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Lyric poetry

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which aimed for extreme minimalism along with numerous other experimental verse movements throughout the remainder of the 20th century, up into today where these questions of what constitutes poetry, lyrical or otherwise, are still being discussed but now in the context of hypertext and multimedia as
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Lyric in European literature of the medieval or Renaissance period means a poem written so that it could be set to music—whether or not it actually was. A poem's particular structure, function, or theme might all vary. The lyric poetry of Europe in this period was created by the pioneers of courtly
1105:. Because such works were typically sung, it was also known as melic poetry. The lyric or melic poet was distinguished from the writer of plays (although Athenian drama included choral odes, in lyric form), the writer of 1822:
In the 18th century, lyric poetry declined in England and France. The atmosphere of literary discussion in the English coffeehouses and French salons was not congenial to lyric poetry. Exceptions include the lyrics of
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in order to match lyrics with interchangeable tunes that followed a standard pattern of rhythm. Although much modern lyric poetry is no longer song lyrics, the rhythmic forms have persisted without the music.
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Lyric poetry dealing with relationships, sex, and domestic life constituted the new mainstream of American poetry in the middle of the 20th century, following such movements as the
1227:) wrote lyric poetry, which was instead read or recited. What remained were the forms, the lyric meters of the Greeks adapted to Latin. Catullus was influenced by both archaic and 2680: 1461:, "a love lyric based essentially on a fictitious relationship between a knight and his high-born lady". Initially imitating the lyrics of the French troubadours and trouvĂšres, 2048:
In the earlier years of the 20th century rhymed lyric poetry, usually expressing the feelings of the poet, was the dominant poetic form in the United States, Europe, and the
1269:), with their personal phrasing and feeling, may be the thematic ancestor of much medieval, Renaissance, Romantic, and modern lyric poetry, but these works were composed in 1990:
exemplified a rise of lyric poetry during the 18th and early 19th centuries. The Swedish "Phosphorists" were influenced by the Romantic movement and their chief poet
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Lyric poetry was popular with the German reading public between 1830 and 1890, as shown in the number of poetry anthologies published in the period. According to
1000:– two syllables, with the long or stressed syllable followed by the short or unstressed syllable. In English, this metre is found almost entirely in lyric poetry. 1865:, Louis chevalier de Jaucourt described lyric poetry of the time as "a type of poetry totally devoted to sentiment; that's its substance, its essential object". 1516:. In 1327, according to the poet, the sight of a woman called Laura in the church of Sainte-Claire d'Avignon awoke in him a lasting passion, celebrated in the 1435:, travelling composers and performers of songs, began to flourish towards the end of the 11th century and were often imitated in successive centuries. 2099:, who rejected the English lyric form of the 19th century, feeling that it relied too heavily on melodious language, rather than complexity of thought. 971:
based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long syllable – which is required for
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returned to the lyric, advocating a poetry that made conventional use of rhyme, meter, and stanzas, and was modestly personal in the lyric tradition.
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France also saw a revival of the lyric voice during the 19th century. The lyric became the dominant mode of French poetry during this period. For
3195: 1367:. Formally, it consists of a short lyric composed in a single meter with a single rhyme throughout. The subject is love. Notable authors include 2679:. Encyclopedia of Diderot & d'Alembert. Translated by Collaborative Translation Project. University of Michigan Library. 20 December 2004. 1746:("long song") was a lyric poem popular in this era. It alternated five and seven-syllable lines and ended with an extra seven-syllable line. 925:, a seven-stringed lyre (hence "lyric"). It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also 1892:
lyric poetry consisted of first-person accounts of the thoughts and feelings of a specific moment; the feelings were extreme but personal.
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which expresses personal emotions or feelings, typically spoken in the first person. The term for both modern lyric poetry and modern
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In Europe, the lyric emerged as the principal poetic form of the 19th century and came to be seen as synonymous with poetry.
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lyric was more linguistically self-conscious and defensive than the Romantic forms had been. Such Victorian lyric poets include
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were poet-composers who were roughly contemporary with and influenced by the troubadours but who composed their works in the
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writing more sonnets than any other British poet. Other important Romantic lyric writers of the period include
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The relevance and acceptability of the lyric in the modern age was, though, called into question by
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for his lyric poetry; Yeats compared him to the troubadour poets when the two met in 1912.
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Spanish devotional poetry adapted the lyric for religious purposes. Notable examples were
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soon established a distinctive tradition. There was also a large body of medieval
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was a professional-grade, medium-voiced (‘tenor’ / ‘baritone’) instrument in the
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Games of Venus: An anthology of Greek and Roman erotic verse from Sappho to Ovid
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are often simple songs in lyrical language expressing emotions of love for the
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Some forms have a combination of meters, often using a different meter for the
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Lyrical poetry was the dominant form of 17th century English poetry from
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Poetic Designs: An introduction to meters, verse forms, and figures of speech
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was the last example of lyric poetry "successful on a mass scale" in Europe.
