865:("war will be men's business"), then quotes 'the man in the street' ("Isn't there a man in the country?"—"No, by God, there isn't!") and finally arrives at the only logical conclusion to these premises: "War will be women's business!" The logic of this conclusion is supported rhythmically by the pnigos, during which Lysistrata and her friends dress the magistrate like a woman, with a veil and a basket of wool, reinforcing her argument and lending it ironic point—if the men are women, obviously the war can only be women's business. During the pnigos of the second section, the magistrate is dressed like a corpse, highlighting the argument that war is a living death for women. The agon in Lysistrata is thus a fine example of rhetoric even though it is unusually one-sided.
434:
gives him a basket of wool and tells him that war will be a woman's business from now on. She then explains the pity she feels for young, childless women, ageing at home while the men are away on endless campaigns. When the magistrate points out that men also age, she reminds him that men can marry at any age whereas a woman has only a short time before she is considered too old. She then dresses the magistrate like a corpse for laying out, with a wreath and a fillet, and advises him that he's dead. Outraged at these indignities, he storms off to report the incident to his colleagues, while
Lysistrata returns to the Acropolis.
855:(magistrate) is an unusual agon in that one character (Lysistrata) does almost all the talking while the antagonist (the magistrate) merely asks questions or expresses indignation. The informality of the agon draws attention to the absurdity of a classical woman engaging in public debate. Like most agons, however, it is structured symmetrically in two sections, each half comprising long verses of anapests that are introduced by a choral song and that end in a
1024:
454:
and
Athenian delegates to a gorgeous young woman called Reconciliation. The delegates cannot take their eyes off the young woman; meanwhile, Lysistrata scolds both sides for past errors of judgment. The delegates briefly squabble over the peace terms, but with Reconciliation before them and the burden of sexual deprivation still heavy upon them, they quickly overcome their differences and retire to the Acropolis for celebrations. The war is ended.
1013:
2729:
31:
829:. Most plays have a second parabasis near the end and there is something like a parabasis in that position in this play but it comprises only two songs (strophe and antistrophe) and these are separated by an episodic scene of dialogue. In these two songs, the now united Chorus declares that it is not prepared to speak ill of anyone on this occasion because the current situation (
395:—the old women of Athens have seized control of it at Lysistrata's instigation, since it holds the state treasury, without which the men cannot long continue to fund their war. Lampito goes off to spread the word of revolt, and the other women retreat behind the barred gates of the Acropolis to await the men's response.
388:. The women are very reluctant, but the deal is sealed with a solemn oath around a wine bowl, Lysistrata choosing the words and Calonice repeating them on behalf of the other women. It is a long and detailed oath, in which the women abjure all their sexual pleasures, including the "lioness on the cheese-grater".
793:: The Chorus begins this play being divided (Old Men versus Old Women), and its unification later exemplifies the major theme of the play: reconciliation. There is nothing quite like this use of a Chorus in the other plays. A doubling of the role of the Chorus occurs in two other middle-period plays,
445:
A man suddenly appears, desperate for sex. It is
Kinesias, the husband of Myrrhine. Lysistrata instructs her to torture him. Myrrhine informs Kinesias that she will have sex with him but only if he promises to end the war. He promptly agrees to these terms and the young couple prepares for sex on the
441:
is continued between the Chorus of Old Men and the Chorus of Old Women until
Lysistrata returns to the stage with some news—her comrades are desperate for sex and they are beginning to desert on the silliest pretexts (for example, one woman says she has to go home to air her fabrics by spreading them
398:
A Chorus of Old Men arrives, intent on burning down the gate of the
Acropolis if the women do not open up. Encumbered with heavy timbers, inconvenienced with smoke and burdened with old age, they are still making preparations to assault the gate when a Chorus of Old Women arrives, bearing pitchers of
453:
They go off to fetch the delegates. While they are gone, the Old Women make overtures to the Old Men. The Old Men are content to be comforted and fussed over by the Old Women; thereupon the two
Choruses merge, singing and dancing in unison. Peace talks commence and Lysistrata introduces the Spartan
449:
A Spartan herald then appears with a large burden (an erection) scarcely hidden inside his tunic and he requests to see the ruling council to arrange peace talks. The magistrate, now also sporting a prodigious burden, laughs at the herald's embarrassing situation but agrees that peace talks should
418:), but above all he blames men for poor supervision of their womenfolk. He has come for silver from the state treasury to buy oars for the fleet and he instructs his Scythians to begin levering open the gate. However, they are quickly overwhelmed by groups of unruly women with such unruly names as
763:
below). The original play was neither feminist nor unreservedly pacifist. Even when they seemed to demonstrate empathy with the female condition, dramatic poets in classical Athens still reinforced sexual stereotyping of women as irrational creatures in need of protection from themselves and from
433:
Lysistrata restores order and she allows the magistrate to question her. She explains the frustrations that women feel at a time of war when the men make stupid decisions that affect everyone, and further complains that their wives' opinions are not listened to. She drapes her headdress over him,
446:
spot. Myrrhine fetches a bed, then a mattress, then a pillow, then a blanket, then a flask of oil, exasperating her husband with delays until finally disappointing him completely by locking herself in the
Acropolis again. The Chorus of Old Men commiserates with the young man in a plaintive song.
376:
These lines, spoken by the
Athenian Lysistrata and her friend Calonice at the beginning of the play, set the scene for the action that follows. Women, as represented by Calonice, are sly hedonists in need of firm guidance and direction. Lysistrata, however, is an extraordinary woman with a large
1533:
on the line says σχῆμα δέ ἐστιν ἀκολάστον καί ἑταιρικόν (it is a licentious and whorish position). The ancient cheese-grater "was a knife with a bronze or ivory handle, it was customary to carve all sorts of animal figures, some indeed couching upon the handle, but others standing upright, and
457:
Another choral song follows. After a bit of humorous dialogue between tipsy dinner guests, the celebrants all return to the stage for a final round of songs, the men and women dancing together. All sing a merry song in praise of Athene, goddess of wisdom and chastity, whose citadel provided a
615:: A notoriously effete homosexual and the butt of many jokes in Old Comedy, he receives two mentions here, firstly as a suspected mediator between the Spartans and the Athenian women and secondly as someone that sex-starved Athenian men are beginning to consider a viable proposition.
