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Man About Town (1947 film)

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cinema. The advent of this industry does not form the subject of our story. It is, at the very most, only the background for the action. The author, who has a moderate taste for exceptional subjects, thinks, in effect, that making a film consecrated to the cinema is as dangerous as writing a play the heroes of which are comedians or a novel the main character of which is a novelist. It would be fortunate, however, if the reader understood that, by prompting remembrances of the artisans who, between 1900 and 1910, gave birth, in France, to the first cinema industry in the world, their pupil wanted to render homage to their memory."
464:, he produced a running English commentary on the action and the dialogue which was spoken on the soundtrack by Chevalier during the pauses in the French dialogue. The effect was supposed to be that of sitting next to a friend who explained what was being said when necessary, but in the event audiences were put off by finding the same voice/character feature both within the action on-screen as well as commenting on it off-screen, which seemed to diminish credibility. 487:
collapsing and a quartet of hands, strayed from some Gallic crazy gang, eternally playing cards... This is not a major film of Clair's, but it is an authentic one..."; "This film is absolutely enchanting... There is some wonderful slapstick... It must be admitted that this is not the best work of René Clair, and because of this many may be disappointed with the occasionally flagging dialogue and slowing up of the tempo".
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of his old friend Célestin, when she arrives from the country; he offers her a place to stay and a job at his studio, and he starts to fall in love with her. When Jacques returns from military service, he and Madeleine are drawn to each other but they feel guilty about betraying the fatherly Émile. Émile finally realises the truth and decides that he must not stand in the young couple's way.
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what it expects". He also expressed reservations about the prominence of dialogue especially in a film which both characters and setting explored the virtues of silence: "I am convinced that in a work for the cinema the dialogue should have no more importance than it has in a novel, and that it is always more worthwhile to express oneself with images than with words."
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The setting is Paris in the early 1900s ("1906, perhaps") and much of the action takes place in a silent film studio. Émile, a director, advises his shy young employee Jacques to adopt his own carefree attitude towards women ("one lost, ten found"). Émile takes under his wing Madeleine, the daughter
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Clair himself, while retaining an affection for the film, admitted to some shortcomings, particularly in respect of a certain heaviness in the exposition of the opening scenes. For the resolution of the story, he felt that he had not satisfied the maxim that "the public must always be surprised by
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Clair chose as the background for his story the very early days of silent film-making. In his introduction to the published screenplay he wrote, "Without doubt some memories of youth have given birth to the comedy that follows. The action of this film takes place during the heroic period of French
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In the UK, the film received some qualified enthusiasm, alongside a feeling that it did not represent Clair at his best. For example: "...film and audience most enjoy themselves when the action is confined to the studio with sets and all the paraphernalia of primitive film-making perpetually
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For this version, an additional musical scene was filmed in which Maurice Chevalier sang "Place Pigalle". The American version was, however, shortened to a running time of 89 minutes (compared with 106 minutes for the original French version).
424:, René Clair returned to France in 1946 having signed a contract with RKO to produce his next film there. Other funding for the film came from Pathé. Filming took place at the 494:
said, "He has treated a rather small idea in a small and generally unimaginative way, and the only faint touch of irony in it is a typical 'happy ending', well contrived."
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When the film was shown in London in 1948, it appeared under its original French title and was subtitled; the running time was however recorded as 99 minutes.