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were well-established writers of Sanqu. Against the usual tradition of using
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Encyclopedia of Diderot & d'Alembert - Collaborative Translation Project
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was introduced to European poetry in the early 19th century by the Germans
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produced many lyric poems. Italian lyric poets of the period include
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is also considered the greatest Portuguese lyric poet of the period.
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Trovadores e Jograis: Introdução à poesia medieval galego-portuguesa
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homeland of the traditional four-character verses collected in the
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had a precise technical meaning: Verse that was accompanied by a
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Nineteenth-Century French Poetry: Introductions to close reading
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The Cambridge Introduction to Twentieth-Century American Poetry
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Greek verse and belonged to a group of Roman poets called the
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Of Poetry and Song: Approaches to the nineteenth-century lied
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Slinn, E. Warwick (26 October 2000). Bristow, Joseph (ed.).
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Vers Libre: The emergence of free verse in France, 1886–1914
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The Cambridge Companion to English Poetry, Donne to Marvell
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was a Japanese lyric poet during this period. In Diderot's
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A Companion to German Literature: From 1500 to the present
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was a Chinese poetic genre popular from the 12th-century
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provided more rhythm and greater latitude of expression.
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A Concise Companion to Twentieth-Century American Poetry
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principally limited to song lyrics, or chanted verse.
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defined a new form of poetry that came from the exotic
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Historical Records: Biography of Qu Yuan Jia Shengform
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largely without reference to the classical past. The
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poetry and the beginning of Renaissance love lyric.
2832: 2830: 1273:and so were not lyric poetry in the ancient sense. 3700:Early-modern women (England, Wales, Great Britain) 1128:deemed especially worthy of critical study. These 3085: 3081:. Vol. 17 (11th ed.). pp. 180–181. 2629:Wilson, Albert, Sir (1957). Lindsay, J.O. (ed.). 2525: 2227:. Indianapolis, IN: Hackett Publishing. pp.  951:among three broad categories of poetry: lyrical, 3780: 2827: 2929:Literature of the World: An introductory study' 2868:Melancholy Dialectics: Walter Benjamin and the 1942:exemplified the German Romantic revival of the 2926: 2700: 2698: 2482:: Cambridge University Press. pp. 39–40. 