2732:
558:: An Athenian tyrant, he receives two mentions in the play, as a sample of the kind of tyranny that the Old Men can "smell" in the revolt by the women and secondly in connection with a good service that the Spartans once rendered Athens (they removed him from power by force)
529:
Old Comedy was a highly topical genre and the playwright expected his audience to be familiar with local identities and issues. The following list of identities mentioned in the play gives some indication of the difficulty faced by any producer trying to stage
377:
sense of individual and social responsibility. She has convened a meeting of women from various Greek city-states that are at war with each other. Soon after she confides in her friend her concerns for the female sex, the women begin arriving.
399:
water. The Old Women complain about the difficulty they had getting the water, but they are ready for a fight in defence of their younger comrades. Threats are exchanged, water beats fire, and the Old Men are discomfited with a soaking.
643:
Lycon: A minor politician who afterwards figured significantly in the trial of
Socrates, he is mentioned here merely as the husband of a woman that the Old Men have a particular dislike for (he is mentioned also in
1162:(book) and Lewis Flinn (music, lyrics) for the Transport Group Theater Company, starred Patti Murin and Liz Mikel, and opened in New York at the Judson Memorial Church Gymnasium and later transferred to
1232:
transposes the events of the play into modern-day inner-city
Chicago, substituting gun violence among African-Americans for the Peloponnesian War and rhyming rap dialog for the more formal Greek poetry.
767:
In fact the play might not even be a plea for an end to the war so much as an imaginative vision of an honorable end to the war at a time when no such ending was possible. According to Sarah Ruden,
2436:
696:: The tragic poet is mentioned briefly as the source of a ferocious oath that Lysistrata proposes to her comrades, in which a shield is to be filled with blood; the oath is found in Aeschylus'
591:
Peisander: An Athenian aristocrat and oligarch, he is mentioned here by Lysistrata as typical of a corrupt politician exploiting the war for personal gain. He was previously mentioned in
837:. In keeping however with the victim-centered approach of Old Comedy, the Chorus then teases the entire audience with false generosity, offering gifts that are not in its power to give.
334:
between Greek city states by denying all the men of the land any sex, which was the only thing they truly and deeply desired. Lysistrata persuades the women of the warring cities to
1044:
featured an anti-war song entitled "Lysistrata" that loosely paraphrases the content of the drama as dialogue between the song's protagonist and his female significant other.
541:: Devotees of the Asiatic goddess Cybele—Lysistrata says that Athenian men resemble them when they do their shopping in full armour, a habit she and the other women deplore.
743:
Pellene was also the name of a Peloponnesian town resisting Spartan pressure to contribute to naval operations against Athens at this time. It was mentioned earlier in the
480:. Its protagonist, a sausage-seller named Agoracritus, emerges at the end of the play as the improbable saviour of Athens (Lysistrata is its saviour thirteen years later).
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3817:
1955:
372:
LYSISTRATA There are a lot of things about us women That sadden me, considering how men See us as rascals. CALONICE As indeed we are!
736:: The legendary misanthrope, he is mentioned here with approval by the Old Women in response to the Old Men's favourable mention of Melanion, a legendary misogynist
3866:
2201:
2153:
1552:
1474:
1204:) set in a village in North Africa, focusing on a group of women who go on strike against having to fetch water for the village from a distant, treacherous well.
1128:
was performed in Brooklyn, New York. Edward Einhorn wrote the adaptation, which was performed in a former warehouse converted to a pub. The play was set at the
442:
on the bed). After rallying her comrades and restoring their discipline, Lysistrata again returns to the Acropolis to continue waiting for the men's surrender.
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3269:
3851:
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730:: An artist, he is mentioned briefly by the Old Men in reference to Amazons (because he depicted a battle between Theseus and Amazons on the Painted Stoa).
656:: A Spartan king, who is mentioned by the Old Men in connection with the heroism of ordinary Athenians in resisting Spartan interference in their politics.
2432:
3705:
2410:
3791:
2122:
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politician, he is mentioned here as the husband of a woman who is expected to attend the meeting called by Lysistrata. He is lampooned earlier in
2500:
1298:
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from their husbands and lovers as a means of forcing the men to negotiate peace—a strategy, however, that inflames the battle between the sexes.
3720:
2548:
2570:
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Lampito, Lysistrata persuades the other women to withhold sexual privileges from their menfolk as a means of forcing them to conclude the
2249:
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489:
was produced. Its protagonist, Trygaeus, emerges as the improbable champion of universal peace (Lysistrata's role 10 years later). The
847:
considered Old Comedy a good genre for study by students of rhetoric and the plays of Aristophanes in fact contain formal disputes or
3861:
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2042:
2027:
2012:
1984:
1969:
1940:
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1898:
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1760:
1745:
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1691:
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552:, they are mentioned in the play as a reason why the peace delegates should not remove their cloaks, in case they too are vandalized.
48:
in ancient comedy depend on scholars' interpretation of textual evidence. This list is based on Alan Sommerstein's 1973 translation.
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refuge for the women during the events of the comedy, and whose implied blessing has brought about a happy ending to the play.
686:: The epic poet is quoted in a circuitous manner when Lysistrata quotes her husband who quotes from a speech by Hector in the
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3159:
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4033:
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2336:
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821:: In Classical Greek comedy, parabasis is 'a speech in which the chorus comes forward and addresses the audience'. The
3802:
3466:
3124:
2690:
805:, but in each of those plays the two Choruses appear consecutively and not simultaneously. The nearest equivalent to
771:(Hackett Classics, 2003), the play "nowhere suggests that warfare in itself is intolerable, let alone immoral" (87).
406:(the Athenian version of police constables). He reflects on the hysterical nature of women, their devotion to wine,
4053:
3881:
3871:
3486:
3050:
2758:
1117:
666:, he is mentioned by the Spartan envoys in association with the Athenian victory against the Persian fleet at the
584:: An Athenian general in the 450s, he is mentioned by the Old Men as a good example of a hairy guy, together with
3254:
3249:
2679:
177:
708:: The dramatic poet receives two brief mentions here, in each case by the Old Men with approval as a misogynist.
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3169:
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1254:
959:
612:
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1084:
since "both groups of women banded together and rejected men in order to protest the pointlessness of war ..."
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3431:
2406:
1468:
Tomus II, ed. F. Hall and W. Geldart (Oxford University Press, 1907), lines 10–11, Wikisource original Greek
896:
782:
belongs to the middle period of Aristophanes' career when he was beginning to diverge significantly from the
714:: A contemporary comic poet, he is quoted by Lysistrata as the author of the saying: "to skin a flayed dog."
