maltese (reeds) 704:Quartet Improvisations, Paris 1986 694:Duo, with Doug James (percussion) 489:X, The Life and Times of Malcolm X 201:'s quartet in the 1980s and '90s. 16:American jazz pianist and composer 14: 4470: 4093:Overlapping Hands: Eight Segments 3746: 3720: 1328:(drums); one track quartet, with 1120:Contrasts: Live at Yoshi's (1995) 896:Overlapping Hands: Eight Segments 227:New England Conservatory of Music 213:and, at the age of ten, moved to 4399:Jazz musicians from Philadelphia 2359:London Jazz Composer's Orchestra 2222:CMS Archive Selections, Volume 2 1664:(drums, percussion, vibraphone) 509:New York Foundation for the Arts 31: 4409:New England Conservatory alumni 3677: 3649: 3623: 3598: 3573: 3541: 3516: 3491: 3477: 3462: 3210:Pareles, Jon (March 26, 1984). 3166:(2020) by Michael Patrick Kelly 2198:Quartet (New York) 1993 - Set 2 2192:Quartet (New York) 1993 - Set 1 2093:Prag 1984 (Quartet Performance) 2069:Six Compositions (Quartet) 1984 952:Duo, with Georg Graewe (piano) 632:A Concert in Berlin – Summer 83 436:, the Copenhagen Art Ensemble, 368:. In 1981 she performed at the 4434:21st-century American pianists 4424:20th-century American pianists 3379: 3203: 3147:Femmes du Jazz / Women in Jazz 3133: 2988:Gunhild Seim & Time Jungle 2200:(Bootleg / Unauthorized, 2011) 2194:(Bootleg / Unauthorized, 2011) 2188:(Bootleg / Unauthorized, 2011) 2182:(Bootleg / Unauthorized, 2006) 2157:Creative Orchestra (Köln) 1978 1962:(bass), Harvey Sorgen (drums) 1831:(bass), Harvey Sorgen (drums) 1809:(bass), Richard Poole (drums) 1300:(alto sax, flute); in concert 800:(alto sax, flute); in concert 618:(violin), Wes Brown (guitar), 552: 1: 4220:(with AgustĂ­ Fernández, 1995) 3933:(with Tanya Kalmanovitch and 3524:"Marilyn Crispell: Biography" 3178: 2287:Stephen Dembski – Sonotropism 1708:Trio, with Erwin Ditzner and 4419:Cadence Jazz Records artists 4404:American women jazz pianists 4332:(with Gerry Hemingway, 2013) 4248:(with Stefano Maltese, 1999) 4240:(with Stefano Maltese, 1999) 3360:Brady, Shaun (May 1, 2019). 2271:48 Motives, January 11, 1996 204: 7: 4201:Live at Mills College, 1995 3997:Rhythms Hung in Undrawn Sky 2810:The Paradox of Independence 2725:Two Duos : Three Trios 2716:with Raymond MacDonald and 2348:Blue Horizon. Barry Guy@70 1982:(bass), Adam Shead (drums) 1408:Rhythms Hung In Undrawn Sky 1218:Live at Mills College, 1995 584:Rhythms Hung in Undrawn Sky 10: 4475: 4374:Avant-garde jazz musicians 3818:And Your Ivory Voice Sings 3714:Arcana: Musicians on Music 2365:Three Pieces for Orchestra 1609:(clarinet and saxophone), 1412:And Your Ivory Voice Sings 684:And Your Ivory Voice Sings 247:Crispell soon returned to 4379:Avant-garde jazz pianists 4324:and Harrison Smith, 2012) 4300:and Jeff Henderson, 2008) 4108:(with Georg Graewe, 1991) 3972: 3905:(with Gary Peacock, 2011) 3809: 3800: 2928:(Fundacja SĹ‚uchaj!, 2021) 2718:Pierre Alexandre Tremblay 2350:(Fundacja SĹ‚uchaj!, 2018) 2328:Parallel Moments Unbroken 2257:(Fundacja SĹ‚uchaj!, 2015) 2169:Quartet (Santa Cruz) 1993 2101:Quartet (Birmingham) 1985 2042:(Uptee Productions, 1998) 1403:Golden Years Of New Jazz 1276:(percussion); in concert 541:, saxophonist, both from 163:Photo Hreinn