2388:] (in Chinese). Vol. 1. Beijing, CN: 2137:or "open field" composition as represented by 1602:, this poetry was composed in the vernacular. 3122: 3004: 3002: 2779: 2595: 2593: 2582: 2575: 2463:: University of Rochester Press. p. 221. 2428:" has a style of deep grief and anger. : 2390: 2367: 859: 2657:: CS1 maint: multiple names: authors list ( 2306:Greek Lyric Poetry: From Alcman to Simonides 2303: 2836: 2757:The Cambridge Companion to Victorian Poetry 2707:Encyclopedia of the Romantic Era, 1760–1850 2695: 2511:: Oxford University Press. pp. 15–16. 2476:The Cambridge Introduction to French Poetry 2361: 2359: 1839:. German lyric poets of the period include 1189: 1113:verses (which were recited), the writer of 3129: 3115: 3017:: Cambridge University Press. p. 49. 2999: 2759:. Cambridge University Press. p. 56. 2637:: Cambridge University Press. p. 73. 2608:: Cambridge University Press. p. xi. 2590: 1806:; in Japan, this was the era of the noted 1164:(metrically identical to the strophe) and 994:followed by the long or stressed syllable. 866: 852: 2845:: Cambridge University Press. p. 3. 2807:German Realists in the Nineteenth Century 2985:: Oxford University Press. p. 496. 2951: 2901: 2356: 2224:Greek Lyric: An anthology in translation 1872: 1044: 877: 3089:Lyrics of the Middle Ages: An anthology 3037: 2729: 2537:Medieval German Literature: A companion 2322: 1802:. A German lyric poet of the period is 979:The most common meters are as follows: 14: 3781: 2976: 2804: 2704: 2628: 2559: 2220: 2102:After World War II, the American 2068:used the lyric form. The Bengali poet 1729:. Although better known for his epic 1132:and classical musician-poets included 3110: 3065: 3008: 2931:. Kessinger Publishing. p. 348. 2784:. Blackwell Publishing. p. 149. 2754: 2709:. Taylor & Francis. p. 700. 2599: 2564:(in Portuguese). Lisbon, PT: Caminho. 2312:: Oxford University Press. p. 3. 2266: 2195: 2113:of the 1950s and 1960s, who included 967:Much lyric poetry depends on regular 3042:. Blackwell Publishing. p. 63. 2927:Richardson, W.; et al. (2005). 2780:Sagarra, Eda; Skrine, Peter (1997). 2505:A Short History of French Literature 2473: 2454: 2347: 2325:The Meters of Greek and Latin Poetry 2248:from the original on 17 October 2023 1675:. Favorite poets of the school were 1184:poets of the classical period, only 2956:. Blackwell Publishing. p. 9. 2865: 2502: 24: 3136: 3059: 2906:. Walter de Gruyter. p. 282. 2534: 2327:. Hackett Publishing. p. 16. 25: 3800: 2954:Twentieth-Century American Poetry 2879:University of Massachusetts Press 2837:Prendergast, Christopher (1990). 2705:Murray, Christopher John (2004). 2683:from the original on 2 April 2015 2535:S., Johnson; et al. (2000). 2323:Halporn, J.; et al. (1994). 2056:and their contemporaries such as 1341:Originating in 10th century 1336: 3762: 2631:The New Cambridge Modern History 1663:, and began imitating classical 943:The term owes its importance in 835: 42: 3086:Wilhelm, James J., ed. (1990). 3031: 2970: 2945: 2920: 2895: 2859: 2798: 2773: 2748: 2723: 2665: 2622: 2568: 2553: 2539:. Routledge. pp. 224–225. 2496: 2467: 2448: 2386:A History of Chinese Literature 2271:. Broadview Press. p. 55. 2200:. Oxford, UK: Clarendon Press. 2129:, Organic Verse represented by 2037: 2022:. Japanese lyric poets include 1868: 1817: 1749: 1605: 1423:, who called Hafiz his "twin". 1327:. The varying forms of the new 1152:extended the metrical forms in 990:, with the short or unstressed 2952:MacGowan, Christopher (2004). 2455:Thym, J.; et al. (2010). 2348:Bing, P.; et al. (1991). 