359:, another play with a focus on gender-based issues, just two years after Athens' catastrophic defeat in the
4038:
3575:
3496:
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3129:
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3144:
2928:
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1236:
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Orsilochus and Pellene: An Athenian pimp and a prostitute, mentioned briefly to illustrate sexual desire.
724:
he is mentioned here briefly by the Old Men in reference to their own desire to assault rebellious women.
1497:
4013:
3987:
3834:
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932:
876:
783:
561:
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3807:
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1169:
2011: Valerie Schrag adapted and illustrated the play for volume one of the graphic-novel anthology
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1037:
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was formalised this same year, ending the first half of the Peloponnesian War (referred to in
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319:
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570:: An Athenian commander, mentioned here by Lysistrata in connection with the Spartan king
8:
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2603:
Looking at Lysistrata: Eight Essays and a New Version of Aristophanes' Provocative Comedy
2518:
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1180:
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834:
606:
549:
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360:
181:
2433:"Interview: Richard Williams Talks About His Oscar and BAFTA-Nominated Short 'Prologue'"
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1187:
815:, where the Chorus very briefly divides into factions for and against the protagonist.
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1098:
997:
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825:
is an important, conventional element in Old Comedy. There is no parabasis proper in
822:
801:
677:
513:
505:
385:
355:
331:
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1245:, is "the first part of a feature film loosely based on Aristophanes’ anti-war play
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3229:
3209:
3204:
3149:
3003:
2822:
2673:
1163:
1154:
635:
598:
588:, the Athenian admiral who swept the Spartans from the sea between 430 and 428 BCE.
555:
403:
342:
327:
242:
198:
37:
2743:
1293:
1912, published by the Athenian Society, London; unknown translator rumored to be
564:: A famous tyrannicide, he is mentioned briefly here with approval by the Old Men.
353:, a trend typical of the author's career. It was produced in the same year as the
349:. Additionally, its dramatic structure represents a shift from the conventions of
3219:
2647:
2253:
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2720:, on the controversial 1937 production of the play by the Seattle Branch of the
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1383:
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1228:
993:
979:
811:
605:
Demostratus: An Athenian who proposed and carried the motion in support of the
330:
in 411 BC. It is a comic account of a woman's extraordinary mission to end the
3060:
2310:
690:
as he farewells his wife before going to battle: "War will be men's business."
574:
who had once requested and obtained Athenian help in putting down a revolt by
4002:
3715:
3653:
3633:
3560:
3535:
3340:
2857:
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1318:
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525:(one of the consequences of the Sicilian disaster) proved briefly successful.
500:
413 BC: The Athenians and their allies suffered a catastrophic defeat in the
2960:
2707:
1212:
1097:, which had themes of duty, war, peace, and gender roles, is dedicated: "To
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Soon after the oath is finished, a cry of triumph is heard from the nearby
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that are constructed for rhetorical effect. Lysistrata's debate with the
833:) is already bad enough—topical reference to the catastrophic end to the
711:
663:
653:
472:
287:
2265:
2183:, ed. David Barrett and Alan Sommerstein (Penguin Classics, 2003), p. 15
1062:
1023:
662:: The famous Spartan king who led a Greek force against the Persians at
3710:
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3194:
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1142:
1088:
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335:
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3134:
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705:
693:
676:: A female ruler of Ionia, famous for her participation in the naval
646:
624:
581:
392:
1121:, was based on readings of the play held worldwide on March 3, 2003.
1012:
910:, followed by a ballet suite (1946) and a new ballet version titled
720:: A sculptor who is known to have made a caricature of the satirist
3737:
3390:
2738:
1129:
721:
659:
411:
2653:
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1530:
717:
585:
859:. In the first half of the agon, Lysistrata quotes from Homer's
809:
divided Chorus is found in the earliest of the surviving plays,
3658:
3608:
3355:
3285:
680:, she is mentioned by the Old Men with awe as a kind of Amazon.
575:
477:
415:
381:
109:
2711:- Listen to streaming audio online and download in MP3 format.
3395:
861:
727:
687:
683:
567:
545:
466:
Some events that are significant for understanding the play:
425:
419:
291:
272:
30:
2681:
Lysistrata & the War: A Comic Opera in Mozartian Style"
2301:"We Can't Make Love if There's War: The Lysistrata Project"
2247:
Publisher information about Richard Mohaupt's ballet suite.
1389:
2003/06, Chris Tilley, musical version with prose and songs
1288:
The Comedies of Aristophanes. A New and Literal Translation
278:
257:
231:
225:
204:
2407:"Spike Lee Sounds Off on Chi-Raq, Gun Violence, and Rahm"
947:. It was re-set improbably in the 19th-century American
251:
213:
2465:
from the original on 23 September 2016 – via IMDb.
2286:
On the Perimeter: Caroline Blackwood at Greenham Common
2703:—The EServer Drama Collection (Iowa State University).
967:'s 1992–93 season, transferring successfully from the
2899:
263:
254:
245:
216:
210:
2102:
Aristophanes: Lysistrata, The Acharnians, The Clouds
1519:. Vol. 4. London: G. Bell and Sons. p. 30.
1437:
Aristophanes: Lysistrata, The Acharnians, The Clouds
1213:
called on the women of Togo to deny sexual relations
275:
269:
266:
248:
228:
222:
219:
201:
3706:
Non Violent Resistance (psychological intervention)
2773:
2059:
Aristophanes: Lysistrata, Acharnians and The Clouds
992:), starring three reigning Swedish film actresses:
260:
207:
3270:Women's International League for Peace and Freedom
2381:"'Lysistrata in Togo' under 'The World on a Page'"
1262:to make their menfolk abandon their love of guns.
759:are often feminist or pacifist in their aim (see
341:The play is notable for being an early exposé of
4000:
2480:Aristophanes' Lysistrata: For Modern Performance
1272:Aristophanes' Lysistrata: For Modern Performance
1252:2016: Writer-director Matt Cooper's film comedy
1101:, devious genius, and to Lysistrata, who tried".
165:Athenian citizens, Spartan envoys, slaves et al.
3090:
2001:Aristophanes:Lysistrata, Acharnians, The Clouds
1053:, a Turkish movie adaptation based loosely on
931:produced at Universal Studios and directed by
3721:Refusal to serve in the Israel Defense Forces
3076:
2885:
2759:
424:(seed-market-porridge-vegetable-sellers) and
1351:1973, Alan H. Sommerstein, prose and verse:
1215:with their men in protest against President
885:, which echoes Lysistrata's sex-strike plot.
609:, he is mentioned briefly by the magistrate.
1275:appeared with the Athens publisher, Kaktos.
