Loveless (album) - Knowledge

723:. Because Ó Cíosóig was suffering from physical ailments during the recording, he recorded samples of various drum patterns he was able to perform. According to Shields, "t's exactly what Colm would have done, it just took longer to do." Ó Cíosóig recovered enough to actively participate in the recording of three songs: "Touched" (which was composed and programmed entirely by him), and recording live drums on "Only Shallow" and "Come in Alone." Shields believes that listeners are unable to tell the difference between Ó Cíosóig's live drumming and the drum loops aside from the tracks intended to have an obviously "sampled" sound, such as the dance-oriented "Soon". The album makes extensive use of samples; according to Shields, "Most of the samples are feedback. We learnt from guitar feedback, with lots of distortion, that you can make 525:, and had to delay recording for further weeks while they recovered. Concerned friends and band members suggested this was a result of the unusually loud volumes the group played at their shows, which Shields dismissed as "ill-informed hysteria". Although Alan McGee was still positive about his investment, the 29-year-old Green, who by this time was opening the label's morning post "shaking with fear", became a concern to his co-workers. Publicist Laurence Verfaillie, aware of the label's inability to cover further studio bills, recalled Green's hair turning grey overnight, which she attributed to the album. 751:." Butcher said of her "dreamy, sensual" style vocals: "Often when we do vocals, it's 7:30 in the morning; I've usually just fallen asleep and have to be woken up to sing." To aid this effect, Shields and Ó Cíosóig sampled Butcher's voice and reused it as instrumentation. The layered vocals on "When You Sleep" were born out of frustration with trying to get the right take. Shields commented that "The vocals sound like that because it became boring and too destructive trying to get the right vocal. So I decided to put all the vocals in. 518:

don't know what excuse Kevin gave them for leaving. He had to raise the money himself to get the gear out." Shields' unpredictable behavior, the constant delays, and studio changes were having a material effect on Creation's finances and the health of their staff. Dutt later said she had been desperate to leave the project, while Creation's second-in-command Dick Green had a nervous breakdown. Green recalled, "It was two years into the album, and I phoned Shields up in tears. I was going 'You have to deliver me this record.'"

815:; "After about thirty seconds the adrenaline set in, people are screaming and shaking their fists. After a minute you wonder what's going on. After another minute it's total confusion. The noise starts hurting. The noise continues. After three minutes you begin to take deep breaths. After four minutes, a calm takes over." The tour saw My Bloody Valentine accused of criminal negligence by the music press, who took exception to the long period of extreme white noise played during "You Made Me Realise". In December 2000, 576: 1304:... it just didn't sound like a record that was going to recoup all the money that had been spent on it." Alan McGee liked the record, but said, "It was quite clear that we couldn't bear the idea of going through that again, because there was just nothing to say that wouldn't do exactly the same again. That's enough. Lets step back". Despite a severe shortage of money, Creation funded a short tour of the north of England late in 1991. At the time the band were making the marketing of 426: 378:, where they spent eight unproductive weeks. In-house engineer Nick Robbins said Shields made it clear from the outset that Robbins "was just there to press the buttons". Robbins was quickly replaced by Harold Burgon, but according to Shields, Burgon's main contribution was to show the group how to use the in-studio computer. According to Shields, the session tapes were "confiscated" by the studio "three or four times" due to lack of payment. 514:

to listen while either of them were doing a vocal. You'd have to watch the meters on the tape machine to see if anyone was singing. If it stopped, you knew you had to stop the tape and take it back to the top." On most days, the couple arrived without having written the lyrics for the song they were to record. Dutt recalled: "Kevin would sing a track, and then Bilinda would get the tape and write down words she thought he might have sung".

890:. Shields said, "We did an album's worth of half-finished stuff, and it did just get dumped, but it was worth dumping. It was dead. It hadn't got that spirit, that life in it." He said later, "I just stopped making records myself, and I suppose that must just seem weird to people. 'Why'd you do that?' The answer is, it wasn't as good . And I always promised myself I'd never do that, put out a worse record." He told 1111: 1073: 1149: 1144: 1139: 1134: 1129: 1106: 1101: 1096: 1091: 1068: 1063: 1058: 1053: 1011: 1006: 1001: 996: 991: 961: 956: 951: 946: 941: 31: 4667:'I think we're gonna get a panning,' he says. 'In a weird way, even though we haven't done an album for three years, we've been overexposed. I mean, a couple of months ago you couldn't read a review without seeing our name mentioned. It was ridiculous. It was like, 'Oh my God, there's gonna be a definite backlash. People are gonna hate us just because our name's mentioned so much.' 560:

album itself costing only "a few thousand". He also claimed that the album represented only four months' work over two years. He said that most of the money spent came from the band's own funds, while "Creation probably spent fifteen to twenty thousand pounds of their own money on it, and that's it. They never showed us any accounts, and then they got bought out by

1888:(Fluff & Gravy). The album is mostly acoustic and features a wide assortment of instruments including guitar, piano, mandolin, violin, bass, cello, harmonium, and dobro. Feinstein plays most of the instruments on the album himself and provides lead vocals. Also appearing on the album are musician Jeff Kazor of The Crooked Jades and engineer 759:

On "When You Sleep" it sounds like me and Bilinda singing together, but it's just me – me slowed down and me speeded up at the same time. Some songs we sang over and over until we got bored – usually between 12 and 18 times. I started sorting through the tapes and it did

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on "I Only Said" by playing his guitar through an amplifier with a graphic equaliser preamp. After recording the track, he bounced it to another track through a parametric equaliser while he adjusted the EQ levels manually. Asked if he could have achieved the effect more easily using a wah-wah pedal,

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was involved in the recording. Shields and Butcher hung curtains on the window between the studio control room and the vocal booth, and communicated with the engineers only when they would acknowledge a good take by opening the curtain and waving. According to engineer Guy Fixsen, "We weren't allowed

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The lyrics are deliberately obscure; Shields joked that he considered rating various attempts to decipher the words on the band's website according to accuracy. He claims that he and Butcher "spent way more time on the lyrics than ever on the music". The words were often written in late-night eight-

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was understated by £20,000, and that "once you'd even got it recorded and mixed, the very act of compiling, EQ-ing, et cetera took weeks on its own". In December 1991, Shields said that most of the money claimed to have been spent on the album was simply "money to live on" over three years, with the

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had been worked on. The album was edited on an aged machine that had been used to cut together dialog for movies in the 1970s; its computer threw the entire album out of phase. Shields was able to put it back together from memory, but took thirteen days to master the album rather than the usual one,

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did not perform on the album, though she received a credit. Googe said, "At the beginning I used to go down most days but after a while I began to feel pretty superfluous so I went down less." Butcher explained, "for Kevin to actually translate to Debbie what he had in his head and play it right

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The vocals, equally provided by Shields and Butcher, are kept relatively low in the mix. They are for the most part highly pitched, although at times Shields sang the higher register and Butcher the lower. According to Shields, because the band had spent so long working on the album's vocals, he

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In July 1991, Creation agreed to relocate the production to Eastcote studio, following unexplained complaints from Shields. However, the cash-poor Creation Records was unable to pay the bill for their time at Britannia Row, and the studio refused to return the band's equipment. Dutt recalled, "I

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calculated that the total recording cost had come close to £250,000; however, McGee, Green, and Shields dispute this. Shields argued that the estimated cost and Creation's near-bankruptcy were a myth exaggerated by McGee. According to Shields, "the amount we spent nobody knows because we never

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a soft, airy voice which acts as the wind in the Valentines' turbulent tunnel. Shields and Ó Cíosóig even sample her voice so they can regurgitate it digitally as the sound of a flute or other woodwind instruments. 'It gives it the texture of a human voice,' Shields says, 'but doesn't sound

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Shields aimed to use "very simple minimal effects", which often were the result of involved studio work. He stated, "The songs are really simply structured. A lot of them are purposely like that. That way you can get away with a lot more when you mess around with the contents." In a 1992

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was written and performed by Shields; according to Shields, he is the only musician on the album apart from "Touched". Shields assumed Butcher's guitarist duties during the recording process; Butcher said she had not minded because she felt she "was never a great guitarist". Bassist

3324:'We were at the first studio for two months, and the tapes were confiscated during the process of recording Loveless three or four times, and back in those days it was quite stressful because there's no backups,' says. '(...) just because there was no money around to pay the bill.' 1308:

difficult – there would be no singles, and the band's name was forbidden to appear on the record sleeve. McGee was by now exhausted and frustrated. He recalled, "I thought: I went to the wall for you. If this record bombs, I've stolen my father's money. And they were

418:; all the other credited engineers were told "We're so on top of this you don't even have to come to work." Shields said that "these engineers – with the exception of Alan Moulder and later Anjali Dutt – were all just the people who came with the studio 743:. "I was hearing really cool music made by hip-hop groups that were sampling stuff... he whole thing about sampling back in those days is that people really started to mess with the key... I was hearing a lot of music that you just didn’t really know what was creating that sound." 373:

said their label Creation Records believed the album could be recorded in five days. According to Shields, "when it became clear that wasn't going to happen, they freaked". After several unproductive months, the band relocated in September to the basement studio The Elephant in

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At one point, he reels off a string of songs from Loveless – an album frequently heralded as utterly without precedent – and cheerfully tells me from whom they were ripped off. Neil Young, mostly, although What You Want is apparently a homage to the Cure's Just Like

1259:, 'Loveless' is the outermost, innermost, uttermost rock record of 1991." Reynolds noted that his only criticism was that "while My Bloody Valentine have amplified and refined what they already were, they've failed to mutate or leap into any kind of beyond." 441:. Dutt assisted in the recording of vocals and several guitar tracks. During this period, the band recorded in various studios, often spending a single day at a studio before deciding it was unsuitable. In May 1990, My Bloody Valentine settled on Protocol in 340:

subgenre, and as a significant influence on various subsequent artists. In 2012, it was reissued as a two-CD set, including remastered tracks and a previously unreleased half-inch analogue tape version, and peaked on several international charts. In 2013,

811:... I had a half pint of lager; they hit their first note and it was so loud that it sent the glass hurtling". During the following US tour, Shields and Butcher tested their audiences' ability to sustain noise played at high volumes. According to critic 1224:

fires a silver-coated bullet into the future, daring all-comers to try and recreate its mixture of moods, feelings, emotion, styles and, yes, innovations." While Fadele expressed some disappointment that the group seemed to disassociate themselves from

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called the album "the high-water mark of shoegaze," writing that its "dense production and hypnotic atmosphere drugged listeners with its sound's lovely oxymoron: at once hard and soft, up-tempo and languid, lascivious and frigid." Paul Lester of

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dropped the band from the label as he found Shields too difficult to work with, a factor alleged to have contributed to the label's eventual bankruptcy. My Bloody Valentine struggled to record a follow-up to the album and broke up in 1997, making

833:, they fell apart soon after and recorded only sporadically in the following two decades. Unable to deliver a third album, Shields isolated himself and "went crazy," drawing comparisons in the music press to the behavior of musicians such as 697:" – bends the guitar strings slightly in and out of tune. Shields said, "People were thinking it's hundreds of guitars, when it's actually got less guitar tracks than most people's demo tapes have." Unlike other bands of the 555:

counted. But we worked it out ourselves just by working out how much the studios cost and how much all the engineers cost. £160,000 was the most we could come to as the actual money that was spent". In Green's opinion, the estimate made by

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While Creation were pleased with the final album, and the initial music press reviews were positive, the label soon realised that although, in the words of plugger James Kyllo, "it was such a beautiful record, and it was wonderful to have

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to ten-hour-long sessions before the pair were due to record the vocals. They worked diligently to ensure the lyrics were not lacklustre, but made few changes; Shields said, "There's nothing worse than bad lyrics." Nonetheless, pressed by

4370: 1313:... not understanding of anybody else's position." Alan McGee dropped My Bloody Valentine from Creation soon after the album's release because he could not bear working with Shields again; "It was either him or me," he told 467:. When Moulder returned to the project in August, he was surprised by how little work had been completed. By that point, Creation was concerned by how much the album was costing. Moulder left again in March 1991 to work for 290:

methods. The band recorded at nineteen different studios and hired several engineers during the album's prolonged recording, with its final production cost rumoured to have reached £250,000 (equivalent to £480,000 in 2021).

