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211:. A low (80 to 130 centimetres (2.6 to 4.3 ft)) stone wall, built sometime between 1765 and 1793 to replace an earlier wooden fence, limit the cemetery to the south, east and west. The northern part of the wall is partially demolished and opens up to a newer section of the cemetery, established north of the old one in 1944. The cemetery has four entrances. The formerly northern limit of the old cemetery is marked by a row of
38:
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2018:
61:
517:. The wimperg above the portal depicts Christ enthroned, with one hand raised in a blessing and the other resting on a book. The sculptures are unusually well preserved, and a few of the figures still contain faint traces of original colour (black, red, and green). The sculptures show several similarities with those at
247:. The tower was erected during the first half of the 13th century. When the tower was built, the western wall of the nave was demolished so that the tower could be incorporated with the church building. The difference between the bases of the tower and the northern nave wall still indicate where the break was made. The
653:, four panes with architectural details and 15 with decorative foliage, all dating from the construction period of the chancel. The subject matter of the middle of the eastern chancel windows are the life of Christ. The northern half of the window contains scenes from the childhood of Christ until the
605:
1350 and decorate the chancel vault and its northern wall with large-scale figures. The paintings on the northern wall have been supplemented with other paintings from the 15th century. The second set of paintings date from around 1450 and adorn the walls of both the nave and the chancel. They depict
271:
of the former chancel was removed and reinstated in its present position as north entrance to the nave. The intention was probably to also rebuild the nave, but this was never done. The walls connecting the chancel and nave are still the provisional, thin walls without a marked base which were put in
335:
1 metre (3.3 ft) with the dual purpose of exposing the top part of the arch connecting the chancel with the nave, and installing a modern, fire-proof ceiling above the wooden ceiling. The walls of the nave and chancel were at the same time cleaned, and the medieval paintings found under layers
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The windows are in a High Gothic style, the figures depicted as slim and delicate, with loose clothes and rhythmically curly hair and beards. The overall composition is airy, with few overlaps between the different elements. The colours are dominated by the blue of the background and the red bands
369:
and of limestone of a different colour. The portals, bases and skirtings around some of the windows are of dressed limestone, as are the corners of the chancel and tower. In broad outlines, the nave and tower are
Romanesque in style while the chancel is Gothic. The disproportionate aspect of the
280:
The decorated wooden ceiling dates from the 18th century. The three windows of the nave probably all date from the 1850s and replaced earlier, much smaller windows. A major renovation of the interior of the church was carried out in 1891. The floors of the chancel and nave were renewed, and the
557:
with still original doors and flanked by two immured limestone capitals, probably also made by
Egypticus. The other niche on the same wall consists of three compartments and its doors probably date from the 1891 renovation. On the same wall is the entrance to the sacristy, between a simple
600:
The interior of Lye Church is decorated with medieval wall paintings from three separate periods. The paintings were covered with layers of whitewash during the 18th century and exposed and restored during the church renovation in the 1950s. The oldest set of paintings date from
425:
The tower portal has a round outer arch which consists of alternating red and grey limestone; the inner arch is made of grey, roughly hewn limestone. Immured as part of the southern post is a decorated stone container, which may originally have been intended as a
370:
church is derived from the fact that the rebuilding of the church during the Middle Ages was never finished, hence the later and larger chancel dominates the east end of the church. The shape, not uncommon among churches on
Gotland, has been compared to that of a
562:-shaped portal of limestone. In the church floor there are also several medieval gravestones, including one made for a local man called Jakob, who according to the inscription was killed by a cannonball while participating in a siege of
162:
as
Egypticus. The workshop was also responsible for constructing the largest of the church portals, which is also decorated with Gothic stone sculpture. The tower portal contains sculptures attributed to the Romanesque sculptor
492:
is decorated with sculpted flowers, and the capitals of the nested columns each contain a set of sculptures with the overarching theme being the childhood of Christ. The sculpted eastern capitals show, from left to right, the
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618:
or that workshop. The third set of paintings date from the second quarter of the 16th century and encompass two scenes on the southern wall of the nave. Only a few wall paintings of such late date are known from
Gotland.