2341: 2316: 2297: 2285: 2260: 2214: 2189: 2156: 2010:. Spanish lyric poets include 13: 1: 3092:. New York, NY: Garland Pub. 2183: 2146:it is used via the Internet. 1899:was revived in Britain, with 1064: 947:to the division developed by 2503:Kay, S; et al. (2006). 2292:Staatliche Antikensammlungen 2149: 1919:. Later in the century, the 1172:match that of the strophe). 1040: 7: 3009:Beach, Christopher (2003). 1992:Per Daniel Amadeus Atterbom 1441:northern dialects of France 10: 3805: 2352:. New York, NY: Routledge. 2171: 2041: 1841:Johann Wolfgang von Goethe 1586:. Early 14th century 1560:. Notable authors include 1280: 1237:("New Poets") who spurned 1180:Among the major surviving 1078: 1035: 1006:– Two unstressed syllables 3758: 3687: 3494: 3148: 3102:– via Google Books. 3038:Fredman, Stephen (2005). 2813:: MIT Press. p. 56. 2734:. Routledge. p. ix. 2730:Bygrave, Stephen (1996). 2583: 2576: 2560:Tavani, Giuseppe (2002). 2440: 2435: 2420:Guangxi Normal University 2391: 2368: 2044:20th century lyric poetry 1715:Sor Juana InĂ©s de la Cruz 1610:In 16th-century Britain, 1467:Galician-Portuguese lyric 1074: 962: 895:Thomas Jefferson Building 2902:Jakobson, Roman (1981). 2811:Cambridge, Massachusetts 2378: 1283:Classical Chinese poetry 1276: 915:Ancient Greek literature 3078:EncyclopĂŠdia Britannica 2977:Foster, Robert (1998). 2805:LukĂĄcs, György (1993). 2267:Adams, Stephen (1997). 2221:Miller, Andrew (1996). 2123:Black Mountain movement 2097:William Carlos Williams 1946:tradition initiated by 1905:Samuel Taylor Coleridge 1175: 913:derives from a form of 3072:"Lyrical Poetry"  2600:Corns, Thomas (1993). 2373:; et al. (1992). 2012:Gustavo Adolfo BĂ©cquer 1940:Joseph von Eichendorff 1885: 1241:following the lead of 1190: 1156:to a triad, including 1071: 898: 3067:Gosse, Edmund William 2875:Boston, Massachusetts 2304:Bowra, Cecil (1961). 2196:Scott, Clive (1990). 2172:Further information: 2042:Further information: 1965:Des Knaben Wunderhorn 1876: 1695:. They also produced 1582:through to the early 1293:Warring States period 1048: 881: 842:Literature portal 27:Formal type of poetry 2866:Max, Pensky (1993). 2584:çš„ćˆ›äœœćŒ€ćˆ›äș†ć…ƒä»Łç†ć­Šćź¶èŻ—æ–‡ćˆ›äœœçš„ć…ˆæȳ。」 2074:William Butler Yeats 1925:Alfred Lord Tennyson 1913:Percy Bysshe Shelley 1880:'s 1842 portrait of 1723:Francisco de Medrano 1719:Garcilaso de la Vega 1660:grands rhĂ©toriqueurs 1651:Jean-Antoine de BaĂŻf 1641:, a group including 1576:Chinese Sanqu poetry 1475:singer-poets of the 1417:Von Hammer-Purgstall 905:is a formal type of 616:Groups and movements 2474:Shaw, Mary (2003). 2422:(www.gxnu.edu.cn). 2376:ZhƍngguĂł WĂ©nxuĂ© Shǐ 2070:Rabindranath Tagore 2008:Gabriele D'Annunzio 1853:Johann Heinrich Voß 1628:William Shakespeare 1485:Solomon ibn Gabirol 1124:created a canon of 891:Library of Congress 887:Henry Oliver Walker 235:Short prose fiction 138:Major written forms 3371:Pennsylvania Dutch 3015:Cambridge, England 2979:W.B. Yeats: A life 2843:Cambridge, England 2635:Cambridge, England 2606:Cambridge, England 2111:confessional poets 2020:JosĂ© de Espronceda 1977:Charles Baudelaire 1929:Christina Rossetti 1901:William Wordsworth 1886: 1882:William Wordsworth 1849:Friedrich Schiller 1671:forms such as the 1504:Giacomo da Lentini 1502:form pioneered by 1449:ChrĂ©tien de Troyes 1443:. The first known 1397:Farid al-Din Attar 1377:Auhadi of Maragheh 1072: 899: 729:Lists and outlines 205:Long prose fiction 3776: 3775: 3769:Poetry portal 2904:Selected Writings 2732:Romantic Writings 2410:on 4 October 2013 2062:Walter de la Mare 2032:Ishikawa Takuboku 2016:RosalĂ­a de Castro 1988:Aleksandr Pushkin 1711:John of the Cross 1647:Joachim