20:
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repertoire at that theatre in 1912. She performed extensively in the United States from 1914 to 1917 and was also heard as a guest artist at theatres in the French provinces, Monaco, Portugal, and
Switzerland during her career. In 1924 she founded her own opera company in Paris with whom she actively
305:
While still performing occasionally at the Opéra-Comique, Bériza gave numerous performances in the United States during the second decade of the 20th century. In late 1913 she came to the United States for the first time to sing with the
701:
More interesting was the company of singers and dancers organized by
Marguerite Beriza, a one-time prima donna of the Chicago and Boston operas, who sponsored some of the more interesting experiments in lyric theater of the
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In 1924, Bériza founded the
Theatre Bériza in Paris which housed a resident opera company, ballet company, and a troupe of actors for a variety of performing arts productions; often with an
589:
418:
In 1923, Bériza joined the roster of the Théâtre
Fiametta in Paris where she performed in several contemporary stage works. In 1924 she starred in the world premiere of
445:
aesthetic. Bériza starred in many productions at her theatre throughout the 1920s. In the 1924-1925 season she sang leading roles in her company's presentations of
927:
862:
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224:
In 1912, Bériza began performing leading soprano roles at the Opéra-Comique. There she had major success in roles like
Musetta in Puccini's
141:; later taking over the part of Suzuki in successive performances. In 1910, she portrayed the role of Pénélope in the world premiere of
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in Paris on 28 January 1927. In 1928 her company made the unusual but successful choice of presenting two secular
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Some of the roles that Bériza sang during her early years at the Opéra-Comique were the 2nd
Priestess in both
123:
repertoire during the early part of her career. She performed the part of
Geoffroy in the world premiere of
39:
who had an active international career during the first half of the 20th century. She began her career as a
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506:
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at the
Trianon-Lyrique in Paris. With her company she portrayed the title role in the world premiere of
352:
797:
360:
817:"'We'll All Meet In The Same Pub': Bohuslav Martinů, Václav Nebeský, and the Hidden Trace of Futurism"
153:
299:
594:
821:
Central Europe as a
Meeting Point of Visual Cultures: Circulation of Persons, Artifacts, and Ideas
340:
83:. On the stage she performed mainly under the name Marguerite Bériza, sometimes shortening it to
729:
430:. She was also heard at that theater in April of that year as Isabelle in the world premiere of
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266:. She also continued to perform roles traditionally sung by mezzo-sopranos like Anita in
60:
399:. She performed at Ravinia again in 1928. In 1917 she toured the United States with the
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314:. She appeared in several more roles with the company that year, including Antonia in
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in 1904. In 1906, she sang the role of Kate
Pinkerton in the French premiere of
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198:. In January 1909 and January 1910 she appeared as a guest artist at the
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Marguerite Aimée Barousse known as Bériza, born on February 12, 1879, in
530:
104:
363:), in July–August 1916, including singing Cio-Cio-San in Puccini's
845:"Stravinsky at the Berlin Staatsoper -- Opera in London and Paris"
282:
819:. In Ivan Foletti; Ondřej Jakubec; Radka Nokkala Miltová (eds.).
814:
48:
36:
55:
During her early career, Bériza was married to the French tenor
666:"Mme Beriza Succeeds Mary Garden As Monna Vanna With Success".
375:
256:
79:. She divorced Muratore in 1913 so he could marry the soprano
395:
262:
33:
529:. One of her last stage appearances was as Polly Peachum in
202:
performing the roles of Erda, Flosshilde, and Waltraute in
763:"Society Turns Out for Gala Closing of Opera at Ravinia",
98:
403:
Grand Opera Company and appeared at the Odeon Theatre in
87:. However, she was occasionally billed under the surname
379:. She returned to Ravinia in the summer of 1917 to sing
63:
recordings together where she was billed under the name
111:. She made her professional opera debut in 1900 at the
815:
Alena Pomajzlova, Marcela Rusinko (8 November 2021).
369:, Marguerite, Santuzza, Tosca, and the title role in
730:"Known High Points In The Career Of Orville Harrold"
47:in 1900; ultimately transitioning into the leading
286:. She sang leading roles as a guest artist at the
894:
67:. She was also billed under that name on a 1910
557:"Marguerite Bériza (1880-1970): nom d'alliance"
351:Bériza sang Monna Vanna for her debut with the
59:. In 1906–1907, they appeared on several
71:recording which also included performances by
611:, Paris : Larousse, 1957, vol. 1, p. 96.
393:, Santuzza and the title role in Massenet's
355:in 1915. She performed in several operas at
884:Lucien Muratore & Marguerite Bériza -
212:. She was also heard there as Stéphano in
823:. Viella Libreria Editrice. p. 211.
625:
623:
621:
619:
617:
682:
18:
928:20th-century French women opera singers
115:in Paris where she was heard mostly in
99:Education and career as a mezzo-soprano
895:
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584:
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580:
578:
576:
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572:
219:
863:"Paris Applauds Bach In Lighter Vein"
713:"'Carmen' Is Sung at Ravinia Park.",
95:, probably after a second marriage.