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View towards the chancel. To the right is the pulpit, in the chancel arch hangs the triumphal cross, and inside the chancel the altarpiece, stained glass windows and the medieval tabernacle in the wall are all
255:
are from the second quarter of the 14th century and replaced an earlier chancel, constructed at the same time as the nave. They were built by a workshop operating on
Gotland which has been assigned the notname
377:
The tower is the most well-preserved
Romanesque part of the church. On the north and south side of the first storey there are galleries accessible from inside the tower, each with two openings in the form of
649:. They are also among the best preserved, and of the highest artisanal quality. Stained glass panes are preserved in the eastern and southern windows of the chancel. In total, there are 15 window panes with
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hanging under the chancel arch is a work from the late 15th century, possibly made by the same artist who made the altarpiece. It depicts Christ on the cross with black hair and beard and a green
665:
that separate the figures; the windows are comparatively paler and cooler in colour than earlier stained glass windows on
Gotland. The overall impression has been described by art historian
661:. The two windows on each side of the middle window, as well as the window in the southern wall of the chancel, contains depictions of individual saints and purely ornamental window panes.
340:
restored. Wall paintings from the 18th century were removed, and some of the furnishings renovated. The exterior was renovated and the presently visible roofs were put in place in 1968.
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which relates that it was donated to the church in 1496 by a farmer named Jon who lived in the parish. It is made of painted and gilded oak, and consists of a centrepiece, flanked by
422:: the western entrance in the base of the tower, the northern entrance to the nave and the southern entrance to the nave. The chancel portal is larger and more profusely decorated.
574:
in 1449. The walls of the church also contain a number of carvings in the surface of the wall, made in historic times. These include some pictorial, depicting among the subjects a
481:
The southern portal of the nave is constructed of alternating red and grey limestone. Its inner section consists of two pillars of convex cubic form supporting a round arch.
1024:
394:. There are three openings for the bell on each side of the square tower. All of them with have round arches and each opening is divided in two by a central, wooden column.
672:
It has been suggested that the glass windows were made by a workshop active in Visby. Roosval argued that the main stylistic influences for the windows in Lye came from
833:
293:. Central heating was installed in 1932. In 1939, the presently visible roof of the tower was installed, modeled after an earlier roof possibly designed by architect
1971:
1755:
859:. In 2019, Lye Church was one of the first 56 cultural heritage monuments on Gotland and in Sweden to be explicitly marked with the blue and white shield of the
386:
of these openings are made of alternating limestone and brick, an unusual construction material on
Gotland during the Middle Ages. The upper level contains the
478:. It appears to not be original to its position and may have been removed from the earlier, demolished chancel to its present location during the Middle Ages.
450:
or possible one dragon with two heads, a warrior with armour and weapons, and a horse. It has been suggested that the subject matter depicted is the story of
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room that opens toward the nave with a wide arch. The nave is rectangular, with a flat, wooden ceiling. The chancel is relatively large and high, lacks an
1397:"Färganalys av fem gotlandskyrkors portaler och muralmålningar [Analyses of paint from portals and murals in five Medieval churches on Gotland]"
474:
The northern portal of the nave is the smallest entrance to the church. Its round arched opening is constructed of alternating blocks of limestone and
154:, Sweden. The oldest parts of the church date from the last quarter of the 12th century, and the last major addition was the disproportionately large
2013:
including a five-minute video presenting a wide selection of Anders Söderlund's photographs of the church with details of the stained-glass windows
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but later used as building material. It has been roughly adjusted to fit into the church wall. The exposed sides are decorated with figures in low
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The chancel portal is the largest of the entrances, and Gothic in style. It is a comparatively richly decorated, pointed arch crowned by a
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and dating from 1779. Tempelman's designs were probably executed by builder Hans
Hesselby, who also constructed the roof of the tower at
257:
582:. As late as 2018, an earlier unknown runic inscription was discovered in the church; although its meaning remains unclear, it may be a
84:
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The interior is divided into three main rooms, and the sacristy. The westernmost room is the ground floor of the tower. It is a broad,
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545:, and has a vaulted ceiling. The nave and chancel are connected by a pointed limestone arch. The sacristy ceiling is supported by a
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219:. A small storage building, constructed sometime before 1846, lies in the northwestern part of the old part of the cemetery.
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enthroned while the long side, facing the exterior, depicts scenes which have been interpreted as (from left to right) two
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The western capitals of the chancel portal, depicting the Adoration of the Magi (left) and the Massacre of the Innocents
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1927:. Sveriges kyrkor, konsthistoriskt inventarium (in Swedish). Vol. 105. Stockholm: Esselte. pp. 3–95.