du Bellay 1643:Pierre de Ronsard 1620:Sir Philip Sidney 1600:Classical Chinese 1168:(whose form does 876: 875: 628: 627: 483: 482: 290: 289: 16:(Redirected from 3796: 3789:Genres of poetry 3767: 3766: 3131: 3124: 3117: 3108: 3107: 3103: 3082: 3074: 3054: 3053: 3035: 3029: 3028: 3006: 2997: 2996: 2974: 2968: 2967: 2949: 2943: 2942: 2924: 2918: 2917: 2899: 2893: 2892: 2870:Play of Mourning 2863: 2857: 2856: 2834: 2825: 2824: 2802: 2796: 2795: 2777: 2771: 2770: 2752: 2746: 2745: 2727: 2721: 2720: 2702: 2693: 2692: 2690: 2688: 2669: 2663: 2662: 2656: 2648: 2626: 2620: 2619: 2597: 2588: 2587: 2586: 2585: 2580: 2579: 2578: 2572: 2566: 2565: 2557: 2551: 2550: 2532: 2523: 2522: 2500: 2494: 2493: 2471: 2465: 2464: 2452: 2446: 2445: 2443: 2442: 2438: 2437: 2433: 2432: 2417: 2415: 2406:. Archived from 2395: 2394: 2393: 2381: 2372: 2371: 2370: 2363: 2354: 2353: 2345: 2339: 2338: 2320: 2314: 2313: 2301: 2295: 2289: 2283: 2282: 2264: 2258: 2257: 2255: 2253: 2218: 2212: 2211: 2193: 2177: 2160: 2135:Projective verse 2050:British colonies 2004:Giovanni Pascoli 2000:Giacomo Leopardi 1895:The traditional 1837:Oliver Goldsmith 1788:Richard Lovelace 1630:popularized the 1489:Abraham ibn Ezra 1389:Khaqani Shirvani 1271:elegiac couplets 1193: 1126:nine lyric poets 1069: 1066: 868: 861: 854: 840: 839: 838: 494: 493: 301: 300: 202: 201: 46: 32: 31: 21: 3804: 3803: 3799: 3798: 3797: 3795: 3794: 3793: 3779: 3778: 3777: 3772: 3761: 3754: 3683: 3496: 3490: 3144: 3135: 3100: 3062: 3060:Further reading 3057: 3050: 3036: 3032: 3025: 3007: 3000: 2993: 2983:Oxford, England 2975: 2971: 2964: 2950: 2946: 2939: 2925: 2921: 2914: 2900: 2896: 2889: 2881:. p. 155. 2864: 2860: 2853: 2835: 2828: 2821: 2803: 2799: 2792: 2778: 2774: 2767: 2753: 2749: 2742: 2728: 2724: 2717: 2703: 2696: 2686: 2684: 2671: 2670: 2666: 2650: 2649: 2645: 2627: 2623: 2616: 2598: 2591: 2581: 2574: 2573: 2569: 2558: 2554: 2547: 2533: 2526: 2519: 2509:Oxford, England 2501: 2497: 2490: 2472: 2468: 2453: 2449: 2439: 2434: 2430: 2429: 2413: 2411: 2404: 2403:978-704016479-4 2396:. p. 632. 2389: 2382: 2379: 2366: 2364: 2357: 2346: 2342: 2335: 2321: 2317: 2310:Oxford, England 2302: 2298: 2290: 2286: 2279: 2265: 2261: 2251: 2249: 2242: 2241:978-087220291-7 2219: 2215: 2208: 2194: 2190: 2186: 2181: 2180: 2176: 2161: 2157: 2152: 2143:Language Poetry 2131:Denise Levertov 2072:was praised by 2046: 2040: 1973:Walter Benjamin 1938:, the verse of 1878:Benjamin Haydon 1871: 1820: 1796:Richard Crashaw 1752: 1707:Teresa of Ávila 1608: 1550:devotional song 1339: 1313:, far from the 1285: 1279: 1178: 1083: 1077: 1067: 1056:depicted on an 1043: 1038: 965: 945:literary theory 929:equivalent to 872: 836: 834: 767:Literary awards 633:Dramatic genres 374:science fiction 52:Oral literature 28: 23: 22: 15: 12: 11: 5: 3802: 3792: 3791: 3774: 3773: 3759: 3756: 3755: 3753: 3752: 3747: 3742: 3737: 3732: 3727: 3722: 3717: 3712: 3707: 3702: 3697: 3691: 3689: 3685: 3684: 3682: 3681: 3676: 3671: 3666: 3661: 3656: 3651: 3646: 3641: 3636: 3631: 3626: 3621: 3616: 3611: 3606: 3601: 3596: 3591: 3586: 3581: 3576: 3571: 3566: 3561: 3556: 3551: 3546: 3541: 3536: 3531: 3526: 3521: 3516: 3511: 3506: 3500: 3498: 3495:By nationality 3492: 3491: 3489: 3488: 3483: 3478: 3473: 3468: 3463: 3458: 3453: 3448: 3443: 3438: 3433: 3428: 3423: 3418: 3413: 3408: 3403: 3398: 3393: 3388: 3383: 3378: 3373: 3368: 3363: 3358: 3353: 3348: 3343: 3338: 3333: 3328: 3323: 3318: 3313: 3308: 3303: 3298: 3293: 3288: 3283: 3278: 3273: 3268: 3263: 3258: 3248: 3243: 3238: 3233: 3228: 3223: 3218: 3213: 3208: 3203: 3198: 3193: 3188: 3183: 3178: 