Gudlaugsson) 136: 132: 110: 100: 92: 84: 70: 47: 42: 30: 23: 4449:Music & Arts artists 4389:American women composers 4217:Dark Night, and Luminous 3921:(with Harvey Sorgen and 2946:with Michele Rabbia and 2941:(Minuit 5 Regards, 1998) 2804:Beautiful Empty Fullness 2210:Quartet (Karlsruhe) 1983 1975:Balance Point Acoustics 1597:Various ensembles; with 1342:Dark Night, and Luminous 513:New England Conservatory 391:. In 1996, she recorded 4394:American jazz composers 3821:(with Doug James, 1985) 3197:All Music Guide to Jazz 2727:(Bruce's Fingers, 2016) 2216:Quartet (Mulhouse) 1983 2125:Quartet (Coventry) 1985 2113:Willisau (Quartet) 1991 1517:Bootleg / Unauthorized 1320:Most tracks trio, with 1248:Solo piano; in concert 1228:Solo piano; in concert 1208:(alto sax); in concert 1130:Solo piano; in concert 972:Solo piano; in concert 776:Solo piano; in concert 482:, Manfred Niehaus, and 370:Woodstock Jazz Festival 4454:Intakt Records artists 4384:American jazz pianists 3150:(2000) by Gilles Corre 2592:JoĂ«lle LĂ©andre Project 2513:Any Terrain Tumultuous 2186:Orchestra (Paris) 1978 2096:(Sound Aspects, 1984 ) 1918:Duo, with Yuma Uesaka 1067:B&W Music, X-Talk 409:, her first album for 182:pianist and composer. 172: 164: 161:Aarhus, Denmark (2022 43:Background information 4337:The Adornment of Time 4209:The Woodstock Concert 4037:Live in San Francisco 3469:Lock, Graham (1994). 3158:(2019) by Paul Lamont 3142:(1985) dir. Ebba Jahn 2926:Brass and Ivory Tales 2312:Ambiances MagnĂ©tiques 2249:with AgustĂ­ Fernández 2081:Quartet (London) 1985 1865:The Adornment of Time 1238:The Woodstock Concert 766:Live in San Francisco 501:Guggenheim Fellowship 486:(including his opera 374:Creative Music Studio 312:Creative Music Studio 305:Creative Music Studio 275:, Ingrid Sertso, and 265:Creative Music Studio 217:, where she attended 209:Crispell was born in 170: 160: 4293:This Appearing World 4281:Sibanye (We Are One) 4045:Duets Vancouver 1989 3950:How to Turn the Moon 3637:. September 11, 2018 3140:"Rising Tones Cross" 3107:performing works of 3087:performing works of 2743:Sketches from Bamboo 2676:Garden of Expression 2180:The Coventry Concert 2137:(Victoriaville) 1992 1889:How to Turn the Moon 1879:(drums, percussion) 1855:(electronics) added 1674:This Appearing World 1576:(drums, percussion) 1562:Sibanye (We Are One) 1158:(drums); in concert 1082:, and Elvira Plenar 1054:(drums); in concert 858:(drums); in concert 828:(drums); in concert 786:Duets Vancouver 1989 622:(drums); in concert 314:, Crispell also met 223:Peabody Conservatory 66:, Pennsylvania, U.S. 4444:Leo Records artists 4414:ECM Records artists 4065:The Kitchen Concert 4005:A Concert in Berlin 3548:Crispell, Marilyn. 3528:MarilynCrispell.com 3487:. November 3, 2021. 3115:and Manfred Niehaus 2839:The Secret Magritte 2786:Auspicious Healing! 2708:Songs Along the Way 2647:Quartet Noir Lugano 2480:Phases of the Night 2224:(Planet Arts, 2015) 2206:(C.A.M. Jazz, 2011) 2145:Twelve Compositions 1940:and Harrison Smith 1574:Louis Moholo-Moholo 868:The Kitchen Concert 558:As leader/co-leader 494:New York City Opera 219:Western High School 4225:Connecting Spirits 3962:With Grace in Mind 3935:Richard Teitelbaum 3707:Additional sources 3664:WoodstockGuild.org 3419:The New York Times 3330:"Marilyn Crispell" 3217:The New York Times 2997:(Drollehala, 2012) 2981:(Drollehala, 2018) 2869:Natives and Aliens 2817:with NOW Orchestra 2736:Creative Orchestra 2530:In Winds, In Light 2515:(Red Toucan, 1995) 2376:Double Trouble Two 1955:Fundacja Sluchaj! 