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373:, itself only 3 years old, mounted a lavish production of Bizet's opera. The cast numbered nearly 500. Massive sets of Seville surrounded the brand-new amphitheater. When soprano Marguerita Sylva, who starred, rolled into Union Station five days earlier, reporters were there to greet her as if she were a movie star. Proceeds from the performance financed the installation of the Bowl's first benches.
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who had sung with her in
Hammerstein's opera company and whose career path had been somewhat similar to Sylva's. On 20 February 1957, Marguerite Sylva was driving her car when it went off the road and plowed into a house. She was severely injured in the accident and died the following day at the age
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who gave the sisters their stage names. In early 1896 they were in London, where Edith was to play her violin for
Gilbert, with Marguerite providing the piano accompaniment. Sylva recalled that after Edith finished playing, Gilbert asked her, "Don't you do anything?". She told him she "sang a little"
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at the
American Embassy in Paris. The couple later had two daughters, Daphnee and Marita, both of whom went on to have minor careers as actresses. The marriage ended in divorce on grounds of desertion in 1929. In her later years, Sylva lived in North Hollywood, where she played a series of small
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163:. Both she and her sister Edith were trained in music at the Belgian Royal Conservatory. Marguerite primarily studied the piano but also took private singing lessons. Edith went on to become a concert violinist of some renown, performing as Nadia Sylva.
1443:("Unique Opera Records Corporation" (1972–1977), "A.N.N.A. Record Company" (1978–1982), "special-label" Issues (circa 1954-1981), and Addendum to "The Golden Age of Opera" Series), Greenwood Publishing Group, p. 285 and
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300:. In 1902 she married the theatrical manager William David Mann. The couple left for France in 1904 where Sylva again became fascinated by opera. She found a teacher, Madame Delattre, and was soon engaged by the
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Sylva and her husband, William Mann, had become estranged during her years in France and were divorced in 1912. On 1 December 1915, Sylva married Lieut. Bernard L. Smith, who at the time was the assistant
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careers together in the United States, but in the end, the engagement was broken off. According to
Beerbohm Tree, Sylva's mother had been opposed to the marriage.
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to very good reviews. For the next three years Sylva sang with great success throughout France and
Germany where she was a particular favourite. In 1909,
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invited her to return to
America to sing for his opera company. On 1 September 1909, Marguerite Sylva made her American operatic debut as Carmen at the
349:. For a time, Sylva enjoyed a celebrity status normally accorded to movie stars, and even had her own line of cosmetics. In 2008, Mark Swed wrote in
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in
Brussel, to Mathilde (Schearer) Smith and Dr. Christian Charles Louis Smith, a Belgian of English parentage who was a consulting physician to the
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Du
Maurier returned to the London stage. Sylva remained in the United States where she carved out an increasingly successful career in
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In the ensuing years Sylva sang with
Hammerstein's company (until a contractual dispute ended their professional relationship), the
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599:. Sylva toured widely in the United States in this repertoire. This list is restricted to her known Broadway performances only:
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character roles in films and taught singing. A year before her death, she was the subject of the popular NBC television show
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in its original 1900 production. Sylva later took over the role for part of its tour which lasted until 1910.
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143:, which she sang over 300 times in the course of her career. Sylva was a pioneering recording artist for
754:) as Don José. Her first major role in a Hollywood film came in 1920 when she played Hilda Wilson in
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as Don José. She continued to appear on
Broadway as well, with performances in the premieres of
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1411:"Shares Caruso's Honors: Marguerite Sylva Obtains Triumph in Title Role of "Carmen" in Berlin"
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in the United States. She also sang in Europe, including an acclaimed 1912 performance in
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Sylva's early venture into cinema was probably the title role in a 1913 silent film of
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1421:"Opera Star Asks Divorce: Marguerita Sylva Files Suit Against B.L. Smith in Miami"
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1391:"Carmen at the Manhattan: Mme. Marguerite Sylva Wins Success as the Heroine"
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1895: Revue de l’Association française de recherche sur l’histoire du cinéma
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1357:, "Engaged: Du Maurier's Son to Marry Miss Marguerite Sylva", 26 Nov 1896
1345:"Les premières années du spectacle cinématographique à Nîmes – 1895-1913"
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selected recordings at InternetArchive.com(downloadable acoustic format)
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133:. She was particularly known for her performances in the title role of
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292:. She eventually formed the Marguerite Sylva Opera Company to produce
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304:. She made her debut there on 14 September 1906 in the title role of
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American women: The Official Who's who Among the Women of the Nation
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to whom she became engaged. The young couple had planned to pursue
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This list was primarily compiled from reviews and articles in the
587:(1896). However, her early appearances on Broadway were mainly in
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Within Our Gates: Ethnicity in American Feature Films, 1911-1960
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According to Marguerite Sylva's entry in the 1935 edition of
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117:) (10 July 1875 – 21 February 1957) was a Belgian born
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of 81 in Behrens Memorial Hospital in Glendale, California.
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and toured several U.S. cities playing the leading roles in
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to him. He offered her a part in his upcoming production of
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and made many recordings for the company from 1910 to 1912.
