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both classical and characteristic dance. The reviewer
Bocharov noted that the author “quite managed to reconcile the graceful pride of Greek mythological creatures with the un-ceremoniousness of some Tyrolean Count and the violent revelry of idle gypsies” (a few years later, a similar combination is used by Marius Petipa in his ballet Don Quixote).
285:
The goddesses of
Olympus worship Cupid. Terpsichore, nymphs and other mythological creatures entertain the inhabitants of Olympus with dances. Mercury appears. He informs Cupid that a young man has appeared on earth, denying his power. Having squandered his fortune, he intends to marry a rich heiress
217:
The action, which began on
Olympus, was transferred to Tyrol. In an eclectic plot, a magical creature, mythological heroes, Tyrolean aristocrats and gypsies coexisted - the presence on the stage of fantastic as well as real characters from different layers of society allowed the choreographer to use
213:
Fiametta is a fantastic creature, produced by Cupid from the flame of love, who took the form of an earthly girl in order to charm Count
Sterngold and prevent him from marrying a rich bride Regonda for self-interest. Cupid, with the help of Fiametta, reunites Regonda and officer Otto, who love each
307:
Sterngold estate in Tyrol. The count is still having fun in the pavilion. A shot is fired, followed by Cupid in the guise of a hunter. Young people and gypsies persuade him to join their company. Cupid brings
Fiametta in the guise of a gypsy. When she starts dancing, she charms Sterngold.
516:
289:
Cupid offers a view of
Regonda and Otto on one side and a pavilion with the inscription "Temple closed to love", where he has fun, drinking wine and playing cards with friends, surrounded by gypsies, Count Sterngold - on the other.
293:
Cupid decides to punish the dissolute count and help the lovers. Having extinguished the altar with the flame of love, he reproduces
Fiametta: endowed with magical beauty, she must take revenge on Sterngold for insulting Cupid.
530:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
387:(November 15–27, 1865). Saint-Léon's 1864 staging of this work was the first Russian production of a ballet to make use of such stage devices as electric lighting and shadow effects with the aid of convex mirrors.
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410:. For this production Saint-Léon changed the name of the names of the principal characters of Fiametta and Count Friedrich to Néméa and Count Molder. Principal Dancers:
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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618:) from Minkus' score for this ballet was a staple of the soloist repertoire in Imperial Russia, and is still occasionally heard.
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Content in this edit is translated from the existing
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who is in love with a brave officer and these lovers cry to the god of love, hoping for his protection.
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to the source of your translation. A model attribution edit summary is
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revising Minkus' score, first presented on March 15, 1868, in
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375:(as Terpsichore). Other interpreters of Fiametta were
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a machine-translated version of the
Russian article.
1205:The Little Humpbacked Horse (as "The Tsar Maiden")
1302:
614:An andante for solo cello (the Adagio from the
425:Restaging by Arthur Saint-LĂ©on under the title
390:Restaging by Arthur Saint-LĂ©on under the title
335:Restaging by Arthur Saint-LĂ©on under the title
169:in four acts and four scenes, choreographed by
565:accompanying your translation by providing an
510:Click for important translation instructions.
497:expand this article with text translated from
645:
464:, St. Petersburg, Russia. Principal Dancers:
179:Ballet of the Moscow Imperial Bolshoi Theatre
1289:The Romance of the Rosebud and the Butterfly
50:. Unsourced material may be challenged and
1044:Le Diable Ă Quatre (as "The Willful Wife")
652:
638:
897:Ondine (as "The Naiad and the Fisherman")
260:Yolanda and Margarita, friends of Regonda
133:Marfa Muravieva in the Saint-LĂ©on/Minkus
114:Learn how and when to remove this message
1326:Ballets premiered at the Bolshoi Theatre
400:Ballet of the Académie Royale de Musique
315:
127:
1253:Les Ruses d'Amour or The Trial of Damis
718:The Rose, the Violet, and the Butterfly
248:Molari, tutor and guardian of the Count
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398:) in two acts and four scenes for the
