315:"I feel on this album I achieve something as a singer, producer and songwriter. If it only sold three copies, I wouldn't worry. The achievement is more important than the success. This is entirely autobiographical: it's the only way I can write. I did a lot of it with the running order in mind. I wrote for two months before we went into the studio and the pattern was obvious when I started writing: 'Seeking a Love' had to open the album. There's a lot of different music styles that are confusing some people. It's taken the maturity of an older man to come out and say things in the first person. When I first started writing the album, six of the lyrics dealt with love. So I thought I'd follow this with the rest of it. It's an album which dwells on the emotion we call love. I became very confident writing this album. I've come back stronger now 'cause I believe in myself. I like writing all about human relationships. There is also humour in this LP: 'GI Valentine,' and 'Give Me More'.
343:". "Sidetrack II" is preceded by a non-album track, "Sidetrack 1", which was released as the B-side to "(I Believe) Love's a Prima Donna". It is the same song but where "Sidetrack II" is the "orchestral version" with a 50-piece orchestra and choir, "Sidetrack 1" is performed by Cockney Rebel using synthesisers, piano, electric guitar and percussion. Originally written at the piano, Harley wanted to "bring another dimension" to the track but felt it would have been "too self-indulgent" to include both versions on the album. "(If This Is Love) Give Me More", which Harley has described as a "spoof 50s doo-wop rock piece" with a "70s spoof lyric and 70s recording techniques", features him playing electric guitar for the first time on record.
674:, retrospectively wrote, "This album allowed to give full vent to his romantic thoughts via lushly crafted songs about the travails of love. Harley's ambitions occasionally overwhelm him, but the best songs rank with Harley's finest work and the album manages to overcome its occasional excesses thanks to a crisp, consistent production that keeps its genre-hopping sounding smooth. In short, it takes a few listens to assimilate, but it is an impressively crafted album that offers plenty of rewards for Harley fans and anyone who can appreciate
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327:. He revealed, "This is not self-indulgence, I swear! I gave free rein to Jim Cregan during the recordings and he rewarded me with some brilliant parts, which I could harmonise with the keyboards. The more outlandish my production became, the more Jim pushed himself. Cockney Rebel started as a non-guitar band, and here we are offering up lashings of electric mayhem!"
576:
Me Again' are two tracks which work, not because they are simple songs, but because they are simply presented. What spoils the rest of the album is the desperation which attends Harley's efforts to be musical/innovative/disturbing. A pity that such a promising and outrageous talent as Harley's should be allowed to stoop to the low level which this album achieves."
362:. He interpreted the lyrics as referring to an "apocalypse", "great awakening" and "massive change", and, in response, emphasised the use of musical accents in its recording. As a single, it was backed by the non-album track, "Lay Me Down". "Innocence and Guilt" has been described by Harley as being about wanting to "return to the womb".
31:
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wrote, "Choirs, nursery noises, nubile
Lancashire lasses, you name it - Steve Harley's got it on his new album. He uses every conceivable gimmick in the book on this, his strongest LP to date. So what if the guy can't sing a note. He doesn't seem to be taking himself quite so seriously these days...
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said, "'Here Comes The Sun' bears all the hallmarks of the accomplished lyricist desperately attempting to become the acclaimed musician/arranger - mistaking clumsiness for cleverness and arrogance for art. Unfortunately, these faults permeate the entire album. '(Love) Compared With You' and 'Carry
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goes closer to the bone than ever before. In the past, Harley's lyrics have tended to be oblique and obscure. With this album, however, he appears to be laying his life on the line - and it's often quite a painful thing to see. The album is loosely conceptual, each sentiment comes across intensely,
286:, Harley summarised, "The whole album is a parcel of love attitudes. Every song is a different aspect of the emotion we call love. Without wanting to sound pretentious, it's a simple concept." The album also showcases a range of musical styles, including
571:, said, "The album is Steve's look at love. He sees it as a necessary evil, as something both dirty and beautiful. Much of it is, of necessity, sexual, but it is also comic and tragic. Musically the album is a masterpiece." Paul Phillips of
424:, providing guitar and backing vocals on "Here Comes the Sun", and backing vocals on "(If This Is Love) Give Me More". During the tour, Harley had a number of the concerts recorded, which he used to create the double live album
279:
The album's concept revolves around the theme of love, including "true love, lost love, mother-and-child love, soldier loneliness, valentine sentimentalism and a fan's infatuation with a musician". In a 1977 interview with
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commented: "Harley's efforts to break big in the U.S. rock market have not been outstanding, although he always seems to make a dent. The import version has gotten play, but the album is uneven and at times esoteric."