954:1961: The play served as the basis for the
786:. Such variations from convention include:
303:
3083:
3069:
2892:
2878:
2766:
2752:
1534:touching the handle only with their feet."
1258:is about a Texas town whose women go on a
1211:, a civil-rights lawyer in Togo (Africa),
29:
3674:Global Day of Action on Military Spending
2283:
2181:The Birds and Other Plays by Aristophanes
1104:2001: A same title opera was composed by
760:
2298:
1334:1961, Donald Sutherland, prose and verse
1324:1944, Charles T. Murphy, prose and verse
1022:
1011:
544:Hermokopidae: Vandals who mutilated the
461:
2563:"Lysistrata excerpt - Theater 61 Press"
2223:
1450:Aristophanes: the Frogs and Other Plays
1279:
869:
4001:
3406:Soviet influence on the peace movement
2685:—updated from the ancient Greek play (
2228:Literary texts and the Greek historian
2061:(Penguin Classics, 1975), pp. 251, 252
1512:
1495:
504:, a turning-point in the long-running
402:The magistrate then arrives with some
3593:World March for Peace and Nonviolence
3064:
2873:
2747:
2573:from the original on 22 October 2013.
2387:from the original on 9 September 2012
2204:from the original on 12 February 2009
2156:from the original on 12 February 2009
2125:from the original on 17 February 2009
1555:from the original on 12 February 2009
1477:from the original on 12 February 2009
1363:2000, George Theodoridis, 2000, prose
1132:, much as the original may have been.
1004:, who were depicted playing roles in
882:The Woman's Prize, or The Tamer Tamed
3750:Third Party Non-violent Intervention
2482:, Athens: Kaktos Publications, 2024.
2439:from the original on 6 February 2016
2413:from the original on 23 October 2015
2299:Schwartz, Robyn (27 February 2003).
1366:2002, David Landon, prose and verse
430:(garlic-innkeeping-bread-sellers).
13:
3975:Peacebuilding in Jammu and Kashmir
3872:Anti-war protests in Russia (2014)
3160:Greenham Common Women's Peace Camp
2585:"ARISTOPHANES LYSISTRATA (e-text)"
2551:from the original on 11 June 2014.
1529:"Lioness" is a sexual position. A
1078:Greenham Common Women's Peace Camp
14:
4075:
3467:International Day of Non-Violence
3125:Boycott, Divestment and Sanctions
2633:
2435:. Cartoon Brew. 15 January 2016.
2333:"Lysistrata 100, by Aristophanes"
1513:Rogers, Benjamin Bickley (1902).
1290:, Vol 2 (London: Bohn's Library).
1108:. It is dedicated to global peace
750:
3877:2022 Russian invasion of Ukraine
2727:
2503:from the original on 4 May 2006.
2369:from the original on 8 May 2013.
2339:from the original on 10 May 2007
2104:(Penguin Classics, 1973), p. 178
2003:(Penguin Classics, 1975), p. 250
1830:, Wikisource English translation
1439:(Penguin Classics, 1973), p. 37.
927:, a movie musical with songs by
888:1902: Adapted as an operetta by
241:
197:
3250:Social Democratic Party (Japan)
2608:
2595:
2577:
2555:
2533:
2507:
2485:
2469:
2459:"Is That a Gun in Your Pocket?"
2451:
2425:
2399:
2373:
2351:
2325:
2292:
2277:
2259:
2240:
2217:
2186:
2169:
2138:
2107:
2094:
2079:
2064:
2051:
2036:
2021:
2006:
1993:
1978:
1963:
1949:
1934:
1922:
1907:
1892:
1877:
1862:
1850:
1835:
1820:
1808:
1796:
1784:
1769:
1754:
1739:
1724:
1712:
1700:
1685:
1670:
1655:
1640:
1625:
1613:
1598:
1452:(Penguin Classics, 1964), p. 13
1239:'s Oscar-nominated short film,
1138:Lysistrata, or The Nude Goddess
1124:2004: A 100-person show called
421:σπερμαγοραιολεκιθολαχανοπώλιδες
410:, and exotic cults (such as to
4024:Greek plays adapted into films
3170:List of pacifist organisations
2996:The Happiest Girl in the World
2515:"The Donald Sutherland Papers"
2232:. London: Routledge. pp.
1583:
1568:
1537:
1523:
1506:
1499:Scholia Graeca in Aristophanem
1489:
1455:
1442:
1429:
1357:1988, Jeffrey Henderson, verse
1115:, a peace protest initiative,
963:. The play was revived in the
960:The Happiest Girl in the World
548:in Athens at the onset of the
1:
2646:) and original Greek via the
1423:
1255:Is That a Gun in Your Pocket?
906:1941: Adapted as a ballet by
897:Little Theatre in the Adelphi
774:
427:σκοροδοπανδοκευτριαρτοπώλιδες
3576:World Peace Bell Association
3477:Dialogue Among Civilizations
3180:New Socialist Party of Japan
3165:Iraq War resisters in Canada
3130:Coalition of Women for Peace
2335:. Untitled Theater Company.
2284:Blackwood, Caroline (1984).
1516:The Comedies of Aristophanes
1502:. Paris: Didot. p. 251.
1286:1872, William James Hickie,
7:
4049:Sexuality in ancient Greece
4034:Plays set in ancient Greece
3744:The whole world is watching
3512:Peace & Love (festival)
3462:Imagine Piano Peace Project
2737:public domain audiobook at
2640:Full script of "Lysistrata"
2589:johnstoniatexts.x10host.com
2288:. Flamingo. pp. 108–9.
2166:lines 1043–71 and 1189–1215
1411:
1406:Anonymous translator, prose
10:
4080:
3867:2011 intervention in Libya
3487:List of places named Peace
3472:International Day of Peace
3190:Peace and conflict studies
3110:Anti-nuclear organizations
2274:. Retrieved on 2008-04-08.
2224:Pelling, C. B. R. (2000).
2195:Wikisource original Greek
2147:Wikisource original Greek
1546:Wikisource original Greek
1496:Dübner, Friedrich (1843).
