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606:. Wertheim’s use of crochet in the piece is largely due to Daina Taimina’s discovery of the potential manifestation of the Impossible Hyperbolic Structure within the confines of the medium. The piece pays homage to the female mathematician who used a traditionally women’s medium to redefine the course of the study as a whole. She is quoted as saying “So here, in wool, through a domestic, feminine art, is the proof that the most famous postulate in mathematics is wrong”. In this way, the piece not only comments on mathematics and climate change, but also feminism. As of early 2020, more than 10,000 people from
217:, calls Wertheim's thesis "ambitious and fascinating." Leonard finds her account of the evolution of physicists' concept of space impressive, but expresses the view that ultimately she loses faith in her thesis of cyberspace as a spiritual realm: even if there is, indeed, something human about a great network of relationships that "cannot be captured by an equation or a telescope". Yet as Britt Elvira Ruitenberg wrote on the website The First Supper, the purpose of the book was not to endorse cyber-spiritualism, but to challenge the very premise, this "dream of a virtual Eden that rapidly vanished away".
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238:, notes that it describes research by amateurs, who "offer an alternative set of visions ... concrete rather than abstract, physical rather than mathematical." The leading character is Jim Carter, a man with an "unshakable belief" in a theory of the whole universe constructed of "endless hierarchies of circlons", circular mechanical objects that reproduce and split like smoke rings. Unknown to Carter, his basic idea that atoms could be explained as subatomic smoke rings had already been proposed in the 1870s by the renowned English physicist
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168:, Jenny Turner writes that the introduction states the book's argument elegantly and compellingly; but the text disappointed her by losing sight of what Turner thought its most interesting goal, telling how physics has been motivated by "fantasies of universal mastery". The book offered a critique of sexism in science and proposed systemic historical reasons why physics has been so un-open to women since its inception in
187:. The thesis of the book is that our conceptions of human selfhood are intimately entwined with our conceptions of space, and when our concepts of space change so do our views about the "self." In the medieval schema, there were two spaces of being: the physical space of the Earth, planets and stars, and the spiritual domain of
211:'s term – ushered in a claim that this ethereal domain would re-open possibilities for activation of a spiritual side of our selves. Wertheim refutes this claim, and the book offered an early challenge to visions of cyber-utopia. Andrew Leonard, reviewing the book for
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Wertheim has been a research associate at the
American Natural Museum of Natural History located in New York, and is a fellow at the Los Angeles Institute for the Humanities,. She is currently a PhD candidate and researcher at
441:. The Institute proposes that people can interact directly with mathematical and scientific ideas via material construction methods (such a crochet and paper folding), not simply via abstract equations and formulas. IFF is a
33:(born 20 August 1958) is an Australian-born science writer, curator, and artist based in the United States. She is the author of books on the cultural history of physics, and has written about science, including for the
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Through their work with IFF, the
Wertheim sisters have created exhibitions on scientific and mathematical themes at art galleries and science museums around the world, including the
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in their
Australian homeland. The project also responds to the problem of oceanic plastic trash. While engaging audiences around the world with these environmental concerns, the
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Wertheim is the author of a trilogy that considers the role of theoretical physics in the cultural landscape of modern
Western society. The first,
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cosmos and its purely physical depiction of space, "man" came to be envisioned as a solely material being. In the 1990s, the coming into being of
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at USC was the first-ever instantiation of this new fractal form, and has since been reproduced by other groups around the world, including in
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in
February 2009. The talk has been transcribed into 22 different languages and has surpassed 1.3 million views on the Ted website.
