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and second half material, and, by adding chromaticism, variations in the refrain and harmonic interest in the accompaniment, made it a memorable number. The reharmonization, addition of triplets in the vocal line and the flute in its low register add to the effect. Despite the change in mode there is
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127:, first published in 1863, which Bizet believed to be a folk song. When others told him he had used something written by a composer who had died ten years earlier, he added a note about its derivation in the first edition of the vocal score which he himself prepared. Although the French
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José is the only person on stage who pays no attention to Carmen while she sings the
Habanera, and after she finishes she approaches him. In the following short spoken scene he tells her that he is making a chain to attach his
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271:(trumpets – for the final chord only). The orchestral complement for the premiere run was 62 or 57 musicians in total (depending on whether the pit players doubled for off-stage music).
189:, reviewing a range of interpretations on record, described the piece as "after all, a simple, teasingly articulated statement of fact, not an earth-shattering philosophical credo".
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The orchestration for the number consists of the two flutes, two oboes, two clarinets, two bassoons, four horns, timpani, triangle and tambourine, full strings, plus two
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Although Bizet kept the basic layout of the
Iradier song, which has each verse in D minor and each refrain in the tonic major, he let go of the long
237:. Although Bizet borrowed the melody from a song by Iradier he developed it "with his inimitable harmonic style and haunting habanera rhythm".
185:, commented on the "ironically provocative" aria evoking "Eros as conceived by the ancients, playfully alluring, mischievously demoniacal."
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L'amour est enfant de bohème, Il n'a jamais, jamais connu de loi, Si tu ne m'aimes pas, je t'aime, Si je t'aime, prends garde à toi!
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Dean has a photograph of Bizet's manuscript words, as plate 8 between 118 and 119 of the 1977 paperback edition of his book.
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on 3 March 1875. Bizet, having removed during rehearsals his first version of Carmen's entrance song, in
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The refrain also returns briefly at the end of the act, in scene XI, No. 1 Final, where Carmen hums it (
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no actual modulation in the aria, and the implied pedal point D is maintained throughout. The
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139:, the words of the habanera originated from Bizet. The Habanera was first performed by
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440:(Si je t'aime, prends garde à toi !) (Prends garde à toi !)
379:(Si je t'aime, prends garde à toi !) (Prends garde à toi !)
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Si je t'aime, prends garde à toi ! (Prends garde à toi !)
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Si je t'aime, prends garde à toi ! (Prends garde à toi !)
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Si tu ne m'aimes pas, je t'aime ! (Prends garde à toi !)
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Si tu ne m'aimes pas, je t'aime ! (Prends garde à toi !)
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Si tu ne m'aimes pas, je t'aime ! (Prends garde à toi !)
366:
Si tu ne m'aimes pas, je t'aime ! (Prends garde à toi !)
123:"El Arreglito ou la Promesse de mariage", by the Spanish musician
704:) : Carmen - Rodney Milnes, Hutchinson & Co, 1979, p467.
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Carmen. Kritische
Neuausgabe nach den Quellen von Fritz Oeser
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de
Solliers, Jean. Commentaire litteraire et musical. In:
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If you don't love me, then I love you! (Be on your guard!)
566:
If you don't love me, then I love you! (Be on your guard!)
505:
If you don't love me, then I love you! (Be on your guard!)
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flower at him, and the female chorus reprises the refrain
351:(Et c'est bien en vain qu'on l'appelle,) L'amour !
579:(If I love you, be on your guard!) (Be on your guard!)
518:(If I love you, be on your guard!) (Be on your guard!)
414:(Tu crois l'éviter, il te tient !) L'amour !
1687:
617:, JM Dent & Sons, London, 1975, pp. 229–230, 251.
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If you don't love me, I love you! (Be on your guard!)
19:
For the Cuban dance popular in the 19th century, see
562:
If I love you, be on your guard! (Be on your guard!)
501:
If I love you, be on your guard! (Be on your guard!)
410:(Il vient, s'en va, puis il revient;) L'amour !