1353:available for digital loan
1091:'s post-apocalyptic novel
912:Der Weiberstreik von Athen
426:
420:
336:withhold sexual privileges
326:, originally performed in
292:
3983:
3912:
3777:
3601:
3502:Nobel Peace Prize Concert
3497:Mother's Day Proclamation
3447:Dances of Universal Peace
3424:
3278:
3260:The Women's Peace Crusade
3102:
3045:
3014:
2987:
2920:
2913:
2782:
2715:Negro Repertory Company:
2089:Wikisource original Greek
2074:Wikisource original Greek
2046:Wikisource original Greek
2031:Wikisource original Greek
2016:Wikisource original Greek
1988:Wikisource original Greek
1973:Wikisource original Greek
1944:Wikisource original Greek
1917:Wikisource original Greek
1902:Wikisource original Greek
1887:Wikisource original Greek
1872:Wikisource original Greek
1845:Wikisource original Greek
1779:Wikisource original Greek
1764:Wikisource original Greek
1749:Wikisource original Greek
1734:Wikisource original Greek
1695:Wikisource original Greek
1680:Wikisource original Greek
1665:Wikisource original Greek
1650:Wikisource original Greek
1635:Wikisource original Greek
1608:Wikisource original Greek
1593:Wikisource original Greek
1578:Wikisource original Greek
1222:2015: American filmmaker
1158:, a contemporary riff by
1111:2003: In reaction to the
1031:produced in Central Park.
1027:From the 2005 staging of
784:conventions of Old Comedy
172:
143:
81:
64:
54:
28:
23:
3763:Violence begets violence
3696:Non-aggression principle
3566:The Non-Violence Project
3546:Promoting Enduring Peace
3529:Promoting Enduring Peace
3185:Pacifist Socialist Party
2306:Columbia Daily Spectator
1448:David Barrett's edition
988:(released in English as
978:1968: Feminist director
4054:Fiction about sexuality
3857:Military action in Iran
3492:Monuments and memorials
3442:Concert Yutel for Peace
3245:React, Include, Recycle
3175:List of peace activists
3140:Conscientious objectors
2937:The Second Greatest Sex
2722:Federal Theater Project
2541:"Lysistrata Λυσιστράτη"
2198:"Λυσιστράτη - Βικιθήκη"
2150:"Λυσιστράτη - Βικιθήκη"
1549:"Λυσιστράτη - Βικιθήκη"
1471:"Λυσιστράτη - Βικιθήκη"
1113:Iraq disarmament crisis
924:The Second Greatest Sex
895:1910: Performed at the
476:won first prize at the
366:
159:Four Scythian Policemen
3778:Opposition to specific
3733:Swords to ploughshares
3727:Soldiers are murderers
3120:Anti-war organizations
3051:The Lysistrata Project
2672:with illustrations by
1466:Aristophanis Comoediae
1201:
1118:The Lysistrata Project
1076:compared activists at
1032:
1020:
755:Modern adaptations of
534:for modern audiences:
380:With support from the
374:
347:male-dominated society
16:Comedy by Aristophanes
4029:Plays by Aristophanes
3780:wars or their aspects
3701:Nonviolent resistance
3551:Show of Peace Concert
3316:Anti-nuclear movement
2461:. 16 September 2016.
2256:Retrieved 2016-05-24.
2179:10.1.65-66, cited in
2119:"Αχαρνείς - Βικιθήκη"
1817:lines 822, 1127, 1295
1360:1991, Nicholas Rudall
1026:
1015:
523:oligarchic revolution
497:as "The Former War").
462:Historical background
370:
3862:Sri Lankan Civil War
3756:Turn the other cheek
3571:University for Peace
3482:List of peace prizes
2929:Daughters of Destiny
2708:Lysistrata audiobook
2547:. 25 February 2011.
2409:. Chicago Magazine.
1957:Seven Against Thebes
1280:English translations
1202:La Source des femmes
1160:Douglas Carter Beane
1145:, premiered at the
982:made a radical film
921:became in the 1950s
870:Influence and legacy
761:Influence and legacy
699:Seven Against Thebes
668:Battle of Artemisium
320:ancient Greek comedy
180:, or gateway to the
162:Scythian Policewoman
4039:Plays set in Athens
3904:Nuclear disarmament
3887:in Russian Far East
3644:Department of Peace
3629:Counter-recruitment
3624:Conflict resolution
3614:Central Park be-ins
3602:Slogans and tactics
3581:Japanese Peace Bell
3371:Non-interventionism
3366:Modern-war pacifism
3304:Christian anarchism
2774:Surviving plays by
2626:on 12 October 2006.
2616:"Drama: Lysistrata"
2476:Andrew David Irvine
1267:Andrew David Irvine
1181:Seven Stories Press
1147:Houston Grand Opera
843:: The Roman orator
835:Sicilian Expedition
607:Sicilian Expedition
550:Sicilian Expedition
502:Sicilian Expedition
361:Sicilian Expedition
182:Acropolis of Athens
118:Athenian Negotiator
3798:American Civil War
3690:Make love, not war
3664:Economic sanctions
3619:Civil disobedience
3452:Festival for Peace
3425:Media and cultural
3411:Testimony of peace
3331:Christian pacifism
2567:theater61press.com
2521:on 29 October 2007
2252:2016-05-24 at the
1435:Alan Sommerstein,
1418:Codex Ravennas 429
1305:Benjamin B. Rogers
1074:Caroline Blackwood
1042:Swing to the Right
1033:
1021:
1016:A 2007 staging of
903:in the title role.
791:The divided Chorus
521:were produced; an
121:Athenian Delegates
115:Spartan Ambassador
4014:Anti-war protests
3996:
3995:
3899:Military taxation
3769:War tax resisters
3336:Deterrence theory
3115:Anti-war movement
3058:
3057:
3041:
3040:
3023:Die Verschworenen
2867:
2866:
2837:Thesmophoriazusae
2620:drama.eserver.org
2601:Stuttard, David,
2365:. 26 April 2012.