1950:With Grace in Mind 1853:Richard Teitelbaum 1607:Fredrik Ljungkvist 1347:Edicions Nova Era 1286:Connecting Spirits 366:Babatunde Olatunji 193:The New York Times 173: 165: 88:Musician, composer 4459:Okka Disk artists 4351: 4350: 4276:(2004 & 2007) 4116:(1991 & 1992) 3984:(1981 & 1982) 3635:CreativeMusic.org 3070:with Bobby Zankel 3012:Budding of a Rose 2933:with Nelly Pouget 2701:Parallel Moments 2694:Raymond MacDonald 2255:River Tiger Fire 2040:The Way I Hear It 1986: 1985: 1611:Paal Nilssen-Love 539:Raymond MacDonald 505:Mary Flagler Cary 442:with saxophonist 152: 151: 4466: 4329:Table of Changes 4177:Band on the Wall 3955:Angelica Sanchez 3879:David Rothenberg 3794:Marilyn Crispell 3787: 3780: 3773: 3764: 3763: 3759: 3757: 3755: 3727:Official website 3700: 3699: 3697: 3695: 3681: 3675: 3674: 3672: 3670: 3661: 3653: 3647: 3646: 3644: 3642: 3627: 3621: 3620: 3618: 3616: 3602: 3596: 3595: 3593: 3591: 3577: 3571: 3570: 3568: 3566: 3545: 3539: 3538: 3536: 3534: 3520: 3514: 3513: 3511: 3509: 3495: 3489: 3488: 3481: 3475: 3474: 3466: 3460: 3459: 3457: 3455: 3449:AllAboutJazz.com 3440: 3431: 3430: 3428: 3426: 3409: 3400: 3399: 3393: 3383: 3377: 3376: 3374: 3372: 3357: 3342: 3341: 3339: 3337: 3332:. All About Jazz 3325: 3312: 3311: 3305: 3295: 3286: 3285: 3283: 3281: 3266: 3249: 3248: 3238: 3229: 3228: 3226: 3224: 3207: 3201: 3200: 3192: 3163:Motian in Motion 3051:Music & Arts 3004:Wadada Leo Smith 2972:David Rothenberg 2948:Vincent Courtois 2920:Music & Arts 2908:Music & Arts 2435:Music & Arts 2399:Inscape–Tableaux 2291:Music & Arts 2281:Music & Arts 2277:Five Frozen Eggs 2150:Music & Arts 2026:(Moonjune, 2022) 1989:As side musician 1899:Angelica Sanchez 1771:Table of Changes 1710:Sebastian Gramss 1639:David Rothenberg 1603:Palle Danielsson 1292:Music & Arts 1244:Music & Arts 1224:Music & Arts 1200:Music & Arts 1146:Music & Arts 1126:Music & Arts 1098:Music & Arts 1063:Behind the Night 1042:Band on the Wall 1020:Music & Arts 924:Knitting Factory 792:Music & Arts 772:Music & Arts 562: 561: 472:Pauline Oliveros 339:Wadada Leo Smith 293:Wadada Leo Smith 176:Marilyn Crispell 148: 145: 144:.marilyncrispell 143: 123:Music & Arts 103: 61: 57: 55: 35: 25:Marilyn Crispell 21: 20: 4474: 4473: 4469: 4468: 4467: 4465: 4464: 4463: 4354: 4353: 4352: 4347: 4310:Gerry Hemingway 4193:Live at Yoshi's 4126:Peter Brötzmann 4098:Irène Schweizer 4078:Gerry Hemingway 4050:Anthony Braxton 3968: 3895:Gerry Hemingway 3805: 3796: 3791: 3753: 3751: 3723: 3709: 3704: 3703: 3693: 3691: 3683: 3682: 3678: 3668: 3666: 3659: 3655: 3654: 3650: 3640: 3638: 3629: 3628: 3624: 3614: 3612: 3604: 3603: 3599: 3589: 3587: 3579: 3578: 3574: 3564: 3562: 3546: 3542: 3532: 3530: 3522: 3521: 3517: 3507: 3505: 3497: 3496: 3492: 3483: 3482: 3478: 3467: 3463: 3453: 3451: 3441: 3434: 3424: 3422: 3410: 3403: 3384: 3380: 3370: 3368: 3358: 3345: 3335: 3333: 3326: 3315: 3296: 3289: 