107:. It is the entrance aria of the title character, a
883:
789:, vol. 106, no. 1473 (November 1965), pp. 846–855.
551:(You think to hold it fast, it dodges you;) Love!
490:(And it is well in vain that one calls it,) Love!
1711:
408:(Tout autour de toi, vite, vite,) L'amour !
720:. Paris, Editions Premières Loges, 1993, p. 23.
412:(Tu crois le tenir, il t'évite;) L'amour !
353:(S'il lui convient de refuser.) L'amour !
347:(L'amour est un oiseau rebelle) L'amour !
311:Lyrics in parentheses are sung by the chorus.
1411:
869:
800:"Carmen! sur tes pas nous nous pressons tous"
349:(Que nul ne peut apprivoiser,) L'amour !
131:of the complete opéra comique was written by
759:. Critical Edition edited by Robert Didion.
751:
749:
688:, October 1925, Vol. 11, No. 4, pp. 482-505.
553:(You think to dodge it, it holds you!) Love!
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119:The score of the aria was adapted from the
16:Aria from the opera Carmen by Georges Bizet
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473:And it is quite in vain that one calls it,
324:Mais pas aujourd'hui, c'est certain !
849:International Music Score Library Project
825:International Music Score Library Project
746:
718:Carmen, Bizet. L'Avant Scène Opéra, no 26
628:Grove's Dictionary of Music and Musicians
542:You think to hold it fast, it dodges you;
449:Prends garde à toi ! (à toi !)
606:
604:
602:
577:(If you don't love me, then I love you,)
549:(It comes, goes, then it returns;) Love!
479:The one talks well, the other is silent;
388:Prends garde à toi ! (à toi !)
303:) in the face of the lieutenant Zuniga.
239:
743:Macmillan, London & New York, 1997.
1712:
397:Tu ne l'attends plus, il est là !
334:Et c'est bien en vain qu'on l'appelle,
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857:
832:of Habanera for voice and piano from
763:, 1992, 2003 (No. 5 Habanera, p. 99).
757:Carmen. Opéra comique en quatre actes
712:
710:
599:
547:(All around you, swift, swift,) Love!
436:(Il n'a jamais, jamais connu de loi,)
405:Tu crois l'éviter, il te tient !
395:L'amour est loin, tu peux l'attendre;
375:(Il n'a jamais, jamais connu de loi,)
322:Peut-être jamais, peut-être demain...
281:(lapel pin), whereupon she calls him
85:
682:Klein, John W. Nietzsche and Bizet.
644:New York, Vienna House, 1958 p. 401.
620:
575:(It has never, never known the law,)
544:You think to dodge it, it holds you!
536:You no longer await it, there it is!
516:(If you don't love me, I love you,)
483:He said nothing, but he pleases me.
477:Nothing to be done, threat or plea.
419:Il n'a jamais, jamais connu de loi,
401:Il vient, s'en va, puis il revient;
358:Il n'a jamais, jamais connu de loi,
287:(fastener of my soul) and throws a
111:role, in scene 5 of the first act.
90:; "Love is a rebellious bird"), an
13:
707:
514:(It has never, never known a law,)
438:(Si tu ne m'aimes pas, je t'aime,)
391:L'oiseau que tu croyais surprendre
377:(Si tu ne m'aimes pas, je t'aime;)
344:Il n'a rien dit, mais il me plaît.
14:
1766:
1425:
814:
739:The New Grove Dictionary of Opera
586:But if I love you, if I love you,
568:But if I love you, if I love you,
560:If you don't love me, I love you;
534:Love is far, you can wait for it;
525:But if I love you, if I love you,
507:But if I love you, if I love you,
499:If you don't love me, I love you,
492:(If it suits it to refuse.) Love!
486:(Love is a rebellious bird) Love!
481:And it's the other that I prefer,
340:L'un parle bien, l'autre se tait;
1697:
1671:
1662:
1661:
839:Text and translation of Habanera
588:Be on your guard! (Your guard!)