414:. Shields said of Moulder, "As soon as we worked with him we realized we'd love to some more!" When the group returned to work on the album, Moulder was the sole engineer Shields trusted to perform tasks such as micing the 5826: 3311: 1861:

and vocals and a more traditional style of composition. So when I heard this My Bloody Valentine record it was so abstract and strange in artistic terms that it ended up taking me on other musical paths."

5019: 1845:: "It's rare in guitar-based music that somebody does something new At the time, everybody was like, 'How the fuck are they doing this?' And, of course, it's way simpler than anybody would imagine." 1833:

is certainly one of my all-time three favourite records. It's the sound of someone who is so driven that they're demented. And the fact that they spent so much time and money on it is so excellent."

422:... everything we wanted to do was wrong, according to them." The band gave credit on the album sleeve to all present during the recordings, "even if all they did was fix tea", according to Shields. 2198:

On some releases, every song is stylized in all lowercase letters. For example, "When You Sleep" is stylized as "when you sleep". Other releases have the songs stylized with normal capitalization.

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movement of the early 1990s, My Bloody Valentine did not use chorus or flanger pedals; Shields said, "No other band played that guitar like me We did everything solely with the tremolo arm."

618: 594: 1268:, Ira Robbins wrote that "despite the record's intense ability to disorient – this is real do-not-adjust-your-set stuff – the effect is strangely uplifting. 1196:

gives a fair signal of what to expect – the unexpected. Everything you hear confounds your idea of how a pop song should be played, arranged and produced." Martin Aston in

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After the album's release, My Bloody Valentine toured Europe, an event music critic David Cavanagh described as a "unique chapter in live music". To recreate the higher tones from

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ups the ante, and, however decadent one might find the idea of elevating other human beings to deities, My Bloody Valentine, failings and all, deserve more than your respect."

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sound, as Shields felt it important that the album's sound consisted of "the guitar smack bang in the middle and no chorus, no modulation effect". Shields wavers his guitar's

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And it won them acclaim from Brian Eno, who, in a lecture at New York's Museum Of Modern Art, described it as 'the vaguest piece of music ever to get into the charts'. If

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17 November, there is a clear consensus in reputable magazines, and it is declared by the band themselves and Creation Records, that the album was released on 4 November.

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s "Top 30 Irish Albums of All Time" list. In 2014, it placed ninth on the Alternative Nation site's "Top 10 Underrated 90's Alternative Rock Albums" list. In 2013,

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We recorded the drums in September '89. The guitar was done in December. The bass was done in April. 1990 we're in, now. Then nothing happens for a year really.

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of his certainty in recording another My Bloody Valentine album, and attributed the sparse output to a lack of inspiration. A third My Bloody Valentine album,

593: 5191: 5054: 501:... the melody line was done in '91. The vocals were '91. There were huge gaps though. Months and months of not touching songs. Years. I used to forget what 5348: 1202:

wrote that "The instrumental 'Touched' is especially startling, like a drunken fight between a syrupy Disney soundtrack and an Eastern mantra. All in all,

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states that the album was released on 11 November, as well as the UK Official Charts recording that it entered the top 40 after its first week of release

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and was widely praised by critics for its sonic innovations and Shields' "virtual reinvention of the guitar". However, after its release, Creation owner

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s David Cavanagh to reveal just the first line of "Loomer", Butcher refused, and Shields claimed to have "absolutely no idea" what she was singing.

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wrote that the band had "written a new vocabulary for the guitar, and perhaps given it another 10 years of life as rock's central instrument".

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wrote that "the forward-looking sounds of this unique disc have positioned the band as one of the most influential and inspiring bands since

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you could've expected the Irish / English partnership to succumb to self-parody or mimic The Scene That's Delighted To Eat Quiche But no,

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recorded a cover album of "Loveless" which includes every song from the original in the same sequence. The cover album was released on

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as a means of avoiding his contemporaries and said, " was the first band I heard who quite clearly pissed all over us, and their album

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Kuroda, Takanori (2014). マイ・ブラッディ・ヴァレンタインこそはすべて / All We Need Is My Bloody Valentine. Japan: Disc Union Books. ISBN 978-4-925064-92-7.

1192:. "Its creative inspiration defies belief. Though 'To Here Knows When' is pretty well the weirdest track of the eleven, that glorious 6568: 5897: 5885: 5759: 5747: 5566: 4888: 3926:, January 1992 – from a piece accompanying the album's placing at #6 in the magazine's list of the best albums of 1991 3666: 2929: 6006: 2572: 1759:... it raised the bar so high that it subsequently collapsed under its own weight," leading to the dissipation of the style. Critic 886:

Shields recorded new music in his home studio, but abandoned it. According to sources, some of the music was possibly influenced by

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With the vocal tracks completed, a final mix of the album was undertaken with engineers Dick Meaney (the Jesus and Mary Chain) and

5909: 3100: 1296:... The warped music is a cool idea and I recommend the album – but not on the basis of the singing or the songs." 6458: 5921: 1369:

the best album of the 1990s. However, in its 2003 revision of the list, the album was moved to number two, swapping places with

6541: 4339: 2714: 2646: 869: 5508: 4266: 3742: 6384: 6177: 6158: 6090: 5150: 4637: 3029: 2983: 786:, Shields employed American flautist Anna Quimby. According to a friend of the band, "She had a little skirt on, black tights 5982: 4820: 4243: 4174: 5938: 5531: 3841: 6316: 5588: 4403: 3141: 2728: 760:

my head in, so I just played them all together and it was really good – like one, vaguely distinct voice.

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had been responsible for it, he continued, they would have been given an award by the classical music establishment.

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ranked it at number 20 in its "100 Greatest British Albums" list, declaring it "the last great extreme rock album."

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for February 1989, and intended to conceptualise a new, more studio-based sound for their second album. Guitarist

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The vocals were taped in Britannia Row and Protocol studios between May and June 1991, the first time vocalist

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who helped Feinstein create an "acoustic wall of sound" that emulates the original album's distorted layers.

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1996 single "Board Game" and two tracks ("Ballad Night" and "Casino Kisschase") from the band's 1996 album

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During the spring of 1990, Anjali Dutt was hired to replace Moulder, who had left to work with the bands

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Vaziri, Aidin; Lassner, Bryan (1998). "My Bloody Valentine". In Graff, Gary; Durchholz, Daniel (eds.).

747:"couldn't tolerate really clear vocals, where you just hear one voice", thus "it had to be more like a 275: 259: 159: 43: 5307: 6593: 6506: 1850: 6018: 5731: 6588: 5954: 5673: 4976: 4854: 4025: 3671: 3306: 2794: 2536: 2285: 1435:

has a layered, inverted thickness that makes harsh sounds soft and fragile moments vast." In 2008,

1393: 804: 625:"Soon", the album's closing track, features a dance-oriented beat behind three tracks of Shields' " 561: 468: 336:

has been widely cited by critics as one of the greatest albums of all time, a landmark work of the

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As the previously prolific band were unusually quiet, the British music press began to speculate.

477:, Shields explained the stop-start nature of his recording, using "When You Sleep" as an example: 6144: 6038: 6022: 5970: 5735: 2614: 2599: 2548: 2340: 2319: 1810: 1768: 445:

as their primary location, and work began in earnest on the album, as well as a second EP titled

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oozes a sonic balm that first embraces and then softly pulverizes the frantic stress of life."

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contained a song – "To Here Knows When" – that later appeared on

270:. The album was recorded between February 1989 and September 1991, with vocalist and guitarist 6238: 5077: 4554: 3822: 3161: 2223: 1994: 720: 150: 6423: 6359: 6260: 4093: 3077: 1838: 850: 585: 190: 1857:

one of the albums that changed his life, recalling: "When I was younger, I only listened to

463:. The band stopped recording during the summer of 1990 to tour in support of the release of 6563: 5484: 4398: 3667:"My Bloody Valentine's Kevin Shields: 'We wanted to sound like a band killing their songs'" 3180: 970: 5563: 829:

Despite expectations for the band to break through in the wake of the critical success of

8: 6444: 6391: 4572: 4487: 4276: 2512: 2408: 1646: 1629: 1611: 1593: 1361: 1032: 1431:, this record is why. A testament to studio production and single-minded perfectionism, 1407:, 221 in a 2012 revised list and 73 in another revised list published in 2020. In 2004, 6521: 6511: 6430: 4233: 1877: 1193: 862: 791: 790:... she was a little indie girl. But when she blew into the flute, it was like fucking 434: 6044: 719:

All but two of the drum tracks were built from samples of tracks performed by drummer

6277: 6173: 6154: 6127: 6108: 6086: 5950: 5714: 5251: 5155: 4986: 4815: 4632: 4608: 4576: 4329: 4109: 3960: 3922: 3747: 3433: 2968: 2904: 2584: 1772: 1507: 1450: 1448:"Top 40 Irish Albums of All Time" critics' list, and in 2013, it placed third in the 1352: 1188: 1170: 1158: 892: 767: 473: 358: 2726:, who praised the album's diversity and production, also worked with Moulder on his 1216:

saw My Bloody Valentine as the "blueprint" for the shoegaze genre, and wrote: "with

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the greatest shoegaze album of all time. In 2000, the album was voted number 63 in

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would have been an agonizing process." Moulder said "It wasn't collaborative at all

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Klosterman, Chuck (July 2005). "My Bloody Valentine – 'Loveless'".

3019: 6527: 6252: 6148: 5570: 5119: 4917: 4810: 4718: 4562: 4558: 4427: 4363:"My Bloody Valentine release surprise album after 22 years and stream on YouTube" 4182: 4097: 4007: 3650: 2988: 2899: 2723: 2595: 2336: 2229: 1949: 1524: 1441: 1324: 1284: 1274: 982: 817: 510: 311: 138: 6472: 6100: 4113: 3494: 2040: 1242: 838: 736: 728: 529: 502: 208: 5532:"O Dillinger Escape Plan decidiu encerrar a carreira do melhor jeito possível" 4393: 1350:

has been a consistent critical favourite. It came in at number 14 in the 1991

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received critical acclaim. "An album without parallel", wrote Andrew Perry in

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The Stud Brothers (November 1991). "My Bloody Valentine: The Class of '91".