3279: 3277: 3275:NewMusicBox.org 3267: 3252: 3239: 3232: 3222: 3220: 3208: 3204: 3193: 3186: 3181: 3136: 2915:Sound Hierarchy 2761:Gerry Hemingway 2734:Roscoe Mitchell 2684:Our Daily Bread 2607:(DMG/ARC, 2008) 2302:and Nick Fraser 2273:(Cadence, 1996) 2231:Andrea Centazzo 2049:Anthony Braxton 2018:with Clint Bahr 1991: 1971:Spi-raling Horn 1783:Gerry Hemingway 1737:Gerry Hemingway 1662:Gerry Hemingway 1332:(vocals) added 1330:Annette Peacock 1152:Peter Brötzmann 1108:Gerry Hemingway 1076:Hildegard Kleeb 1030:Gerry Hemingway 1002:Gerry Hemingway 930:Gerry Hemingway 906:Irene Schweizer 884:Gerry Hemingway 856:Gerry Hemingway 798:Anthony Braxton 560: 555: 407:Annette Peacock 348:, the European 335:Roscoe Mitchell 324:Gerry Hemingway 316:Anthony Braxton 289:Roscoe Mitchell 277:Ornette Coleman 261:Charlie Mariano 253:Charlie Banacos 207: 199:Anthony Braxton 162: 155: 140: 101: 62: 59: 53: 51: 38: 26: 17: 12: 11: 5: 4472: 4462: 4461: 4456: 4451: 4446: 4441: 4436: 4431: 4426: 4421: 4416: 4411: 4406: 4401: 4396: 4391: 4386: 4381: 4376: 4371: 4366: 4349: 4348: 4346: 4345: 4333: 4325: 4313: 4301: 4289: 4277: 4273:Collaborations 4269: 4249: 4241: 4233: 4221: 4213: 4205: 4197: 4189: 4181: 4173: 4157: 4149: 4141: 4133: 4117: 4109: 4101: 4089: 4081: 4069: 4061: 4057:Live in Zurich 4053: 4041: 4033: 4025: 4017: 4009: 4001: 3993: 3989:Live in Berlin 3985: 3976: 3974: 3970: 3969: 3967: 3966: 3958: 3946: 3938: 3930:Dream Libretto 3926: 3914: 3906: 3898: 3882: 3870: 3862: 3854: 3846: 3830: 3822: 3813: 3811: 3807: 3806: 3801: 3798: 3797: 3790: 3789: 3782: 3775: 3767: 3761: 3760: 3744: 3739: 3734: 3729: 3722: 3721:External links 3719: 3718: 3717: 3708: 3705: 3702: 3701: 3676: 3648: 3622: 3597: 3572: 3540: 3515: 3490: 3476: 3461: 3432: 3401: 3378: 3343: 3313: 3287: 3250: 3230: 3202: 3183: 3182: 3180: 3177: 3176: 3175: 3167: 3159: 3151: 3143: 3135: 3132: 3131: 3130: 3117: 3116: 3104: 3103: 3092: 3091: 3084: 3083: 3072: 3071: 3067: 3066: 3058:Altered Spaces 3054: 3042: 3029: 3028: 3026:Reggie Workman 3021: 3020: 3007: 3006: 2999: 2998: 2995:Elephant Wings 2991: 2990: 2983: 2982: 2975: 2974: 2963: 2962: 2955:Shifting Grace 2951: 2950: 2943: 2942: 2935: 2934: 2930: 2929: 2923: 2911: 2898: 2897: 2890: 2889: 2877: 2864: 2863: 2847: 2846: 2835: 2834: 2827: 2826: 2819: 2818: 2814: 2813: 2807: 2801: 2798:Heart to Heart 2795: 2789: 2782: 2781: 2774: 2773: 2772:(Ramboy, 1996) 2764: 2763: 2752: 2751: 2738: 2737: 2729: 2728: 2721: 2720: 2713: 2712: 2704: 2697: 2696: 2689: 2688: 2680: 2672: 2659: 2658: 2651: 2650: 2644: 2637: 2636: 2630:Joelle Leandre 2626:Urs Leimgruber 2621: 2620: 2608: 2600: 2587: 2586: 2584:Joelle Leandre 2579: 2578: 2567: 2566: 2559: 2558: 2547: 2546: 2539: 2538: 2525: 2524: 2517: 2516: 2509: 2508: 2506:Francois Houle 2501: 2500: 2488: 2476: 2464: 2451: 2450: 2439: 2438: 2425: 2424: 2408: 2407: 2394: 2393: 2385: 2384: 2372: 2361: 2360: 2352: 2351: 2344: 2343: 2336: 2335: 2324: 2323: 2316: 2315: 2308:Geggie Project 2304: 2303: 2295: 2294: 2284: 2274: 2267: 2266: 2259: 2258: 2251: 2250: 2246: 2245: 2234: 2233: 2226: 2225: 2219: 2213: 2207: 2201: 2195: 2189: 2183: 2177: 2165: 2153: 2141: 2133: 2121: 2109: 2097: 2089: 2077: 2065: 2057:Composition 98 2052: 2051: 