358:, was the first cover version that the band recorded. Harley chose to cover the song after he heard it on the radio while travelling by taxi from his London flat to Abbey Road Studios during the recording sessions for
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cutting through the listener like a keen blade. Suffice it to say that it is an incredible album, the playing and its overall structure being unparalleled, voice effects and stacatto instrumental breaks abounding.
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Following the album's release, the band embarked on an eight-date UK tour from 2 to 12 December 1976. For the tour, Cregan was replaced by Jo
Partridge, who first joined the band as rhythm guitarist on the
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wrote, "Steve Harley and his band combine three separate trends in
British rock: artiness of the Roxy-Bowie school, lyrical complexity, and a touch of heavy metal.
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589:, Harley has decided to undertake the tattered and worn idea of a concept LP - but don't fear, the kid pulls it off in grande musical style." Henry McNulty of the
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The album received its first CD release by EMI in 1990. In 2001, BGO Records released the album as a double CD set with the band's 1976 US compilation
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335:"G.I. Valentine", "Finally a Card Came", "Innocence and Guilt" and "Is It True What They Say?" all feature the use of the EMI voice
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390:" was released as the album's second single and peaked at number 41 in the UK Singles Chart. EMI originally intended to release "
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concluded, "This is the one that should make Harley/Cockney Rebel as big in
America as they are in their native England. With
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is often amusing, sometimes embarrassing, but also - in a twisted, tangled sort of way - infinitely enjoyable." Barry Cain of
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394:" as the third UK single, but the release was cancelled, although the song was later released as the album's only US single.
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Some of the fans' poetry puts me to shame - Steve Harley interview by Harvey
Kubernik - Melody Maker - February 1977
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1223:"The Cockney Rebel Connections Show. Show 141: Alan Freeman's Saturday Rock Show, with Steve Harley, 1976"
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in 1976. It was produced by Harley, and would be the band's last album before splitting in 1977.
339:. Harley has described "G.I. Valentine" and "Finally a Card Came" as being "almost a tribute to
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McNulty, Henry (20 February 1977). "Rock: Catching up - Franks, Kinks, Stanky, Harley".
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1289:"The Cockney Rebel Connections Show 102: 50 Questions for Steve Harley at 70 (Part 3)"
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while Steve Harley & Cockney Rebel were touring to promote their 1976 album
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Barton, Geoff (13 November 1976). "Dark Clouds on the Harley
Horizon".
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1349:"STEVE HARLEY - full Official Chart History - Official Charts Company"
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Phillips, Paul (20 November 1976). "Prima Donna Falls Flat on Face".
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Brown, David (29 October 1976). "Newsdesk: Harley tour in
December".
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378:, the song's success coincided with an unusually hot British summer.
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1194:"Steve Harley And Cockney Rebel - (I Believe) Love's A Prima Donna"
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and that makes for a flexible, more relaxed sound. A great album."
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Cain, Barry (November 1976). "Cockney
Chameleon Changes Colour".
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was released by EMI in
October 1976 and reached number 28 in the
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in London from June to
September 1976. Once completed, guitarist
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While recording sessions for the album continued, EMI released "
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Jo Partridge – guitar (track 11), backing vocals (tracks 9, 11)
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Rex Anderson, writing for the EMI Records Weekly News magazine
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Cash Box newspaper - 22 January 1977 - Album Reviews - page 26
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tour. Partridge contributed to the recording of two tracks on
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Julie Harris – outer sleeve art direction for Splash Studios
1691:. Vol. 33, no. 1546. 12 February 1977. p. 41
1427:"Steve Harley And Cockney Rebel - (Love) Compared With You"
2085:
Make Me Smile – The Best of Steve Harley and Cockney Rebel
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Anderson, Rex (1976). "Music Talk: Love's a Prima Donna".