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983:"Book review / When Pythagoras took off his skirt; Pythagoras' Trousers: God, physics and the gender wars by Margaret Wertheim"
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exhibitions in more than 40 cities and countries. More than two million people have seen these shows. In the foreword to the
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students all participated in over 3,000 hours of work to complete this object. Discovered by Dr. Mosely in 2006, the
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surfaces, the same forms made by living reef organisms. The ability to crochet such forms was discovered in 1997 by
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Wertheim has scripted 10 television documentaries, as well as created and co-directed the award-winning series
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In 2003, Wertheim and her twin sister
Christine, faculty member of the Department of Critical Studies at the
394:(1988), an early use of laser-disc technology. Wertheim lectures around the globe promoting science within a
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Jeannine Mosely with the giant model of the Menger Sponge at the
Margaret Wertheim Institute for Figuring
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in 1926, and which
Wertheim and Mosely also modelled physically at the Institute for Figuring. The
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As a journalist, Wertheim has written for newspapers in various countries including
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Physics on the Fringe: Smoke Rings, Circlons, and
Alternative Theories of Everything
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Physics on the Fringe: Smoke Rings, Circlons and
Alternative Theories of Everything
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759:' palette of scarlet and gold, and using several geometric designs taken from the
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fractal was constructed out of specially designed business cards coloured in the
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the internationally award-winning science series "Catalyst" (made for the ABC)
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The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet
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project by Margaret and Christine Wertheim and the Institute For Figuring in
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several short films, and she wrote and directed the interactive Canadian
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1470:"Häkel-Korallen in Baden-Baden: Millionen Maschen für die Meeresrettung"
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199:, each aspect operating within its parallel realm. With the advent of a
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An Alternative Guide to the Universe: Mavericks, Outsiders, Visionaries
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Margaret and Christine Wertheim. Value and Transformation of Corals,
433:, an organisation based in Los Angeles that promotes the poetic and
224:, looks at the idiosyncratic world of "outsider physicists" such as
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1004:"CHAPTER ONE The Pearly Gates of Cyberspace (official free sample)"
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calls the project "palpable, polymorphous, powerful and terrifying
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Viewpoints: Mathematical Perspective and Fractal Geometry in Art
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and community art practice. The project teaches audiences about
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project, an endeavor they created as an artistic response to
179:, charts the history of scientific thinking about space from
1302:"Crochet Coral Reef: an ever-evolving nature-culture hybrid"
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302:. She has written science articles for magazines including
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195:. Here "man" was conceived as a creature of both body and
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378:, a six-part science and technology series for a teenage
638:". Wertheim was invited to speak about the project in a
141:, as well as the Vice Chancellor's Fellow (2015) at the
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Pythagoras' Trousers: God, Physics, and the Gender Wars
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and science endeavors in the world. By creating giant
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resides at the intersection of mathematics, science,
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715:artist, Margaret Wertheim curated a project at the
2536:The Drawing of Geometric Patterns in Saracenic Art
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137:. She was the Discovery Fellow (2012-2013) at the
2671:Goudreau Museum of Mathematics in Art and Science
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871:A Field Guide to the Business Card Menger Sponge
534:Smithsonian's National Museum of Natural History
87:Smithsonian's National Museum of Natural History
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2666:European Society for Mathematics and the Arts
1840:Mathematica: A World of Numbers... and Beyond
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811:from the Pasadena Arts Council, now known as
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1820:List of works designed with the golden ratio
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125:in pure mathematics and computing from the
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356:(2015, 2016, 2018 by Newsouth Press); and
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905:, Baden-Baden (29 January – 26 June 2022)
778:American Institute of Biological Sciences
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1056:"The Lost Dream of the Virtual Paradise"
1054:Ruitenberg, Britt-Elvira (30 May 2020).
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445:through which the sisters produce their
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99:American Association of Physics Teachers
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2426:Vier BĂĽcher von Menschlicher Proportion
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776:Print Journalism Award (2006) from the
101:and Australia's Scientia Medal (2017).
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1454:Street, Andrew P. (9 November 2017).
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117:in pure and applied physics from the
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1278:Barnett, Rebekah (31 January 2017).
1262:"Margaret Wertheim Brief Bio - 2017"
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26:about her Crochet Coral Reef in 2009
2611:Journal of Mathematics and the Arts
602:and the decimation of reefs due to
578:, and using algorithms inspired by
465:. The frilly curling shapes of the
13:
2625:Making Mathematics with Needlework
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661:made of video-tape and plastic, a
246:), and the Scottish mathematician
109:Wertheim's education includes two
93:engagement, Wertheim won the 2016
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2451:I quattro libri dell'architettura
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1225:"Christine and Margaret Wertheim"
1223:Shaneen, Marianne (Summer 2014).
1033:Leonard, Andrew (11 April 1999).
865:A Field Guide to Hyperbolic Space
796:University of Southern California
717:University of Southern California
342:The Best American Science Writing
256:has been called by the historian
139:University of Southern California
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1975:Self-portrait in a Convex Mirror
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883:, edited by Ralph Rugoff. (2013)
801:Vice Chancellor's Fellow at the
653:of individual reefs including a
427:California Institute of the Arts
358:Best Writing on Mathematics 2018
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685:Mosely Snowflake Sponge project
353:Best Australian Science Writing
250:. Tait and Thomson's theory of
2686:National Museum of Mathematics
2438:Regole generali d'architettura
1411:"The Mosely Snowflake Fractal"
1100:
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955:"Biography: Margaret Wertheim"
923:"Margaret Wertheim | Edge.org"
915:
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889:with Christine Wertheim (2015)
558:project is one of the largest
520:at Trinity College in Dublin,
339:Her work has been included in
327:The Australian Review of Books
177:The Pearly Gates of Cyberspace
73:, which has been shown at the
1:
1372:"The beautiful math of coral"
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719:to create a giant model of a
703:Inspired by and working with
514:Museum of Jurassic Technology
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2211:Garden of Cosmic Speculation
1141:The New York Review of Books
645:Since its beginning in 2005,
502:Art Center College of Design
461:also serves as way to teach
235:The New York Review of Books
65:Institute For Figuring (IFF)
7:
2763:Australian feminist writers
1433:"Klopsteg Memorial Lecture"
1370:Wertheim, Margaret (2009).