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and operettas under the management of Samuel F. Nixon and
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portrait Univ of Louisville Macauley's Theatre collection
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Opera in Philadelphia: Performance Chronology 1900 - 1924
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The Edison Trials: Voice Audition Cylinders of 1912-1913
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Marguerite Sylva's American stage debut was in the play
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More EJS: Discography of the Edward J. Smith Recordings
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shot in Nîmes, France with M. Habay (an actor with the
1480:, Obituary: Edith Sarah Jane Sinkins, 4 February 1952.
1363:, "Teachers Will Fete Former Opera Star", 31 May 1956
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For more about this film, see Gevinson (1997) p. 374
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104:Bernard L. Smith (1915-1929) divorced (2 children)
402:Although Marguerite Sylva's basic voice type was
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1166:"Alice Nielsen And The Gayety Of Nations" (2009)
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1517:, recordings with Carl Hayden, Arthur Albro
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1371:"Bustle and Stir of the Theatrical World"
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268:. She appeared in the world premiere of
249:. Amongst the actors in the company was
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38:, her signature role. (Paris circa 1906)
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235:'s theatre company for a production of
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1381:"Marguerite Sylva A New Carmen Here"
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1340:, Richard Blank Publishing Company.
1145:Stoullig, Edmond (1907) pp. 212-213
712:and Rowland Leigh from the play by
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616:Lady Janet Belford in the premiere
360:Marguerite Sylva with her daughters
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1309:, University of California Press.
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1300:, Doubleday, Doran & Company.
762:. Her other film roles included:
735:(25 December 1937 – 9 April 1938)
1468:"'Carmen' at the Hollywood Bowl"
1016:Problems playing this file? See
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668:(7 December 1925 - January 1926)
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1393:, 2 September 1909, p. 9.
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1403:, 4 February 1912, p. 15
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1274:, New York Times Movie Guide.
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1124:Pearson, Hesketh (1956) p. 97
984:"Pleurez, pleurez, mes yeux".
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182:. The part was originated by
157:Marguerite Alice Hélène Smith
48:Marguerite Alice Hélène Smith
1490:Internet Broadway Database,
1383:, 23 August 1909, p. 7.
1373:, 10 August 1902, p. 10
1082:Howes, Durward (1935) p. 543
943:Her Highness and the Bellboy
410:roles as well. Her roles in
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1413:, 8 October 1912, p. 4
1401:"Marguerite Sylva Divorced"
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1115:Du Maurier (1935) pp. 67-71
1054:, London, 13 February 1897.
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550:(Princess Chic of Normandy)
365:"Carmen" is not new to the
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682:Mahuna in the premiere of
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1423:, 2 May 1929, p. 4
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1070:New York Public Library
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585:The Seats of the Mighty
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323:Boston Opera Company
34:Marguerite Sylva as
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490:Le Point d'Argentan
1333:, Marston Records.
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1215:, 2 May 1929, p. 4
1092:The New York Times
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1227:This Is Your Life
1189:Los Angeles Times
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1004:(1885); sung for
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714:Paul Knepler
710:Clare Kummer
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58:10 July 1875
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1542:1957 deaths
1537:1875 births
1521:The Theatre
959:uncredited
916:uncredited
908:Older Woman
893:uncredited
867:Mark Robson
848:uncredited
825:uncredited
821:James Whale
717: [
673:Golden Dawn
655:The Skylark
648:Franz Lehár
579:On Broadway
566:(Charlotte)
504:(Giulietta)
486:(Catherine)
475:La favorite
416:comic opera
398:Opera roles
347:The Skylark
217:grand opera
1531:Categories
1430:, Methuen.
1291:References
1018:media help
966:Recordings
639:Gypsy Love
460:Gypsy Love
440:(Santuzza)
343:Gypsy Love
266:vaudeville
54:1875-07-10
777:Director
597:operettas
533:Pagliacci
478:(LĂ©onore)
467:La bohème
448:(Erminie)
194:, it was
151:Biography
99:Spouse(s)
94:1920-1945
1008:in 1910.
525:Mireille
520:(Mignon)
462:(Zorika)
432:(Carmen)
412:operetta
201:Habanera
127:operetta
1437:(1999)
1351:, n°43.
1052:The Era
885:Cashier
740:In film
626:Erminie
563:Werther
558:(Tosca)
536:(Nedda)
528:(Taven)
512:(Manon)
445:Erminie
408:soprano
333:at the
245:at the
1496:IMDb,
1451:
1445:passim
1435:et al.
1313:
1040:et al.
1001:Le Cid
780:Notes
768:Title
747:Carmen
731:, and
570:
517:Mignon
429:Carmen
331:Carmen
307:Carmen
288:, and
229:Carmen
206:Carmen
140:Carmen
129:, and
36:Carmen
1026:Notes
998:From
840:Marta
774:Role
771:Year
721:]
684:Luana
555:Tosca
509:Manon
453:Faust
337:with
203:from
135:Bizet
123:opera
1449:ISBN
1311:ISBN
948:1945
928:1945
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67:Died
44:Born
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52:(
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