3302:"My Bloody Valentine's Kevin Shields on the Agony and Ecstasy of 'Loveless'" 2930:"My Bloody Valentine Finally Follows Through On Its Post-'Loveless' Promise" 849:. The other band members went their own ways; Butcher contributed vocals to 646:

While Butcher contributed about a third of its lyrics, most of the music on

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2 studio in Victoria; the song later appeared as the closing track on

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1001 Albums You Must Hear Before You Die: Revised and Updated Edition

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attended a show he described as "more like torture than entertainment

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Shields said, "In attitude toward sound, yes. But not in approach."

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their last full-length release until their eventual reunited effort

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The Creation Records Story: My Magpie Eyes Are Hungry for the Prize

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Doyle, Tom (May 2018). "Classic Tracks – Loveless".

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a mixed review; writer Jim Greer felt it was "standard-ish and dull

1279: 933: 865: 682: 668: 522: 337: 81: 5010:"500 Greatest Albums of All Time: Rolling Stone's definitive list" 6052:"British album certifications – My Bloody Valentine – Loveless" 5867: 5789:[My Bloody Valentine album sales ranking] (in Japanese). 4132: 732: 375: 5988: 5944: 5765: 5753: 5741: 5375: 4606:

Perry, Andrew (December 1991). "My Bloody Valentine: Loveless".

4483:"My Bloody Valentine: Isn't Anything / Loveless / EPs 1988–1991" 1479:

named it the eighth-best album of the 1990s and the second-best

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instrument, any one that you can imagine." In an interview with

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Corgan later recruited Alan Moulder to coproduce the Pumpkins'

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interview, Shields described how he achieved a sound akin to a

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Burgon and Shields spent three weeks at the Woodcray studio in

366: 6172:. New York: The Continuum International Publishing Group Inc. 6000: 1749:

has been influential on a large number of genres and artists.

262:. It was released on 4 November 1991 in the United Kingdom by 6377: 6291: 1822: 690: 38: 3101:"My Bloody Valentine Released "Loveless" 30 Years Ago Today" 4271: 1858: 1249:" how unique, how peerless MBV are." He wrote, "Along with 6153:. New York: The Continuum International Publishing Group. 5713:. Vol. 8, no. 48. 30 November 1991. p. 23. 4267:"My Bloody Valentine – interview with KUCI" 6124:

Turn On Your Mind: Four Decades of Great Psychedelic Rock

4454: 4334: 2829: 1755:

called the album "the magnum opus of the shoegazing genre

1541: 1459: 1020: 799: 604:

that featured live performance by drummer Colm Ó Cíosóig.

429:

Kevin Shields performing with My Bloody Valentine in 1989

5641:"California Report: Kenny Feinstein of Water Tower Band" 2956: 5995:"Portuguesecharts.com – My Bloody Valentine – Loveless" 5874:"Australiancharts.com – My Bloody Valentine – Loveless" 3543:

Gabriel, Clive (December 1991). "My Bloody Valentine".

3162:"An Open Love Letter to My Bloody Valentine's Loveless" 1771:

and Martin Halliwell wrote that the album "might be so

5951:"Offiziellecharts.de – My Bloody Valentine – Loveless" 5762:(in French). Hung Medien. Retrieved 23 November 2012. 5589:"No Love Lost: My Bloody Valentine's 'Loveless' at 30" 5151:"Day & Night: The Top 30 Irish Albums of All Time" 3823:"My Bloody Valentine: Song-by-song with Kevin Shields" 493:

No. It has a song number. "Song 12" it was called. And

4694:

Reynolds, Simon (2 November 1991). "Valentine Daze".

4425:

Eccleston, Danny (August 2008). "Crown of Creation".

3121:"My Bloody Valentine masterpiece 'Loveless' turns 30" 2671:

Sales+streaming figures based on certification alone.

6007:"Swedishcharts.com – My Bloody Valentine – Loveless" 5772:"Irish-charts.com – Discography My Bloody Valentine" 3842:"Classic Tracks: My Bloody Valentine 'Only Shallow'" 3142:"No Love Lost: My Bloody Valentine's Loveless at 30" 6150:

Beyond and Before: Progressive Rock Since the 1960s

5482:Murphy, Peter (May 2004). "Lost In Transmutation". 1809:. It's the vaguest music ever to have been a hit." 6028: 5910:"Danishcharts.dk – My Bloody Valentine – Loveless" 5246:Dimery, Robert; Lydon, Michael (7 February 2006). 5112: 4227: 4225: 3643: 3641: 3639: 3637: 1821:after a period of almost exclusively listening to 398:agreed would be released in advance of the album. 254:) is the second studio album by the Irish-English 5922:"Dutchcharts.nl – My Bloody Valentine – Loveless" 5900:(in French). Hung Medien. Retrieved 30 May 2021. 4658: 2895:"100 Greatest Albums 1985-2005: No.22 'Loveless'" 2645: 1206:amounts to a virtual reinvention of the guitar." 6555: 6143: 5924:(in Dutch). Hung Medien. Retrieved 29 May 2021. 5888:(in Dutch). Hung Medien. Retrieved 30 May 2021. 5750:(in Dutch). Hung Medien. Retrieved 31 May 2012. 5381: 5339:"Classic Albums: My Bloody Valentine – Loveless" 5184:"Top 10 Underrated 90's Alternative Rock Albums" 4601: 4599: 4005:various, ed. Trynka, Paul. "The Grateful Deaf". 1467:" list. The album was also included in the book 667:, though "What You Want" was Shields' homage to 357:My Bloody Valentine were scheduled to record at 5686:: CS1 maint: others in cite AV media (notes) ( 4222: 4198:"My Bloody Valentine – Loveless" 3634: 902:, was finally released in 2013, 22 years after 857:. Googe was sighted working as a cab driver in 274:leading sessions and experimenting with guitar 5898:"Ultratop.be – My Bloody Valentine – Loveless" 5886:"Ultratop.be – My Bloody Valentine – Loveless" 5760:"Ultratop.be – My Bloody Valentine – Loveless" 5748:"Ultratop.be – My Bloody Valentine – Loveless" 4702: 3903:Kemp, Mark (1992). "The Beauty In The Beast". 3736: 3734: 3485: 1876:In 2013 Kenny Feinstein of the bluegrass band 1427:writing that "whenever anyone uses the phrase 1423:list of "100 Greatest Albums 1985–2005," with 1379:. A 2022 listing restored it to the top spot. 821:rated the tour the second loudest in history. 6204: 5960: 4596: 4440: 4438: 3568: 3566: 2962: 5983:"Charts.nz – My Bloody Valentine – Loveless" 5039: 5037: 5004: 5002: 4937: 4935: 4512: 4510: 1182:Although Shields feared a critical panning, 1126: 1088: 1050: 988: 938: 663:Most of the album was heavily influenced by 18:1991 studio album by My Bloody Valentine 5302: 5300: 5269: 5267: 5245: 5075: 4908: 4906: 3731: 3573:di Perna, Alan (March 1992). "Bloody Guy". 6211: 6197: 6035:"Official Independent Albums Chart Top 50" 5774:. Hung Medien. Retrieved 7 November 2021. 5450: 5275:"The 25 Best Dream Pop Albums of All Time" 4878: 4480: 4435: 4055: 4053: 4019: 4017: 3743:"A love letter to guitar-based rock music" 3647: 3563: 3538: 3536: 3534: 3532: 3208: 3206: 3204: 2984:"My Bloody Valentine at the Aragon review" 2965:MusicHound Rock: The Essential Album Guide 2250:– guitar, vocals, sampling keyboard; bass 521:Shields and Butcher became afflicted with 29: 6167: 6121: 5501:"Alan Moulder: Self-taught Audio Kingpin" 5369: 5211: 5209: 5034: 4999: 4943:"The 50 Best Shoegaze Albums of All Time" 4932: 4881:"Top 100 Albums of the 1990s: 'Loveless'" 4874: 4872: 4847:"Top 100 Albums of the 1990s: 'Loveless'" 4840: 4838: 4681: 4622: 4507: 4424: 4391: 4330:"My Bloody Valentine set to record again" 4175:"My Bloody Valentine Exclusive Interview" 4161: 4157: 4155: 3947: 3935: 3890: 3878: 3866: 3809: 3797: 3785: 3773: 3740: 3725: 3713: 3701: 3628: 3613: 3601: 3589: 3557: 3523: 3479: 3419: 3407: 3395: 3383: 3371: 3359: 3347: 3335: 3287: 3272: 3260: 3056:"My Bloody Valentine's Loveless turns 25" 2770:"The 50 Best Shoegaze Albums of All Time" 2691: 2689: 1805:said that "Soon" "set a new standard for 797:The tour became infamous for its volume. 6099: 6080: 5849:"2012년 20주차 Album Chart (International)" 5725: 5586: 5577:, 12 December 2007. Retrieved 1 May 2021 5297: 5264: 4903: 4775: 4773: 4771: 4762: 4745:Greer, Jim (December 1991). "Loveless". 4693: 4189: 3993: 3976: 3664: 3572: 3511: 3498:. Vol. 33, no. 7. p. 120. 3467: 3446: 3213:Aston, Martin (January 1992). "Warped". 3139: 3013: 3011: 1584:The 25 Best Dream Pop Albums of All Time 1470:1001 Albums You Must Hear Before You Die 483:So it doesn't have vocals at this stage? 424: 6218: 6012: 5891: 5879: 5529: 5148: 5144: 5142: 5107: 5105: 4844: 4758: 4756: 4549: 4516: 4360: 4195: 4050: 4014: 3989: 3987: 3985: 3972: 3970: 3542: 3529: 3507: 3505: 3463: 3461: 3459: 3457: 3455: 3201: 2927: 2700: 1775:that nothing else will ever match it." 1654:The 50 Best Shoegaze Albums of All Time 870:Hope Sandoval & the Warm Inventions 6556: 6126:. Milwaukee: Hal Leonard Corporation. 6009:. Hung Medien. Retrieved 28 May 2021. 5997:. Hung Medien. Retrieved 2 June 2021. 5985:. Hung Medien. Retrieved 2 June 2021. 5912:. Hung Medien. Retrieved 2 June 2021. 5876:. Hung Medien. Retrieved 28 May 2021. 5658: 5481: 5330: 5285:from the original on 27 September 2020 5206: 5057:from the original on 22 September 2020 4971: 4965: 4869: 4835: 4811:"The 1991 Pazz & Jop Critics Poll" 4714:"My Bloody Valentine: Loveless (Sire)" 4677: 4675: 4444: 4297: 4152: 4059: 3624: 3622: 3283: 3281: 3017: 2975: 2819: 2715:Mellon Collie and the Infinite Sadness 2686: 2159: 2139: 1463:ranked the album at number 18 on its " 600:"Only Shallow" is one of two songs on 6385:The New Record by My Bloody Valentine 6192: 5638: 5544:from the original on 24 February 2020 5336: 5181: 5045:"The 500 Greatest Albums of All Time" 5022:from the original on 15 November 2019 4953:from the original on 22 November 2016 4879:Richardson, Mark (17 November 2003). 4768: 4744: 4726:from the original on 17 November 2015 4640:from the original on 26 December 2015 4605: 4406:from the original on 17 November 2015 4196:Rondeau, Bernardo (29 January 2003). 3491: 3229: 3212: 3008: 2942:from the original on 22 December 2015 2882:The following sources have described 2780:from the original on 22 November 2016 2757:The following sources have described 2179: 2119: 2099: 2079: 2059: 2035: 2006: 1984: 1964: 1938: 1416:The album was ranked at number 22 on 919: 909: 5967:"Official Irish Albums Chart Top 50" 5587:Winograd, Jeremy (4 November 2021). 5406:from the original on 5 February 2018 5139: 5102: 4753: 4392:DiMartino, Dave (21 February 1992). 4373:from the original on 5 February 2013 4298:Dansby, Andrew (24 September 2003). 4023: 3982: 3967: 3902: 3502: 3452: 3299: 3140:Winograd, Jeremy (4 November 2021). 3053: 3032:from the original on 8 December 2020 2862:from the original on 5 February 2018 2792: 1403:ranked it number 219 on its list of 5829:from the original on 8 January 2021 5511:from the original on 13 August 2007 5351:from the original on 17 August 2016 5227:from the original on 4 January 2017 5127:from the original on 9 October 2010 5090:from the original on 2 October 2006 4708: 4672: 4264: 4210:from the original on 13 August 2007 4074:from the original on 19 August 2007 3860: 3619: 3278: 2996:from the original on 5 October 2017 2431:South Korean International Albums ( 2282:My Bloody Valentine – cover concept 2207:All personnel credits adapted from 1405:the 500 greatest albums of all time 394:, which Shields and Creation owner 13: 5530:Mazetto, Luiz (22 November 2016). 5393: 5318:from the original on 22 March 2020 5194:from the original on 4 August 2016 4914:"The 150 Best Albums of the 1990s" 4823:from the original on 4 August 2022 4495:from the original on 17 April 2015 4361:Vincent, Alice (4 February 2013). 4231: 3741:DeRogatis, Jim (2 December 2001). 3314:from the original on 11 April 2023 2849: 1245:praised the album, and wrote that 872:, while Shields collaborated with 637:Problems playing these files? See 574: 14: 6605: 6579:My Bloody Valentine (band) albums 5498: 5463:from the original on 20 July 2021 5308:"The 90 Best Albums of the 1990s" 5217:"500 Greatest Albums of All-Time" 4787:. 1 November 2003. Archived from 4568:The New Rolling Stone Album Guide 4246:from the original on 12 June 2019 4140:from the original on 7 March 2016 3839: 3679:from the original on 14 July 2023 3242:from the original on 24 July 2020 3159: 3054:Nash, Stewart (3 November 2016). 2928:Zaleski, Anne (6 February 2013). 2915:from the original on 20 July 2021 2626: 1128: 1090: 1052: 990: 940: 753:(It had been sung 12 or 13 times) 540:, the nineteenth studio in which 6569:Albums produced by Kevin Shields 6335:Man You Love to Hate – Live 5939:Musiikkituottajat – IFPI Finland 5841: 5809: 5777: 5721:– via World Radio History. 5694: 5632: 5606: 5580: 5556: 5523: 5492: 5475: 5451:Hodgkinson, Will (30 May 2003). 5444: 5418: 5387: 5363: 5337:Welsh, April (4 November 2011). 4531:from the original on 9 July 2022 4481:Richardson, Mark (11 May 2012). 4342:from the original on 9 June 2007 4234:"Loveless – My Bloody Valentine" 4181:. 