2177:Orator's Training
1403:, prose and verse
1386:, prose and verse
1379:, verse and prose
1331:, prose and verse
1209:Isabelle Ameganvi
1179:and published by
1172:The Graphic Canon
1106:Mikis Theodorakis
1099:Benjamin Franklin
998:Harriet Andersson
973:Wyndham's Theatre
901:Gertrude Kingston
802:Thesmophoriazusae
678:Battle of Salamis
514:Thesmophoriazusae
506:Peloponnesian War
386:Peloponnesian War
356:Thesmophoriazusae
332:Peloponnesian War
188:
187:
49:
46:Dramatis Personae
4071:
3823:list of protests
3684:Lesson of Munich
3639:Demilitarisation
3517:Peace journalism
3311:Anti-imperialism
3294:Anarcho-pacifism
3230:Peace psychology
3210:Peace conference
3205:Peace commission
3150:Culture of Peace
3085:
3078:
3071:
3062:
3061:
3004:Lysistrata Jones
2918:
2917:
2894:
2887:
2880:
2871:
2870:
2768:
2761:
2754:
2745:
2744:
2731:
2730:
2674:Aubrey Beardsley
2628:
2627:
2622:. Archived from
2612:
2606:
2605:(Duckworth 2010)
2599:
2593:
2592:
2581:
2575:
2574:
2559:
2553:
2552:
2537:
2531:
2530:
2528:
2526:
2517:. Archived from
2511:
2505:
2504:
2489:
2483:
2473:
2467:
2466:
2455:
2449:
2448:
2446:
2444:
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2371:
2370:
2355:
2349:
2348:
2346:
2344:
2329:
2323:
2322:
2320:
2318:
2309:. Archived from
2296:
2290:
2289:
2281:
2275:
2263:
2257:
2244:
2238:
2237:
2231:
2221:
2215:
2213:
2211:
2209:
2190:
2184:
2173:
2167:
2165:
2163:
2161:
2142:
2136:
2134:
2132:
2130:
2111:
2105:
2100:A. Sommerstein,
2098:
2092:
2083:
2077:
2068:
2062:
2057:A. Sommerstein,
2055:
2049:
2040:
2034:
2025:
2019:
2010:
2004:
1999:A. Sommerstein,
1997:
1991:
1982:
1976:
1967:
1961:
1953:
1947:
1938:
1932:
1931:Book 6, line 492
1926:
1920:
1911:
1905:
1896:
1890:
1881:
1875:
1866:
1860:
1854:
1848:
1839:
1833:
1824:
1818:
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1800:
1794:
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1773:
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1758:
1752:
1743:
1737:
1728:
1722:
1716:
1710:
1704:
1698:
1689:
1683:
1674:
1668:
1659:
1653:
1644:
1638:
1629:
1623:
1617:
1611:
1602:
1596:
1587:
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1572:
1566:
1564:
1562:
1560:
1541:
1535:
1527:
1521:
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1510:
1504:
1503:
1493:
1487:
1486:
1484:
1482:
1459:
1453:
1446:
1440:
1433:
1237:Richard Williams
1217:Faure Gnassingbé
1155:Lysistrata Jones
1135:2005: An opera,
1070:On the Perimeter
965:National Theatre
429:
428:
423:
422:
404:Scythian Archers
343:sexual relations
328:classical Athens
317:
314:
311:
308:
305:
297:
296:
285:
284:
281:
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153:Corinthian Woman
136:Five Young Women
44:
38:Aubrey Beardsley
36:Illustration by
33:
21:
20:
4079:
4078:
4074:
4073:
4072:
4070:
4069:
4068:
4064:Women's strikes
4044:Satirical plays
3999:
3998:
3997:
3992:
3979:
3908:
3852:Afghanistan War
3803:Second Boer War
3779:
3773:
3597:
3420:
3274:
3220:Peace education
3103:Peace advocates
3098:
3089:
3059:
3054:
3037:
3010:
2983:
2909:
2898:
2868:
2863:
2778:
2772:
2728:
2701:text in English
2654:Full script of
2648:Perseus Project
2642:in English (by
2636:
2631:
2614:
2613:
2609:
2600:
2596:
2583:
2582:
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2331:
2330:
2326:
2316:
2314:
2297:
2293:
2282:
2278:
2264:
2260:
2254:Wayback Machine
2245:
2241:
2222:
2218:
2207:
2205:
2196:
2191:
2187:
2174:
2170:
2159:
2157:
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2069:
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2011:
2007:
1998:
1994:
1983:
1979:
1968:
1964:
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1426:
1414:
1409:
1394:Ian C. Johnston
1339:Douglass Parker
1282:
1235:2016: Animator
1188:Radu Mihăileanu
1002:Gunnel Lindblom
933:George Marshall
908:Richard Mohaupt
899:in London with
879:wrote his play
872:
777:
753:
491:Peace of Nicias
464:
408:promiscuous sex
373:
369:
315:
312:
309:
306:
244:
240:
200:
196:
168:
139:
77:
50:
43:
42:
17:
12:
11:
5:
4077:
4067:
4066:
4061:
4056:
4051:
4046:
4041:
4036:
4031:
4026:
4021:
4019:Censored books
4016:
4011:
4009:Anti-war plays
3994:
3993:
3991:
3990:
3984:
3981:
3980:
3978:
3977:
3972:
3967:
3965:United Kingdom
3962:
3957:
3952:
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3631:
3626:
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3611:
3605:
3603:
3599:
3598:
3596:
3595:
3590:
3588:Women in Black
3585:
3584:
3583:
3573:
3568:
3563:
3558:
3553:
3548:
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3408:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3358:
3353:
3351:Green politics
3348:
3343:
3338:
3333:
3328:
3323:
3321:Antimilitarism
3318:
3313:
3308:
3307:
3306:
3301:
3296:
3288:
3282:
3280:
3276:
3275:
3273:
3272:
3267:
3262:
3257:
3252:
3247:
3242:
3237:
3232:
3227:
3225:Peace movement
3222:
3217:
3215:Peace congress
3212:
3207:
3202:
3200:Peace churches
3197:
3192:
3187:
3182:
3177:
3172:
3167:
3162:
3157:
3155:ECOPEACE Party
3152:
3147:
3145:Counterculture
3142:
3137:
3132:
3127:
3122:
3117:
3112:
3106:
3104:
3100:
3099:
3096:peace movement
3088:
3087:
3080:
3073:
3065:
3056:
3055:
3049:
3047:
3043:
3042:
3039:
3038:
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3027:
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3016:
3012:
3011:
3009:
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2991:
2989:
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2973:
2965:
2957:
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2897:
2896:
2889:
2882:
2874:
2865:
2864:
2862:
2861:
2854:
2847:
2840:
2833:
2826:
2819:
2812:
2805:
2798:
2791:
2788:The Acharnians
2783:
2780:
2779:
2771:
2770:
2763:
2756:
2748:
2742:
2741:
2725:
2712:
2704:
2695:
2677:
2667:Excerpts from
2664:
2661:Edward Einhorn
2659:as adapted by
2651:
2635:
2634:External links
2632:
2630:
2629:
2607:
2594:
2576:
2554:
2532:
2506:
2484:
2468:
2450:
2424:
2398:
2372:
2359:"Contributors"
2350:
2324:
2291:
2276:
2258:
2239:
2216:
2185:
2168:
2137:
2114:The Acharnians
2106:
2093:
2078:
2076:lines 725, 996
2063:
2050:
2035:
2020:
2005:
1992:
1977:
1975:lines 283, 368
1962:
1948:
1933:
1921:
1906:
1891:
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1401:David Stuttard
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1355:
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1346:Germaine Greer
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1141:, composed by
1133:
1126:Lysistrata 100
1122:
1109:
1102:
1085:
1066:
1065:as Lysistrata.
