29:
168:
is clear in the background of the scene, with the triple niche and the loggia whose parapet Mary looks out over. Jesus stands upright on an adorned cushion and rests his head on a damascened drapery. Nearby a tiny
Franciscan friar, the commissioner of the painting, prays while kneeling. He is placed
126:
Based on style and location, dating by art critics Hans van Marle, Anna Bovero, and Zera places the work in the late phase of
Crivelli's career—around 1490. The relatively large size of the painting indicates that it was probably intended for use in a small church chapel. It might have originated
195:
is marked by its ample use of gold and the intense expressivity of its figures. The painting exhibits realism in its representation of the figures' skin and the complex play of gestures and interlocking gazes, as well as its
128:
464:
176:
As is traditional, the central group of Mary and Jesus is isolated by a drapery placed behind them. At the sides, two saints of the
Franciscan orders emerge into the scene:
474:
153:
283:
459:
436:
379:
412:
386:
28:
404:
133:
114:, with a tiny figure of the painting's donor kneeling on the balustrade in front of the Madonna. It is stored at the
224:
396:
307:
371:
331:
323:
276:
355:
202:
effects as with the cushion that looks as if it is protruding out of the painting toward the viewer.
315:
469:
269:
165:
428:
8:
181:
142:
111:
115:
78:
198:
177:
138:
in Ancona. At some point, the painting was cut down at the top to reduce its height.
107:
363:
339:
292:
103:
70:
97.9 cm × 83.3 cm (38.5 in × 32.8 in)
39:
453:
347:
146:
185:
82:
261:
149:
in 1910, who bequeathed it to the
Walters Art Museum in 1931.
145:'s collection in Rima before 1897. It was acquired by
465:
Paintings of the
Madonna and Child by Carlo Crivelli
164:Characteristic of late Crivelli works, the use of
451:
173:, that refers to "Fra' Bernardino da Ancona".
127:from its commissioner's private chapel in the
277:
284:
270:
191:As in other decorative works by Crivelli,
27:
219:
217:
215:
106:. It shows the Madonna and child between
252:
225:"Virgin and Child with Saints and Donor"
159:
421:Madonna and Child with Saints and Donor
257:(in Italian). Firenze: Nardini Editore.
156:and retouched in 1937, 1966, and 1982.
92:Madonna and Child with Saints and Donor
22:Madonna and Child with Saints and Donor
452:
437:Saint Francis with the Blood of Christ
212:
169:over a small, identifying inscription
265:
413:The Annunciation, with Saint Emidius
475:Paintings in the Walters Art Museum
405:San Domenico di Camerino Altarpiece
13:
291:
14:
486:
397:Madonna and Child with an Apple
246:
141:The painting was documented in
129:Chiesa di San Francesco ad Alto
460:Paintings of Francis of Assisi
180:at left with his stigmata and
1:
372:Saint Peter Martyr Altarpiece
205:
193:Madonna and Child with Saints
96:
49:
324:Porto San Giorgio Altarpiece
7:
10:
491:
380:Adoration of the Shepherds
121:
16:Painting by Carlo Crivelli
299:
253:Zampetti, Pietro (1986).
102:oil on panel painting by
74:
66:
62:Tempera and gold on panel
58:
45:
35:
26:
21:
316:Massa Fermana Altarpiece
429:Madonna of the Swallow
229:The Walters Art Museum
184:at right carrying the
160:Description and style
308:Huldschinsky Madonna
182:Bernardino of Siena
143:Marcello Massarenti
112:Bernardino of Siena
332:Madonna with Child
116:Walters Art Museum
79:Walters Art Museum
447:
446:
388:Madonna and Child
178:Francis of Assisi
172:
152:The painting was
108:Francis of Assisi
88:
87:
482:
286:
279:
272:
263:
262:
258:
240:
239:
237:
235:
221:
170:
137:
101:
98:
54:
51:
31:
19:
18:
490:
489:
485:
484:
483:
481:
480:
479:
450:
449:
448:
443:
364:1476 Altarpiece
340:1472 Altarpiece
295:
290:
249:
244:
243:
233:
231:
223:
222:
213:
208:
162:
131:
124:
99:
52:
17:
12:
11:
5:
488:
478:
477:
472:
470:1490 paintings
467:
462:
445:
444:
442:
441:
440:(c. 1490–1495)
433:
432:(c. 1490–1492)
425:
417:
409:
401:
393:
384:
376:
368:
360:
356:Lochis Madonna
352:
351:(c. 1472–1473)
344:
336:
328:
320:
312:
303:
301:
297:
296:
293:Carlo Crivelli
289:
288:
281:
274:
266:
260:
259:
255:Carlo Crivelli
248:
245:
242:
241:
210:
209:
207:
204:
161:
158:
123:
120:
118:in Baltimore.
104:Carlo Crivelli
86:
85:
76:
72:
71:
68:
64:
63:
60:
56:
55:
47:
43:
42:
40:Carlo Crivelli
37:
33:
32:
24:
23:
15:
9:
6:
4:
3:
2:
487:
476:
473:
471:
468:
466:
463:
461:
458:
457:
455:
439:
438:
434:
431:
430:
426:
423:
422:
418:
415:
414:
410:
407:
406:
402:
399:
398:
394:
391:
389:
385:
382:
381:
377:
374:
373:
369:
366:
365:
361:
358:
357:
353:
350:
349:
348:Lenti Madonna
345:
342:
341:
337:
334:
333:
329:
326:
325:
321:
318:
317:
313:
310:
309:
305:
304:
302:
298:
294:
287:
282:
280:
275:
273:
268:
267:
264:
256:
251:
250:
230:
226:
220:
218:
216:
211:
203:
201:
200:
194:
189:
187:
183:
179:
174:
167:
157:
155:
150:
148:
147:Henry Walters
144:
139:
135:
130:
119:
117:
113:
109:
105:
94:
93:
84:
80:
77:
73:
69:
65:
61:
57:
48:
44:
41:
38:
34:
30:
25:
20:
435:
427:
420:
419:
411:
403:
395:
387:
378:
370:
362:
354:
346:
338:
330:
322:
314:
306:
254:
247:Bibliography
232:. Retrieved
228:
199:trompe-l'œil
197:
192:
190:
175:
163:
151:
140:
125:
91:
90:
89:
186:Christogram
166:perspective
132: [
100: 1490
53: 1490
454:Categories
234:4 February
206:References
67:Dimensions
424:(c. 1490)
400:(c. 1480)
392:(c. 1480)
383:(c. 1480)
375:(c. 1476)
359:(c. 1475)
335:(c. 1470)
311:(c. 1460)
300:Paintings
154:conserved
83:Baltimore
390:(Ancona)
171:F.B.D.A.
75:Location
122:History
416:(1486)
408:(1482)
367:(1476)
343:(1472)
327:(1470)
319:(1468)
59:Medium
36:Artist
136:]
95:is a
236:2021
110:and
46:Year
456::
227:.
214:^
188:.
134:it
97:c.
81:,
50:c.
285:e
278:t
271:v
238:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