24 August 2007. Archived from 4038:from the original on 3 June 2012 2807:from the original on 3 June 2012 2706: 2291:Ann Marie Shields – coordination 1895: 1637:150 Greatest Albums of the 1990s 1619:100 Greatest Albums of the 1990s 1601:100 Greatest Albums of the 1990s 1147: 1142: 1137: 1132: 1127: 1109: 1104: 1099: 1094: 1089: 1071: 1066: 1061: 1056: 1051: 1009: 1004: 999: 994: 989: 959: 954: 949: 944: 939: 615: 590: 6074: 6019:"Official Albums Chart Top 100" 5732:"Official Albums Chart Top 100" 5639:Berry, Dave (27 October 2022). 5614:"Album Review: Kenny Feinstein" 5239: 5175: 5163:from the original on 1 May 2013 5149:Meagher, John (19 April 2013). 5069: 4803: 4738: 4687: 4652: 4616: 4543: 4474: 4418: 4385: 4354: 4322: 4300:"Kevin Shields Found on "Lost"" 4291: 4258: 4167: 4120: 4086: 4026:"My Bloody Valentine Biography" 3999: 3953: 3941: 3929: 3915: 3896: 3884: 3872: 3815: 3803: 3791: 3779: 3767: 3719: 3707: 3695: 3658: 3607: 3595: 3583: 3551: 3517: 3473: 3440: 3425: 3413: 3401: 3389: 3377: 3365: 3353: 3341: 3329: 3300:Grow, Kory (15 November 2017). 3293: 3266: 3254: 2981: 2795:"My Bloody Valentine Biography" 1880:released a solo cover album of 1712:500 Greatest Albums of All Time 1692:500 Greatest Albums of All Time 1672:500 Greatest Albums of All Time 1567:The 90 Best Albums of the 1990s 1549:500 Greatest Albums of All Time 1531:Top 40 Irish Albums of All Time 1514:Top 30 Irish Albums of All Time 1465:500 Greatest Albums of All Time 5935:My Bloody Valentine: Loveless" 5786:マイ・ブラッディ・ヴァレンタインのアルバム売り上げランキング 5182:Prato, Greg (2 October 2014). 5076:O'Hagan, Sean (20 June 2004). 4060:Lester, Paul (12 March 2004). 3665:Petridis, Alex (27 May 2021). 3230:Sager, Brooke (20 June 2020). 3223: 3044: 3018:Lester, Paul (12 March 2004). 2876: 2751: 1917: 69:February 1989 – September 1991 1: 6310:This Is Your Bloody Valentine 6083:My Bloody Valentine: Loveless 6056:British Phonographic Industry 5941:. Retrieved 7 November 2021. 5738:. Retrieved 7 February 2019. 4517:Robbins, Ira (5 March 1992). 3232:"100 Best Albums of the '90s" 2739: 1731:100 Greatest Albums 1985–2005 1121:The Rolling Stone Album Guide 347:British Phonographic Industry 6147:; Halliwell, Martin (2011). 6081:Belhomme, Guillaume (2016). 5382:Hegarty & Halliwell 2011 4458:. p. 32. Archived from 4431:. No. 177. p. 118. 4100:vocals (16 September 1996). 2833:. p. 32. Archived from 2744: 2619: 2604: 2589: 2577: 2565: 2553: 2541: 2529: 2517: 2505: 2493: 2481: 2469: 2401: 2389: 2377: 2345: 2243:(credited, does not perform) 2234:(credited, does not perform) 2202: 1342: 824: 352: 345:was certified silver by the 266:and in the United States by 7: 4781:"500 Albums: 219. Loveless" 2445:2021 chart performance for 2353:2012 chart performance for 2301:1991 chart performance for 1825:and/or Irish bands such as 1323:peaked at number 24 on the 10: 6610: 5235:– via rocklistmusic. 4612:. No. 18. p. 73. 4024:Erlewine, Stephen Thomas. 3219:. No. 64. p. 71. 2793:Erlewine, Stephen Thomas. 2226:– drums, sampling keyboard 1901:All tracks are written by 1233:basslines, he concluded: " 868:in 1996. Ó Cíosóig joined 497:... I'm trying to remember 491:Does it even have a title? 6507:Kevin Shields discography 6489: 6415: 6369: 6344: 6326: 6301: 6269: 6226: 6041:. Retrieved 29 May 2021. 6025:. Retrieved 29 May 2021. 5973:. Retrieved 28 May 2021. 5957:. Retrieved 28 May 2021. 5702:"European Top 100 Albums" 5114:"The Top 40 Irish Albums" 4128:"Collapsed Lung – Cooler" 3078:"happy birthday loveless" 2903:. July 2005. p. 78. 2668: 2653: 2642: 2639: 2609: 2594: 2582: 2570: 2558: 2546: 2534: 2522: 2510: 2498: 2486: 2474: 2462: 2455: 2452: 2430: 2418: 2406: 2394: 2382: 2370: 2363: 2360: 2335: 2318: 2311: 2308: 2295: 1933: 1930: 1927: 1924: 1921: 1916: 1851:the Dillinger Escape Plan 1741: 1729: 1709: 1689: 1669: 1652: 1635: 1617: 1599: 1582: 1565: 1546: 1529: 1512: 1500: 1497: 1494: 1339:had sold 225,000 copies. 927: 924: 739:and their production for 310:reached number 24 on the 239: 218: 207: 203: 166: 158: 137: 125: 109: 73: 65: 54:4 November 1991 50: 37: 28: 23: 6168:McGonigal, Mike (2007). 6107:. London: Virgin Books. 5955:GfK Entertainment Charts 5817:"2012년 20주차 Album Chart" 5785: 5674:Sony Music Entertainment 5396:"Songs for the loveless" 4978:All Time Top 1000 Albums 2852:"Songs for the loveless" 2679: 1988:"Touched" (instrumental) 1394:All Time Top 1000 Albums 1359:critics' poll. In 1999, 681:was largely recorded in 567: 469:the Jesus and Mary Chain 6574:Creation Records albums 6122:DeRogatis, Jim (2003). 6039:Official Charts Company 6023:Official Charts Company 5971:Official Charts Company 5736:Official Charts Company 5540:(in Portuguese). Vice. 2525:Suomen virallinen lista 1886:Loveless: Hurts to Love 777: 471:. In an interview with 6452:Feed Me with Your Kiss 1765:the Velvet Underground 762: 579: 545:to Creation's dismay. 507: 430: 406:song "Soon" at Trident 5188:AlternativeNation.net 5053:. 22 September 2020. 4555:"My Bloody Valentine" 3073:My Bloody Valentine: 2611:UK Independent Albums 2419:South Korean Albums ( 2265:(except on "Touched") 2258:Production and mixing 1839:the Smashing Pumpkins 757: 578: 479: 428: 402:was hired to mix the 5564:Japancakes: Loveless 5453:"Timeless tunesmith" 4857:on 14 September 2005 4845:DiCrescenzo, Brent. 4712:(12 December 1991). 4573:Simon & Schuster 4399:Entertainment Weekly 4279:on 12 September 2010 3910:particularly human.' 2559:New Zealand Albums ( 2010:"To Here Knows When" 1905:, except where noted 971:Entertainment Weekly 915:Professional ratings 294:Preceded by the EPs 231:Released: March 1992 6584:Sire Records albums 6445:You Made Me Realise 6392:You Made Me Realise 6220:My Bloody Valentine 6085:. France: Densité. 5682:cite AV media notes 5670:My Bloody Valentine 5620:. 11 September 2013 5425:"Symphonic Chaos". 5314:. 27 January 2020. 5123:. 2 February 2009. 4920:. 28 September 2022 4448:(9 November 1991). 4367:The Daily Telegraph 4338:. 15 January 2007. 3181:"Loveless Turns 20" 2823:(9 November 1991). 2636: 2632:Certifications for 2571:Portuguese Albums ( 2463:Australian Albums ( 2449: 2357: 2305: 2277:Artwork and release 2218:My Bloody Valentine 1913: 1491: 1483:album of all time. 916: 536:) at the Church in 487:Does it have words? 332:Since its release, 260:My Bloody Valentine 160:My Bloody Valentine 44:My Bloody Valentine 6522:Rollercoaster Tour 6431:Sunny Sundae Smile 5797:on 11 October 2013 5569:2 May 2021 at the 5499:Jorgl, Stephanie. 5281:. 21 August 2020. 4791:on 6 November 2007 4450:"Bloody Awe-Full!" 4185:on 24 August 2007. 4136:. 2 October 1996. 3050:Creation Records: 2825:"Bloody Awe-Full!" 2631: 2537:Offizielle Top 100 2444: 2352: 2300: 1908: 1486: 914: 910:Critical reception 580: 435:Shakespears Sister 431: 6551: 6550: 6179:978-0-8264-1548-6 6160:978-0-8264-2332-0 6092:978-2-9192-9605-7 5710:Music & Media 5676:. 1988. LC 12723. 5429:. December 1990. 5312:pastemagazine.com 5279:pastemagazine.com 5156:Irish Independent 4816:The Village Voice 4633:The Village Voice 4624:Christgau, Robert 4310:on 1 October 2007 4232:Phares, Heather. 4110:Deceptive Records 3748:Chicago Sun-Times 3431:Cavanagh, David: 3187:. 4 November 2011 3127:. 5 November 2021 3107:. 4 November 2021 3084:. 4 November 2021 2969:Visible Ink Press 2677: 2676: 2672: 2624: 2623: 2585:Sverigetopplistan 2442: 2441: 2407:Japanese Albums ( 2350: 2349: 2325:Music & Media 2232:– vocals; guitar 2189: 2188: 1739: 1738: 1508:Irish Independent 1451:Irish Independent 1180: 1179: 1171:The Village Voice 755:." He explained: 620: 595: 359:Blackwing Studios 286:, and meticulous 243: 242: 199: 198: 6601: 6594:Noise pop albums 6353:Ecstasy and Wine 6213: 6206: 6199: 6190: 6189: 6183: 6164: 6137: 6118: 6096: 6068: 6067: 6065: 6063: 6048: 6042: 6032: 6026: 6016: 6010: 6004: 5998: 5992: 5986: 5980: 5974: 5964: 5958: 5948: 5942: 5931: 5925: 5919: 5913: 5907: 5901: 5895: 5889: 5883: 5877: 5871: 5865: 5864: 5862: 5860: 5845: 5839: 5838: 5836: 5834: 5813: 5807: 5806: 5804: 5802: 5793:. Archived from 5781: 5775: 5769: 5763: 5757: 5751: 5745: 5739: 5729: 5723: 5722: 5706: 5698: 5692: 5691: 5685: 5677: 5662: 5656: 5655: 5653: 5651: 5636: 5630: 5629: 5627: 5625: 5610: 5604: 5603: 5601: 5599: 5584: 5578: 5560: 5554: 5553: 5551: 5549: 5527: 5521: 5520: 5518: 5516: 5496: 5490: 5489: 5479: 5473: 5472: 5470: 5468: 5448: 5442: 5441: 5422: 5416: 5415: 5413: 5411: 5391: 5385: 5379: 5373: 5367: 5361: 5360: 5358: 5356: 5334: 5328: 5327: 5325: 5323: 5304: 5295: 5294: 5292: 5290: 5271: 5262: 5261: 5243: 5237: 5236: 5234: 5232: 5223:. October 2013. 5213: 5204: 5203: 5201: 5199: 5179: 5173: 5172: 5170: 5168: 5146: 5137: 5136: 5134: 5132: 5116: 5109: 5100: 5099: 5097: 5095: 5073: 5067: 5066: 5064: 5062: 5041: 5032: 5031: 5029: 5027: 5006: 4997: 4996: 4981:(3rd ed.). 4969: 4963: 4962: 4960: 4958: 4939: 4930: 4929: 4927: 4925: 4910: 4901: 4900: 4898: 4896: 4887:. Archived from 4876: 4867: 4866: 4864: 4862: 4853:. Archived from 4842: 4833: 4832: 4830: 4828: 4819:. 3 March 1992. 