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Kuznetsova's last years were spent in poverty; she lived in one room in a small hotel off the Champs
Elysees, abandoned by her son Mikhael and her former colleagues and friends. Kuznetsova's sole companion was her dresser Olga and she supported herself by giving lessons in singing and acting. Olga
535:
The part of Joseph was excellently performed by a young member of the Moscow "Artists
Theatre", Leonide Miassine, who joined M. Diaghilew's ballet company for this purpose. Mme Kousnetzoff abandoned singing for the time being to impersonate Potiphar's
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After the
Revolution in 1917, Kuznetsova fled Russia, making a suitably dramatic escape dressed as a cabin boy and hidden inside a steamer trunk aboard a ship headed for Sweden. Her first performance in exile was with the Stockholm Opera in 1919.
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Alfred
Massenet. Alfred had worked for a time in the Russian Empire, prior to the Revolution, as the president of the Société d'Industrie Minière de Chagali-Heliar, a French copper mining company headquartered in
512:'s role, had abruptly abandoned the project. Furthermore, Strauss abhorred working with French musicians, and was constantly at daggers drawn with the orchestra. Diaghilev, meanwhile, had not yet recovered from
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baritone
Mikhail Karakash and his wife Elizaveta Popova, and of the Count Alexis Ceretelli, Kuznetsova founded the Opéra Russe à Paris. The Opéra Russe staged a number of ballets and operas in London, Paris,
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It was an important role, and she was certainly in good company, but they were held to a punishing schedule with little time to rehearse. To make matters worse, Strauss was in a foul mood because his lover,
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The most memorable thing about the production was said to be Sert's luxurious
Venetian themed sets and Bakst's costumes. Sokolova recalled Kuznetsova's costume as being particularly inspired:
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Kuznetsova's other performances during the 1920s were of a more practical and less philanthropic nature. She organized private concerts and recitals where she would sing
Russian and Spanish
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Despite the problems backstage and an outraged
British press, who found the work obscene, the ballet successfully debuted in both London and Paris that spring as reported in
260:. One night, not long after her Mariinsky debut, a dispute erupted in the theater's lobby between students and army officers while Kuznetsova was singing the role of Elsa in
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Before panic ensued, an unfazed
Kuznetsova interrupted the performance, and she then quickly calmed the crowd by leading everyone in a rousing rendition of the Russian
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Her maternal grandmother, Emilia (Nevakhovich) Metchnikoff, was the daughter of Lev
Nevakhovich (1776–1831), a Russo-Jewish author, translator, and founder of the
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Kuznetsova gave fewer performances after 1933, but as late as 1947 her name appeared on the program of a choreographic competition held in Copenhagen, hosted by
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In addition to trying her hand at ballet, Kuznetsova performed in several operas that season. In one memorable performance she joined the celebrated Russian
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PARIS, May 14 – At the Opera tonight the Russian ballet season opened with the premiere of Richard Strauss's "The Legend of St. Joseph."...
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She moved about on high gilded clogs, attended by servants, two of whom had a couple of honey-coloured wolfhounds on white leads ...
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The Importance of the Archives of the Belgrade Musicological Institute in Historical Research into Slavonic Musical Theatre.
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Beauty in Exile: The Artists, Models, and Nobility Who Fled the Russian Revolution and Influenced the World of Fashion
110:. After leaving Russia in 1917, Kuznetsova continued to perform for another thirty years abroad before retiring.
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Kuznetsova's great-uncles Mikhail and Aleksandr Nevakhovich also had successful careers. Mikhail was a
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MARIA KUZNETSOVA-BENOIS-Radioauditiion from M.Malkov's cycle" Masters of the Russian Opera Stage"
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art world. It was produced by Diaghilev, composed and conducted by Strauss, choreographed by
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after singing. In addition to these private performances, Kuznetsova worked as a soloist at
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with a clear and beautiful singing voice. She also possessed notable talent as an actress.
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used to recount how Chaliapin died in Kuznetsova's arms, against the wishes of his wife.
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music, and opera. At these recitals she would often perform Spanish folk dances and
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After the death of Benois, Kuznetsova wed Jules Massenet's nephew, the banker and
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in 1917. During her lengthy career, Kuznetsova originated several roles including
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in Saint Petersburg, Russia, but abandoned dancing to study music with the
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The Copper Handbook: A Manual of the Copper Industry of the World, Vol X.
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Kuznetsova, eventually, developed a sizable following abroad; making her
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She initially debuted at the Saint Petersburg Conservatory as Tatiana in
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702:"Songs and dances of Spain, by Maria Kousnetzoff and a flamenco group."
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with Léon Bakst in 1922, where, for a very brief time, she performed.
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10 July] 1880 – 25 April 1966), also known as
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Kuznetsova's first husband was Albert Albertovich Benois, the son of
693:, between 1927 and 1933. She also concerted in Shanghai in May 1935.
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In 1920, Kuznetsova participated in a large a charity concert at the
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She remained at the Mariinsky as soloist for twelve years until the
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414:(1912). In 1916, Kuznetsova made her American debut, performing in
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The Legend of the Invisible City of Kitezh and the Maiden Fevroniya
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and others, to raise funds to aid impoverished fellow Russian
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in 1904. Kuznetsova debuted for a second time in 1905 at the
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700:. Her contribution to the event was described quite simply:
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Alexander Tcherepnin: The Saga of a Russian Emigré Composer
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Alexander Tcherepnin: The Saga of a Russian Emigré Composer
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Paris Music Revives, The New York Times, November 30, 1919
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422:. In New York she caused a sensation, performing with the
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Ludmila Korabelnikova, Anna Winestein, Suellen Hershman.
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Ludmila Korabelnikova, Anna Winestein, Suellen Hershman.