2044: 2043: 2036: 2035: 2033:Thurman Barker 2028: 2027: 2020: 2019: 2015: 2014: 2007:Poetic Justice 2003: 2002: 1990: 1987: 1984: 1983: 1976: 1973: 1968: 1964: 1963: 1956: 1953: 1946: 1942: 1941: 1934: 1931: 1924: 1920: 1919: 1916: 1913: 1906: 1902: 1901: 1895: 1892: 1885: 1881: 1880: 1873: 1868: 1861: 1857: 1856: 1849: 1844: 1841:Dream Libretto 1837: 1833: 1832: 1825: 1822: 1815: 1811: 1810: 1803: 1798: 1791: 1787: 1786: 1779: 1774: 1767: 1763: 1762: 1756: 1751: 1744: 1740: 1739: 1729: 1724: 1717: 1713: 1712: 1706: 1703: 1698: 1694: 1693: 1682: 1680:Rattle Records 1677: 1670: 1666: 1665: 1658: 1653: 1646: 1642: 1641: 1635: 1630: 1623: 1619: 1618: 1595: 1590: 1586:Collaborations 1582: 1578: 1577: 1570: 1565: 1558: 1554: 1553: 1550: 1545: 1538: 1534: 1533: 1520:Quartet, with 1518: 1515: 1510: 1506: 1505: 1494: 1489: 1482: 1478: 1477: 1462: 1459: 1452: 1448: 1447: 1436: 1431: 1424: 1420: 1419: 1404: 1401: 1396: 1392: 1391: 1388: 1383: 1376: 1372: 1371: 1368: 1363: 1356: 1352: 1351: 1348: 1345: 1338: 1334: 1333: 1318: 1313: 1306: 1302: 1301: 1294: 1289: 1282: 1278: 1277: 1266: 1261: 1254: 1250: 1249: 1246: 1241: 1234: 1230: 1229: 1226: 1221: 1214: 1210: 1209: 1202: 1197: 1190: 1186: 1185: 1174: 1171: 1164: 1160: 1159: 1148: 1143: 1136: 1132: 1131: 1128: 1123: 1116: 1112: 1111: 1100: 1095: 1088: 1084: 1083: 1080:Urs Leimgruber 1070:Quintet, with 1068: 1065: 1060: 1056: 1055: 1048: 1045: 1038: 1034: 1033: 1026:Reggie Workman 1022: 1017: 1010: 1006: 1005: 992:Quartet, with 990: 985: 978: 974: 973: 970: 965: 958: 954: 953: 950: 945: 938: 934: 933: 926: 921: 914: 910: 909: 902: 899: 892: 888: 887: 876: 871: 864: 860: 859: 852:Reggie Workman 846:Quintet, with 844: 841: 834: 830: 829: 822:Reggie Workman 818: 813: 810:Live in Zurich 806: 802: 801: 794: 789: 782: 778: 777: 774: 769: 762: 758: 757: 754:Reggie Workman 750: 745: 738: 734: 733: 730: 727: 720: 716: 715: 712: 707: 700: 696: 695: 692: 687: 680: 676: 675: 662:Quartet, with 660: 655: 652:Live in Berlin 648: 644: 643: 640: 635: 628: 624: 623: 614:Quartet, with 612: 607: 600: 596: 595: 592: 587: 580: 576: 575: 572: 569: 566: 565:Year released 559: 556: 554: 551: 456:Andrew Cyrille 448:Reggie Workman 389:Bortom Quintet 362:JoĂ«lle LĂ©andre 354:Urs Leimgruber 331:Reggie Workman 322:, and drummer 240:A Love Supreme 206: 203: 154:Musical artist 153: 150: 149: 138: 134: 133: 130: 129: 112: 108: 107: 104: 98: 97: 94: 90: 89: 86: 82: 81: 72: 68: 67: 58:March 30, 1947 49: 45: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 4471: 4460: 4457: 4455: 4452: 4450: 4447: 4445: 4442: 4440: 4437: 4435: 4432: 4430: 4427: 4425: 4422: 4420: 4417: 4415: 4412: 4410: 4407: 4405: 4402: 4400: 4397: 4395: 4392: 4390: 4387: 4385: 4382: 4380: 4377: 4375: 4372: 4370: 4369:Living people 4367: 4365: 4362: 4361: 4359: 4343: 4342:Tyshawn Sorey 4339: 4338: 4334: 4331: 4330: 4326: 4323: 4322:Eddie PrĂ©vost 4319: 4318: 4314: 4311: 4307: 4306: 4302: 4299: 4298:Richard Nunns 4295: 4294: 4290: 4287: 4283: 4282: 4278: 4275: 4274: 4270: 4267: 4263: 4259: 4255: 4254: 4250: 4247: 4246: 4242: 4239: 4238: 4234: 4231: 4230:Joseph Jarman 4227: 4226: 4222: 4219: 4218: 4214: 4211: 4210: 4206: 4203: 4202: 4198: 4195: 4194: 4190: 4187: 4186: 4182: 