4807: 4801: 4800: 4798: 4796: 4777: 4766: 4760: 4751: 4750: 4742: 4736: 4735: 4733: 4731: 4706: 4700: 4699: 4691: 4685: 4679: 4670: 4669: 4656: 4650: 4649: 4647: 4645: 4628:"Consumer Guide" 4626:(3 March 1992). 4620: 4614: 4613: 4603: 4594: 4593: 4591: 4589: 4571:(4th ed.). 4563:Hoard, Christian 4559:Brackett, Nathan 4547: 4541: 4540: 4538: 4536: 4514: 4505: 4504: 4502: 4500: 4478: 4472: 4471: 4469: 4467: 4462:on 10 March 2000 4442: 4433: 4432: 4422: 4416: 4415: 4413: 4411: 4389: 4383: 4382: 4380: 4378: 4358: 4352: 4351: 4349: 4347: 4326: 4320: 4319: 4317: 4315: 4306:. Archived from 4295: 4289: 4288: 4286: 4284: 4275:. Archived from 4262: 4256: 4255: 4253: 4251: 4229: 4220: 4219: 4217: 4215: 4193: 4187: 4186: 4179:Creation Records 4171: 4165: 4159: 4150: 4149: 4147: 4145: 4124: 4118: 4117: 4090: 4084: 4083: 4081: 4079: 4057: 4048: 4047: 4045: 4043: 4021: 4012: 4011:. December 2000. 4003: 3997: 3991: 3980: 3974: 3965: 3964:, February 1992. 3957: 3951: 3950:, pp. 78–79 3945: 3939: 3933: 3927: 3919: 3913: 3912: 3905:Options Magazine 3900: 3894: 3888: 3882: 3876: 3870: 3864: 3858: 3857: 3855: 3853: 3848:. Sound on Sound 3846:soundonsound.com 3837: 3831: 3830: 3819: 3813: 3807: 3801: 3795: 3789: 3783: 3777: 3771: 3765: 3764: 3762: 3760: 3751:. Archived from 3738: 3729: 3723: 3717: 3711: 3705: 3699: 3693: 3692: 3686: 3684: 3662: 3656: 3655: 3645: 3632: 3626: 3617: 3611: 3605: 3604:, pp. 50–51 3599: 3593: 3587: 3581: 3580: 3570: 3561: 3555: 3549: 3548: 3540: 3527: 3526:, pp. 66–67 3521: 3515: 3509: 3500: 3499: 3489: 3483: 3477: 3471: 3465: 3450: 3444: 3438: 3429: 3423: 3417: 3411: 3405: 3399: 3393: 3387: 3381: 3375: 3369: 3363: 3362:, pp. 43–44 3357: 3351: 3345: 3339: 3333: 3327: 3326: 3321: 3319: 3297: 3291: 3285: 3276: 3270: 3264: 3258: 3252: 3251: 3249: 3247: 3227: 3221: 3220: 3210: 3199: 3196: 3194: 3192: 3176: 3174: 3172: 3156: 3154: 3152: 3136: 3134: 3132: 3125:Far Out Magazine 3116: 3114: 3112: 3093: 3091: 3089: 3070: 3068: 3066: 3060:Creation Records 3048: 3042: 3041: 3039: 3037: 3015: 3006: 3005: 3003: 3001: 2979: 2973: 2972: 2960: 2954: 2951: 2949: 2947: 2935:Las Vegas Weekly 2924: 2922: 2920: 2880: 2874: 2871: 2869: 2867: 2846: 2844: 2842: 2837:on 10 March 2000 2816: 2814: 2812: 2789: 2787: 2785: 2755: 2733: 2710: 2704: 2702: 2693: 2670: 2654:United Kingdom ( 2637: 2630: 2583:Swedish Albums ( 2523:Finnish Albums ( 2487:Belgian Albums ( 2475:Belgian Albums ( 2450: 2443: 2383:Belgian Albums ( 2371:Belgian Albums ( 2358: 2351: 2306: 2299: 2272: 2266: 2253: 2244: 2235: 2213: 2182: 1919: 1914: 1907: 1758: 1492: 1485: 1456: 1447: 1429:swirling guitars 1425:Chuck Klosterman 1312: 1303: 1295: 1262:In a review for 1256:Yerself is Steam 1152: 1151: 1150: 1146: 1145: 1141: 1140: 1136: 1135: 1131: 1130: 1114: 1113: 1112: 1108: 1107: 1103: 1102: 1098: 1097: 1093: 1092: 1076: 1075: 1074: 1070: 1069: 1065: 1064: 1060: 1059: 1055: 1054: 1014: 1013: 1012: 1008: 1007: 1003: 1002: 998: 997: 993: 992: 964: 963: 962: 958: 957: 953: 952: 948: 947: 943: 942: 917: 913: 851:Collapsed Lung's 810: 789: 773: 673:Just Like Heaven 659: 622: 621: 597: 596: 577: 500: 496: 421: 409: 284:digital sampling 264:Creation Records 232: 229: 168: 167: 121: 120: 116: 61: 59: 33: 21: 20: 6609: 6608: 6604: 6603: 6602: 6600: 6599: 6598: 6589:Shoegaze albums 6554: 6553: 6552: 6547: 6542:Warm Inventions 6535:Beautiful Noise 6528:Yellow Loveless 6485: 6438:Strawberry Wine 6411: 6365: 6340: 6322: 6297: 6265: 6253:Bilinda Butcher 6222: 6217: 6180: 6161: 6134: 6115: 6101:Cavanagh, David 6093: 6077: 6072: 6071: 6061: 6059: 6050: 6049: 6045: 6033: 6029: 6017: 6013: 6005: 6001: 5993: 5989: 5981: 5977: 5965: 5961: 5949: 5945: 5932: 5928: 5920: 5916: 5908: 5904: 5896: 5892: 5884: 5880: 5872: 5868: 5858: 5856: 5847: 5846: 5842: 5832: 5830: 5815: 5814: 5810: 5800: 5798: 5787: 5783: 5782: 5778: 5770: 5766: 5758: 5754: 5746: 5742: 5730: 5726: 5704: 5700: 5699: 5695: 5679: 5678: 5664: 5663: 5659: 5649: 5647: 5645:Bluegrass Today 5637: 5633: 5623: 5621: 5618:Willamette Week 5612: 5611: 5607: 5597: 5595: 5585: 5581: 5571:Wayback Machine 5562:Murray, Noel. " 5561: 5557: 5547: 5545: 5528: 5524: 5514: 5512: 5497: 5493: 5480: 5476: 5466: 5464: 5449: 5445: 5424: 5423: 5419: 5409: 5407: 5394:McCabe, Brian. 5392: 5388: 5380: 5376: 5368: 5364: 5354: 5352: 5335: 5331: 5321: 5319: 5306: 5305: 5298: 5288: 5286: 5273: 5272: 5265: 5258: 5244: 5240: 5230: 5228: 5215: 5214: 5207: 5197: 5195: 5180: 5176: 5166: 5164: 5147: 5140: 5130: 5128: 5120:The Irish Times 5111: 5110: 5103: 5093: 5091: 5074: 5070: 5060: 5058: 5043: 5042: 5035: 5025: 5023: 5008: 5007: 5000: 4993: 4970: 4966: 4956: 4954: 4941: 4940: 4933: 4923: 4921: 4918:Pitchfork Media 4912: 4911: 4904: 4894: 4892: 4891:on 22 June 2007 4877: 4870: 4860: 4858: 4843: 4836: 4826: 4824: 4809: 4808: 4804: 4794: 4792: 4779: 4778: 4769: 4761: 4754: 4743: 4739: 4729: 4727: 4719:Chicago Tribune 4707: 4703: 4692: 4688: 4680: 4673: 4657: 4653: 4643: 4641: 4621: 4617: 4604: 4597: 4587: 4585: 4583: 4575:. p. 566. 4548: 4544: 4534: 4532: 4515: 4508: 4498: 4496: 4479: 4475: 4465: 4463: 4443: 4436: 4423: 4419: 4409: 4407: 4390: 4386: 4376: 4374: 4359: 4355: 4345: 4343: 4328: 4327: 4323: 4313: 4311: 4296: 4292: 4282: 4280: 4263: 4259: 4249: 4247: 4230: 4223: 4213: 4211: 4194: 4190: 4173: 4172: 4168: 4160: 4153: 4143: 4141: 4126: 4125: 4121: 4116:. BLUFF 034 CD. 4098:Bilinda Butcher 4092: 4091: 4087: 4077: 4075: 4058: 4051: 4041: 4039: 4022: 4015: 4004: 4000: 3992: 3983: 3975: 3968: 3958: 3954: 3946: 3942: 3934: 3930: 3920: 3916: 3901: 3897: 3889: 3885: 3877: 3873: 3865: 3861: 3851: 3849: 3838: 3834: 3821: 3820: 3816: 3808: 3804: 3796: 3792: 3784: 3780: 3772: 3768: 3758: 3756: 3755:on 6 March 2015 3739: 3732: 3724: 3720: 3712: 3708: 3700: 3696: 3682: 3680: 3663: 3659: 3646: 3635: 3627: 3620: 3612: 3608: 3600: 3596: 3588: 3584: 3571: 3564: 3556: 3552: 3541: 3530: 3522: 3518: 3510: 3503: 3490: 3486: 3478: 3474: 3466: 3453: 3445: 3441: 3437:, February 1992 3430: 3426: 3418: 3414: 3406: 3402: 3394: 3390: 3382: 3378: 3370: 3366: 3358: 3354: 3346: 3342: 3334: 3330: 3317: 3315: 3298: 3294: 3286: 3279: 3271: 3267: 3259: 3255: 3245: 3243: 3228: 3224: 3211: 3202: 3190: 3188: 3179: 3170: 3168: 3150: 3148: 3130: 3128: 3119: 3110: 3108: 3105:Magnet Magazine 3099: 3087: 3085: 3076: 3064: 3062: 3049: 3045: 3035: 3033: 3016: 3009: 2999: 2997: 2989:Chicago Tribune 2980: 2976: 2961: 2957: 2945: 2943: 2918: 2916: 2893: 2881: 2877: 2865: 2863: 2850:McCabe, Brian. 2840: 2838: 2810: 2808: 2783: 2781: 2768: 2756: 2752: 2747: 2742: 2737: 2736: 2724:Nine Inch Nails 2711: 2707: 2694: 2687: 2682: 2647:Certified units 2629: 2535:German Albums ( 2499:Danish Albums ( 2457: 2365: 2320:European Albums 2313: 2298: 2270: 2269:Colm Ó Cíosóig 2264: 2251: 2242: 2233: 2230:Bilinda Butcher 2214:s liner notes. 2211: 2205: 2190: 2180: 2143:"What You Want" 2083:"Come in Alone" 2022: 1950:Bilinda Butcher 1898: 1788:called it "the 1756: 1744: 1525:The Irish Times 1454: 1445: 1442:The Irish Times 1345: 1335:estimated that 1325:UK Albums Chart 1310: 1301: 1293: 1275:Chicago Tribune 1148: 1143: 1138: 1133: 1110: 1105: 1100: 1095: 1072: 1067: 1062: 1057: 1010: 1005: 1000: 995: 960: 955: 950: 945: 912: 861:and formed the 827: 808: 787: 780: 771: 657: 644: 643: 635: 633: 632: 631: 630: 623: 616: 613: 607: 606: 605: 598: 591: 588: 581: 575: 570: 511:Bilinda Butcher 498: 494: 419: 407: 385:working on the 355: 312:UK Albums Chart 235: 230: 223: 222: 194: 185: 176: 118: 114: 113: 57: 55: 46: 19: 12: 11: 5: 6607: 6597: 6596: 6591: 6586: 6581: 6576: 6571: 6566: 6549: 6548: 6546: 6545: 6538: 6531: 6524: 6519: 6514: 6509: 6504: 6499: 6493: 6491: 6487: 6486: 6484: 6483: 6476: 6473:When You Sleep 6469: 6462: 6455: 6448: 6441: 6434: 6427: 6424:No Place to Go 6419: 6417: 6413: 6412: 6410: 6409: 6402: 6395: 6388: 6381: 6373: 6371: 6370:Extended plays 6367: 6366: 6364: 6363: 6360:EP's 1988–1991 6356: 6348: 6346: 6342: 6341: 6339: 6338: 6330: 6328: 6324: 6323: 6321: 6320: 6313: 6305: 6303: 6299: 6298: 6296: 6295: 6288: 6281: 6278:Isn't Anything 6273: 6271: 6267: 6266: 6264: 6263: 6257: 6256: 6249: 6242: 6239:Colm Ó Cíosóig 6235: 6227: 6224: 6223: 6216: 6215: 6208: 6201: 6193: 6185: 6184: 6178: 6165: 6159: 6141: 6138: 6132: 6119: 6113: 6097: 6091: 6076: 6073: 6070: 6069: 6043: 6027: 6011: 5999: 5987: 5975: 5959: 5943: 5937:(in Finnish). 5926: 5914: 5902: 5890: 5878: 5866: 5840: 5808: 5776: 5764: 5752: 5740: 5724: 5693: 5657: 5631: 5605: 5593:Slant Magazine 5579: 5555: 5522: 5491: 5474: 5443: 5417: 5386: 5384:, p. 225. 5374: 5370:DeRogatis 2003 5362: 5329: 5296: 5263: 5256: 5238: 5205: 5174: 5138: 5101: 5068: 5033: 4998: 4991: 4985:. p. 65. 4964: 4931: 4902: 4868: 4834: 4802: 4767: 4752: 4737: 4701: 4686: 4682:McGonigal 2007 4671: 4651: 4615: 4595: 4581: 4542: 4506: 4473: 4434: 4417: 4384: 4353: 4321: 4290: 4265:Raggett, Ned. 4257: 4221: 4188: 4166: 4162:DeRogatis 2003 4151: 4119: 4114:London Records 4094:Collapsed Lung 4085: 4049: 4013: 3998: 3981: 3966: 3952: 3948:McGonigal 2007 3940: 3936:McGonigal 2007 3928: 3914: 3895: 3891:McGonigal 2007 3883: 3879:McGonigal 2007 3871: 3867:McGonigal 2007 3859: 3832: 3829:. No. 26. 