3173: 3168: 3163: 3158: 3152: 3150: 3146: 3145: 3134: 3133: 3126: 3119: 3111: 3105: 3104: 3098: 3083: 3061: 3058: 3056: 3055: 3048: 3030: 3023: 2998: 2991: 2969: 2962: 2944: 2937: 2919: 2912: 2894: 2887: 2858: 2851: 2826: 2819: 2797: 2790: 2772: 2765: 2747: 2740: 2722: 2715: 2694: 2673:"Lyric Poetry" 2664: 2643: 2621: 2614: 2589: 2567: 2552: 2545: 2524: 2517: 2495: 2488: 2466: 2447: 2402: 2355: 2340: 2333: 2315: 2296: 2284: 2277: 2259: 2240: 2213: 2206: 2187: 2185: 2182: 2179: 2178: 2154: 2153: 2151: 2148: 2127:Robert Creeley 2083:poets such as 2066:Edmund Blunden 2054:Georgian poets 2052:. The English 2039: 2036: 2024:Taneda Santoka 1870: 1867: 1857:Kobayashi Issa 1829:William Cowper 1819: 1816: 1772:George Herbert 1768:Robert Herrick 1760:Andrew Marvell 1751: 1748: 1742:In Japan, the 1737:LuĂ­s de CamĂ”es 1624:Edmund Spenser 1612:Thomas Campion 1607: 1604: 1498:developed the 1385:Obeid e zakani 1355:consisting of 1338: 1337:Medieval verse 1335: 1311:Yangtze Valley 1281:Main article: 1278: 1275: 1177: 1174: 1087:ancient Greeks 1079:Main article: 1076: 1073: 1042: 1039: 1037: 1034: 1026: 1025: 1019: 1013: 1007: 1001: 995: 964: 961: 936:poetry, which 874: 873: 871: 870: 863: 856: 848: 845: 844: 831: 830: 829: 828: 823: 818: 813: 808: 803: 798: 790: 789: 779: 778: 777: 776: 775: 774: 764: 759: 754: 749: 744: 739: 731: 730: 726: 725: 724: 723: 718: 713: 708: 703: 695: 694: 688: 687: 686: 685: 680: 675: 670: 665: 664: 663: 658: 648: 643: 635: 634: 630: 629: 626: 625: 624: 623: 618: 613: 605: 604: 600: 599: 598: 597: 592: 587: 582: 577: 572: 567: 562: 557: 552: 547: 539: 538: 532: 531: 530: 529: 524: 519: 514: 509: 501: 500: 490: 489: 485: 484: 481: 480: 479: 478: 473: 468: 463: 458: 453: 448: 443: 438: 433: 432: 431: 426: 413: 412: 406: 405: 404: 403: 398: 393: 392: 391: 386: 381: 376: 371: 366: 361: 356: 351: 346: 341: 336: 326: 321: 316: 308: 307: 297: 296: 292: 291: 288: 287: 286: 285: 280: 275: 270: 265: 260: 255: 250: 245: 237: 236: 232: 231: 230: 229: 220: 215: 207: 206: 200: 199: 194: 189: 188: 187: 177: 172: 171: 170: 165: 155: 154: 153: 140: 139: 135: 134: 133: 132: 127: 126: 125: 120: 110: 105: 104: 103: 98: 93: 88: 83: 78: 73: 68: 55: 54: 48: 47: 39: 38: 26: 9: 6: 4: 3: 2: 3801: 3790: 3787: 3786: 3784: 3771: 3770: 3765: 3757: 3751: 3748: 3746: 3743: 3741: 3738: 3736: 3733: 3731: 3728: 3726: 3723: 3721: 3718: 3716: 3713: 3711: 3708: 3706: 3703: 3701: 3698: 3696: 3693: 3692: 3690: 3686: 3680: 3677: 3675: 3672: 3670: 3667: 3665: 3662: 3660: 3659:South African 3657: 3655: 3652: 3650: 3647: 3645: 3642: 3640: 3637: 3635: 3632: 3630: 3627: 3625: 3622: 3620: 3617: 3615: 3614:New Zealander 3612: 3610: 3607: 3605: 3602: 3600: 3597: 3595: 3592: 3590: 3587: 3585: 3582: 3580: 3577: 3575: 3572: 3570: 3567: 3565: 3562: 3560: 3557: 3555: 3552: 3550: 3547: 3545: 3542: 3540: 3537: 3535: 3532: 3530: 3527: 3525: 3522: 3520: 3517: 3515: 3512: 3510: 3507: 3505: 3502: 3501: 3499: 3493: 3487: 3484: 3482: 3479: 3477: 3474: 3472: 3469: 3467: 3464: 3462: 3459: 3457: 3454: 3452: 3449: 3447: 3444: 3442: 3439: 3437: 3434: 3432: 3429: 3427: 3424: 3422: 3419: 3417: 3414: 3412: 3409: 3407: 3404: 3402: 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3379: 3377: 3374: 3372: 3369: 3367: 3364: 3362: 3359: 3357: 3354: 3352: 3349: 3347: 3344: 3342: 3339: 3337: 3334: 3332: 3329: 3327: 3324: 3322: 3319: 3317: 3314: 3312: 3309: 3307: 3304: 3302: 3299: 3297: 3294: 3292: 3289: 3287: 3284: 3282: 3279: 3277: 3274: 3272: 3269: 3267: 3264: 3262: 3259: 3256: 3252: 3249: 3247: 3244: 3242: 3239: 3237: 3234: 3232: 3229: 3227: 3224: 3222: 