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crafts and fine art, and
William and Marguerite's collaboration broke down gender barriers. Her works were popular and interesting to the public, but art critics gave them mixed reviews because of the low status of embroidery within the fine arts. Today they are celebrated for their feminist subjects and innovative style. Zorach's first exhibition was at Charles David's gallery in New York. Many times the sales of Marguerite's textiles are what kept the family from poverty. Zorach also took great delight in making clothes for her husband and children, although they were not always the conventional style of the times.
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337:, in 1917. Eventually, the pair settled in Greenwich Village and fondly called their house the "Post-Impressionist" studio. It became a meeting place of sorts, reminiscent of small salons in Paris for artists to collaborate and share ideas. At Marguerite's insistence the family spent the summers in the countryside of New England. In 1922, they visited
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While Zorach was an impressive and prolific artist, it was not until after her death that she received the same recognition as her husband. She was a talented painter who was influential in progressing artistic
Modernism in the United States. Many art historians consider her the "First Woman Artist
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mountains appealed to her because of their immensity and natural beauty. Ultimately, her parents' disapproval of her artistic pursuits would end her time there and cause her to destroy a large amount of her work. Upon her return to the US, she exhibited in Fresno and Los
Angeles. Soon, she moved to
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that stylistically resembled her
Fauvist paintings. Her embroideries were first shown in New York in 1918, to a positive response. Using textiles as a medium followed the modernist patterns of the turn of the century as new art became increasingly less narrative. It broke down the barriers between
305:. This trip would also have a huge effect on her art, influencing her to paint even more abstractly than she had in the past, sometimes even completely flat. She also began to produce brightly colored Fauvist landscapes with thick black outlines. The trip ended with a return to California in 1912.
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After Paris, she took a lengthy tour of the world with her aunt in 1911–12. They visited
Jerusalem, Egypt, India, Burma, China, Hong Kong, Japan, and Hawaii. Impressed with the foreign places she had seen and eager to write about her experiences, she sent articles to her childhood newspaper, the
180:. While she was young, the family moved to Fresno and it was there that she began her education. She started to draw at a very young age and her parents provided her with an education that was heavily influenced by the liberal arts, including music lessons in elementary school, and four years of
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After the birth of their daughter, Marguerite found that working with textiles would allow her to give more attention to her children. While both
William and Marguerite experimented with textile art, Marguerite was more prolific and better-known for her work. She created mainly
384:, painting the landscape. The couple, with their family, hiked, sketched, and painted the beautiful national park in the Fauvist style. The trip greatly moved the two, and themes from the trip would appear in many of their later works, including Marguerite's works
230:, or Wild Beasts. The Fauvists became known for their use of arbitrary colors and spontaneous, instinctive brushwork. Thompson's encounters with these works had a strong impact on her. It was the intention of her aunt that Thompson attend the
330:. Their success continued as both were invited to participate in the 1916 Forum Exhibition of Modern American Painters. It was at this time that William and Marguerite began to experiment with other art forms such as poetry.
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While at
Stanford, Thompson continued to show aptitude for art, and rather than completing her degree, she traveled to France at the invitation of her aunt, Harriet Adelaide Harris. Marguerite visited the
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513:. In 2007, the Gerald Peters Gallery held a retrospective exhibition of her work. In 2010, her watercolors were exhibited at the Michael Rosenfeld Gallery. In 2011, a retrospective was held at
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Burk, Efram L. "Sketching and
Painting in Ecstasy--William and Marguerite Zorach in Yosemite Valley, Summer 1920." Southeastern College Art Conference Review 16(4) (2014): 459-71. Web.
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Fowler, Cynthia. "Marguerite Zorach: American
Modernism and Craft Production in the First Half of the 20th Century." PhD diss. University of Delaware, 2002.
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has over two hundred pieces of Zorach's in their collection. The collection of the
Metropolitan Museum of Art has several Zorach oils and watercolors.
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Colleary, Elizabeth T. "Marguerite Thompson Zorach: Some Newly Discovered." Woman's Art Journal 23.1 (Spring-Summer 2002): 24-28. JSTOR. Web.
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Deborah Weisgall. "Marguerite Zorach: Georgetown Goes Modern: The Modern Art Movement Meets an Island Community". The Maine Magazine.
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After Thompson returned to Fresno, she spent July and August in the mountains to the north-east of Fresno around Big Creek and
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the same day, December 24, 1912. The couple immediately began to collaborate artistically. Both entered artwork in the 1913
654:"To Be Modern: The Origins of Marguerite and William Zorach's Creative Partnership, 1911-1922; essay by Jessica Nicoll"
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Marguerite Zorach continued to be a prolific artist until the end of her life. In later years, she worked for the
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in her eyes. This greatly inhibited her ability to produce textiles, however she was able to continue painting.