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was welcomed for marking not just the return of Clair to France, but his resumption of the preoccupations and the wit and elegance of his pre-war films.
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In the US, the film did poor business with the public, possibly hampered by the experiment with a hybrid-language version. The critic of
460:, Clair experimented with an English-language version which did not use either subtitles or dubbing. Working with American screenwriter 2105: 2025: 2020: 448:, but after his unexpected death in 1946, it was taken on by Maurice Chevalier, who was appearing in his first film for seven years. 2070: 2055: 1689: 1190: 2040: 2065: 2030: 2015: 2010: 909: 2005: 809: 2080: 2060: 2075: 1214: 1062: 2000: 1593: 508: 336:. The film marked Clair's return to working in France after 12 years abroad in the United Kingdom and the United States. 536: 1884: 1086: 966: 1601: 2085: 2045: 2035: 1406: 1246: 942: 1796: 1374: 2095: 1147: 1721: 1510: 1334: 1183: 881: 576: 2100: 2050: 1769: 1673: 1494: 974: 902: 1350: 710: 1585: 1262: 1110: 441:, with its story of an older man's rivalry with a younger one for the affections of the same woman. 1633: 1038: 1006: 982: 1566: 1390: 1318: 1176: 2090: 1868: 1828: 1753: 1641: 1446: 1438: 1430: 1382: 1238: 998: 895: 1908: 1558: 1502: 1414: 1102: 1030: 727: 1609: 1462: 1155: 1078: 1054: 1014: 958: 950: 437: 360: 160: 98: 1657: 8: 1995: 1900: 1478: 1326: 1294: 1270: 1139: 1022: 317: 1844: 1804: 1777: 1625: 1617: 1518: 1398: 1366: 1254: 1230: 1094: 705: 408: 118: 1745: 1737: 1972: 1892: 1046: 874: 858: 749: 571: 425: 420:
After 12 years of working in the United Kingdom and then in the United States during
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For the release of the film in the United States under the title
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Clair acknowledged an influence on his own script from Molière's
330:. It was released in a shortened version in the United States as 1665: 1470: 840:. Translated by Bozzetti, Piergiuseppe. New York: Orion Press. 445: 444:
The central role of M. Émile was originally intended for
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Paris: 475:Reception 274:Countries 188:companies 154:Edited by 1957:Regra 34 1762:Mr. Zhao 1610:The Herd 1487:Soleil O 1343:Il Grido 1311:Rotation 870:AllMovie 744:(1962). 613:(1960). 411:as Paulo 291:Language 175:Music by 87:Starring 1917:Godless 1821:Private 1730:Khomreh 879:at the 340:Premise 320:  250: ( 239: ( 1976:(2024) 1968:(2023) 1960:(2022) 1952:(2021) 1944:(2019) 1936:(2018) 1928:(2017) 1920:(2016) 1912:(2015) 1904:(2014) 1896:(2013) 1888:(2012) 1880:(2011) 1872:(2010) 1864:(2009) 1856:(2008) 1848:(2007) 1840:(2006) 1832:(2005) 1824:(2004) 1816:(2003) 1808:(2002) 1800:(2001) 1781:(2000) 1778:Father 1773:(1999) 1765:(1998) 1757:(1997) 1749:(1996) 1741:(1995) 1733:(1994) 1725:(1993) 1717:(1992) 1709:(1991) 1701:(1990) 1693:(1989) 1685:(1988) 1677:(1988) 1669:(1987) 1666:O Bobo 1661:(1986) 1653:(1985) 1645:(1984) 1637:(1983) 1629:(1981) 1626:Chakra 1621:(1980) 1613:(1979) 1605:(1978) 1597:(1977) 1589:(1976) 1570:(1975) 1562:(1974) 1554:(1973) 1546:(1972) 1538:(1971) 1530:(1971) 1522:(1971) 1514:(1971) 1506:(1971) 1498:(1970) 1490:(1970) 1482:(1970) 1474:(1970) 1471:Lilika 1466:(1969) 1458:(1969) 1450:(1969) 1442:(1969) 1434:(1968) 1426:(1967) 1418:(1966) 1410:(1965) 1402:(1964) 1394:(1963) 1386:(1962) 1378:(1961) 1370:(1960) 1362:(1959) 1354:(1958) 1346:(1957) 1338:(1955) 1330:(1955) 1322:(1954) 1314:(1954) 1306:(1954) 1298:(1954) 1290:(1954) 1282:(1953) 1274:(1953) 1266:(1953) 1258:(1952) 1255:Hunted 1250:(1950) 1242:(1949) 1234:(1948) 1226:(1947) 1218:(1946) 1143:(1924) 1122:(1965) 1114:(1961) 1106:(1957) 1098:(1955) 1090:(1952) 1082:(1950) 1074:(1947) 1066:(1945) 1058:(1944) 1050:(1942) 1042:(1941) 1034:(1938) 1026:(1935) 1018:(1934) 1010:(1933) 1002:(1931) 994:(1931) 986:(1930) 978:(1928) 970:(1928) 962:(1927) 954:(1926) 946:(1925) 938:(1924) 502:Awards 307:French 294:French 280:France 46:French 1973:Toxic 583:8 May 535:1948 507:1947 446:Raimu 197:PathĂ© 1479:Mujo 859:IMDb 818:2011 585:2014 544:Won: 349:Cast 318:lit. 1738:RaĂŻ 868:at 857:at 525:Won 516:Won 202:RKO 1992:: 719:^ 703:. 688:^ 638:^ 623:^ 574:. 561:^ 527:: 518:: 315:, 309:: 1192:e 1185:t 1178:v 911:e 904:t 897:v 820:. 587:. 305:( 254:) 243:)

Index


French
René Clair
Maurice Chevalier
François Périer
Marcelle Derrien
Dany Robin
Raymond Cordy
Bernard La Jarrige
Paul Ollivier
Alain Douarinou
Armand Thirard
Louisette Hautecoeur
Henri Taverna
Georges Van Parys
Pathé
RKO
French
lit.
romantic comedy
René Clair
Maurice Chevalier
François Périer
Marcelle Derrien
Dany Robin
Robert Pizani
Raymond Cordy
Paul Ollivier
Roland Armontel
Gaston Modot

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