1045:
1010:
1009:
994:Bibi Andersson
980:Mai Zetterling
976:
952:
915:
904:
893:
886:
871:
868:
867:
866:
838:
831:ta parakeímena
816:
812:The Acharnians
776:
773:
752:
751:Interpretation
749:
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731:
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715:
709:
703:
691:
681:
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437:The debate or
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313:army disbander
186:
185:
174:
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156:Reconciliation
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34:
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4007:
4006:
4004:
3989:
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3970:United States
3968:
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3830:War on Terror
3828:
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3786:War of 1812 (
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3716:Peacebuilding
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3654:Draft evasion
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3634:De-escalation
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3536:Peace One Day
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3341:Direct action
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3319:
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3309:
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3299:Anarcho-punks
3297:
3295:
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3289:
3287:
3284:
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3265:War resisters
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2953:Şalvar Davası
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2851:Assemblywomen
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2691:0-912424-07-9
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2363:wordpress.com
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2313:on 3 May 2018
2312:
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2255:
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2214:lines 476–607
2203:
2199:
2194:
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2182:
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2116:, Wikisource
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2048:lines 785–820
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2017:
2015:
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1996:
1989:
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1981:
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1958:
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1943:
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1889:lines 1247–61
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1319:Arthur S. Way
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1299:At Wikisource
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1265:2024: Writer
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1050:Şalvar Davası
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929:Henry Mancini
926:
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877:John Fletcher
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661:
658:
655:
652:
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621:
620:nouveau riche
618:Theogenes: A
617:
614:
611:
608:
604:
602:
601:
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595:
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587:
583:
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557:
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547:
543:
540:
537:
536:
535:
533:
524:
520:
516:
515:
511:411 BC: Both
510:
507:
503:
499:
496:
492:
488:
487:
482:
479:
475:
474:
469:
468:
467:
459:
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417:
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236:
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171:
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135:
132:
129:
126:
124:Two Layabouts
123:
120:
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111:
108:
105:
102:
99:
96:
93:
90:
87:
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63:
60:
57:
53:
47:
41:
39:
32:
27:
22:
19:
4059:Women in war
3813:World War II
3669:Flower power
3521:
3361:Isolationism
3235:Peace treaty
3029:
3021:
3002:
2994:
2975:
2967:
2959:
2951:
2943:
2935:
2927:
2905:
2904:
2901:Aristophanes
2856:
2849:
2842:
2835:
2829:
2828:
2821:
2814:
2807:
2800:
2793:
2786:
2776:Aristophanes
2733:
2716:
2706:
2698:
2684:
2680:
2668:
2655:
2644:Jack Lindsay
2624:the original
2619:
2610:
2602:
2597:
2588:
2579:
2566:
2557:
2545:Bacchicstage
2544:
2535:
2523:. Retrieved
2519:the original
2509:
2496:
2493:"Lysistrata"
2487:
2479:
2471:
2453:
2441:. Retrieved
2427:
2415:. Retrieved
2401:
2391:10 September
2389:. Retrieved
2383:. Newsweek.
2375:
2362:
2353:
2341:. Retrieved
2327:
2315:. Retrieved
2311:the original
2304:
2294:
2285:
2279:
2266:
2261:
2242:
2227:
2219:
2206:. Retrieved
2192:
2188:
2180:
2176:
2175:Quintilian,
2171:
2158:. Retrieved
2144:
2140:
2135:lines 557-71
2127:. Retrieved
2113:
2109:
2101:
2096:
2086:
2081:
2071:
2066:
2058:
2053:
2043:
2038:
2028:
2023:
2013:
2008:
2000:
1995:
1985:
1980:
1970:
1965:
1956:
1951:
1941:
1936:
1928:
1924:
1914:
1909:
1899:
1894:
1884:
1879:
1869:
1864:
1856:
1852:
1842:
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1822:
1814:
1810:
1802:
1798:
1790:
1786:
1776:
1771:
1761:
1756:
1746:
1741:
1736:lines 391-93
1731:
1726:
1718:
1714:
1706:
1702:
1692:
1687:
1677:
1672:
1667:lines1138-44
1662:
1657:
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1642:
1632:
1627:
1619:
1615:
1605:
1600:
1590:
1585:
1575:
1570:
1565:lines 457-58
1557:. Retrieved
1543:
1539:
1525:
1515:
1508:
1498:
1491:
1479:. Retrieved
1465:
1461:
1457:
1449:
1444:
1436:
1431:
