38:, before settling in Belgium. He later toured in France, England, Italy, and the United States. His range of works for solo guitar are extensive, and include a set of innovative and demanding Exercices Op. 49, and also a group of twenty-four Caprices Op.11 (probably inspired by the earlier work of his compatriot Paganini). Sets of variations were composed on themes by Weber Op.9 and Rossini Op.7, and are formally inventive as well as challengingly virtuosic. His original work Nuit de Walpurgis indicates a reference to a Faust opera on the frontpiece, but was more probably an original piece inspired by a work by Mendelssohn, which was in turn based on a poem, De Erste Walpugisnacht, by Goethe (as detailed in a Knowledge article on the subject). His oeuvre is a testament to his originality as inspired by his contemporaries, rather than simply creating stock sets of variations for the potential market among amateur guitarists. Although praised by
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in 1859, as well as by
Rossini and Paganini, Zani de Ferranti found the 1850s to be a period of decline and financial difficulty. He died in
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on 23 December 1801. He began on the violin, but switched to guitar at age 16. In 1820, he moved to Paris and later to
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22:(23 December 1801 – November 1878) was an Italian classical guitarist and composer.
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His son, Giulio Cesare Ziani de
Ferranti (who changed his family name from
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The King's guitarist: The life and times of Marco
Aurelio Zani de Ferranti
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Ferranti, Richard de: "The King's
Guitarist: M.A. Zani de Ferranti", in:
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114:"The life and letters of Sebastian Ziani de Ferranti | WorldCat.org"
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A Concise
History of the Classic Guitar By Graham Wade pgs 86–87
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Rischel & Birket-Smith's
Collection of guitar music
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65:. Giulio Cesare and Juliana's son, the inventor
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20:Marco Aurelio Zani de Ferranti
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