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Célestine Galli-Marié

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on 2 June 1875, Galli-Marié had a premonition of Bizet's death while singing the cards scene in Act III, and fainted when she left the stage; the composer in fact died that night and the next performance was cancelled due to her indisposition. Undertaking much touring, she performed Carmen in
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Brussels (16 January 1876), Naples (the Italian premiere), Genoa, Barcelona, Lyon, Liege and Dieppe before returning in the Opéra-Comique revival of the original production on 22 October 1883. In London she appeared at
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Her voice was described as being of a good timbre, with clear diction and phrasing. A high mezzo-soprano voice was at one time referred to as "Galli-Marié". Galli-Marié parts are now sometimes sung by
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in a touring production in 1886, and returned to the Opéra-Comique in 1890 to sing in a fundraising performance to erect a monument to Bizet (this was her final performance).
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in 1865; she toured the US before returning to the Paris Opéra-Comique. Paola was prominent in operetta and created roles for
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and brought her to Paris. She sang at the Opéra-Comique until 1885, premiering in
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The Abuse of the Singing and Speaking Voice; causes, effects and treatment
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Histoire de l'Opéra comique – La seconde salle Favart 1840–1887.
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who is most famous for creating the title role in the opera
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Rosenthal, Harold (1980). "Célestine Galli-Marié". In
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were also professional singers. Irma created roles in
146:(1875). It was said that at the 33rd performance of 455: 84:in Paris. She was taught singing by her father, 429:The New Grove Dictionary of Music and Musicians 212:became lovers. Curtiss notes that she kept pet 395:. London: Kegan Paul, Trench, Trübner, 1910. 158:She also created the roles of Lazarille in 421: 406:The Encyclopaedia of the Musical Theatre. 335: 333: 331: 329: 229: 216:, and sometimes took them to rehearsal. 82:Marie-Célestine Laurence Marié de l'Isle 67: 31: 464:19th-century French women opera singers 323:Macmillan, London & New York, 1992. 315: 313: 14: 456: 380:Nos artistes des theatres et concerts. 359: 326: 372: 310: 24: 415: 321:The New Grove Dictionary of Opera. 72:Galli-Marié premiered the rôle of 25: 500: 479:Burials at Père Lachaise Cemetery 437: 391:Moure, J. G. É. & Bouyer, A. 356:London, JM Dent & Sons, 1978. 319:Wright, L. A. "Galli-Marié". In: 442: 126:. Her most famous roles were in 27:French mezzo-soprano (1837–1905) 365:Soubies, A. & Malherbe, C. 489:French operatic mezzo-sopranos 398: 385: 346: 13: 1: 382:Paul Ollendorff, Paris, 1895. 343:New York: Vienna House, 1974. 303: 298:Théâtre des Bouffes Parisiens 36:Galli-Marié was the original 244:(1884), musée de Marseille, 7: 10: 505: 258: 234:Célestine Galli-Marié in 196:. She also sang Taven in 63: 408:Oxford: Blackwell, 1994. 369:Paris: Flammarion, 1893. 102:, heard her performing 248: 205:Les dragons de Villars 176:, as well as roles in 98:, the director of the 86:Mécène Marié de l'Isle 77: 44: 451:at Wikimedia Commons 449:Célestine Galli-Marié 233: 153:Her Majesty's Theatre 71: 48:Célestine Galli-Marié 35: 341:Bizet and his World. 202:and Rose Friquet in 182:Le Capitaine Henriot 170:, the title part in 242:Henri Lucien Doucet 40:; photo by Atelier 484:Singers from Paris 249: 161:Don César de Bazan 78: 45: 447:Media related to 190:La Petite Fadette 109:The Bohemian Girl 16:(Redirected from 496: 446: 433: 409: 402: 396: 389: 383: 376: 370: 363: 357: 350: 344: 337: 324: 317: 280:L'amour chanteur 277: 123:La serva padrona 21: 504: 503: 499: 498: 497: 495: 494: 493: 454: 453: 440: 418: 416:Further reading 413: 412: 403: 399: 390: 386: 377: 373: 364: 360: 351: 347: 338: 327: 318: 311: 306: 282:in 1864 and in 271: 261: 210:Émile Paladilhe 167:Robinson Crusoé 66: 28: 23: 22: 15: 12: 11: 5: 502: 492: 491: 486: 481: 476: 471: 466: 439: 438:External links 436: 435: 434: 424:Sadie, Stanley 417: 414: 411: 410: 397: 384: 371: 358: 345: 325: 308: 307: 305: 302: 290:Charles Lecocq 260: 257: 164:, Vendredi in 65: 62: 26: 9: 6: 4: 3: 2: 501: 490: 487: 485: 482: 480: 477: 475: 472: 470: 467: 465: 462: 461: 459: 452: 450: 445: 431: 430: 425: 420: 419: 407: 401: 394: 388: 381: 375: 368: 362: 355: 349: 342: 336: 334: 332: 330: 322: 316: 314: 309: 301: 299: 295: 291: 287: 286: 281: 275: 270: 266: 256: 254: 247: 243: 239: 238: 232: 228: 226: 222: 217: 215: 211: 207: 206: 201: 200: 195: 191: 187: 183: 179: 175: 174: 169: 168: 163: 162: 156: 154: 149: 145: 144: 139: 135: 134: 129: 125: 124: 119: 115: 111: 110: 105: 101: 100:Opéra-Comique 97: 93: 91: 87: 83: 80:She was born 75: 70: 61: 59: 58: 53: 52:mezzo-soprano 49: 43: 39: 34: 30: 19: 441: 427: 405: 400: 392: 387: 379: 374: 366: 361: 353: 348: 340: 339:Curtiss, M. 320: 293: 283: 279: 263:Her sisters 262: 250: 235: 219:She died in 218: 203: 197: 193: 189: 186:Fior d'Aliza 185: 181: 177: 171: 165: 159: 157: 147: 141: 131: 121: 107: 96:Émile Perrin 94: 81: 79: 73: 55: 47: 46: 37: 29: 474:1905 deaths 469:1837 births 285:Les bergers 272: [ 136:(1866) and 18:Galli-Marié 458:Categories 404:Gänzl, K. 378:Martin J. 304:References 246:Marseilles 90:Strasbourg 300:in 1869. 294:Madeleine 214:marmosets 194:Piccolino 118:Pergolesi 352:Dean W. 253:sopranos 199:Mireille 173:Fantasio 76:in 1866. 426:(ed.). 296:at the 223:, near 354:Bizet. 259:Family 237:Carmen 192:, and 148:Carmen 143:Carmen 133:Mignon 128:Thomas 74:Mignon 64:Career 57:Carmen 38:Carmen 276:] 269:Paola 240:, by 221:Vence 138:Bizet 114:Rouen 104:Balfe 42:Nadar 267:and 265:Irma 225:Nice 178:Lara 140:'s 130:'s 120:'s 112:at 106:'s 460:: 328:^ 312:^ 274:fr 255:. 227:. 188:, 184:, 180:, 60:. 20:)

Index

Galli-Marié

Nadar
mezzo-soprano
Carmen

Mécène Marié de l'Isle
Strasbourg
Émile Perrin
Opéra-Comique
Balfe
The Bohemian Girl
Rouen
Pergolesi
La serva padrona
Thomas
Mignon
Bizet
Carmen
Her Majesty's Theatre
Don César de Bazan
Robinson Crusoé
Fantasio
Mireille
Les dragons de Villars
Émile Paladilhe
marmosets
Vence
Nice

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