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The oldest part of the church, probably constructed during the last quarter of the 12th century, is the
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724:. The outsides of the wings are decorated with rather severely damaged paintings, depicting the saints
458:. The reliefs date from the 12th century and have been attributed to the Romanesque artist or workshop
514:
498:
1407:
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with the dead Christ in his arms, surrounded by angels. It is flanked by twelve statuettes of the
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in Stockholm. Two are former altarpieces, both damaged, one of which depicts the revelations of
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in the walls of the chancel. Of the two in the northern wall, one is most probably a medieval
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churches. Another large-scale renovation was done in 1954–55 under the guidance of architects
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Die Glasmalereien des Mittelalters in Skandinavien (Corpus vitrearum Medii Aevi Skandinavien)
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Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict
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855:, number 21300000002810 (sub-number: 21400000444058) in the buildings database of the
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Lye Church was built and to a large extent acquired its current appearance during the
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and individual saints within frames imitating architecture. These were made by the
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1970:(in German). Stockholm: Kungl. Vitterhets-, historie- och antikvitetsakademien (
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and have been described as some of the best examples of the art of Egypticus.
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331:. The main structural change was that the walls of the nave were heightened
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Jacobsson, Britta; Johansson, Eva; Johansson, Per; Andersson, Rolf (1990).
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A "kontrakt" within the Church of Sweden is approximately equivalent to a
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Churches converted from the Roman Catholic Church to the Church of Sweden
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509:. The western capitals contain scenes showing, from left to right, the
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1991:(in Swedish). Stockholm: Generalstabens litografiska anstalts förlag.
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Lye kyrka (in: Kyrkor på Gotland : Garde ting : södra delen)
1810:
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View of the chancel with the stained glass windows and the altarpiece
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lacks decoration and dates from the middle of the 13th century. The
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instead argued that the main influences came from northern Germany.
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Stone container with a Romanesque frieze immured in the tower portal
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207:, on south-eastern Gotland. The church lies surrounded by its old
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The walls of Lye Church are constructed of mainly grey, tufted
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231:. No major alterations have been made since the 14th century.
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One of the Romanesque galleries of the tower from the outside
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171:. Lye Church contains the largest preserved set of medieval
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657:, and the southern half scenes from the Passion until the
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Lye Church contains the largest preserved set of medieval
167:. The church has been little altered since the end of the
1972:
Royal Swedish Academy of Letters, History and Antiquities
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The church has four entrance portals. Three of these are
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300 metres (330 yd) south of the main road between
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in 1780. The earlier roof may have resembled those at
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Four medieval items from Lye Church are today in the
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1940:Svahnström, Gunnar (1973). Lagerlöf, Erland (ed.).
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Fornvännen. Journal of Swedish Antiquarian Research
1025:"GOTLAND LYE KYRKOGĂ…RDEN 1:1 - husnr 1, LYE KYRKA"
816:
215:and the younger part is bordered on all sides by
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779:. It was painted in 1726 with depictions of the
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1944:(in Swedish). Uddevalla: Rabén & Sjögren.
1885:Det Medeltida Gotland. En arkeologisk guidebok
1846:"Om kriget kommer – kulturegendom ska skyddas"
2044:
763:350 centimetres (140 in). The limestone
578:and 15th-century ships, as well as around 40
438:. The short side facing the door depicts the
183:is from 1496, and the church also contains a
1803:
190:
1748:
1394:
955:"Gotland kn, LYE KYRKOGĂ…RDEN 1:1 LYE KYRKA"
905:"Gotland kn, Lye kyrka kyrkomiljö, Gotland"
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1939:
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272:place in anticipation of further changes.
1965:
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802:. The other two items are a 13th-century
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390:, which dates from 1650 and was made in
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1986:
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1395:Nord, Anders G.; Tronner, Kate (2014).
382:separated by a small column. The outer
2617:
1887:(in Swedish). Lund: Historiska Media.
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1519:Thomsson, Cecilia (23 December 2018).
1494:
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1027:(in Swedish). Riksantikvarieämbetet (
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957:(in Swedish). Riksantikvarieämbetet (
907:(in Swedish). Riksantikvarieämbetet (
771:is marked with the date 1705 and the
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1906:. Västervik: Klarkullens förlag AB.
488:made of grey and red limestone. The
1837:
744:is painted with a depiction of the
655:Presentation of Jesus at the Temple
13:
1844:Larsson, Carl (16 November 2019).