558:It has never, never known a law,
540:It comes, goes, then it returns;
497:It has never, never known a law,
447:Mais si je t'aime, si je t'aime,
429:Mais si je t'aime, si je t'aime,
421:Si tu ne m'aimes pas, je t'aime,
386:Mais si je t'aime, si je t'aime,
368:Mais si je t'aime, si je t'aime,
360:Si tu ne m'aimes pas, je t'aime,
342:Et c'est l'autre que je préfère,
338:Rien n'y fait, menace ou prière,
792:
766:
527:Be on your guard! (Your guard!)
463:But not today, that's for sure!
434:(L'amour est enfant de bohème,)
399:Tout autour de toi, vite, vite,
373:(L'amour est enfant de bohème,)
87:[lamuʁɛt‿œ̃n‿wazoʁəbɛl]
1740:Dance forms in classical music
1202:Carmen, la que contaba 16 años
723:
691:
676:
667:
647:
634:
461:Maybe never, maybe tomorrow...
403:Tu crois le tenir, il t'évite;
33:
29:
1:
1649:Carmen Suites (Bizet/Guiraud)
1498:, completed by Bizet c. 1865)
538:All around you, swift, swift,
532:Beat its wings and flew away,
417:L'amour est enfant de bohème,
393:Battit de l'aile et s'envola,
356:L'amour est enfant de bohème,
336:S'il lui convient de refuser;
330:L'amour est un oiseau rebelle
181:, an enthusiastic admirer of
114:
77:L'amour est un oiseau rebelle
664:2002 programme book, p. 103.
592:
332:Que nul ne peut apprivoiser,
318:Quand je vous aimerai ?
73:") is the popular name for "
41:
36:
7:
1454:(1852 or 1855; unperformed)
662:Glyndebourne Festival Opera
530:The bird you hoped to catch
488:(That none can tame,) Love!
10:
1771:
18:
1657:
1641:
1618:
1579:
1561:
1529:
1442:
1433:
1313:
1052:
1028:Carmen: Duets & Arias
996:Carmen Fantasy (Sarasate)
979:
918:
897:
656:. "Darkness and light in
475:If it suits it to refuse;
469:Love is a rebellious bird
431:Prends garde à toi !
76:
25:Habanera (disambiguation)
1611:(incidental music, 1872)
1192:Man, Pride and Vengeance
1005:Carmen Fantasie (Waxman)
573:(Love is a gypsy child,)
512:(Love is a gypsy child,)
459:Good Lord, I don't know,
313:
306:
192:
1755:Compositions in D minor
1538:Au fond du temple saint
1503:La jolie fille de Perth
320:Ma foi, je ne sais pas,
1720:Arias by Georges Bizet
1483:Les pêcheurs de perles
556:Love is a gypsy child,
495:Love is a gypsy child,
299:
293:
283:
277:
267:
262:
23:. For other uses, see
1358:Battle of the Carmens
1282:U-Carmen eKhayelitsha
1082:A Burlesque on Carmen
685:The Musical Quarterly
582:If you don't love me,
564:If you don't love me,
521:If you don't love me,
503:If you don't love me,
457:When will I love you?
443:Si tu ne m'aimes pas,
425:Si tu ne m'aimes pas,
382:Si tu ne m'aimes pas,
364:Si tu ne m'aimes pas,
257:
83:French pronunciation:
1451:La maison du docteur
1436:List of compositions
1252:Carmen: A Hip Hopera
1182:Carmen di Trastevere
1142:Carmen, la de Triana
841:at Aria-Database.com
642:Bizet and His World.
615:The Master Musicians
284:épinglier de mon âme
69:("music or dance of
1745:Mezzo-soprano arias
1587:Symphony in C major
1162:The Loves of Carmen
1132:Nights in Andalusia
1112:The Loves of Carmen
471:That none can tame,
370:Prends garde à toi!