910:, page 52. San Francisco: Stanford University Press, 2000
325:. Other signature roles included Oksana in Tchaikovsky's
516:'s departure the previous year from the Ballets Russes.
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Russian Paintings and Drawings in the Ashmolean Museum
1273:People from the Russian Empire of Romanian descent
787:, Pages 23–24. Published by Ashmolean Museum, 1989
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1164:Published by the Author:Houghton, Michigan, 1911
807:An Anthology of Jewish-Russian Literature, Vol I
472:, Kuznetsova won the role of Potiphar's wife in
1149:Modern Dance in France: An Adventure, 1920–1970
1111:The New Grove Dictionary of Music and Musicians
231:"very appetizing to look at as well as to hear"
884:p. 261.Oxford University Press: New York, 2008
307:, Woglinde in the first Russian production of
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400:in 1909. During this period, she appeared in
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461:Maria Kuznetsova in Russian peasant costume
221:Joachim Tartakov. Kuznetsova was a lyrical
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160:, Ilya Metchnikoff, and had two sons; the
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156:movement in Russia. Emilia married a
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595:Maria Kuznetsova in Spanish costume
24:
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106:. She was frequently paired with
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759:Grove, George and Blom, Eric.
668:In 1927, with the help of the
321:in another Massenet creation,
185:and founder of Russia's first
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1178:Maria Nikolayevna Kuznetsova.
1176:Kuznetsova, Anna Sergeyvena.
924:Maria Nikolayevna Kuznetsova.
213:Kuznetsova initially studied
32:Eastern Slavic naming customs
922:Kuznetsova Anna Sergeyvena.
895:Valery Gergiev and the Kirov
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603:in Paris, singing alongside
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1207:Maria Nikolaevna Kuznetsova
1027:Strauss: Man, Music, Enigma
972:Мария Николаевна Кузнецова.
62:Maria Nikolaevna Kuznetsova
18:Maria Nikolaevna Kuznetsova
10:
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783:Salmina-Haskell, Larissa.
716:Albert Nikolayevich Benois
122:Maria Kuznetsova as Fausta
70:Мария Николаевна Кузнецова
30:In this name that follows
29:
508:, who was to have danced
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1054:Diaghilev's Ballet Russe
974:" Accessed May 28, 2008.
492:, designed by Bakst and
1180:(Moskva: Muzyka, 1962.)
1076:Vassiliev, Aleksandre,
707:Personal life and death
685:, and as far afield as
424:Manhattan Opera Company
100:Nikolai Rimsky-Korsakov
78:Maria Kuznetsova-Benois
1147:Robinson, Jacqueline.
908:The Literary Lorgnette
880:Macy, Laura Williams.
659:Copenhagen Opera House
596:
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926:Moskva: Muzyka, 1962.
663:Theatre of Miniatures
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454:in London and Paris.
291:in Rimsky-Korsakov's
209:Early life and career
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80:, was a 20th century
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1238:Musicians from Odesa
1209:at Wikimedia Commons
1123:Mosusova, Nadezhda.
478:La Légende de Joseph
297:, the title role in
201:during the reign of
72:; 22 July [
27:Russian opera singer
1160:Stevens, Horace J.
818:Lederhendler, Eli.
619:, André Gilly, and
565:in a production of
402:Emmanuel Chabrier's
370:A Life for the Tsar
87:singer and dancer.
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1132:2008-07-04 at the
1025:Kennedy, Michael.
954:2014-10-10 at the
906:Buckler, Julie A.
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444:Les Saisons Russes
438:On the eve of the
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277:God Save The Tsar!
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1082:Antonina W. Bouis
617:Georgette Leblanc
579:on June 8, 1914.
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407:(1910) and
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328:Cherevichki
238:Tchaikovsky
173:sociologist
162:Nobel Prize
132:portraitist
44:family name
1248:Odesa Jews
1217:Categories
643:folk music
577:Drury Lane
476:'s ballet
470:Léon Bakst
405:Gwendoline
353:, Mimi in
285:Revolution
203:Nicholas I
189:magazine,
183:cartoonist
92:Revolution
48:Kuznetsova
40:Nikolaevna
36:patronymic
745:Footnotes
675:Barcelona
670:Ukrainian
486:Edwardian
428:Cleopatre
386:The Demon
360:La bohème
304:Cléopâtre
289:Fevroniya
267:Lohengrin
191:Mish-Mash
187:satirical
164:-winning
149:descent.
1130:Archived
952:Archived
651:Flamenco
467:designer
416:New York
299:Massenet
219:baritone
171:and the
154:Haskalah
139:Romanian
732:Georgia
728:Tbilisi
636:émigrés
567:Borodin
420:Chicago
355:Puccini
223:soprano
195:Eralash
82:Russian
66:Russian
1127:(2004)
1080:, tr.
689:, and
679:Madrid
657:, the
365:Glinka
319:Fausta
309:Wagner
262:Wagner
215:ballet
147:Jewish
128:Odessa
114:Family
34:, the
691:Japan
683:Milan
647:Gypsy
339:Verdi
334:Thaïs
257:Faust
143:Russo
85:opera
958:(ru)
560:bass
480:(or
418:and
412:Roma
323:Roma
317:and
141:and
102:and
74:O.S.
569:'s
450:'s
446:of
383:'s
367:'s
357:'s
341:'s
311:'s
301:'s
264:'s
254:'s
240:'s
46:is
38:is
1219::
1140:^
1102:^
1008:^
992:^
963:^
915:^
855:^
827:^
792:^
768:^
752:^
734:.
730:,
681:,
677:,
645:,
638:.
623:.
615:,
611:,
607:,
523::
500:.
430:.
280:.
233:.
205:.
178:.
98:,
68::
970:"
388:.
269:.
193:(
145:-
64:(
50:.
20:)
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