374:. Most of them previously contributed to CDs by alto saxophonist Steve Coleman, whose creativity has been a pivotal factor in that movement, although he refused to be called its leader or founder. Coleman and his friend Greg Osby, who plays alto saxophone in a related style, together led the group Strata Institute, which recorded two CDs (the second with tenor saxophonist Von Freeman as a further leader). Under the name of Osby, a number of CDs with a specific character have been released starting in 1987, which also coined the perception of "M-Base" jazz. Tenor saxophonist and flutist Gary Thomas admittedly didn't take part in the M-Base initiative, but joined them, and there were similarities in his way of playing. He can be heard on recordings of Coleman and Osby, and his own CDs are also labelled as "M-Base-style". All three saxophonists contributed to the CD
362:, etc. However, the musicians of the M-Base movement, which also included dancers and poets, strived for common creative musical languages, so their early recordings show many similarities reflecting their common ideas, the experiences of working together, and their similar cultural background. To label this kind of music, jazz critics have established the word "M-Base" as a jazz style for lack of a better term, distorting its original meaning.
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390:: "He's extremely intelligent and has a capacity for absorption that exceeds that of most people that I know He has his own compositional and improvisational method that is peerless in my opinion. He's my favourite tenor saxophone player on the contemporary scene." Clarinettist and composer Don Byron called Steve Coleman "an exceptional personality of American music history."
475:) said, "It's hard to overstate Steve influence. He's affected more than one generation, as much as anyone since John Coltrane. It's not just that you can connect the dots by playing seven or 11 beats. What sits behind his influence is this global perspective on music and life. He has a point of view of what he does and why he does it."
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xtemporization") and critics have used this term to categorize this scene's music as a jazz style. But
Coleman stressed "M-Base" doesn't denote a musical style but a way of thinking about creating music. Coleman also refuses the word "jazz" as a label for his music and the music tradition represented
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Although the musical line initially called "M-Base" became more than ever focused on Steve
Coleman, a number of younger musicians (e.g. a range of excellent drummers) have made substantial creative contributions to his music and his influence is to be found in several musical fields – both in terms
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he only had a contract with a small
European company and his performance opportunities were virtually limited to Europe. Since 1997, he has put his career as a bandleader on hold to teach at Peabody Music Institute. Greg Osby signed with Blue Note Records in 1990 and developed a specific balancing
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said about Greg Osby: "He has an incredible sense of rhythm and harmonic accuracy, and picks the right notes with a precision that isn't common to people with his technical versatility. He's developed into a fully rounded artist who can play various styles extremely well – better than most." Greg
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The ideas of the M-Base concept were largely incompatible with the requirements of music business. Most participants of the M-Base movement turned to more conventional music. Cassandra Wilson's blues- and folk-influenced music has been fairly suitable for an adaption to the taste of a larger
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act between an enhanced reverence to tradition and maintaining his new direction. In 2008, Osby launched his own small label. Steve
Coleman has developed his music further in accordance with the M-Base concept. In the 1990s his CDs were released by the major label
527:"…the word had spread. But it spread in association with the music, and so it became for them a musical style." (Steve Coleman, interviewed by Julian Joseph for BBC Radio 3 Jazz Legends, 2001)
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The M-Base concept reminds of the creative energy of the bebop originators, their loose collective, and also of their musical goals. The concept does not include "neo-classical jazz",
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451:. Thereafter he became practically an underground artist in the U.S. again, in that his music was only available as imports, distributed by a small French label. In 2007
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with a new sound and specific ideas about creative expression. Using a term coined by Steve
Coleman, they called these ideas "M-Base-concept" (short for "
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Steve
Coleman explained the substantial elements of the concept as:
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e.g. The New Grove
Dictionary of Jazz, London/New York 2001, p. 739
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released a solo CD of
Coleman. In 2010 the small advanced label
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Rhythm People (The
Resurrection of Creative Black Civilization)
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Steve Coleman, M-Base, and Music Collectivism by Vijay Iyer
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Alkyer, Frank; Enright, Ed; Koransky, Jason, eds. (2007).
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of music technique and of the music's meaning. Pianist
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Christian Broecking, Der Marsalis-Faktor, 1995, p. 120
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growth through creativity and philosophical broadening
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Antecedents to M-Base were identified by jazz critic
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Coleman has been called "the leader" for example in
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401:-led band featured on recordings like 1975's
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53:Learn how and when to remove these messages
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726:"Innerviews: Steve Coleman - Digging deep"
595:"Interviewed by Fred Jung, April 11, 2000"
285:Learn how and when to remove this message
267:Learn how and when to remove this message
212:Learn how and when to remove this message
110:Learn how and when to remove this message
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366:Music associated with the term "M-Base"
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148:Please improve this article by adding
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436:audience. Wilson has been signed to
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752:"A Saxophonist's Reverberant Sound"
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239:tone or style may not reflect the
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750:Larry Blumenfeld (11 June 2010).
730:Innerviews: Music Without Borders
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34:This article has multiple issues.
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569:The New Grove Dictionary of Jazz
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2361:(miniseries)
2358:
2350:
2320:Sophisti-pop
1750:
1741:Jazz royalty
1731:Jazz funeral
1527:Contemporary
1418:Chamber jazz
1372:Saxophonists
1342:Clarinetists
1314:Third stream
1229:
1151:Chamber jazz
1051:Scat singing
957:
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781:. Retrieved
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759:. Retrieved
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733:. Retrieved
729:
724:Innerviews.