259:Natalia Kutateladze
1603:(piano duet, 1871)
1459:Le docteur Miracle
1212:First Name: Carmen
263:
162:with a refrain in
1735:1875 compositions
1685:
1684:
1632:François Delsarte
1562:Opera discography
1393:
1392:
1323:Carmen up to Data
1043:Carmen Variations
786:The Musical Times
570:Be on your guard!
509:Be on your guard!
255:
125:Sebastián Iradier
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1593:Roma Symphony
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1552:Toreador Song
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1427:Georges Bizet
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1292:Carmen's Kiss
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1242:Carmen on Ice
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1036:Carmen Suites
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1020:Toreador Song
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951:(1967 ballet)
950:
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941:(1949 ballet)
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885:Georges Bizet
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834:Cantorion.org
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779:? (Review of
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187:Rodney Milnes
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145:Opéra-Comique
142:
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133:Henri Meilhac
130:
126:
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110:
109:mezzo-soprano
106:
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100:opéra comique
97:
96:Georges Bizet
93:
88:
80:
72:
68:
53:
48:
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31:
26:
22:
1608:L'Arlésienne
1606:
1598:
1569:
1544:
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1467:Don Procopio
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1172:Carmen Jones
1170:
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1120:
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1074:(1915 Walsh)
1071:
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948:Carmen Suite
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928:Carmen Jones
926:
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888:
845:El Arreglito
833:
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775:. "The True
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611:Dean, Winton
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74:
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37:
1580:Other works
1350:The Car Man
1332:G.I. Carmen
988:Discography
919:Stage works
773:Winton Dean
613:. "Bizet."
207:vocal range
141:Galli-Marié
1714:Categories
1365:Seguidilla
702:Alan Blyth
300:fredonnant
278:épinglette
202:ritornelli
115:Background
1595:(1860–71)
910:(novella)
593:Citations
227:tessitura
179:Nietzsche
43:Tessitura
1667:Category
1545:Habanera
1511:Djamileh
1478:(1862–5)
1013:Habanera
821:Habanera
219:♯
129:libretto
121:habanera
98:'s 1875
67:Habanera
1634:(uncle)
1475:Ivan IV
1314:Related
736:". In:
268:pistons
225:with a
209:covers
143:at the
1725:Carmen
1690:Portal
1628:(wife)
1619:Family
1589:(1855)
1570:Carmen
1522:(1875)
1519:Carmen
1514:(1872)
1506:(1867)
1486:(1863)
1470:(1859)
1462:(1857)
1443:Operas
1376:(1962)
1305:(2022)
1302:Carmen
1295:(2011)
1285:(2005)
1272:Carmen
1262:Carmen
1255:(2001)
1245:(1990)
1235:(1984)
1232:Carmen
1225:(1983)
1222:Carmen
1215:(1983)
1205:(1978)
1195:(1968)
1185:(1962)
1175:(1954)
1165:(1948)
1155:(1942)
1152:Carmen
1145:(1938)
1135:(1938)
1125:(1931)
1122:Carmen
1115:(1927)
1105:(1926)
1102:Carmen
1095:(1918)
1092:Carmen
1085:(1915)
1072:Carmen
1062:Carmen
968:Carmen
938:Carmen
907:Carmen
898:Source
890:Carmen
777:Carmen
734:Carmen
658:Carmen
289:cassia
261:, 2020
229:from D
183:Carmen
104:Carmen
71:Havana
1704:Opera
1677:Audio
1530:Arias
980:Music
700:(Ed.
307:Words
193:Music
94:from
38:Range
1494:(by
1383:Nxde
233:to D
216:to F
135:and
92:aria
1491:Noé
887:'s
783:).
732:. "
660:",
81:" (
1716::
802:.
748:^
709:^
601:^
1692::
1554:"
1550:"
1547:"
1543:"
1540:"
1536:"
1419:e
1412:t
1405:v
1385:"
1381:"
1343:"
1339:"
877:e
870:t
863:v
806:.
741:.
235:5
231:4
223:5
213:4
211:D
170:8
155:4
27:.
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