4179: 4178: 4174: 4171: 4167: 4166:Fred Anderson 4163: 4162: 4158: 4155: 4154: 4150: 4147: 4146: 4142: 4139: 4138: 4134: 4131: 4127: 4123: 4122: 4118: 4115: 4114: 4110: 4107: 4106: 4102: 4099: 4095: 4094: 4090: 4087: 4086: 4082: 4079: 4075: 4074: 4070: 4067: 4066: 4062: 4059: 4058: 4054: 4051: 4047: 4046: 4042: 4039: 4038: 4034: 4031: 4030: 4026: 4023: 4022: 4018: 4015: 4014: 4010: 4007: 4006: 4002: 3999: 3998: 3994: 3991: 3990: 3986: 3983: 3982: 3978: 3977: 3975: 3971: 3964: 3963: 3959: 3956: 3952: 3951: 3947: 3944: 3943: 3939: 3936: 3932: 3931: 3927: 3924: 3920: 3919: 3915: 3912: 3911: 3907: 3904: 3903: 3899: 3896: 3892: 3888: 3887: 3883: 3880: 3876: 3875: 3871: 3868: 3867: 3863: 3860: 3859: 3855: 3852: 3851: 3847: 3844: 3840: 3836: 3835: 3831: 3828: 3827: 3823: 3820: 3819: 3815: 3814: 3812: 3810:Studio albums 3808: 3804: 3799: 3795: 3788: 3783: 3781: 3776: 3774: 3769: 3768: 3765: 3750: 3747:Lopez, Rick. 3745: 3743: 3740: 3738: 3735: 3733: 3730: 3728: 3725: 3724: 3715: 3711: 3710: 3690: 3686: 3680: 3665: 3658: 3652: 3636: 3632: 3626: 3611: 3610:fmp-online.de 3607: 3601: 3586: 3582: 3576: 3561: 3557: 3553: 3552: 3544: 3529: 3525: 3519: 3504: 3500: 3494: 3486: 3480: 3472: 3465: 3450: 3446: 3439: 3437: 3421: 3420: 3415: 3408: 3406: 3397: 3392: 3391: 3382: 3367: 3366:JazzTimes.com 3363: 3356: 3354: 3352: 3350: 3348: 3331: 3324: 3322: 3320: 3318: 3309: 3304: 3303: 3294: 3292: 3276: 3272: 3265: 3263: 3261: 3259: 3257: 3255: 3246: 3245: 3237: 3235: 3219: 3218: 3213: 3206: 3198: 3191: 3189: 3184: 3173: 3172: 3168: 3165: 3164: 3160: 3157: 3156: 3152: 3149: 3148: 3144: 3141: 3138: 3137: 3128: 3124: 3123: 3119: 3118: 3114: 3110: 3106: 3105: 3101: 3097: 3094: 3093: 3090: 3086: 3085: 3081: 3077: 3076:Human Flowers 3074: 3073: 3069: 3068: 3064: 3060: 3059: 3055: 3052: 3048: 3047: 3043: 3040: 3036: 3035: 3031: 3030: 3027: 3023: 3022: 3018: 3014: 3013: 3009: 3008: 3005: 3001: 3000: 2996: 2993: 2992: 2989: 2985: 2984: 2980: 2977: 2976: 2973: 2969: 2965: 2964: 2960: 2956: 2953: 2952: 2949: 2945: 2944: 2940: 2937: 2936: 2932: 2931: 2927: 2924: 2921: 2917: 2916: 2912: 2909: 2905: 2904: 2900: 2899: 2896: 2892: 2891: 2887: 2883: 2882: 2881:After Appleby 2878: 2875: 2871: 2870: 2866: 2865: 2861: 2857: 2853: 2849: 2848: 2844: 2840: 2837: 2836: 2833: 2829: 2828: 2825:(Victo, 2005) 2824: 2821: 2820: 2816: 2815: 2812:(Anami, 2014) 2811: 2808: 2806:(Anami, 2014) 2805: 2802: 2800:(Anami, 2013) 2799: 2796: 2794:(Anami, 2000) 2793: 2790: 2788:(Anami, 2000) 2787: 2784: 2783: 2780: 2779:Tisziji Munoz 2776: 2775: 2771: 2770: 2766: 2765: 2762: 2758: 2757:Michael Moore 2754: 2753: 2749: 2745: 2744: 2740: 2739: 2735: 2731: 2730: 2726: 2723: 2722: 2719: 2715: 2714: 2711:(Babel, 2018) 2710: 2709: 2705: 2703:(Babel, 2014) 2702: 2699: 2698: 2695: 2691: 2690: 2686: 2685: 2681: 2678: 2677: 2673: 2670: 2666: 2665: 2664:Trio Tapestry 2661: 2660: 2657: 2653: 2652: 2649:(Victo, 2005) 2648: 2645: 2643:(Victo, 1999) 2642: 2639: 2638: 2635: 2631: 2627: 2623: 2622: 2618: 2614: 2613: 2609: 2606: 2605: 2601: 2598: 2594: 2593: 2589: 2588: 2585: 2581: 2580: 2576: 2572: 2569: 2568: 2565: 2561: 2560: 2556: 2552: 2551:Eternity Blue 2549: 2548: 2545: 2541: 2540: 2536: 2532: 2531: 2527: 2526: 2523: 