719:
707:. Retrieved
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602:. Retrieved
598:
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584:by Greg Osby
581:
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542:. Retrieved
540:. M-base.com
532:
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509:fusion music
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425:Reggie Lucas
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257:October 2023
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202:October 2023
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100:October 2023
97:
74:
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37:
36:Please help
33:
2421:Jazz genres
2303:Quiet storm
2266:Contradanza
2048:New Orleans
2043:Kansas City
1846:Jazz mugham
1841:Azerbaijani
1765:Second line
1760:Rare groove
1746:Jazz theory
1736:Jazz poetry
1721:Contrafacts
1705:Saint Lucia
1685:New Orleans
1617:Strata-East
1592:MPS Records
1522:Cobblestone
1443:Smooth jazz
1433:Jazz fusion
1377:Trombonists
1290:Sacred jazz
1275:Smooth jazz
1208:Jazz fusion
1091:Jazz violin
1071:Jazz guitar
1046:Jam session
1019:Jazz (word)
761:25 November
735:25 November
709:25 November
604:25 November
544:25 November
399:Miles Davis
388:Gary Thomas
383:Andrew Hill
325:emerged in
16:Music genre
2288:Brass band
2276:Jump blues
2120:Ethno jazz
2083:Australian
2063:West Coast
1820:Zimbabwean
1660:Copenhagen
1582:Mainstream
1392:Violinists
1382:Trumpeters
1352:Guitarists
1260:Organ trio
1245:Modal jazz
1218:Latin jazz
1198:Gypsy jazz
1096:Vocal jazz
1081:Jazz piano
779:. jazz.com
640:. p.
515:References
469:Vijay Iyer
419:, bassist
376:Jump World
345:tructured
315:Geri Allen
297:The term "
172:newspapers
139:references
84:improve it
39:improve it
2256:Acid jazz
2113:Worldwide
2099:Brazilian
1896:Bulgarian
1858:Indo jazz
1808:Cape jazz
1695:North Sea
1650:Cape Town
1637:Festivals
1612:Riverside
1587:Milestone
1512:Blue Note
1507:Bethlehem
1491:post-1950
1463:Standards
1448:Soul jazz
1397:Vocalists
1357:Organists
1329:Musicians
1319:Trad jazz
1280:Soul jazz
1203:Jazz-funk
1191:Punk jazz
1181:Free funk
1176:Free jazz
1171:Folk jazz
1161:Dixieland
1156:Cool jazz
1146:Cape jazz
1061:Jazz bass
1024:Jazz band
908:Drop Kick
453:John Zorn
417:Al Foster
323:Greg Osby
88:verifying
45:talk page
2415:Category
2261:Afrobeat
2175:Pre-1920
2160:Jazz Age
2076:Oceanian
2026:American
2000:Canadian
1884:European
1875:Japanese
1836:Armenian
1798:Malawian
1793:Ethiopia
1680:Montreux
1675:Montreal
1670:Monterey
1607:Prestige
1577:Landmark
1562:Impulse!
1542:ESP-Disk
1471:Pre-1920
1428:Hard bop
1367:Pianists
1347:Drummers
1337:Bassists
1270:Ska jazz
1213:Jazz rap
1139:Post-bop
1129:Hard bop
1029:Big band
684:Archived
667:Archived
443:DownBeat
381:Pianist
341:rray of
327:Brooklyn
161:"M-Base"
2308:Ragtime
2293:Exotica
2249:Related
2155:Ragtime
2133:History
2038:Chicago
2005:Haitian
1984:Swedish
1972:Spanish
1955:Italian
1908:British
1903:Belgian
1870:Iranian
1786:African
1714:Culture
1690:Newport
1665:Jakarta
1655:Chicago
1552:Freedom
1250:Nu jazz
1134:Neo-bop
413:grooves
404:Agharta
397:as the
186:scholar
82:Please
1960:Polish
1950:German
1945:French
1930:Danish
1891:Balkan
1853:Indian
1813:Marabi
1770:Venues
1297:Stride
1240:Marabi
1230:M-Base
1111:Genres
958:M-Base
943:(2017)
935:(2013)
927:(1993)
919:(1992)
911:(1992)
903:(1991)
895:(1990)
887:(1987)
879:(1986)
871:(1985)
860:Albums
783:6 July
648:
321:, and
299:M-Base
188:
181:
174:
167:
159:
2339:Media
2298:Plugg
2271:Blues
2225:2010s
2220:2000s
2215:1990s
2210:1980s
2205:1970s
2200:1960s
2195:1950s
2190:1940s
2185:1930s
2180:1920s
2145:Blues
2015:Cuban
1935:Dutch
1863:Sitar
1829:Asian
1622:Verve
1486:1940s
1481:1930s
1476:1920s
1453:Swing
1413:Bebop
1302:Swing
1124:Bebop
337:asic
193:JSTOR
179:books
2359:Jazz
2352:Bird
2240:2022
2235:2021
2230:2020
1965:Yass
1700:Pori
1602:Muse
1438:Scat
1039:Jazz
1000:Jazz
785:2017
763:2014
737:2014
711:2014
646:ISBN
606:2014
546:2014
505:free
333:acro
165:news
1597:MPS
1572:JMT
1537:ECM
1532:CTI
1517:BYG
756:WSJ
642:307
449:BMG
141:to
86:by
2417::
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51:(
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