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Stewart, Tony (24 April 1976). "Harley blows big chance".
1168:"Official Steve Harley Website UK - Soundtrack of my Life"
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the albums that have most influenced him, with one being
18:
1976 studio album by Steve Harley & Cockney Rebel
1245:"Steve Harley And Cockney Rebel* - Love's A Prima Donna"
1087:"Steve Harley And Cockney Rebel* - Love's A Prima Donna"
1402:"Steve Harley And Cockney Rebel - Love Compared To You"
430:. It was released in 1977 and includes six tracks from
374:" as a single in July 1976. Reaching number ten in the
1463:. Vol. 38, no. 33. 1 January 1977. p. 9
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264:. Recording sessions for the new album took place at
2101:More Than Somewhat – The Very Best of Steve Harley
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1640:Marlowe, Jon (3 December 1976). "Album Reviews".
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1525:"The Great Steve Harley and Cockney Rebel Story"
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1142:Robbins, Ira (April–May 1977). "Steve Harley".
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933:Stuart Calver – backing vocals (various tracks)
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2109:The Cream of Steve Harley & Cockney Rebel
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2469:Birmingham (Live with Orchestra & Choir)
2125:The Cockney Rebel – A Steve Harley Anthology
2042:Birmingham (Live with Orchestra & Choir)
1316:"AUDIO: Cockney Rebel's Steve Harley (1982)"
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398:was released in the US on 10 January 1977.
2133:The Best of Steve Harley and Cockney Rebel
2069:The Best of Steve Harley and Cockney Rebel
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2453:The Come Back, All is Forgiven Tour: Live
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599:is an excellent showcase for the band."
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2492:List of songs recorded by Steve Harley
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579:Jon Marlowe of the American newspaper
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354:-penned song originally recorded by
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2461:Live at the Isle of Wight Festival
2264:The Best Years of Our Lives (live)
2215:Make Me Smile (Come Up and See Me)
1585:"Cockney Chameleon changes colour"
254:Harley began writing material for
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2141:Cavaliers: An Anthology 1973–1974
930:– backing vocals (various tracks)
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311:in early 1977, Harley commented,
2406:For Sale. Baby Shoes. Never Worn
2250:(I Believe) Love's a Prima Donna
2037:(as The Steve Harley Band, 2004)
1742:Steve Harley & Cockney Rebel
1699:– via World Radio History.
1471:– via World Radio History.
967:Pat Stapley – assistant engineer
876:Steve Harley & Cockney Rebel
812:"If This Is Love (Give Me More)"
777:(I Believe) Love's a Prima Donna
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240:Steve Harley & Cockney Rebel
201:(I Believe) Love's a Prima Donna
122:Steve Harley & Cockney Rebel
44:Steve Harley & Cockney Rebel
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691:except "Here Comes the Sun" by
2222:Mr. Raffles (Man, It Was Mean)
2010:Face to Face: A Live Recording
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427:Face to Face: A Live Recording
219:Released: March 1977 (US only)
153:Face to Face: A Live Recording
1:
1527:. 3 July 2015. Archived from
1483:"Love's A Prima Donna (1976)"
1034:
249:
238:is the fifth studio album by
915:Lindsey Elliott – percussion
870:
319:In 2015, Harley revealed to
7:
1906:The Best Years of Our Lives
860:"Is It True What They Say?"
272:left Cockney Rebel to join
10:
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2018:Stripped to the Bare Bones
1148:. No. 19. p. 3.
939:– backing vocals (track 2)
687:All tracks are written by
386:. During the same month, "
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2352:The Phantom of the Opera
2257:(Love) Compared with You
762:(Love) Compared with You
392:(Love) Compared with You
242:, which was released by
214:(Love) Compared with You
206:Released: 1 October 1976
2512:Dandy in the Underworld
2331:Ballerina (Prima Donna)
2152:Singles (Cockney Rebel)
2026:Acoustic and Pure: Live
1612:EMI Records Weekly News
1452:"Capitol sets releases"
955:Steve Harley – producer
945:– choir (tracks 1, 7-8)
801:"Seeking a Love, Pt. 2"
410:
2385:Star for a Week (Dino)
2338:Heartbeat Like Thunder
2295:Singles (Steve Harley)
2271:I Can't Even Touch You
1983:Stranger Comes to Town
1313:Jaffee, Larry (1982).