1349:"Margaret Wertheim Figurer"
1327:"Margaret Wertheim Figurer"
671:Great Pacific Garbage Patch
172:principles 2500 years ago.
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2773:Australian science writers
1728:Islamic geometric patterns
1456:"Side by side by Wertheim"
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731:is a cousin of the famous
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544:Crochet Coral Reef project
494:Santa Monica Museum of Art
453:and the decimation of the
437:dimensions of science and
362:Princeton University Press
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2549:A Mathematician's Apology
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522:Museum of Arts and Design
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83:Museum of Arts and Design
2661:The Bridges Organization
1137:"Science on the Rampage"
232:, reviewing the book in
153:
119:University of Queensland
2523:The Grammar of Ornament
2475:Nature's Harmonic Unity
2385:De prospectiva pingendi
1156:Cite magazine requires
819:Klopsteg Memorial Award
803:University of Melbourne
783:Theo Westenberger Award
753:Mosely Snowflake Sponge
744:Mosely Snowflake Sponge
663:Branched Anemone Garden
143:University of Melbourne
95:Klopsteg Memorial Award
2676:Institute For Figuring
2588:The 'Life' of a Carpet
2413:A Treatise on Painting
1502:Quotations related to
1474:www.monopol-magazin.de
1390:Institute For Figuring
1035:"Books | Heaven's Net"
879:. Exhibition catalog,
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596:non-Euclidean geometry
554:The Wertheim sister's
469:are manifestations of
463:non-Euclidean geometry
443:nonprofit organization
431:Institute For Figuring
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402:Institute For Figuring
105:Education and research
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2768:Australian physicists
2557:George David Birkhoff
2531:Ernest Hanbury Hankin
2399:De divina proportione
2379:Piero della Francesca
2358:Leon Battista Alberti
1945:Piero della Francesca
1584:Hyperboloid structure
1112:by Margaret Wertheim"
1110:Physics on the Fringe
1086:by Margaret Wertheim"
1084:Physics on the Fringe
824:Scientia Medal (2017)
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689:Further information:
548:Further information:
516:in Los Angeles, the
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333:Australian Geographic
21:
2788:People from Brisbane
2482:Frederik Macody Lund
2353:Filippo Brunelleschi
2234:Hamid Naderi Yeganeh
2096:La condition humaine
1175:Wertheim, Margaret.
1002:Wertheim, Margaret.
903:Museum Frieder Burda
763:version of Euclid's
649:has expanded into a
506:Pasadena, California
482:2019 Venice Biennale
160:Pythagoras' Trousers
127:University of Sydney
89:. For her work with
75:2019 Venice Biennale
2778:Cultural historians
2707:Mathematical beauty
2632:Rhythm of Structure
2575:Gödel, Escher, Bach
2371:De re aedificatoria
2002:The Ancient of Days
1621:Projective geometry
1550:Mathematics and art
1199:"Margaret Wertheim"
1179:. Margaret Wertheim
859:Guides and catalogs
580:hyperbolic geometry
570:, crocheted out of
550:Mathematics and art
293:The Daily Telegraph
115:Bachelor of Science
2712:Patterns in nature
2569:Douglas Hofstadter
2195:Desmond Paul Henry
2185:Bathsheba Grossman
2117:The Swallow's Tail
2038:Giorgio de Chirico
1910:Sydney Opera House
1765:Croatian interlace
1458:. Cosmos Magazine.
1306:Crochet Coral Reef
1090:American Scientist
1078:Gordin, Michael D.