3814: 3810:McGonigal 2007 3802: 3798:McGonigal 2007 3790: 3786:McGonigal 2007 3778: 3774:McGonigal 2007 3766: 3730: 3726:DeRogatis 2003 3718: 3714:McGonigal 2007 3706: 3702:McGonigal 2007 3694: 3657: 3633: 3629:McGonigal 2007 3618: 3614:McGonigal 2007 3606: 3602:McGonigal 2007 3594: 3590:McGonigal 2007 3582: 3562: 3558:McGonigal 2007 3550: 3528: 3524:McGonigal 2007 3516: 3501: 3495:Sound on Sound 3484: 3480:McGonigal 2007 3472: 3451: 3439: 3424: 3420:McGonigal 2007 3412: 3408:McGonigal 2007 3400: 3396:McGonigal 2007 3388: 3384:McGonigal 2007 3376: 3372:McGonigal 2007 3364: 3360:McGonigal 2007 3352: 3348:McGonigal 2007 3340: 3336:McGonigal 2007 3328: 3292: 3288:McGonigal 2007 3277: 3273:McGonigal 2007 3265: 3261:McGonigal 2007 3253: 3222: 3200: 3198: 3197: 3177: 3160:Thill, Scott. 3157: 3146:Slant Magazine 3137: 3117: 3095: 3094: 3072: 3071: 3043: 3007: 2974: 2971:. p. 797. 2955: 2953: 2952: 2925: 2875: 2873: 2872: 2847: 2817: 2790: 2749: 2748: 2746: 2743: 2741: 2738: 2735: 2734: 2705: 2684: 2683: 2681: 2678: 2675: 2674: 2666: 2665: 2662: 2659: 2651: 2650: 2644: 2641: 2628: 2627:Certifications 2625: 2622: 2621: 2618: 2607: 2606: 2603: 2592: 2591: 2588: 2580: 2579: 2576: 2568: 2567: 2564: 2556: 2555: 2552: 2547:Irish Albums ( 2544: 2543: 2540: 2532: 2531: 2528: 2520: 2519: 2516: 2511:Dutch Albums ( 2508: 2507: 2504: 2496: 2495: 2492: 2484: 2483: 2480: 2472: 2471: 2468: 2460: 2459: 2454: 2440: 2439: 2436: 2428: 2427: 2424: 2416: 2415: 2412: 2404: 2403: 2400: 2395:Irish Albums ( 2392: 2391: 2388: 2380: 2379: 2376: 2368: 2367: 2362: 2348: 2347: 2344: 2333: 2332: 2329: 2316: 2315: 2310: 2297: 2294: 2293: 2292: 2289: 2283: 2274: 2273: 2271:(on "Touched") 2267: 2263:Kevin Shields 2255: 2254: 2245: 2236: 2227: 2224:Colm Ó Cíosóig 2204: 2201: 2200: 2199: 2187: 2186: 2183: 2177: 2176: 2173: 2170: 2167: 2164: 2161: 2157: 2156: 2153: 2150: 2147: 2144: 2141: 2137: 2136: 2133: 2130: 2127: 2124: 2123:"Blown a Wish" 2121: 2117: 2116: 2113: 2110: 2107: 2104: 2101: 2097: 2096: 2093: 2090: 2087: 2084: 2081: 2077: 2076: 2073: 2070: 2067: 2064: 2061: 2057: 2056: 2053: 2050: 2047: 2044: 2041:When You Sleep 2037: 2033: 2032: 2029: 2026: 2023: 2021: 2020: 2017: 2013: 2011: 2008: 2004: 2003: 2000: 1997: 1995:Colm Ó Cíosóig 1992: 1989: 1986: 1982: 1981: 1978: 1975: 1972: 1969: 1966: 1962: 1961: 1958: 1955: 1952: 1947: 1940: 1936: 1935: 1932: 1929: 1926: 1923: 1920: 1899: 1897: 1894: 1743: 1740: 1737: 1736: 1733: 1728: 1720: 1719: 1716: 1708: 1700: 1699: 1696: 1688: 1680: 1679: 1676: 1668: 1660: 1659: 1656: 1651: 1643: 1642: 1639: 1634: 1626: 1625: 1622: 1616: 1608: 1607: 1604: 1598: 1590: 1589: 1586: 1581: 1573: 1572: 1569: 1564: 1556: 1555: 1552: 1545: 1537: 1536: 1533: 1528: 1520: 1519: 1516: 1511: 1503: 1502: 1499: 1496: 1487:Accolades for 1357:Pazz & Jop 1344: 1341: 1243:Simon Reynolds 1178: 1177: 1174: 1166: 1165: 1162: 1154: 1153: 1124: 1116: 1115: 1086: 1078: 1077: 1048: 1040: 1039: 1036: 1028: 1027: 1024: 1016: 1015: 986: 978: 977: 974: 966: 965: 936: 930: 929: 926: 922: 921: 911: 908: 839:the Beach Boys 826: 823: 779: 776: 737:The Bomb Squad 729:Sound on Sound 721:Colm Ó Cíosóig 634: 624: 614: 609: 608: 599: 589: 586:"Only Shallow" 584: 583: 582: 573: 572: 571: 569: 566: 530:Darren Allison 354: 351: 278:, nonstandard 241: 240: 237: 236: 234: 233: 219: 216: 215: 205: 204: 201: 200: 197: 196: 191:EP's 1988–1991 187: 178: 164: 163: 156: 155: 154: 153: 151:Colm Ó Cíosóig 148: 141: 135: 134: 129: 123: 122: 111: 107: 106: 105: 104: 99: 94: 89: 84: 77: 71: 70: 67: 63: 62: 52: 48: 47: 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 6606: 6595: 6592: 6590: 6587: 6585: 6582: 6580: 6577: 6575: 6572: 6570: 6567: 6565: 6562: 6561: 6559: 6544: 6543: 6539: 6537: 6536: 6532: 6530: 6529: 6525: 6523: 6520: 6518: 6515: 6513: 6510: 6508: 6505: 6503: 6500: 6498: 6495: 6494: 6492: 6488: 6481: 6477: 6474: 6470: 6467: 6463: 6460: 6456: 6453: 6449: 6446: 6442: 6439: 6435: 6432: 6428: 6425: 6421: 6420: 6418: 6414: 6408: 6407: 6403: 6401: 6400: 6396: 6394: 6393: 6389: 6387: 6386: 6382: 6380: 6379: 6375: 6374: 6372: 6368: 6362: 6361: 6357: 6355: 6354: 6350: 6349: 6347: 6343: 6337: 6336: 6332: 6331: 6329: 6325: 6319: 6318: 6314: 6312: 6311: 6307: 6306: 6304: 6300: 6294: 6293: 6289: 6287: 6286: 6282: 6280: 6279: 6275: 6274: 6272: 6270:Studio albums 6268: 6262: 6259: 6258: 6255: 6254: 6250: 6248: 6247: 6243: 6241: 6240: 6236: 6234: 6233: 6232:Kevin Shields 6229: 6228: 6225: 6221: 6214: 6209: 6207: 6202: 6200: 6195: 6194: 6191: 6187: 6181: 6175: 6171: 6166: 6162: 6156: 6152: 6151: 6146: 6145:Hegarty, Paul 6142: 6139: 6135: 6133:0-634-05548-8 6129: 6125: 6120: 6116: 6114:0-7535-0645-9 6110: 6106: 6102: 6098: 6094: 6088: 6084: 6079: 6078: 6058:. 21 May 2021 6057: 6053: 6047: 6040: 6036: 6031: 6024: 6020: 6015: 6008: 6003: 5996: 5991: 5984: 5979: 5972: 5968: 5963: 5956: 5953:(in German). 5952: 5947: 5940: 5936: 5930: 5923: 5918: 5911: 5906: 5899: 5894: 5887: 5882: 5875: 5870: 5854: 5850: 5844: 5828: 5825:(in Korean). 5824: 5823: 5818: 5812: 5796: 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Club 5572: 5568: 5565: 5559: 5543: 5539: 5538: 5533: 5526: 5510: 5506: 5505:Audiohead.net 5502: 5495: 5487: 5486: 5478: 5462: 5458: 5454: 5447: 5440: 5438: 5434: 5428: 5421: 5405: 5401: 5397: 5390: 5383: 5378: 5372:, p. 492 5371: 5366: 5350: 5346: 5345: 5340: 5333: 5317: 5313: 5309: 5303: 5301: 5284: 5280: 5276: 5270: 5268: 5259: 5257:0-7893-1371-5 5253: 5249: 5242: 5226: 5222: 5218: 5212: 5210: 5193: 5189: 5185: 5178: 5162: 5158: 5157: 5152: 5145: 5143: 5126: 5122: 5121: 5115: 5108: 5106: 5089: 5085: 5084: 5079: 5072: 5056: 5052: 5051: 5050:Rolling Stone 5046: 5040: 5038: 5021: 5017: 5016: 5015:Rolling Stone 5011: 5005: 5003: 4994: 4992:0-7535-0493-6 4988: 4984: 4980: 4979: 4974: 4973:Larkin, Colin 4968: 4952: 4949:. p. 5. 4948: 4944: 4938: 4936: 4919: 4915: 4909: 4907: 4890: 4886: 4882: 4875: 4873: 4856: 4852: 4848: 4841: 4839: 4822: 4818: 4817: 4812: 4806: 4790: 4786: 4785:Rolling Stone 4782: 4776: 4774: 4772: 4765:, p. 368 4764: 4763:Cavanagh 2000 4759: 4757: 4748: 4741: 4725: 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462: 458: 454: 450: 449: 444: 440: 436: 427: 423: 417: 413: 405: 401: 397: 393: 390: 389: 384: 379: 377: 372: 371:Kevin Shields 368: 364: 360: 350: 348: 344: 339: 335: 330: 328: 327: 322: 317: 313: 309: 305: 304: 299: 298: 292: 289: 285: 281: 277: 273: 272:Kevin Shields 269: 265: 261: 257: 253: 250:(stylized in 249: 248: 238: 227: 221: 220: 217: 214: 210: 206: 202: 193: 192: 188: 184: 183: 179: 175: 174: 170: 169: 165: 161: 157: 152: 149: 147: 146:Kevin Shields 144: 143: 142: 140: 136: 133: 130: 128: 124: 112: 108: 103: 100: 98: 95: 93: 90: 88: 85: 83: 80: 79: 78: 76: 72: 68: 64: 53: 49: 45: 40: 36: 32: 27: 22: 16: 6540: 6533: 6526: 6517:Glide guitar 6480:Only Shallow 6459:Instrumental 6404: 6397: 6390: 6383: 6376: 6358: 6351: 6345:Compilations 6333: 6315: 6308: 6290: 6284: 6283: 6276: 6261:David Conway 6251: 6246:Debbie Googe 6244: 6237: 6230: 6186: 6169: 6149: 6123: 6104: 6082: 6075:Bibliography 6060:. Retrieved 6046: 6030: 6014: 6002: 5990: 5978: 5962: 5946: 5929: 5917: 5905: 5893: 5881: 5869: 5857:. Retrieved 5852: 5843: 5831:. Retrieved 5820: 5811: 5799:. Retrieved 5795:the original 5779: 5767: 5755: 5743: 5727: 5708: 5696: 5665: 5660: 5648:. Retrieved 5644: 5634: 5622:. Retrieved 5617: 5608: 5596:. Retrieved 5592: 5582: 5558: 5546:. Retrieved 5535: 5525: 5513:. Retrieved 5504: 5494: 5483: 5477: 5465:. Retrieved 5457:The Guardian 5456: 5446: 5437:Glenn Branca 5430: 5427:Melody Maker 5426: 5420: 5408:. Retrieved 5399: 5389: 5377: 5365: 5353:. Retrieved 5342: 5332: 5322:23 September 5320:. Retrieved 5311: 5289:23 September 5287:. Retrieved 5278: 5250:. Universe. 