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showing the god resting on a support (a tree trunk or tripod), his right forearm touching the top of his head and his hair fixed in braids on the top of a head in a haircut typical of childhood. It is called "Lycean" not after
143:
Nevertheless, most exemplars of this type exhibit a pronounced musculature which does not resemble masculine types normally attributed to
Praxiteles - it has further been proposed that it is a work of his contemporary
87:. According to Lucian, the god leaning on a support with his bow in his left hand and his right resting on his head is shown "as if resting after long effort." Its main exemplar is the
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The famous pose with the arm resting on the head was so thoroughly identified with Apollo that it was used for the
Hadrianic sculpture of
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typologically not always distinguishable from Apollo, the pose seems to have been inherited by
Dionysus, as in the 2nd century CE
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and known from many full-size statue and figurine copies as well as from 1st century BCE Athenian coinage, is a statue type of
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confirms the long-held idea that it is
Praxitelean in style, in spite of the many differences among the extant examples.
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The attribution, based on the type's "elongated proportions, elegant pose and somewhat effeminate anatomy", as
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itself, but after its identification with a lost work described, though not attributed to a sculptor, by
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characterised it, is traditionally supported on the grounds of the type's similarity to
Praxiteles's
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S. F. Schröder, « Der
Apollon Lykeios und die attische Ephebie des 4. Jhr » in
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Mitteilungen des
Deutschen Archäologischen Instituts, Athenische Abteilung
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Giulio
Emmanuele Rizzo, Prassitele, Milan et Rome, 1932, p. 80-81.
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Jahreshefte des Österreichischen archäologischen
Instituts in Wien
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Martinez, « Les styles praxitélisants », p. 335.
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Martinez, « Les styles praxitélisants », p. 334.
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M. Nagele, « Zum Typus des
Apollon Lykeios » in
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A connection made "on insufficient grounds" according to
130:, whose head has proportions similar to those of the
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for a time. The comparison essentially rests on the
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379:(Rome, 1966:29 no. 38), noted by Ridgway 1974:9.
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118:from Olympia - one replica of the
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122:even passed as a copy of the
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377:Die Bildnisse des Antinous
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247:Brunilde Sismondo Ridgway
110:Brunilde Sismondo Ridgway
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555:Sculptures by Praxiteles
511:Cephisodotus the Younger
75:as being on show in the
18:Lycian (disambiguation)
517:Cephisodotus the Elder
54:) type, also known as
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408:at Wikimedia Commons
134:and whose pronounced
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550:Sculptures of Apollo
16:For other uses, see
529:Praxiteles (crater)
456:Aphrodite of Knidos
177:Amazon statue types
132:Aphrodite of Cnidus
58:, originating with
560:Epithets of Apollo
466:Apollo Sauroctonos
375:Ch. W. Clairmont,
314:As represented by
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471:Dancers of Delphi
404:Media related to
198:Statuette of the
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31:type at the
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303:(in French)
278:(in German)
544:Categories
449:Sculptures
442:Praxiteles
316:Head Ma421
282:Praxiteles
266:Anacharsis
234:References
60:Praxiteles
256:.1 p. 9)
221:, Roman (
183:as well.
146:Euphranor
97:, in the
519:(father)
169:Dionysus
161:Antinous
150:Apollino
128:Apollino
103:Florence
90:Apollino
81:gymnasia
525:(model)
504:Related
137:sfumato
523:Phryne
202:type,
124:Hermes
115:Hermes
99:Uffizi
85:Athens
77:Lyceum
73:Lucian
64:Apollo
33:Louvre
513:(son)
69:Lycia
44:Greek
268:(7).
38:The
83:of
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42:(
20:.
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