1000:
809:, and a gilded Limoges enamel and
60:
14:
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2625:Romanesque architecture in Sweden
2004:
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42:Exterior view from the south-east
2640:Churches in the Diocese of Visby
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2016:
1959:
629:Medieval stained glass in Sweden
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36:
1871:
1521:"Fult ord oväntat fynd i kyrka"
1029:Swedish National Heritage Board
959:Swedish National Heritage Board
909:Swedish National Heritage Board
873:
857:Swedish National Heritage Board
817:Current use and heritage status
343:
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1:
2630:Gothic architecture in Sweden
890:
760:
602:
507:annunciation to the shepherds
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332:
196:
285:replaced with new ones. The
7:
1756:"Lye församling (SHM 5874)"
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348:
10:
2671:
2635:Churches in Gotland County
1876:
1781:"In English – Lunds stift"
1523:(in Swedish). Hela Gotland
708:carries an inscription in
669:as "incense for the eye".
626:
622:
593:
397:
222:
150:) is a medieval church on
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2583:
2085:
2077:List of medieval churches
2067:
2011:Lye kyrka (official site)
1921:Lagerlöf, Erland (1965).
1406:: 118–126. Archived from
515:Massacre of the Innocents
289:was replaced, as was the
191:Location and surroundings
125:
115:
81:
47:
35:
28:
23:
2650:Church frescos in Sweden
1987:Roosval, Johnny (1950).
1966:Andersson, Aron (1964).
866:
834:Sudertredingens kontrakt
759:. Its overall height is
1883:Andrén, Anders (2011).
853:ecclesiastical monument
800:Saint Bridget of Sweden
610:as well as scenes from
596:Church murals in Sweden
1760:Swedish History Museum
821:Lye Church belongs to
796:Swedish History Museum
701:
638:
534:
415:
407:
358:
195:Lye Church is located
187:from the same period.
147:
1347:Jacobsson et al. 1990
843:, itself part of the
777:Charles XII of Sweden
698:
651:figurative depictions
636:
532:
511:Adoration of the Magi
413:
405:
356:
2072:List of church ruins
2025:at Wikimedia Commons
1989:Gotländsk vitriarius
570:in the outskirts of
2060:Churches on Gotland
1854:Sveriges Television
1134:, pp. 196–198.
851:. Lye Church is an
454:slaying the dragon
444:legendary creatures
100:57.2979°N 18.5264°E
96: /
73:Location on Gotland
1811:"Garde församling"
1074:, p. 206–208.
813:figure of Christ.
807:processional cross
702:
639:
580:runic inscriptions
549:. There are three
535:
416:
408:
359:
217:small-leaved limes
2612:
2611:
2607:
2021:Media related to
1894:978-91-85873-83-8
1791:). 14 August 2019
1673:, p. 99–107.
783:and the apostles
612:legends of saints
608:Passion of Christ
564:Eric of Pomerania
137:
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1823:Church of Sweden
1819:Diocese of Visby
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1801:
1800:
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1789:Church of Sweden
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1556:, p. 42–43.
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1482:, p. 32–33.
1477:
1471:
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1446:, p. 30–31.
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1413:on 19 March 2020
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1967:
1941:
1923:
1913:91-971561-08
1903:
1884:
1872:Bibliography
1857:. Retrieved
1849:
1839:
1827:. Retrieved
1815:Garde parish
1814:
1805:
1793:. Retrieved
1775:
1763:. Retrieved
1750:
1738:
1726:
1714:
1702:
1690:
1678:
1666:
1654:
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1615:
1593:Roosval 1950
1573:
1561:
1549:
1537:
1525:. Retrieved
1514:
1502:
1475:
1463:
1451:
1439:
1427:
1415:. Retrieved
1408:the original
1403:
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1378:
1366:
1354:
1306:
1277:
1265:
1253:
1241:
1229:
1202:
1190:
1178:
1166:
1139:
1110:
1098:
1093:, p. 8.
1033:. Retrieved
975:
963:. Retrieved
949:
944:, p. 3.
937:
925:
913:. Retrieved
899:
875:
823:Garde parish
820:
793:
750:
703:
671:
663:
640:
599:
536:
495:Annunciation
483:
480:
473:
471:1175–1210).