2522:Anders Jormin 2519: 2518: 2514: 2511: 2510: 2507: 2503: 2502: 2498: 2494: 2493: 2489: 2486: 2482: 2481: 2477: 2474: 2470: 2469: 2465: 2462: 2458: 2457: 2453: 2452: 2449: 2445: 2441: 2440: 2436: 2432: 2431: 2427: 2426: 2422: 2418: 2414: 2410: 2409: 2405: 2401: 2400: 2396: 2395: 2392:New Orchestra 2391: 2387: 2386: 2382: 2378: 2377: 2373: 2370: 2366: 2363: 2362: 2358: 2354: 2353: 2349: 2346: 2345: 2342: 2338: 2337: 2333: 2329: 2326: 2325: 2322: 2318: 2317: 2313: 2309: 2306: 2305: 2301: 2297: 2296: 2292: 2288: 2285: 2282: 2278: 2275: 2272: 2269: 2268: 2265: 2261: 2260: 2256: 2253: 2252: 2248: 2247: 2243: 2239: 2238:Stolen Moment 2236: 2235: 2232: 2228: 2227: 2223: 2220: 2217: 2214: 2211: 2208: 2205: 2202: 2199: 2196: 2193: 2190: 2187: 2184: 2181: 2178: 2175: 2171: 2170: 2166: 2163: 2159: 2158: 2154: 2151: 2147: 2146: 2142: 2140:(Victo, 1993) 2139: 2138: 2134: 2131: 2127: 2126: 2122: 2119: 2115: 2114: 2110: 2107: 2103: 2102: 2098: 2095: 2094: 2090: 2087: 2083: 2082: 2078: 2075: 2071: 2070: 2066: 2063: 2059: 2058: 2054: 2053: 2050: 2046: 2045: 2041: 2038: 2037: 2034: 2030: 2029: 2025: 2022: 2021: 2017: 2016: 2012: 2008: 2005: 2004: 2001: 2000:Marilyn Mazur 1997: 1993: 1992: 1981: 1977: 1974: 1972: 1969: 1966: 1965: 1961: 1957: 1954: 1952: 1951: 1947: 1944: 1943: 1939: 1938:Eddie PrĂ©vost 1935: 1932: 1930: 1929: 1925: 1922: 1921: 1917: 1914: 1912: 1911: 1907: 1904: 1903: 1900: 1896: 1893: 1891: 1890: 1886: 1883: 1882: 1878: 1877:Tyshawn Sorey 1874: 1872: 1869: 1867: 1866: 1862: 1859: 1858: 1854: 1850: 1848: 1845: 1843: 1842: 1838: 1835: 1834: 1830: 1826: 1823: 1821: 1820: 1816: 1813: 1812: 1808: 1804: 1802: 1799: 1797: 1796: 1792: 1789: 1788: 1784: 1780: 1778: 1775: 1773: 1772: 1768: 1765: 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1311: 1307: 1304: 1303: 1299: 1298:Joseph Jarman 1295: 1293: 1290: 1288: 1287: 1283: 1280: 1279: 1275: 1272:(tenor sax), 1271: 1270:Fred Anderson 1267: 1265: 1262: 1260: 1259: 1255: 1252: 1251: 1247: 1245: 1242: 1240: 1239: 1235: 1232: 1231: 1227: 1225: 1222: 1220: 1219: 1215: 1212: 1211: 1207: 1203: 1201: 1198: 1196: 1195: 1191: 1188: 1187: 1183: 1182:Raymond Strid 1179: 1178:Anders Jormin 1175: 1172: 1170: 1169: 1165: 1162: 1161: 1157: 1153: 1149: 1147: 1144: 1142: 1141: 1137: 1134: 1133: 1129: 1127: 1124: 1122: 1121: 1117: 1114: 1113: 1109: 1105: 1101: 1099: 1096: 1094: 1093: 1089: 1086: 1085: 1081: 1077: 1073: 1069: 1066: 1064: 1061: 1058: 1057: 1053: 1052:Eddie PrĂ©vost 1049: 1046: 1044: 1043: 1039: 1036: 1035: 1031: 1027: 1023: 1021: 1018: 1016: 1015: 1011: 1008: 1007: 1003: 1000:(cello), and 999: 995: 991: 989: 986: 984: 983: 979: 976: 975: 971: 969: 966: 964: 963: 959: 956: 955: 951: 949: 946: 944: 943: 939: 936: 935: 931: 927: 925: 922: 920: 919: 915: 912: 911: 907: 903: 900: 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2021) 2492:Deep Memory 2448:Paul Lytton 2321:Evan Parker 2300:John Geggie 2074:Black Saint 1996:Lotte Anker 1980:Damon Smith 1958:Trio, with 1936:Trio, with 1827:Trio, with 1819:Dreamstruck 1805:Trio, with 1731:Trio, with 1615:Per Zanussi 1601:(trumpet), 1599:Magnus Broo 1552:Solo piano 1530:John Betsch 1502:Paul Motian 1498:Mark Helias 1496:Trio, with 1486:Storyteller 1470:John