3219: 3217: 3214: 3212: 3209: 3207: 3204: 3202: 3199: 3197: 3194: 3192: 3189: 3187: 3184: 3182: 3179: 3177: 3174: 3172: 3169: 3167: 3164: 3162: 3159: 3157: 3154: 3153: 3151: 3147: 3143: 3139: 3132: 3127: 3125: 3120: 3118: 3113: 3112: 3109: 3101: 3099:0-8240-7049-6 3095: 3091: 3090: 3084: 3080: 3079: 3073: 3068: 3064: 3063: 3051: 3049:1-4051-2002-9 3045: 3041: 3034: 3026: 3024:0-521-89149-3 3020: 3016: 3012: 3005: 3003: 2994: 2992:0-19-288085-3 2988: 2984: 2980: 2973: 2965: 2963:0-631-22025-9 2959: 2955: 2948: 2940: 2938:1-4179-9433-9 2934: 2930: 2923: 2915: 2913:90-279-7686-4 2909: 2905: 2898: 2890: 2888:1-55849-296-8 2884: 2880: 2876: 2872: 2869: 2862: 2854: 2852:0-521-34774-2 2848: 2844: 2840: 2833: 2831: 2822: 2820:0-262-62143-6 2816: 2812: 2808: 2801: 2793: 2791:0-631-21595-6 2787: 2783: 2776: 2768: 2766:0-521-64680-4 2762: 2758: 2751: 2743: 2741:0-415-13577-X 2737: 2733: 2726: 2718: 2716:1-57958-422-5 2712: 2708: 2701: 2699: 2682: 2678: 2674: 2668: 2660: 2654: 2646: 2644:0-521-04545-2 2640: 2636: 2632: 2625: 2617: 2615:0-521-42309-0 2611: 2607: 2603: 2596: 2594: 2571: 2563: 2556: 2548: 2546:0-415-92896-6 2542: 2538: 2531: 2529: 2520: 2518:0-19-815931-5 2514: 2510: 2506: 2499: 2491: 2489:0-521-00485-3 2485: 2481: 2480:Cambridge, UK 2477: 2470: 2462: 2461:Rochester, NY 2458: 2451: 2444: 2441:ćœąæˆæ‚Č愀深æȉäč‹éŁŽæ Œç‰čćŸă€‚ă€ 2427: 2421: 2409: 2405: 2399: 2387: 2383: 2377: 2362: 2360: 2351: 2344: 2336: 2334:0-87220-243-7 2330: 2326: 2319: 2311: 2307: 2300: 2293: 2288: 2280: 2278:1-55111-129-2 2274: 2270: 2263: 2247: 2243: 2237: 2233: 2231: 2226: 2225: 2217: 2209: 2207:9780198151593 2203: 2199: 2192: 2188: 2175: 2169: 2165: 2159: 2155: 2147: 2144: 2140: 2139:Charles Olson 2136: 2132: 2128: 2124: 2120: 2116: 2112: 2107: 2105: 2104:New Criticism 2100: 2098: 2094: 2090: 2086: 2082: 2077: 2075: 2071: 2067: 2063: 2059: 2058:A. E. Housman 2055: 2051: 2045: 2035: 2033: 2029: 2028:Masaoka Shiki 2025: 2021: 2017: 2013: 2009: 2005: 2001: 1997: 1993: 1989: 1985: 1980: 1978: 1974: 1969: 1967: 1966: 1961: 1957: 1953: 1949: 1945: 1941: 1937: 1932: 1930: 1926: 1922: 1918: 1914: 1910: 1906: 1902: 1898: 1893: 1891: 1883: 1879: 1875: 1866: 1864: 1863: 1858: 1854: 1850: 1846: 1842: 1838: 1834: 1830: 1826: 1815: 1813: 1809: 1805: 1801: 1800:Henry Vaughan 1797: 1793: 1789: 1785: 1784:John Suckling 1781: 1777: 1773: 1769: 1765: 1761: 1757: 1747: 1745: 1740: 1738: 1734: 1733: 1728: 1724: 1720: 1716: 1712: 1708: 1703: 1701: 1700:sonnet cycles 1698: 1694: 1690: 1686: 1682: 1678: 1674: 1670: 1666: 1662: 1661: 1656: 1652: 1648: 1644: 1640: 1635: 1633: 1629: 1625: 1621: 1617: 1613: 1603: 1601: 1597: 1593: 1589: 1585: 1581: 1577: 1573: 1571: 1567: 1563: 1559: 1555: 1551: 1548: 1544: 1543: 1538: 1537: 1531: 1529: 1525: 1524: 1523:Il Canzoniere 1519: 1515: 1514: 1509: 1505: 1501: 1497: 1492: 1490: 1486: 1482: 1481:Yehuda Halevi 1478: 1474: 1470: 1468: 1464: 1460: 1459: 1454: 1450: 1446: 1442: 1438: 1434: 1430: 1424: 1422: 1418: 1414: 1410: 1406: 1402: 1398: 1394: 1390: 1386: 1382: 1381:Alisher Navoi 1378: 1374: 1370: 1366: 1362: 1359:that share a 1358: 1354: 1350: 1349: 1344: 1334: 1332: 1331: 1326: 1325: 1324:Book of Songs 1320: 1316: 1312: 1308: 1304: 1301:collected by 1300: 1299: 1294: 1290: 1284: 1274: 1272: 1268: 1267: 1262: 1261: 1256: 1252: 1248: 1244: 1240: 1236: 1235: 1230: 1226: 1225: 1220: 1216: 1212: 1208: 1204: 1200: 1196: 1192: 1187: 1183: 1173: 1171: 1167: 1163: 1159: 1155: 1151: 1147: 1143: 1139: 1135: 1131: 1127: 1123: 1120: 1116: 1112: 1108: 1104: 1100: 1096: 1092: 1088: 1082: 1063: 1059: 1055: 1051: 1047: 1033: 1031: 