463:
424:
417:
380:round arches
376:
360:
344:Architecture
291:organ facade
279:
251:chancel and
238:
235:Construction
226:
213:European ash
194:
139:
138:
127:Denomination
15:
2555:Västerhejde
2540:VĂĄrdklockan
2435:Pentecostal
1904:VĂĄra kyrkor
1495:Andrén 2011
1132:Andrén 2011
847:within the
837: [
826: [
700:discernible
691:Furnishings
681: [
547:groin vault
428:sarcophagus
388:church bell
372:pack saddle
325: [
314: [
261: [
229:Middle Ages
169:Middle Ages
103: /
2619:Categories
2550:Västergarn
2500:Terra Nova
2385:Lummelunda
2350:Kräklingbo
2265:Grötlingbo
2240:Gammelgarn
1951:9129410355
891:References
706:altarpiece
627:See also:
594:See also:
555:tabernacle
533:Floor plan
505:, and the
499:Visitation
420:Romanesque
384:archivolts
322:Olle Karth
299:Ala Church
287:altar rail
181:altarpiece
140:Lye Church
91:18°31′35″E
88:57°17′52″N
67:Lye Church
24:Lye Church
2530:Vamlingbo
2525:Vallstena
2505:Tingstäde
2485:Stenkyrka
2480:Stenkumla
2425:Ă–stergarn
2415:Norrlanda
2275:Hablingbo
2230:Follingbo
2130:Barlingbo
2023:Lye kyrka
1997:504741730
1980:463144909
1933:0284-1894
714:pinnacles
659:Ascension
584:profanity
576:Troy Town
476:sandstone
432:reliquary
392:Stockholm
363:limestone
338:whitewash
311:Erik Fant
258:Egypticus
148:Lye kyrka
30:Lye kyrka
2545:Väskinde
2515:Träkumla
2400:Mästerby
2340:Källunge
2270:Guldrupe
2220:Fleringe
2195:Eskelhem
2120:Atlingbo
2062:, Sweden
1859:14 March
1829:13 March
1795:13 March
1765:15 March
1527:14 March
1417:17 March
1035:14 March
965:13 March
915:13 March
775:of King
773:monogram
742:predella
730:Lawrence
722:apostles
676:, while
525:Interior
513:and the
490:tympanum
349:Exterior
253:sacristy
209:cemetery
2604:Commons
2577:Visborg
2465:Sjonhem
2395:Martebo
2380:Lokrume
2310:Hejdeby
2300:Havdhem
2295:Hangvar
2245:Ganthem
2205:Fardhem
2200:Etelhem
2090:Akebäck
1877:General
832:within
738:Stephen
645:in the
623:Windows
560:trefoil
539:vaulted
486:wimperg
465:floruit
448:dragons
440:Madonna
398:Portals
223:History
205:Ljugarn
160:notname
156:chancel
152:Gotland
144:Swedish
116:Country
2565:Viklau
2495:Sundre
2490:StĂĄnga
2475:Sproge
2375:Lojsta
2365:Levide
2355:Lärbro
2345:Klinte
2335:Hörsne
2330:Hogrän
2320:Hellvi
2315:Hejnum
2260:Gothem
2235:Fröjel
2170:Dalhem
2165:Buttle
2135:Björke
2100:Alskog
1995:
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1948:
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1850:svt.se
811:copper
769:pulpit
740:. The
551:niches
501:, the
497:, the
460:Sigraf
456:Fafnir
452:Sigurd
436:relief
269:portal
267:. The
249:Gothic
165:Sigraf
120:Sweden
2535:Vänge
2510:Tofta
2470:Slite
2460:Silte
2455:Sanda
2430:Othem
2370:Linde
2325:Hemse
2305:Hejde
2290:Hamra
2285:Halla
2255:Gerum
2250:Garde
2190:Endre
2185:Eksta
2180:Ekeby
2155:Bunge
2115:Ardre
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789:Peter
785:James
710:Latin
685:]
572:Visby
430:or a
367:brick
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2225:Fole
2215:Fide
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2160:Burs
2145:Boge
2110:Anga
2105:Alva
1993:OCLC
1976:OCLC
1946:ISBN
1929:ISSN
1908:ISBN
1889:ISBN
1861:2020
1831:2020
1797:2020
1767:2020
1529:2020
1419:2020
1037:2020
967:2020
917:2020
787:and
751:The
736:and
726:Olaf
704:The
606:the
543:apse
320:and
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241:nave
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