Oswald 1444:Paul Motian 1438:Trio, with 1386:Black Saint 1366:Black Saint 1326:Paul Motian 1274:Hamid Drake 1268:Trio, with 1176:Trio, with 1168:Spring Tour 1156:Hamid Drake 1150:Trio, with 1102:Trio, with 1024:Trio, with 878:Trio, with 848:Oliver Lake 826:Paul Motian 820:Trio, with 752:Trio, with 732:Solo piano 672:John Betsch 658:Black Saint 642:Solo piano 620:John Betsch 594:Solo piano 553:Discography 480:Pozzi Escot 452:Oliver Lake 422:Lotte Anker 418:Evan Parker 403:Paul Motian 301:Oliver Lake 273:Karl Berger 188:Jon Pareles 184:Scott Yanow 119:Black Saint 4358:Categories 4317:ConcertOto 4305:Affinities 4253:ComplicitĂ© 4021:Labyrinths 3179:References 2979:Grenseland 2832:Larry Ochs 2656:Joe Lovano 2564:Steve Lacy 2417:Gustafsson 1933:Matchless 1928:ConcertOto 1897:Duo, with 1875:Duo, with 1781:Duo, with 1758:Duo, with 1660:Duo, with 1650:Affinities 1637:Duo, with 1572:Duo, with 1524:(violin), 1522:Billy Bang 1456:ComplicitĂ© 1296:Duo, with 1204:Duo, with 1050:Duo, with 1047:Matchless 996:(violin), 928:Duo, with 904:Duo, with 796:Duo, with 724:Labyrinths 666:(violin), 664:Billy Bang 616:Billy Bang 535:Dreamhouse 533:Cy Twombly 444:Joe Lovano 285:Don Cherry 93:Instrument 54:1947-03-30 4145:Santuerio 4137:Inference 3923:Joe Fonda 3910:In Motion 3866:Vignettes 3850:Amaryllis 3694:March 28, 3244:JazzTimes 3089:John Cage 3034:Synthesis 2732:with The 2555:Shanachie 2444:Barry Guy 2390:Barry Guy 2357:Barry Guy 2341:Barry Guy 2024:Puzzlebox 1960:Joe Fonda 1829:Joe Fonda 1795:In Motion 1542:Vignettes 1428:Amaryllis 1264:Okka Disk 1206:Tim Berne 1194:Inference 1104:Barry Guy 982:Santuerio 524:Vancouver 492:with the 468:John Cage 381:Stockholm 344:Barry Guy 215:Baltimore 205:Biography 79:classical 4153:Cascades 4121:Hyperion 3560:51197945 3336:July 19, 2959:CAM Jazz 2769:MGM Trio 2433:(live) ( 2176:, 1993 ) 2164:, 1978 ) 2132:, 1985 ) 2108:, 1985 ) 2088:, 1985 ) 1915:Not Two 1824:Not Two 1785:(drums) 1605:(bass), 1532:(drums) 1528:(bass), 1504:(drums) 1500:(bass), 1446:(drums) 1442:(bass), 1418:(1987). 1410:(1983), 1324:(bass), 1184:(drums) 1180:(bass), 1140:Hyperion 1106:(bass), 1092:Cascades 1032:(drums) 1028:(bass), 1004:(drums) 932:(drums) 908:(piano) 886:(drums) 882:(bass), 854:(bass), 824:(bass), 674:(drums) 670:(bass), 543:Scotland 231:Cape Cod 4344:, 2018) 4312:, 2010) 4288:, 2007) 4268:, 2000) 4232:, 1996) 4172:, 1994) 4161:Destiny 4132:, 1992) 4100:, 1990) 4085:Circles 4080:, 1989) 4052:, 1989) 3957:, 2019) 3942:Streams 3937:, 2018) 3925:, 2018) 3897:, 2011) 3881:, 2008) 3845:, 1996) 3669:June 9, 3641:June 9, 3615:June 9, 3533:June 9, 3508:June 9, 3454:June 9, 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Index

Crispell in music is (Speaking Portraits Vol. I)
Philadelphia
Jazz
classical
Leo
Black Saint
Music & Arts
ECM
www.marilyncrispell.com


jazz
Scott Yanow
Jon Pareles
The New York Times
Anthony Braxton
Philadelphia
Baltimore
Western High School
Peabody Conservatory
New England Conservatory of Music
Cape Cod
John Coltrane
A Love Supreme
Boston
Charlie Banacos
Charlie Mariano
Creative Music Studio
Woodstock, NY
Karl Berger

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

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