1058:. The First Supper
1040:The New York Times
1009:The New York Times
887:Crochet Coral Reef
771:Awards and honours
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647:Crochet Coral Reef
628:Crochet Coral Reef
624:Crochet Coral Reef
566:that mimic living
556:Crochet Coral Reef
486:Andy Warhol Museum
459:Crochet Coral Reef
455:Great Barrier Reef
447:Crochet Coral Reef
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415:Crochet Coral Reef
275:The New York Times
214:The New York Times
111:bachelor's degrees
70:Crochet Coral Reef
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22:Wertheim giving a
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2562:Aesthetic Measure
2433:Sebastiano Serlio
2407:Leonardo da Vinci
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1950:Leonardo da Vinci
1504:Margaret Wertheim
1116:Publishers Weekly
709:software engineer
560:participatory art
421:(Germany) in 2013
281:Los Angeles Times
135:Deakin University
42:Los Angeles Times
31:Margaret Wertheim
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2583:Nikos Salingaros
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2224:Robert Longhurst
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2023:Danseuse au café
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538:Washington, D.C.
123:Bachelor of Arts
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2334:De architectura
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2180:Susan Goldstine
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2487:Ad Quadratum
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2155:Scott Draves
2150:Erik Demaine
2134:Contemporary
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2048:M. C. Escher
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2021:
2007:
2000:
1973:
1969:Parmigianino
1954:
1885:Hagia Sophia
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1838:
1831:
1824:
1708:Computer art
1686:Architecture
1646:Tessellation
1629:Architecture
1579:Golden ratio
1506:at Wikiquote
1478:. Retrieved
1473:
1464:
1449:
1437:. Retrieved
1427:
1415:. Retrieved
1405:
1393:. Retrieved
1386:"Toxic Reef"
1380:
1365:
1353:. Retrieved
1343:
1331:. Retrieved
1321:
1309:. Retrieved
1305:
1296:
1284:. Retrieved
1273:
1267:. TTU. 2017.
1232:
1228:
1218:
1210:
1203:. Retrieved
1193:
1181:. Retrieved
1170:
1115:
1109:
1102:
1093:
1089:
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1072:
1060:. Retrieved
1049:
1038:
1013:. Retrieved
1007:
997:
986:
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964:. Retrieved
958:
930:. Retrieved
927:www.edge.org
926:
917:
899:
886:
876:
870:
864:
851:
845:
839:
813:Fulcrum Arts
808:
791:
787:Autry Museum
782:
764:
761:Oliver Byrne
752:
742:
732:
702:
667:Coral Forest
666:
662:
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623:
555:
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479:
467:Crochet Reef
466:
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446:
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391:
373:
371:
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351:
348:Oliver Sacks
346:, edited by
340:
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331:
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319:
313:
310:The Sciences
309:
303:
297:
291:
287:The Guardian
285:
279:
273:
271:
253:vortex atoms
251:
244:Baron Kelvin
233:
221:
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176:
175:The second,
174:
163:
159:
157:
131:
108:
68:
58:
52:
46:
40:
34:
30:
29:
15:
2758:1958 births
2543:G. H. Hardy
2346:Renaissance
2316:Polykleitos
2254:Tony Robbin
2165:John Ernest
2160:Jan Dibbets
2110:Crucifixion
1933:Renaissance
1787:Mathematics
1760:Celtic knot
1723:Fractal art
1625:Proportion
1599:Perspective
1476:(in German)
1311:26 February
1108:"Review of
1082:"Review of
894:Exhibitions
798:(2012-2013)
757:USC Trojans
739:Karl Menger
568:coral reefs
532:, and the
439:mathematics
258:Helge Kragh
220:The third,
170:Pythagorean
2752:Categories
2517:Owen Jones
2364:De pictura
2269:Oliver Sin
2219:Andy Lomas
2068:Relativity
1799:String art
1713:Fiber arts
1594:Paraboloid
1439:29 October
1417:28 October
1395:29 October
1355:28 October
1333:28 October
1286:28 October
1235:: 113–115.
1205:29 October
1183:30 October
1015:29 October
966:17 October
932:8 December
910:References
749:Madagascar
659:Toxic Reef
588:handicraft
500:, London,
490:Pittsburgh
471:hyperbolic
382:. She has
368:Television
268:Journalism
226:Jim Carter
205:cyberspace
81:(London),
2328:Vitruvius
2302:Theorists
2082:Waterfall
1987:19th–20th
1915:Taj Mahal
1895:Parthenon
1872:Buildings
1826:Continuum
1794:Sculpture
1770:Interlace
1564:Algorithm
1177:"Writing"
809:AxS Award
636:stitchery
620:Abu Dhabi
435:aesthetic
398:context.
248:P.G. Tait
207:– to use
201:Newtonian
97:from the
2736:Category
2463:Romantic
2141:Max Bill
2075:Reptiles
1890:Pantheon
1847:Octacube
1813:Artworks
1755:Knotting
1743:Muqarnas
1641:Symmetry
1569:Catenary
1557:Concepts
1096:(1): 81.
1080:(2012).
1062:16 March
765:Elements
640:Ted Talk
608:New York
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