1112:"Prima Donna Harley".
670:Donald A. Guarisco of
317:
193:Released: 30 July 1976
2420:I've Just Seen a Face
2205:Singles (Steve Harley
2034:Anytime! (A Live Set)
1680:"151-200 Album Chart"
1380:. London: Sanctuary.
970:Ken Perry – mastering
964:Tony Clark – engineer
943:English Chamber Choir
849:"Innocence and Guilt"
749:"Too Much Tenderness"
738:"Finally a Card Came"
610:Retrospective reviews
313:
175:Love's a Prima Donna
2363:Whatever You Believe
2207:& Cockney Rebel)
1930:The Quality of Mercy
1922:Love's a Prima Donna
1898:& Cockney Rebel)
1657:The Hartford Courant
1116:. 11 September 1976.
1055:Donald A. Guarisco.
1025:151-200 Album Chart
910:Additional musicians
678:at its most artsy."
615:Professional ratings
597:Love's a Prima Donna
587:Love's a Prima Donna
555:Love's a Prima Donna
550:Love's a Prima Donna
443:Professional ratings
432:Love's a Prima Donna
422:Love's a Prima Donna
396:Love's a Prima Donna
380:Love's a Prima Donna
360:Love's a Prima Donna
325:Love's a Prima Donna
256:Love's a Prima Donna
235:Love's a Prima Donna
144:Love's a Prima Donna
56:10 January 1977 (US)
24:Love's a Prima Donna
1875:The Human Menagerie
1591:on 10 December 2014
616:
444:
64:June–September 1976
2570:EMI Records albums
2399:Faith & Virtue
2324:Freedom's Prisoner
2243:Here Comes the Sun
1821:Milton Reame-James
1353:officialcharts.com
1174:. 10 November 2015
836:Here Comes the Sun
614:
442:
438:Critical reception
372:Here Comes the Sun
348:Here Comes the Sun
276:'s touring band.
266:Abbey Road Studios
188:Here Comes the Sun
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2392:A Friend for Life
2378:When I'm with You
2236:White, White Dove
1627:National RockStar
1287:Stewart Griffin.
1221:Stewart Griffin.
1057:"AllMusic review"
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573:National RockStar
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2526:Somebody Special
2480:Related articles
2445:Live from London
2317:Someone's Coming
2285:The Last Goodbye
2117:Best of the '70s
1951:Hobo with a Grin
1851:Lincoln Anderson
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1011:UK Albums Chart
1001:Chart (1976–77)
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823:"Carry Me Again"
727:"G.I. Valentine"
716:"Seeking a Love"
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2077:Greatest Hits
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2061:A Closer Look
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1896:(Steve Harley
1894:Studio albums
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1865:Studio albums
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1374:Clayson, Alan
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894:Duncan Mackay
892:
890:– lead guitar
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463:Record Mirror
460:
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448:Review scores
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404:A Closer Look
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2533:Gi' Me Wings
2503:
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2345:Irresistible
2303:Big Big Deal
2278:Irresistible
2139:
2131:
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2099:
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2053:Compilations
2040:
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2016:
2008:
1989:
1981:
1973:
1965:
1957:
1949:
1928:
1921:
1920:
1912:
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1845:Jo Partridge
1818:Pete Newnham
1804:John Crocker
1798:Oli Hayhurst
1797:
1792:
1785:
1780:
1773:
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1754:Steve Harley
1752:
1738:Steve Harley
1693:. Retrieved
1688:Record World
1686:
1674:
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1656:
1650:
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1620:
1611:
1605:
1593:. Retrieved
1589:the original
1583:Barry Cain.
1578:
1569:
1551:
1545:
1533:. Retrieved
1529:the original
1519:
1513:. p. 4.