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48:adding citations to reliable sources
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729:(*1858, *1863, *1868, *1885, *1899)
686:Le Diable amoureux (as "Satanella")
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577:{{Translated|ru|Фиаметта (балет)}}
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345:Imperial Bolshoi Kamenny Theatre
321:Lithograph of rehearsals at the
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191:Moscow Imperial Bolshoi Theatre
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575:You may also add the template
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734:A Marriage During the Regency
660:The ballets and *revivals of
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337:Fiametta or The Devil In Love
251:Martini, servant of the count
221:
1311:Ballets by Arthur Saint-LĂ©on
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431:Teatro Comunale di Trieste
404:Académie Royale de Musique
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945:The Daughter of the Snows
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499:the corresponding article
396:Nemea or The Avenged Love
325:of the Saint-LĂ©on/Minkus
242:Count Friedrich Sterngold
181:on November 12–24, 1863 (
177:, first presented by the
1316:Ballets by Ludwig Minkus
1275:The Heart of the Marquis
913:The Adventures of Peleus
694:Leda, the Swiss Milkmaid
297:
1084:The Sacrifices to Cupid
601:
586:For more guidance, see
208:
1189:The Awakening of Flora
777:The Pharaoh's Daughter
392:Néméa ou l'Amour Vengé
359:(as Count Friedrich),
349:St. Petersburg, Russia
331:
139:
1321:1863 ballet premieres
1012:The Night and the Day
825:The Benevolent Cupid
785:The Beauty of Lebanon
588:Knowledge:Translation
559:copyright attribution
441:. Principal Dancers:
351:. Principal Dancers:
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257:Regonda, her daughter
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1117:The Enchanted Forest
1071:(1886, *1887, *1900)
844:(1868, *1891, *1903)
793:The Traveling Dancer
780:(1862, *1885, *1898)
476:(as Count Fiedrich).
203:Anna Sobeshchanskaya
44:improve this article
1133:The Sleeping Beauty
1052:La Fille Mal Gardée
1039:(*1884, 1899, 1903)
742:The Parisian Market
710:The Star of Granada
369:Christian Johansson
365:Aleksandra Kemmerer
1068:The King's Command
980:La Fille du Danube
616:Grand pas d'action
567:interlanguage link
470:Alexandre Shiryaev
422:(as Count Molder).
377:Praskovia Lebedeva
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245:Ritter, his friend
227:Cupid, god of love
187:Gregorian calendar
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953:Frizak the Barber
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254:Princess Milfleur
171:Arthur Saint-LĂ©on
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426:
418:(as Cupid),
414:(as Néméa),
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363:(as Cupid),
361:Vera Lyadova
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42:Please help
30:
1260:The Seasons
1165:La Sylphide
921:La Bayadère
905:The Bandits
889:Le Papillon
849:Don Quixote
769:Terpsichore
726:Le Corsaire
474:Pavel Gerdt
448:Revival by
323:Paris Opera
236:Terpsichore
1305:Categories
1181:Cinderella
1149:Kalkabrino
1101:The Vestal
1004:Pâquerette
626:References
501:in Russian
357:Lev Ivanov
222:Characters
104:April 2013
74:newspapers
63:"Fiametta"
1227:Bluebeard
1219:The Pearl
1197:Swan Lake
1020:Pygmalion
833:The Slave
664:in Russia
581:talk page
533:Consider
150:Fiammetta
31:does not
1235:Raymonda
1141:NĂ©nuphar
1093:Fiametta
1028:Coppélia
865:Catarina
557:provide
456:for the
454:Fiametta
339:for the
327:Fiametta
312:Revivals
303:Scene II
276:Prologue
271:Synopsis
239:Coquetry
230:Fiametta
165:) is a
144:Fiametta
135:Fiametta
1246:1900–03
1208:(*1895)
1200:(*1895)
1168:(*1892)
1120:(*1889)
1055:(*1885)
1047:(*1885)
1036:Giselle
1031:(*1884)
1007:(*1882)
999:(*1881)
988:Zoraiya
983:(*1880)
972:1880–99
937:Ariadne
892:(*1874)
881:Camargo
868:(*1870)
820:(*1867)
809:Titania
801:Florida
753:1860–79
702:Giselle
689:(*1848)
678:Paquita
670:1847–59
579:to the
561:in the
503:.
439:Trieste
433:, with
281:Scene I
233:Mercury
214:other.
201:, with
88:scholar
52:removed
37:sources
1285:(1903)
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167:ballet
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817:Faust
524:DeepL
408:Paris
298:Act 1
163:Néméa
95:JSTOR
81:books
602:Note
555:must
553:You
517:View
429:for
209:Plot
67:news
35:any
33:cite
526:or
406:in
161:or
147:or
46:by
1307::
1090:*
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653:e
646:t
639:v
590:.
583:.
394:(
185:/
117:)
111:(
106:)
102:(
92:·
85:·
78:·
71:·
54:.
40:.
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