1329:Dudley Fitts
1312:Jack Lindsay
1287:
1271:
1253:
1246:
1240:
1227:
1191:
1175:, edited by
1170:
1153:
1136:
1125:
1116:
1092:
1081:
1080:to women of
1069:
1059:Kartal Tibet
1057:of director
1054:
1048:
1041:
1028:
1017:
1005:
989:
983:
958:
941:George Nader
937:Jeanne Crain
922:
918:
911:
880:
860:
848:
840:
830:
826:
818:
810:
807:Lysistrata's
806:
800:
794:
790:
779:
778:
768:
766:
756:
754:
744:
742:
697:
645:
636:
630:
623:
619:
599:
593:
571:
562:Aristogeiton
531:
528:
518:
512:
494:
484:
471:
465:
456:
452:
448:
444:
438:
436:
432:
401:
397:
390:
379:
375:
354:
340:
324:Aristophanes
299:
191:
190:
189:
59:Aristophanes
45:
35:
18:
3960:Switzerland
3945:Netherlands
3818:Vietnam War
3808:World War I
3679:Human Be-In
3416:World peace
3381:Nonviolence
3346:Finvenkismo
3326:Appeasement
3240:Peaceworker
2914:Adaptations
2795:The Knights
2208:10 February
2160:10 February
2129:10 February
1960:lines 42–48
1828:The Apology
1697:line 489-91
1682:lines 801-4
1559:10 February
1481:10 February
1371:Sarah Ruden
1295:Oscar Wilde
1094:The Postman
935:, starring
890:Paul Lincke
712:Pherecrates
664:Thermopylae
654:Cleomenes I
613:Cleisthenes
572:Pericleides
473:The Knights
288:Attic Greek
176:Before the
4003:Categories
3925:Costa Rica
3711:Peace walk
3523:Peace News
3401:Satyagraha
3386:Pacificism
3376:Nonkilling
3290:Anarchism
3279:Ideologies
3195:Peace camp
3031:Lysistrata
2961:Lisístrata
2906:Lysistrata
2830:Lysistrata
2802:The Clouds
2734:Lysistrata
2717:Lysistrata
2699:Lysistrata
2669:Lysistrata
2656:Lysistrata
2525:8 November
2443:4 February
2417:23 October
2193:Lysistrata
2145:Lysistrata
2087:Lysistrata
2072:Lysistrata
2044:Lysistrata
2029:Lysistrata
2014:Lysistrata
1986:Lysistrata
1971:Lysistrata
1942:Lysistrata
1915:Lysistrata
1900:Lysistrata
1885:Lysistrata
1870:Lysistrata
1843:Lysistrata
1777:Lysistrata
1762:Lysistrata
1747:Lysistrata
1732:Lysistrata
1693:Lysistrata
1678:Lysistrata
1663:Lysistrata
1648:Lysistrata
1633:Lysistrata
1620:Lysistrata
1606:Lysistrata
1591:Lysistrata
1576:Lysistrata
1544:Lysistrata
1462:Lysistrata
1424:References
1377:Paul Roche
1260:sex strike
1193:The Source
1143:Mark Adamo
1089:David Brin
1082:Lysistrata
1055:Lysistrata
1029:Lysistrata
1018:Lysistrata
1006:Lysistrata
969:South Bank
919:Lysistrata
845:Quintilian
827:Lysistrata
780:Lysistrata
775:Old Comedy
769:Lysistrata
757:Lysistrata
539:Korybantes
532:Lysistrata
519:Lysistrata
495:Lysistrata
351:Old Comedy
300:Lysistrátē
294:Λυσιστράτη
192:Lysistrata
133:Stratyllis
130:Two Diners
127:Doorkeeper
100:Magistrate
88:Lysistrata
82:Characters
55:Written by
24:Lysistrata
3913:Countries
3894:Landmines
3882:in Russia
3840:Criticism
3649:Desertion
3135:Code Pink
2945:The Girls
2844:The Frogs
2823:The Birds
2809:The Wasps
2497:upenn.edu
2267:The Girls
2091:line 1421
1859:line 1301
1793:line 1183
1766:line 1092
1721:line 1556
1719:The Birds
1709:lines 395
1637:line 1153
1610:line 1094
1247:Lysisrata
1224:Spike Lee
1190:directed
1177:Russ Kick
1149:in March.
1061:starring
1040:'s album
990:The Girls
985:Flickorna
949:wild west
945:Bert Lahr
875:c. 1611:
853:proboulos
823:parabasis
819:Parabasis
796:The Frogs
706:Euripides
694:Aeschylus
674:Artemisia
647:The Wasps
637:The Birds
625:The Wasps
600:The Birds
582:Myronides
393:Acropolis
184:, 411 BCE
178:Propylaea
74:Old women
3988:Category
3845:Protests
3835:Iraq War
3738:Teach-in
3391:Pacifism
3092:Anti-war
2988:Musicals
2977:Prologue
2739:LibriVox
2571:Archived
2549:Archived
2501:Archived
2463:Archived
2437:Archived
2411:Archived
2385:Archived
2367:Archived
2343:22 April
2337:Archived
2250:Archived
2202:Archived
2154:Archived
2123:Archived
2033:line 679
2018:line 361
1990:line 158
1946:line 188
1919:line 520
1904:line 675
1874:line 274
1847:line 270
1832:section
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1751:line 621
1652:line 633
1622:line 619
1595:line 558
1580:line 507
1553:Archived
1531:scholium
1475:Archived
1412:See also
1242:Prologue
1226:'s film
1164:Broadway
1130:Dionysia
1063:Müjde Ar
764:others.
722:Hipponax
660:Leonidas
483:421 BC:
470:424 BC:
412:Sabazius
318:) is an
103:Cinesias
94:Myrrhine
91:Calonice
3930:Germany
3561:Symbols
3507:Museums
3046:Related
2969:Chi-Raq
2317:8 March
1781:line 63
1396:, verse
1348:, prose
1341:, verse
1321:, verse
1314:, verse
1307:, verse
1229:Chi-Raq
956:musical
914:(1957).
718:Bupalus
586:Phormio
556:Hippias
450:begin.
382:Spartan
307:
173:Setting
150:Ismenia
110:Spartan
97:Lampito
71:Old men
3935:Israel
3920:Canada
3659:Die-in
3609:Bed-in
3356:Hippie
3286:Ahimsa
3053:(2003)
3034:(2005)
3026:(1823)
3015:Operas
3007:(2011)
2999:(1961)
2980:(2015)
2972:(2015)
2964:(2002)
2956:(1983)
2948:(1968)
2940:(1955)
2932:(1954)
2858:Plutus
2689:
1399:2010,
1392:2008,
1382:2005,
1375:2004,
1369:2003,
1344:1972,
1337:1963,
1327:1954,
1317:1934,
1310:1925,
1303:1924,
1207:2012:
1198:French
1186:2011:
1152:2011:
1087:1985:
1068:1984:
1047:1983:
1038:Utopia
1036:1982:
917:1956:
857:pnigos
576:helots
478:Lenaia
416:Adonis
112:Herald
65:Chorus
40:, 1896
3955:Sudan
3950:Spain
3940:Japan
3556:Songs
3541:Plays
3457:Films
3437:Books
3396:Peace
3255:Unity
2921:Films
2816:Peace
1929:Iliad
1857:Wasps
1815:Birds
1803:Peace
1791:Wasps
1707:Peace
862:Iliad
849:agons
745:Birds
734:Timon
728:Micon
688:Iliad
684:Homer
631:Peace
594:Peace
568:Cimon
546:herms
486:Peace
345:in a
3094:and
2687:ISBN
2527:2007
2445:2016
2419:2015
2393:2012
2345:2007
2319:2008
2272:IMDb
2236:–17.
2210:2009
2162:2009
2131:2009
1561:2009
1483:2009
1000:and
943:and
841:Agon
799:and
634:and
597:and
517:and
439:agon
414:and
367:Plot
304:lit.
144:Mute
106:Baby
3432:Art
2270:at
2234:213
1464:in
1269:'s
1072:by
971:to
322:by
239:or
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3792:US
3790:;
3788:UK
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205:aɪ
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