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two years later. His instructions were that the portrait should represent
Mariano Moreno while working hard, late in the night, writing with a
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Subercaseaux was not very satisfied with his work, thinking that his version of Moreno was not as thin as Moreno was reported to be.
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180:. Buenos Aires: Sudamericana. pp. 121–124.
121:in 1908, in the context of the proximity of the
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359:National Historical Museum (Argentina)
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135:The portrait is currently kept at the
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322:Mariano Moreno en su mesa de trabajo
244:The Representation of the Landowners
67:Mariano Moreno en su mesa de trabajo
29:Mariano Moreno en su mesa de trabajo
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178:Historias de corceles y de acero
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76:Mariano Moreno at his work desk
22:Mariano Moreno at his work desk
113:Draft version of the portrait.
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16:Painting by Pedro Subercaseaux
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251:Honours Suppression decree
137:National Historical Museum
94:, Secretary of War of the
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88:artist's interpretation
78:) is a portrait by the
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265:Gazeta de Buenos Ayres
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123:Argentina Centennial
344:Argentine paintings
273:The Social Contract
314:In popular culture
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84:Pedro Subercaseaux
48:Pedro Subercaseaux
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187:978-950-07-3180-5
174:Balmaceda, Daniel
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86:. It shows the
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276:to Spanish.
105:Description
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155:References
96:Argentine
27:Spanish:
176:(2010).
143:See also
54:Location
82:artist
80:Chilean
72:Spanish
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44:Artist
236:Works
127:quill
182:ISBN
90:of
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163:^
139:.
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221:e
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70:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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