1508:
1502:
1490:. Retrieved
1486:
1477:
1465:. Retrieved
1458:
1446:
1434:. Retrieved
1430:
1421:
1409:. Retrieved
1405:
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1377:
1368:
1356:. Retrieved
1352:
1326:. Retrieved
1320:
1293:. Retrieved
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1265:
1253:. Retrieved
1248:
1239:
1227:. Retrieved
1201:. Retrieved
1197:
1188:
1176:. Retrieved
1171:
1162:
1143:
1113:
1107:
1095:. Retrieved
1090:
1066:. Retrieved
1060:
1022:Record World
1020:
974:
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909:
908:
882:Steve Harley
875:
874:
689:Steve Harley
686:
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549:
548:commented, "
543:
540:Geoff Barton
537:
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395:
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369:
359:
350:", the 1969
345:
334:
324:
320:
318:
314:
308:Melody Maker
306:
305:Speaking to
304:
281:
278:
259:
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234:
233:
232:
174:
151:
143:
142:
133:
115:Steve Harley
54:October 1976
39:Studio album
15:
2565:1976 albums
2487:Discography
2427:Out of Time
2002:Live albums
1967:Yes You Can
1857:Marty Prior
1829:George Ford
1781:Kuma Harada
1249:discogs.com
1091:discogs.com
959:Wilf Gibson
922:Tony Rivers
896:– keyboards
356:the Beatles
341:Frank Zappa
274:Rod Stewart
2554:Categories
2181:Psychomodo
1825:Jim Cregan
1815:Nick Jones
1695:27 January
1595:1 December
1535:15 January
1492:15 January
1467:30 January
1436:15 January
1411:15 January
1358:15 January
1291:. Mixcloud
1255:15 January
1229:13 January
1225:. Mixcloud
1203:15 January
1097:15 January
1068:1 December
1035:References
950:Production
888:Jim Cregan
569:Music Talk
270:Jim Cregan
250:Background
124:chronology
2167:Judy Teen
2160:Sebastian
1991:Uncovered
1431:45cat.com
1406:45cat.com
1198:45cat.com
1154:0164-1883
1006:position
984:Mick Rock
871:Personnel
676:glam rock
75:Glam rock
2367:Anderson
2354:" (with
2188:Mr. Soft
2174:Hideaway
1848:Ian Nice
1460:Cash Box
1376:(2003).
1062:AllMusic
672:AllMusic
634:AllMusic
602:Cash Box
110:Producer
61:Recorded
51:Released
41: by
1178:27 July
905:– drums
366:Release
337:vocoder
296:doo-wop
171:Singles
157:(1977)
148:(1976)
139:(1976)
2519:Madman
2472:(2013)
2464:(2005)
2456:(1989)
2448:(1985)
2365:" (as
2144:(2012)
2136:(2008)
2128:(2006)
2120:(2000)
2112:(1999)
2104:(1998)
2096:(1995)
2088:(1992)
2080:(1987)
2072:(1980)
2064:(1975)
2045:(2013)
2029:(2003)
2021:(1999)
2013:(1977)
1994:(2020)
1986:(2010)
1978:(1996)
1970:(1992)
1962:(1979)
1954:(1978)
1933:(2005)
1925:(1976)
1917:(1976)
1909:(1975)
1886:(1974)
1878:(1973)
1570:Sounds
1384:
1328:22 May
1295:13 May
1251:. 1976
1152:
1093:. 1976
994:Charts
975:Design
708:Length
628:Rating
625:Source
545:Sounds
501:Sounds
456:Rating
453:Source
300:reggae
298:, and
81:Length
2505:Score
2437:Video
1683:(PDF)
1614:(72).
1455:(PDF)
705:Title
173:from
98:Label
70:Genre
2371:Batt
1697:2022
1597:2015
1537:2017
1494:2017
1469:2022
1438:2017
1413:2017
1382:ISBN
1360:2017
1330:2024
1297:2024
1257:2017
1231:2023
1205:2017
1180:2016
1150:ISSN
1099:2017
1070:2015
1028:193
1004:Peak
863:4:41
852:7:13
841:2:55
826:4:30
815:4:25
804:1:09
793:3:13
782:4:11
767:4:20
752:4:16
741:2:28
730:1:29
719:0:43
411:Tour
292:folk
1273:NME
1019:US
1014:28
857:13.
846:12.
831:11.
820:10.
701:No.
542:of
244:EMI
103:EMI
2556::
1685:.
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1351:.
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1170:.
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1078:^
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1043:^
809:9.
798:8.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