1023: 1020: 1017: 1014: 1011: 1008: 1005: 1002: 999: 996: 993: 989: 985: 982: 981: 980: 977: 974: 970: 960: 958: 954: 950: 946: 941: 939: 935: 932: 931:Ancient Greek 928: 924: 920: 916: 912: 908: 904: 896: 892: 888: 884: 880: 869: 864: 862: 857: 855: 850: 849: 847: 846: 843: 833: 832: 827: 824: 822: 819: 817: 814: 812: 809: 807: 804: 802: 799: 797: 794: 793: 792: 791: 788: 784: 781: 780: 773: 770: 769: 768: 765: 763: 760: 758: 755: 753: 750: 748: 745: 743: 740: 738: 735: 734: 733: 732: 728: 727: 722: 719: 717: 714: 712: 709: 707: 704: 702: 699: 698: 697: 696: 693: 690: 689: 684: 681: 679: 676: 674: 671: 669: 666: 662: 659: 657: 654: 653: 652: 649: 647: 644: 642: 639: 638: 637: 636: 632: 631: 622: 619: 617: 614: 612: 609: 608: 607: 606: 602: 601: 596: 593: 591: 588: 586: 583: 581: 578: 576: 573: 571: 568: 566: 563: 561: 558: 556: 553: 551: 548: 546: 543: 542: 541: 540: 537: 534: 533: 528: 525: 523: 520: 518: 515: 513: 510: 508: 505: 504: 503: 502: 499: 496: 495: 492: 491: 488:Poetry genres 487: 486: 477: 474: 472: 469: 467: 464: 462: 459: 457: 454: 452: 449: 447: 444: 442: 439: 437: 434: 430: 427: 425: 422: 421: 420: 417: 416: 415: 414: 411: 408: 407: 402: 399: 397: 394: 390: 387: 385: 382: 380: 377: 375: 372: 370: 367: 365: 362: 360: 357: 355: 352: 350: 347: 345: 342: 340: 339:coming-of-age 337: 335: 332: 331: 330: 327: 325: 322: 320: 317: 315: 312: 311: 310: 309: 306: 303: 302: 299: 298: 294: 293: 284: 281: 279: 276: 274: 271: 269: 268:Flash fiction 266: 264: 261: 259: 256: 254: 251: 249: 246: 244: 241: 240: 239: 238: 234: 233: 228: 224: 221: 219: 216: 214: 211: 210: 209: 208: 204: 203: 198: 195: 193: 190: 186: 183: 182: 181: 178: 176: 173: 169: 166: 164: 161: 160: 159: 156: 152: 149: 148: 147: 144: 143: 142: 141: 137: 136: 131: 128: 124: 121: 119: 116: 115: 114: 111: 109: 106: 102: 99: 97: 94: 92: 89: 87: 84: 82: 79: 77: 74: 72: 69: 67: 64: 63: 62: 59: 58: 57: 56: 53: 50: 49: 45: 41: 40: 37: 34: 33: 30: 19: 3760: 3709: 3088: 3076: 3039: 3033: 3010: 2978: 2972: 2953: 2947: 2928: 2922: 2903: 2897: 2871: 2867: 2861: 2838: 2806: 2800: 2781: 2775: 2756: 2750: 2731: 2725: 2706: 2685:. 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Retrieved 2229: 2223: 2216: 2197: 2191: 2158: 2115:Sylvia Plath 2108: 2101: 2078: 2047: 2038:20th century 1981: 1970: 1963: 1936:Georg LukĂĄcs 1933: 1894: 1887: 1869:19th century 1862:EncyclopĂ©die 1860: 1825:Robert Burns 1821: 1818:18th century 1812:Matsuo Bashƍ 1804:Martin Opitz 1780:Thomas Carew 1753: 1750:17th century 1743: 1741: 1730: 1727:Lope de Vega 1704: 1658: 1636: 1609: 1606:16th century 1596:Guan Hanqing 1574: 1553: 1540: 1534: 1532: 1528:courtly love 1521: 1517: 1511: 1493: 1471: 1462: 1456: 1444: 1429:courtly love 1425: 1408: 1401:Omar Khayyam 1346: 1340: 1328: 1322: 1319:Yellow River 1298:Songs of Chu 1296: 1286: 1264: 1258: 1232: 1222: 1179: 1169: 1091:lyric poetry 1084: 1027: 978: 966: 942: 937: 926: 903:lyric poetry 902: 900: 883:Lyric Poetry 882: 535: 401:Encyclopedic 379:supernatural 295:Prose genres 162: 151:closet drama 29: 3735:Speculative 3725:Performance 3529:Bangladeshi 3176:Azerbaijani 3149:By language 2294:(Inv. 2416) 2252:15 November 2141:, and also 2119:Anne Sexton 2089:T. 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Index

Lyric poem
Literature

Oral literature
Folklore
fable
fairy tale
folk play
folksong
heroic epic
legend
myth
proverb
Oration
Performance
audiobook
spoken word
Saying
Drama
closet drama
Poetry
lyric
narrative
Prose
Nonsense
verse
Ergodic
Electronic
Anthology
Serial

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