5247: 5241: 5229:. Retrieved 5220: 5196:. Retrieved 5187: 5177: 5165:. Retrieved 5154: 5129:. Retrieved 5118: 5092:. Retrieved 5083:The Observer 5081: 5071: 5061:22 September 5059:. Retrieved 5048: 5026:16 September 5024:. Retrieved 5013: 4983:Virgin Books 4977: 4967: 4957:23 September 4955:. Retrieved 4946: 4924:30 September 4922:. Retrieved 4893:. Retrieved 4889:the original 4884: 4859:. Retrieved 4855:the original 4850: 4825:. Retrieved 4814: 4805: 4793:. Retrieved 4789:the original 4784: 4746: 4740: 4728:. Retrieved 4717: 4704: 4696:Melody Maker 4695: 4689: 4684:, p. 97 4666: 4662:Melody Maker 4660: 4654: 4642:. Retrieved 4631: 4618: 4607: 4586:. Retrieved 4567: 4551:Sisario, Ben 4545: 4533:. Retrieved 4522: 4497:. Retrieved 4486: 4476: 4464:. Retrieved 4460:the original 4453: 4446:Fadele, Dele 4426: 4420: 4408:. Retrieved 4397: 4387: 4375:. Retrieved 4366: 4356: 4344:. Retrieved 4333: 4324: 4312:. Retrieved 4308:the original 4303: 4293: 4281:. Retrieved 4277:the original 4270: 4260: 4248:. Retrieved 4237: 4212:. Retrieved 4201: 4191: 4183:the original 4178: 4169: 4142:. Retrieved 4131: 4122: 4106:compact disc 4101: 4088: 4076:. Retrieved 4067:The Guardian 4065: 4040:. Retrieved 4029: 4006: 4001: 3959: 3955: 3943: 3938:, p. 77 3931: 3921: 3917: 3908: 3904: 3898: 3893:, p. 76 3886: 3881:, p. 89 3874: 3869:, p. 75 3862: 3850:. Retrieved 3845: 3840:Doyle, Tom. 3835: 3826: 3817: 3812:, p. 70 3805: 3800:, p. 72 3793: 3788:, p. 32 3781: 3776:, p. 36 3769: 3757:. Retrieved 3753:the original 3746: 3721: 3716:, p. 50 3709: 3704:, p. 39 3697: 3688: 3681:. Retrieved 3672:The Guardian 3670: 3660: 3649: 3631:, p. 73 3616:, p. 51 3609: 3597: 3592:, p. 78 3585: 3576:Guitar World 3574: 3560:, p. 67 3553: 3544: 3519: 3493: 3487: 3482:, p. 62 3475: 3442: 3432: 3427: 3422:, p. 61 3415: 3410:, p. 60 3403: 3398:, p. 47 3391: 3386:, p. 59 3379: 3374:, p. 48 3367: 3355: 3350:, p. 46 3343: 3338:, p. 45 3331: 3323: 3316:. Retrieved 3305: 3295: 3290:, p. 43 3275:, p. 41 3268: 3263:, p. 42 3256: 3244:. Retrieved 3235: 3225: 3214: 3189:. Retrieved 3184: 3169:. Retrieved 3165: 3149:. Retrieved 3145: 3129:. Retrieved 3124: 3109:. Retrieved 3104: 3086:. Retrieved 3081: 3063:. Retrieved 3059: 3046: 3034:. Retrieved 3025:The Guardian 3023: 2998:. Retrieved 2987: 2977: 2964: 2958: 2944:. Retrieved 2933: 2917:. Retrieved 2898: 2883: 2878: 2864:. Retrieved 2855: 2839:. Retrieved 2835:the original 2828: 2821:Fadele, Dele 2809:. Retrieved 2798: 2784:23 September 2782:. Retrieved 2773: 2758: 2753: 2727: 2720:Trent Reznor 2713: 2708: 2697:Melody Maker 2696: 2669: 2633: 2446: 2354: 2323: 2302: 2276: 2275: 2257: 2256: 2252:(uncredited) 2239:Debbie Googe 2217: 2216: 2208: 2206: 2192: 2191: 1944:Only Shallow 1909: 1900: 1890:Bruce Kaphan 1885: 1881: 1875: 1864: 1854: 1847:Greg Puciato 1842: 1835:Billy Corgan 1830: 1818: 1811:Robert Smith 1800: 1789: 1785:The Guardian 1783: 1776: 1769:Paul Hegarty 1750: 1746: 1745: 1730: 1723: 1710: 1703: 1690: 1683: 1670: 1663: 1653: 1647: 1636: 1630: 1618: 1612: 1600: 1594: 1583: 1577: 1566: 1560: 1548: 1540: 1530: 1523: 1513: 1506: 1495:Publication 1488: 1475: 1468: 1458: 1449: 1440: 1436: 1432: 1428: 1417: 1415: 1410:The Observer 1408: 1398: 1392: 1389:Colin Larkin 1384: 1380: 1374: 1366: 1360: 1351: 1347: 1346: 1336: 1332: 1329:Sire Records 1320: 1316:The Guardian 1314: 1305: 1298: 1289: 1283: 1273: 1269: 1263: 1261: 1254: 1246: 1239:Melody Maker 1238: 1234: 1221: 1217: 1209: 1208: 1203: 1197: 1187: 1183: 1181: 1169: 1157: 1119: 1081: 1043: 1031: 1019: 981: 969: 903: 897: 891: 888:jungle music 885: 882:Dinosaur Jr. 854: 835:Brian Wilson 830: 828: 816: 798: 796: 783: 781: 766: 763: 758: 752: 748: 745: 741:Public Enemy 724: 718: 708:Guitar World 706: 703: 695:glide guitar 678: 677: 662: 653:Debbie Googe 647: 645: 636: 627:glide guitar 601: 557:Melody Maker 556: 551:Melody Maker 549: 547: 541: 527: 520: 516: 508: 490: 486: 482: 480: 472: 464: 460: 456: 452: 446: 432: 411: 403: 400:Alan Moulder 386: 380: 356: 342: 333: 331: 324: 320: 307: 301: 295: 293: 268:Sire Records 246: 245: 244: 226:Only Shallow 212: 189: 181: 180: 171: 39:Studio album 15: 6564:1991 albums 6512:The Complex 6497:Discography 6327:Live albums 6302:Mini albums 5855:(in Korean) 5801:23 November 5433:Steve Reich 5400:Metro Times 5344:Clash Music 5094:27 November 4827:10 November 4730:14 November 4644:14 November 4588:18 December 4535:20 November 4410:14 November 4144:24 February 4062:"I lost it" 3545:Lime Lizard 3036:27 December 3020:"I lost it" 2982:Kot, Greg. 2967:. Detroit: 2946:22 December 2919:15 November 2856:Metro Times 2729:The Fragile 2103:"Sometimes" 1931:Lead vocals 1878:Water Tower 1817:discovered 1778:Metro Times 1773:progressive 1767:." Authors 1473:. In 2020, 1397:. In 2003, 1383:also named 1376:OK Computer 1331:. In 2003, 1251:Mercury Rev 1227:dance music 1214:Dele Fadele 874:Yo La Tengo 843:Syd Barrett 805:Danny Kelly 687:tremolo bar 300:(1990) and 6558:Categories 5859:7 February 5853:Gaon Chart 5833:7 February 5822:Gaon Chart 5467:8 December 5410:5 February 5231:19 October 4519:"Loveless" 4466:3 February 4394:"Loveless" 4377:5 February 4203:PopMatters 4102:Board Game 3683:3 December 3318:3 December 3246:4 November 3191:5 November 3171:5 November 3151:5 November 3131:5 November 3111:5 November 3088:5 November 3065:5 November 2866:5 February 2841:3 February 2740:References 2491:Wallonia) 2479:Flanders) 2387:Wallonia) 2375:Flanders) 1867:Japancakes 1796:avant-rock 1791:Pet Sounds 1194:distortion 863:supergroup 847:Pink Floyd 699:shoegazing 665:Neil Young 639:media help 629:" playing. 538:Crouch End 416:amplifiers 396:Alan McGee 316:Alan McGee 288:production 162:chronology 102:avant-rock 97:noise rock 58:1991-11-04 5515:24 August 5485:Hot Press 5355:17 August 4947:Pitchfork 4885:Pitchfork 4851:Pitchfork 4710:Kot, Greg 4488:Pitchfork 4283:23 August 4214:24 August 3759:24 August 3185:Stereogum 2909:0886-3032 2888:dream pop 2774:Pitchfork 2745:Citations 2695:Although 2596:UK Albums 2501:Hitlisten 2458:position 2366:position 2337:UK Albums 2314:position 2203:Personnel 1884:entitled 1873:in 2007. 1865:The band 1803:Brian Eno 1801:Musician 1648:Pitchfork 1631:Pitchfork 1613:Pitchfork 1595:Pitchfork 1498:Accolade 1481:dream pop 1381:Pitchfork 1371:Radiohead 1362:Pitchfork 1343:Accolades 1319:in 2004. 1212:reviewer 1033:Pitchfork 825:Aftermath 813:Mark Kemp 792:Woodstock 505:I'd used. 383:Berkshire 363:Southwark 353:Recording 329:in 2013. 252:lowercase 213:Loveless 92:noise pop 87:dream pop 6285:Loveless 6170:Loveless 6103:(2000). 5827:Archived 5719:29800226 5666:Loveless 5650:28 March 5624:28 March 5598:28 March 5567:Archived 5548:11 March 5542:Archived 5509:Archived 5461:Archived 5404:Archived 5349:Archived 5316:Archived 5283:Archived 5225:Archived 5192:Archived 5167:22 April 5161:Archived 5131:25 April 5125:Archived 5088:Archived 5055:Archived 5020:Archived 5018:. 2012. 4975:(2000). 4951:Archived 4895:5 August 4821:Archived 4795:5 August 4724:Archived 4638:Archived 4565:(eds.). 4553:(2004). 4529:Archived 4499:17 April 4493:Archived 4404:Archived 4371:Archived 4346:5 August 4340:Archived 4314:5 August 4244:Archived 4239:AllMusic 4208:Archived 4138:Archived 4078:6 August 4072:Archived 4036:Archived 4031:AllMusic 3852:15 March 3677:Archived 3312:Archived 3240:Archived 3030:Archived 2994:Archived 2940:Archived 2913:Archived 2884:Loveless 2860:Archived 2805:Archived 2800:AllMusic 2778:Archived 2763:shoegaze 2759:Loveless 2718:(1995). 2664:100,000 2634:Loveless 2489:Ultratop 2477:Ultratop 2447:Loveless 2385:Ultratop 2373:Ultratop 2355:Loveless 2303:Loveless 2209:Loveless 1968:"Loomer" 1910:Loveless 1882:Loveless 1855:Loveless 1831:Loveless 1819:Loveless 1815:the Cure 1747:Loveless 1489:Loveless 1437:Loveless 1433:Loveless 1385:Loveless 1367:Loveless 1348:Loveless 1337:Loveless 1321:Loveless 1306:Loveless 1290:Loveless 1280:Greg Kot 1270:Loveless 1247:Loveless 1235:Loveless 1222:Loveless 1218:Loveless 1204:Loveless 1184:Loveless 934:AllMusic 904:Loveless 866:Snowpony 831:Loveless 784:Loveless 679:Loveless 669:the Cure 648:Loveless 602:Loveless 542:Loveless 523:tinnitus 461:Loveless 443:Holloway 412:Loveless 343:Loveless 338:shoegaze 334:Loveless 321:Loveless 308:Loveless 306:(1991), 247:Loveless 182:Loveless 139:Producer 132:Creation 82:Shoegaze 66:Recorded 51:Released 41: by 24:Loveless 6490:Related 6416:Singles 6406:Tremolo 6317:Ecstasy 5198:31 July 4133:Discogs 3827:Tape Op 3690:Heaven. 3096:Media: 3082:Twitter 3000:17 June 2649:/sales 2640:Region 2241:– bass 2172:Shields 2152:Shields 2132:Butcher 2129:Shields 2126:Butcher 2112:Shields 2092:Butcher 2072:Shields 2052:Shields 2028:Butcher 2025:Shields 2019:Shields 2016:Butcher 1977:Butcher 1974:Shields 1971:Butcher 1957:Butcher 1954:Shields 1715:(2020) 1695:(2012) 1675:(2003) 1621:(2003) 1603:(1999) 1439:topped 1278:critic 1241:writer 803:editor 733:hip hop 503:tunings 457:Tremolo 451:. Like 448:Tremolo 376:Wapping 349:(BPI). 303:Tremolo 280:tunings 276:vibrato 209:Singles 195:(2012) 186:(1991) 177:(1991) 173:Tremolo 56: ( 6399:Glider 6176: 6157: 6130: 6111: 6089: 6062:6 July 5791:Oricon 5717: 5668:(CD). 5537:Noisey 5254: 4989: 4861:7 July 4609:Select 4579: 4250:31 May 4042:31 May 3961:Select 3923:Select 3434:Select 2907: 2811:31 May 2409:Oricon 2296:Charts 2169: 2166: 2163:"Soon" 2149: 2146: 2109: 2106: 2089: 2086: 2069: 2066: 2049: 2046: 1999: 1991: 1934:Length 1925:Lyrics 1853:named 1794:of UK 1757: 1742:Legacy 1365:named 1311: 1302: 1294: 1231:reggae 1189:Select 1159:Select 928:Rating 925:Source 893:Magnet 859:London 855:Cooler 809: 788: 768:Select 691:strums 689:as he 658: 611:"Soon" 499: 495: 474:Select 465:Glider 453:Glider 420: 408: 404:Glider 388:Glider 367:London 297:Glider 110:Length 6502:Songs 6466:Sugar 6378:Geek! 6292:m b v 5705:(PDF) 4557:. 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