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artwork "I just couldn't understand why such a nice girl would paint such wild pictures."
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Painting Professionals: Women Artists & the Development of Modern American Art
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Clever Fresno Girl: The Travel Writings of Marguerite Thompson Zorach (1908-1915)
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Clever Fresno Girl: The Travel Writings of Marguerite Thompson Zorach (1908-1915)
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vineyards, and mother were descended from New England seafarers and Pennsylvania
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578:. Edited by Efram L. Burk. Newark, DE: University of Delaware Press, 2008.
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Burk, Efram L. (2004). "The Graphic Art of Marguerite Thompson Zorach".
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Marguerite gave birth to a son, Tessim Zorach, in 1915, and a daughter,
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the very day that she arrived in Paris. Here, she saw many works by
571:. Rockland, ME: William A. Farnsworth Library and Art Museum, 1979.
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882:"Marguerite Zorach and William Zorach: June 4 – August 13, 2010"
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American Women Artists: from Early Indian Times to the Present
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showed her modernist talent. In 1940, she completed the mural
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Clark, Hazel (1995). "The Textile Art of Marguerite Zorach".
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564:. Chapel Hill, NC: University of North Carolina Press, 2001.
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Marguerite and William Zorach: The Cubist Years, 1915-1918
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Marguerite also served as the president of the modernist
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Marguerite & William Zorach: Harmonies and Contrasts
690:. National Museum of Women in the Arts. Archived from
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contains her 1942 Section of Fine Arts mural entitled
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Half Dome, Yosemite, CA, 1920,watercolor over graphite
134:; September 25, 1887 – June 27, 1968) was an American
976:"Marguerite Zorach and William Zorach - Exhibitions"
188:. She was one of a small group of women admitted to
944:"ART IN REVIEW; Marguerite Zorach -- A Life in Art"
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Art is My Life: The Autobiography of William Zorach
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434:. Her 1938 oil-on-canvas mural in the lobby at the
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479:and her mother by Zorach (1925) on display in the
450:. Marguerite also taught at Columbia University.
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1001:"F&M to host Zorach exhibit - Entertainment"
870:{Cynthia Fowler, The Modern Embroidery Movement}
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547:. Manchester, NH: Currier Gallery of Art, 1987.
285:through her "Aunt Addie's" connections. At the
569:William and Marguerite Zorach: The Maine Years
528:Marguerite Thompson Zorach, American Modernist
626:Marguerite Zorach: the Early Years, 1908-1920
557:. Portland, ME: Portland Museum of Art, 2001.
801:. Associated University Presse. p. 86.
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266:, both renowned for their modernist themes.
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884:. Michael Rosenfeld Gallery website, 2010.
530:. New York: College of New Rochelle, 1993.
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1104:Section of Painting and Sculpture artists
390:Nevada Falls, Yosemite Valley, California
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509:In 1964, Zorach received a D.F.A. from
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629:. National Collection of Fine Arts.
386:Memories of my California Childhood
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899:Smithsonian Museum of American Art
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999:Wright, Mary Ellen (2011-10-09).
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404:Semi-abstract Floral Design, 1919
370:New York Society of Women Artists
260:Société des Artistes Indépendants
639:Rubenstein, Charlotte Streifer,
468:Museum holdings and public works
236:Académie de la Grande Chaumière,
168:Marguerite Thompson was born in
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537:. London: Bloomsbury, 2018.
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309:Return to the US and marriage
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145:in America. She won the 1920
684:"Marguerite Thompson Zorach"
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795:Zorach, Marguerite (2008).
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543:Hoffman, Marilyn Friedman.
440:New England Post in Winter,
172:. Her father, a lawyer for
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322:New York City and married
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147:Logan Medal of the Arts
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287:Académie de La Palette
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170:Santa Rosa, California
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455:macular degeneration
232:École des Beaux-Arts
35:Zorach in her studio
1048:"Marguerite Zorach"
1042:"Marguerite Zorach"
1007:on December 3, 2013
919:"Marguerite Zorach"
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359:Gertrude Kasebier
343:Georgetown, Maine
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656:. Tfaoi.com
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430:during the
396:Textile art
388:(1921) and
363:Paul Strand
328:Armory Show
315:Shaver Lake
174:Napa Valley
121:Logan Medal
1058:Categories
1011:2014-08-12
985:2015-05-19
961:2015-05-19
928:2017-02-11
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698:2015-05-19
660:2014-08-12
606:2014-08-12
583:References
499:Hay Making
153:Early life
51:1887-09-25
956:0362-4331
192:in 1908.
143:modernism
392:(1920).
228:Fauvists
132:Thompson
87:painting
1079:Fauvism
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347:a house
295:Fauvist
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182:Latin
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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