750:"Final Bills of Ravinia's Season",
686:Legacies of twentieth-century dance
637:. L'Almanacco di Gherardo Casaglia
569:
13:
14:
939:
877:
562:Bibliothèque Nationale de France
178:, The Marquise of Birkenfeld in
855:
837:
808:
790:
770:
757:
744:
650:"Miss Teyte An Adorable Mimi",
16:French opera singer (1879–1970)
918:French operatic mezzo-sopranos
722:
707:
676:
659:
644:
602:
549:
424:Le Carrosse du Saint Sacrement
1:
913:Conservatoire de Paris alumni
542:
732:. musicweb-international.com
91:and in her latter career as
7:
754:, 2 September 1917, page C2
672:. March 1, 1914. p. 8.
407:, in the world premiere of
353:Chicago Grand Opera Company
10:
944:
767:, 4 September 1928, pg. 37
629:Casaglia, Gherardo (2005).
428:Théâtre des Champs-Élysées
381:the French national anthem
361:Chicago Symphony Orchestra
318:, Marguerite in Gounod's
250:, and the title roles in
154:Christoph Willibald Gluck
52:performed up until 1930.
32:(1879–1970) was a French
923:French operatic sopranos
778:"Creatore Opera Company"
656:, 4 January 1914, pg. 16
595:Operissimo concertissimo
719:, 25 July 1916, page 14
683:Garafola, Lynn (2005).
517:in staged productions:
324:and the title roles in
288:Grand Théâtre de Genève
147:Le mariage de Télémaque
798:"Lord Berners's Opera"
609:Larousse de la musique
300:Opéra National de Lyon
109:Conservatoire de Paris
26:
515:Johann Sebastian Bach
487:La Fête de la bergère
452:Aucassin et Nicolette
383:, Leonora in Verdi's
359:, Illinois (with the
316:The Tales of Hoffmann
195:The Tales of Hoffmann
107:, was trained at the
22:
536:The Threepenny Opera
436:Le plumet du colonel
308:Boston Opera Company
237:Cavalleria rusticana
200:Opéra de Monte-Carlo
185:La fille du régiment
165:Iphigénie en Tauride
869:. 30 December 1928.
786:. October 14, 1917.
590:"Marguerite Bériza"
520:The Peasant Cantata
457:Francesco Malipiero
405:St. Louis, Missouri
326:Gustave Charpentier
220:Career as a soprano
159:Iphigénie en Aulide
867:The New York Times
849:The New York Times
802:The New York Times
783:The New York Times
526:The Coffee Cantata
495:La Farce du cuvier
292:Opéra de Marseille
188:, and The Muse in
129:La fille de Roland
27:
633:Marguerite Bériza
461:Les Sept Chansons
401:Giuseppe Creatore
214:Roméo et Juliette
190:Jacques Offenbach
180:Gaetano Donizetti
175:Roméo et Juliette
93:Mme Bériza-Greven
30:Marguerite Bériza
24:Marguerite Bériza
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669:The Boston Globe
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653:The Boston Globe
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469:Jacob chez Laban
465:Charles Koechlin
366:Madama Butterfly
138:Madame Butterfly
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851:. 28 June 1925.
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478:L'Amour sorcier
473:Manuel de Falla
391:Orville Harrold
276:and Mallika in
252:Ambroise Thomas
232:Pietro Mascagni
222:
143:Claude Terrasse
133:Giacomo Puccini
119:roles from the
101:
61:Edison cylinder
57:Lucien Muratore
25:
17:
12:
11:
5:
941:
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886:O nuit d'amour
879:
878:External links
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804:. 25 May 1924.
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689:. p. 43.
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541:
507:Théâtre Fémina
491:Gabriel Dupont
348:in the role).
268:Jules Massenet
260:and Puccini's
242:Giuseppe Verdi
240:, Violetta in
230:, Santuzza in
221:
218:
209:The Ring Cycle
204:Richard Wagner
170:Charles Gounod
168:, Gertrude in
100:
97:
81:Lina Cavalieri
65:Magli Muratore
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336:Henry Février
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734:. Retrieved
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639:(in Italian)
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447:Paul Le Flem
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420:Lord Berners
417:
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389:, and, with
386:Il trovatore
384:
374:
364:
357:Ravinia Park
350:
339:
329:
319:
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312:Maggie Teyte
304:
281:
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163:
162:and Gluck's
157:
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128:
125:Henri Rabaud
102:
92:
88:
85:Magli Bériza
84:
77:Henri Albers
64:
54:
29:
28:
908:1970 deaths
903:1880 births
443:avant-garde
409:Homer Moore
346:Mary Garden
344:(replacing
341:Monna Vanna
278:Léo Delibes
247:La traviata
117:comprimario
897:Categories
889:on YouTube
543:References
531:Kurt Weill
298:, and the
105:Camberwell
736:8 October
539:in 1930.
503:Angélique
413:Louis XIV
227:La bohème
511:cantatas
505:at the
426:at the
49:soprano
43:at the
827:
693:
489:, and
376:Carmen
331:Louise
294:, the
290:, the
257:Mignon
89:Dériza
37:singer
396:Manon
321:Faust
283:Lakmé
263:Tosca
34:opera
825:ISBN
738:2010
691:ISBN
523:and
334:and
75:and
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565:.
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